Monthly Archives: January 2023

J&K Government Award | Umran Malik, Ayeera, Inshah among 10 sportspersons awarded

JAMMU & KASHMIR:

Each awardee will receive, a cash prize of Rs 51 thousand, a medal and a citation.

Representational Image

Srinagar: 

The pace sensation of J&K Umran Malik is among the 10 sportspersons who were awarded the J&K Government Award in the field of Sports on the occasion of Republic Day 2023.

J&K Government announced awards in various fields on the eve of Republic Day 2023 which included Sports. This year 10 sportspersons who have excelled at various levels and brought laurels for J&K were awarded.

Umran Malik headlines the list which also includes Ayeera Chisti, Inshah Bashir, Ishan Pandita, Ankita Raina, Soham Kamotra, Rahul Jangral, Muskan Rana, Kritharti Kotwal and Mannat Choudhary.

Umran Malik climbed the ladder of success last year and went on to represent the Indian National Cricket team in T20 and ODI cricket. With his sheer raw pace, Umran Malik has mesmerized every cricket follower on the planet. He is currently the fastest-ever Indian pace bowler. Apart from the Indian National Cricket team, Umran Malik plays for Sunrisers Hyderabad in IPL.

Ayeera Chisti recently became the first female player from J&K to bag a medal in the World Junior Wushu Championship. She also won a medal in another International Wushu event held in Georgia.

Inshah Bashir is the International Wheelchair Basketball champion. Apart from Representing the Country at the International level, Inshah has also been captain of the J&K team. She received the National Award from President Droupadi Murmu in New Delhi last year. She had lost her ability to stand in 2009 due to an accident but continued to defy the odds by carrying on her sports activity on a wheelchair, making J&K proud.

Ishan Pandita is an International footballer who has roots in Kashmir. Born in New Delhi, Ishan has represented India at the International level and is playing for top clubs in Indian Super League. He has also played professional football in Spain.

Ankita Raina is an International Tennis star who has been playing top-level professional Tennis from last more than 10 years. She has been a regular in Grand Slam events. Apart from that Ankita has represented India at the International level as well as in the Olympics.

Having roots in Kashmir, Ankita since 2013, has regularly been the Indian number one in both singles and doubles.

Soham Kamotra is an International Chess player from Jammu who has bagged a couple of medals for India at the International level. Last year Soham bagged a gold medal in the Commonwealth Chess Championship in the Under-18 age category, held in Sri Lanka.

Earlier Soham had bagged a bronze medal in the Asian Under-18 event.

Rahul Jarngal is an accomplished mountaineer who has scaled Worlds Highest Peak Mount. Everest. Jarngal who hails from Hiranagar Jammu has also successfully climbed Mt. Kangchenjunga amoung many other peaks.

Rahul works as Executive Engineer Instrumentation in ONGC and has an accomplished record in sports and academics.

Muskan Rana is a top-level gymnastic player from Jammu who has been bringing laurels for J&K at various levels.

Muskan Rana was last year declared as Junior National Champion in the 26th Junior National Rhythmic Gymnastic Championships held at Bengaluru in Karnataka. Muskan Rana has won five medals including two gold, and three silver medals for J&K. She is considered one of the top talents in the Country.

Kritarthi Kotwal an accomplished Fencing player last year bagged the junior team bronze medal for India in the Commonwealth Fencing Championship held in London. Kotwal is a highly talented Fencer and has been winning medals for J&K on regular basis.

Mannat Choudhary who hails from R S Pura, Jammu is a Volleyball player who represented the Indian Volleyball team in AVC Cup Volleyball Championship in Thailand last year. Mannat is a top volleyball player of J&K who has also captained J&K junior teams at the National level.

Each awardee will receive, a cash prize of Rs 51 thousand, a medal and a citation.

source: http://www.greaterkashmir.com / Greater Kashmir / Home> Sports / by Abid Khan / January 27th, 2023

Team Mangalore United – IIID MLR wins IIID HRC T -15 Regional League Cricket Tournament 2023

Mangalore, KARNATAKA:

Mangaluru:

IIID MLR Chapter representing Mangaluru has won the IIID HRC T -15 Regional League Cricket Tournament. The tournament comprised of total 8 teams including Hyderabad, Chennai, Goa, Bangalore, Amaravati, Vizag, Kerala, and Mangalore.

The Mangalore team named Mangalore United led by Architect Mohammed Nissar, Chairperson, IIID Mangalore Chapter has won all their league matches by topping the league table defeating Hyderabad in their finals to lift the Cup. This was one of the prestigious cricket tournaments organized by the IIID Hyderabad Chapter at Grand Arena Sports County Telangana.

Zaheer Ahmed from Mangalore United won the 3 Man of the match awards, got the best Batsman of the tournament by scoring 273 Runs which included the fastest century in the tournament by scoring 33 balls 100, and also got the Man of the series Award.

While Naeem Aseel got the best bowler of the tournament by achieving 10 wickets in total and got 1 man of the match award with Raseem achieving the Man of the Match Award from one of the league matches.

Architect Mohammed Nissar lifted the cup and said that the journey was indeed challenging from team selection to playing the right mix of players and setting the team strategy for every match and also thanked all Mangaloreans who supported Mangalore United and the other chapters who supported Mangalore and believed that they could win this tournament.

source: http://www.varthabharati.in / Vartha Bharati / Home> Karavali / January 30th, 2023

Tailor Iqrar Ahmed stitches not just fabric but a cohesive community

UTTAR PRADESH / NEW DELHI:

Iqrar Ahmed, a tailor from Uttar Pradesh who has been stitching clothes for over two decades, derives satisfaction from the love, affection, trust and respect he has earned across communites.

Iqrar was only ten years old when he came to Delhi in 1986 to make a living. It took him a lot of hard work and perseverance to be able to buy a tiny shop in South Delhi’s Niti Bagh market.   

In his late forties now, Iqrar still remembers the stiff resistance he faced from neighbouring shopkeepers when he bought a 36 sq ft shop in the small DDA market in 2008. Were it not for the support of his friend, Giri Raj Giri, a RSS karyakarta who has an electrician’s shop there, Iqrar would not have been able to fulfill his dream of being self-reliant. 

Giriraj and Iqrar are like brothers and share an exemplary bond. 

Giriraj brings sweets for Iqrar every Diwali and Iqrar treats him to seviyan (an India desert) on Eid. This Diwali, Iqrar carefully chose the best available fabric from his shop for Giriraj and stitched a pink silk Kurta for him. Iqrar wrapped the Kurta nicely and carried the present to his shop. Giriraj was touched by his gesture and wore the kurta on Diwali; Iqrar celebrated their friendship by making his friend’s picture in the kurta, as his WhatsApp DP (display picture) during the festival. 

   Giriraj acknowledged the Kurta stitched by his time-tested friend by wearing it on Diwali

Iqrar is one of the most sought-after tailors in South Delhi. He explains that he learnt social graces in the company of elderly people and good clients. Iqrar who went for Haj with his mother in 2019, cannot thank Allah enough for helping him meet benevolent people. “Hamari zero qualification hai. Khuda me mujhe lajawaab logon se milwaya. Humne kabhi tasavvur nahi kiya tha ki aisa hoga.’’ (I have no educational qualification. God connected me to wonderful people. I had never imagined that my life will shape up like this.) 

Born in Sitapur’s Bilwa Bahadurpur village blessed with an abundance of mango trees, Iqrar saw his family battle financial hardships at a very early age.  The fourth among eight siblings, he is the only one who could not even go to a Madarsa. “I was only 20 when I lost my father. My family really had to struggle for survival. In my village, I would long to go to school like other children and even went to see the village school but did not muster courage to step in.’’ he recalls. 

Iqrar is beholden to his elder sister Shehnaz who persuaded him to come to Delhi. “Both my sister and brother-in-law made me feel very comfortable in their home in Jamia Nagar but I really missed home. I would hide and cry thinking of my mother back home. Shehnaz Appi loved me a lot but I could not bear separation from my mother. I would request people to write postcards to my mother. My sister had five children. All of them went to school.

“I really loved them and was happy offering to take care of them. I too felt like going to school but reminded myself of my family circumstances. Going home to my village was a luxury and I could afford to meet my mother only once in two years.”  

Iqrar Ahmed at his shop

Iqrar stayed with his sister for six years till 1992. During this period, he learnt stitching from his brother-in-law, Mehboob Ali. Later, he worked in a boutique in Defence Colony. After four years, Iqrar was designing clothes in a boutique in South Delhi. “For five years, I worked with a boutique owner in Gulmohar Park. Her husband, Mahesh Aggarwal, was a lawyer and liked my work so much that he allowed me to use his shop here free of cost. ‘’ 

It was at that time that Iqrar got to know Giriraj Giri who persuaded him to buy the shop. Iqrar considers Giriraj as his elder brother and cannot thank him enough for giving him the clarity on making the right investment and standing by his side. “Giriraj is always ready to help people -irrespective of what religion they follow. He volunteered all the cable work in my shop when I bought it and refused to take even a penny.’’ 

Iqrar considers himself lucky to have always lived close to a mosque and woken up with the Azan every morning. He offers namaz five times a day. What gives him enormous satisfaction is that he took his mother for Haj for 46 days in 2019. “Wahan jaakar ruhaniyatr milti hai aur lagta hai jaise dusre jahan me aa gaye hon.( One experiences spirituality there and feels transported to another world.) 

Iqrar with his mother at Mecca for the Haj pilgrimage

Iqrar has two sons, Sarfaraz Ahmed and Afsaar Ahmed and a daughter but he has chosen to name his boutique AD  (Aafreen Design )Indian Outfit after his 20 year old daughter Aafreen. “ Like our Prophet loved his daughters a lot, I too really love my daughter.’’ 

Sarfaraz is a graduate, Aafreen is in the final year of post-graduation and Afsaar is preparing for his MBA. 

This soft-spoken tailor also finds time to run an NGO called AUN Human Welfare Society. AUN is involved in distributing blankets to the poor every winter and notebooks to school children. “Mera maksad insaanon se hai naa ki musalmaan ya kisi aur mazhab se.’’ (My intention is to help fellow human-beings not just Muslims or people from any particular religion). 

Even though his income fluctuates every month, Iqrar has amazing clarity is his approach to work. “On an average, we stitch three suits a day as we focus on quality work.’ He goes on to explain, “Agar Kaam zyada hoga to kaam kharab hoga aur agar kaam kharab hoga to naam kharab hoga. (Excessive work will impact quality which in turn may affect our credibility.’’ 

He commands an impressive clientele of celebrities including ministers, actors and journalists. Commerce Minister Piyush Goyal and his wife depend on Iqrar’s tailoring. Over the years, former Home Minister Shivraj Patil,  Congress leader, Tariq Anwar, politician Akbar Ahmed Dumpy, former Home Secretary V.K. Duggal, TV hostess Mandira Bedi’s family, the late journalist Khushwant Singh’s daughters in law, former cricketer Mohd. Azharduddin and Ashish Nehra’s family have also been his clients.

Iqrar Ahmed’s staff: Saajid, Salman and Nafees

Veteran journalist Shubha Singh has been going to Iqrar for almost four years to get her clothes tailored. “His work is very neat and he is always ready with patterns. Every time I wear the clothes designed by Iqrar, people ask me who has stitched them and I am happy to refer them to him,’’ she says.  

Likewise, Iqrar’s neighbour Vijay Khanduja who owns a stationery shop says, “ My wife gets salwar kameez stitched from him and is very satisfied with his work.’’ 

Over the years, many shops have closed down in the DDA market. Clearly, Iqrar has proved that the fittest survive. 

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Tripti Nath / posted by tripnathnepal@gmail.com / January 23rd, 2023

Rehman Rahi, 97, Eminent Kashmiri Poet Who Restored a Language, Dies

Srinagar, JAMMU & KASHMIR:

Kashmir’s unofficial poet laureate, he gave voice to the rich culture of a bitterly divided territory and helped give his mother tongue a distinct literary identity.

Rehman Rahi in 2007, after becoming the first Kashmiri to win India’s highest literary award.Credit…Sipra Das/The The India Today Group, via Getty Images

New Delhi:

Rehman Rahi, a celebrated Kashmiri poet who devoted his life to promoting and preserving the Kashmiri language and gave its poetry a distinct identity, died on Monday at his home in Srinagar, Kashmir’s biggest city. He was 97.

His son, Dr. Dildar Ahmad, confirmed the death.

Throughout his career as a writer and university professor, Mr. Rahi was committed to Kashmiri, a language he considered the source of Kashmiri identity and essential for preserving the ancient culture of a divided territory.

He published more than a dozen books of poetry and prose in Kashmiri and is credited with restoring the language spoken by more than six million people to the realm of literature, lifting it out of the shadow of Persian and Urdu, which once dominated the literary scene in Kashmir, a disputed territory that straddles India and Pakistan.

“He introduced intellectual richness, modern sensibility and accessibility to Kashmiri language and poetry,” Muhammad Amin Bhat, a Kashmiri television anchor and president of Adbee Markaz Kamraz, the region’s oldest literary organization, said in an interview this week. “Without a doubt, he was the greatest living poet of modern Kashmiri language.”

Over a career that spanned many decades, Mr. Rahi won dozens of awards, including the Padma Shri, India’s fourth-highest civilian honor, in 2000, and in 2007 the Jnanpith Award, India’s top literary prize, becoming the first Kashmiri to do so.

In 1961, he won a literary award from India’s National Academy of Letters, for his poetry anthology “Nawroz-i-Saba” or “Advent of the Spring Breeze,” (1958).

Like most Kashmiris, Mr. Rahi grew up speaking conversational Kashmiri, but the language had been removed from schools — the Indian government viewed it as subversive — and its formal speech had fallen into disuse.

In the 1950s, he attended a poetry reading in the village of Raithan in central Kashmir, where a Kashmiri poem was greeted with tremendous applause. Mr. Rahi then went onstage and read his work in Urdu, then the region’s official language.

“No one understood it,” he said in an interview with The New York Times last year. “That day I started learning Kashmiri.”

That was the beginning of his long love affair with the language, which he described in his 1966 poem “Hymn to a Language”:

O Kashmiri language!
I swear by you,
you are my awareness,
my vision too the radiant ray of my perception
the whirling violin of my conscience!

He also promoted Kashmiri in more concrete ways. He was one of the biggest supporters of a campaign to restore the language to schools, an effort that finally succeeded in 2000. He helped recruit teachers and scholars to teach Kashmiri and created a course to teach it to children.

More recently, his poems addressed the despair of the Kashmiri people living at the heart of a bitter and longstanding dispute between India and Pakistan.

One untitled poem reads:

It may not be possible to speak, what can we do?
It may not be possible to bear burdens of the heart, what can we do?
The flower may refuse to blossom but does it have the right?
There is a fire burning in its bosom, what can we do?

Rehman Rahi was born Abdul Rehman Mir on May 6, 1925, into a poor Muslim family in the Wazpora area of the city of Srinagar.

His father, Ghulam Muhammad Mir, a day laborer, died when Rehman was 14; his mother, Rahat Begum, was a homemaker. After the death of his father, he was raised by a maternal uncle.

Rehman studied Persian at Sri Pratap College and English at Kashmir University, both in Srinagar, earning a master’s degree in each language. He started writing while in college, adopting the pen name Rehman Rahi.

He worked briefly as a clerk in the department of Public Works, earning just a few cents a month and sometimes traveling dozens of miles to northern Kashmir for his job.

He then joined a regional Urdu-language newspaper, Khidmat, as an opinion writer. In 1947, the Indian subcontinent was partitioned into India and Pakistan, leading to widespread violence between Muslims and Hindus and cleaving what had been the princely state of Kashmir.

For years, Mr. Rahi wrote about the pain and anguish that the upheaval had inflicted on millions of ordinary people and how it had shaped their experiences and encounters. He also started writing poetry.

In 1964, he joined the Persian department of Kashmir University as a lecturer, and in 1979 switched to the recently created Kashmiri department.

He married Zareena Mir, who died in 2019. Along with his son, Dr. Ahmad, Mr. Rahi is survived by two other sons, Dr. Javed Iqbal and Dr. Farhad Hussain; a daughter, Nighat Nowsheen; and five grandchildren.

He retired from the university in 1985.

Mr. Rahi was sometimes criticized for having failed to engage with the brutal conditions faced by many Kashmiris, who have been oppressed by both Indian security forces and Kashmiri militants fighting for independence from India.

While working for the newspaper Khidmat, he joined the Progressive Writer’s Association, which was affiliated with India’s Communist Party, and early in his career he had a reputation as a progressive poet.

But he later denounced Communism and became more guarded about his political thinking.

As Kashmir plunged deeper into turmoil after an insurgency began in 1989, Mr. Rahi’s poetry grew more somber, expressing anguish over the mounting violence, yet he continued to avoid addressing the politics around it. He saw literary modernism as a new framework for examining the human condition.

Abir Bazaz, a professor of Kashmiri literature at Ashoka University, outside of New Delhi, said Mr. Rahi’s reticence had been a valid response to the conflict.

“Rahi’s political silence, a refusal to take sides in the vicious cycles of insurgency and counterinsurgency in Kashmir, does offer a hope for a path beyond the violent binaries that have shaped the Kashmiri present,” Dr. Bazaz said.

He cited a poem Mr. Rahi wrote in 1995, at the height of the insurgency, seemingly justifying his detachment:

Looking at that state, I only desired madness and silence
I was told your fate, dear, is madness and silence

But in the Times interview last year, looking back on his career, Mr. Rahi expressed regret, faulting himself and other poets for failing to sufficiently grapple with the difficult realities on the streets of his homeland.

“We stood with pen and paper on banks of a river filled with blood,” he said, “and chose not to see the pristine water had turned red.”

Sameer Yasir is a reporter for The New York Times. He joined The Times in 2020 and is based in New Delhi.  @sameeryasir

source: http://www.nytimes.com / The New York Times / Home> Asia Pacific / by Sameer Yasir / January 11th, 2023

Tryst with hardships motivated awardees

Lucknow, UTTAR PRADESH:

Lucknow:

It was the time of Covid peak when vendors had to sell their stocks at throwaway prices and many lost jobs. A vegetable vendor and a spray painter, who saw their earnings plunge and struggled financially as the pandemic raged, were on cloud nine on Saturday, as their children have bagged Lucknow University’s prestigious Chancellor’s Bronze medal.

LU declared names of the 15 students who will be conferred medals at its convocation ceremony on November 26.

Mohd Aiyub Ahmad, son of a vegetable vendor, has bagged the bronze medal for being the best student in BSc final year while a spray painter’s daughter Iqra Rizwan Warsi of Karamat Husain Muslim Girls PG College bagged it for being the best student in BA final year.

The families of both Aiyub and Iqra went through deep financial struggles during the pandemic.

Tryst with hardships motivated awardees | Lucknow News - Times of India

“My father Rasheed Ahmad is my biggest source of inspiration . Even after facing financial challenges during the two Covid waves, he made sure that I was never short of study material or internet pack. There was a time when no one was turning up at Chowk Mandi and he sold vegetables at throwaway price,” said Aiyub.

“The tough times we went through will continue to motivate me forever. I aim to pursue research in the field of electronics and make my parents proud one day,” he added.

Sharing details of similar hardships, Iqra said, “My father Rizwan Warsi lost his work as a spray painter during the pandemic, but he didn’t give up. He started selling masks while my mother Tarannum began stitching masks and clothes to make sure the education of their four children continues.I aim to become an Urdu professor and will make my parents proud one day,” she said.

Meanwhile, the two chancellors’ silver medals awarded in diferent categories were bagged by MSc student Labvi Shukla. “I want to work for financially weak students who are forced to drop out due to poverty.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News> Lucknow News / by TNN / November 21st, 2021

A look at Sania Mirza’s Grand Slam title wins across her illustrious career

Hyderabad, TELANGANA:

 Sania Mirza

Sania Mirza is truly the first female tennis superstar from India.While Leander Paes led Indian tennis into the new millennium with his 1996 Atlanta Olympics bronze medal and several honours, tennis fans all around the nation yearned for a woman to represent the tricolour on the women’s court.Hyderabad-born, Sania Mirza gave the country just that.Here is a list of Sania Mirza’s Grand Slam titles, which helped her become India’s top female tennis player and a household name in the world of sports.

Source: Olympics Website

Australian Open 2009 mixed doubles

Her first victory came in 2009 when she teamed up with Mahesh Bhupathi to win the Australian Open mixed doubles championship.The pair was on a mission after falling short at the last hurdle at Melbourne Park the previous year and didn’t drop a set until making it to the quarterfinals.To win the title, the pair defeated Andy Ram of Israel and Nathalie Dechy of France 6-3, 6-1. 

Source: Olympics Website

French Open 2012 mixed doubles 

Three years later, the pair would team up once more to represent India with pride, this time on the revered clay of Roland Garros.Sania Mirza and Mahesh Bhupathi, who were the seventh seeds for the 2012 French Open, breezed through the competition.They won the title match 7-6, 6-1 against the Polish-Mexican team of Klaudia Jans-Ignacik and Santiago Gonzalez to win their second Grand Slam.

Source: Olympics Website

US Open 2014 mixed doubles

At the 2014 US Open, she teamed up with Brazilian player Bruno Soares to win her third mixed doubles championship at a Slam.The top-seeded pair lived up to their reputation by defeating Abigail Spears of the USA and Santiago Gonzalez of Mexico in the title bout, which required a tie-breaker.

Source: Instagram

Wimbledon 2015 Women’s doubles 

Sania Mirza and Martina Hingis partnered in 2015 and won three consecutive Grand Slam doubles championships. They won their 1st Grand Slam title at Wimbledon in 2015. Without dropping a set, the pair advanced to the championship match against Sania Mirza’s previous partner, the Russian team of Ekaterina Makarova and Elena Vesnina.Sania Mirza and Martina Hingis persevered to win a closely contested three-set match in the final.

Source: Twitter

US Open 2015 Women’s doubles 

The duo continued their rich vein of form and seemed almost unstoppable over the course of the next few months as they picked up the US Open 2015. Martina Hingis and Sania Mirza won their second Grand Slam doubles title together, defeating Casey Dellacqua and Yaroslava Shvedova in the final, 6–3, 6–3. 

Source: Twitter

Australian Open 2016 Women’s doubles

In 2016, at the Australian Open, Sania Mirza captured her final Grand Slam. With Hingis, she had won three straight major championships.The top-seeded Indo-American team defeated Andrea Hlavackova and Lucie Hradecka of the Czech Republic 7(7)-6(1), 6-3, to claim the championship in Melbourne.

source: http://www.siasat.com / The Siasat Daily / Home> Photos / by Asian New International / posted by Abdul Rahman / January 28th, 2023

Giants Udupi gets appreciation award, rocks at group’s International Conference in Jodhpur

KARNATAKA:

Giants Group Udupi was awarded an appreciation award by Shaina M.C, World Chairperson of the group at a backed crowd at the 47th Giants Convention held at Jodhpur, Rajasthan on Friday.

M. Iqbal Manna, President of Udupi Giants, Director Vadiraj, Central committee member Dinkar Amin and Pushpa were present at the award ceremony.

Manna was recently awarded several awards at Belgum Conference of the group, including Best President Award, Best Team award, and other awards.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karavali / January 20th, 2023

Hyderabad: Police intelligence officer dies in road accident

Hyderabad, TELANGANA:

 Representational Image

Hyderabad: 

A constable working with the Telangana police’s intelligence department died in a road accident at Chandanagar on Monday morning.

Shaik Mufeed, who was working as an Assistant Analytical Officer, Intelligence department (was working in Cyberabad) was going on a motorcycle when a Telangana State Road Transport Corporation (TSRTC) bus hit his vehicle.

“Mufeed had fallen down from the motorcycle and sustained injuries. He died on the spot. The accident happened around 9.30 a.m,” said SHO Chandanagar, K Kastro.

On receiving information of the accident, the Chandanagar police rushed to the spot and shifted his body to the Gandhi Hospital mortuary in Secunderabad. An autopsy was performed and the body was later handed over to the family members.

The Chandanagar police registered a case against the driver of the bus and took him into custody. The vehicle was seized.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Mir Alamgir / January 30th, 2023

A Story About Indian Muslims That Doesn’t Begin in Violence and End in Suffering

INDIA:

Sanderien Verstappen’s ‘New Lives in Anand’ shows us how new lives and connections are made by communities who have deep ties to a region and a way of life that cannot be reduced to the word ‘Muslim.’

Photo: Superfast1111/CC BY-SA 3.0

In 2005, I was back in Ahmedabad collecting stories of Hindus, Muslims and Dalits living beside each other in the eastern part of the city in a neighbourhood called Vatva. I had worked as a volunteer in the Qutb-e-Alam dargah relief camp in Vatva in the aftermath of the 2002 pogrom. Vatva lacked basic infrastructure – the sewers were overflowing with garbage, the roads were broken, and the air was pungent with chemicals from local industries. The area had a sizeable population of Muslims who often lived beside Hindus and Dalits.

As part of my research, I met a lower-level bureaucrat at the Ahmedabad Municipal Corporation (AMC) to learn more about the history of the neighbourhood. Opening large survey maps of the area, he was puzzled by my interest in Vatva. “It was a bad area,” he said, an expression and attitude that accompanied discussions of Muslim-majority neighbourhoods in Ahmedabad far beyond the corporation offices.

Sandrien Verstappen’s wonderful new book New Lives in Anand tells us that the story of Gujarati Muslims does not end with violence and displacement. Verstappen focuses on the attempts of one Muslim community, the Charotar Sunni Vohras in Anand, to make a new life in the aftermath of state-sanctioned public violence in 2002. Violence that forced many Muslims to flee Hindu-majority villages and seek safety in Anand.

By focusing on the attempts of the Vohra community to make a meaningful life, secure marriages, do business, and “bring the community together,” we get a glimpse of a world where Muslims are not permanent outsiders in Gujarat but essential to the creation of a region through their embeddedness in Charotar’s fertile agricultural economy. By telling the story of Gujarati Muslims through the prism of a specific region, Verstappen can describe their similarity with local Hindus, like the Patidar community. The lens of region, not religion, allow us to see the flimsiness of the idea of a homogenous Muslim community that is being served all day in contemporary India.

A board member of the Charotar Sunni Vohra community jokingly refers to Anand as a “Mecca of Vohras” and yet the joke is serious because it is a reminder to readers that despite the best efforts of Hindu supremacists in India to portray Muslims as foreigners in Gujarat (and India), Indian Muslims are building spaces that are safe for them; spaces that cannot be reduced to suffering and marginalisation but open new opportunities for middle-class Muslims.

But why Anand? The book begins with the exodus of Muslims from Hindu-majority rural areas to urban centres like Anand after the 2002 pogrom. We learn that the pogrom has left no one untouched. It has instilled a fear even in places where there was no violence. Because, as Verstappen writes, “the fact that that there has not been any large-scale violence in Gujarat since 2002 is not considered an indication that peace has been restored and the violence is over.” However, the Vohra community’s successful attempt at building a hub in Anand through ‘regional belonging’ (the fact that they are from the Charotar region) must be seen in the light of the fact that they are a wealthy and powerful community amongst Muslims in Gujarat.

The book describes how, despite the setback of the Partition, the Vohra community organised itself through history writing, associations (such as Charotar Sunni Vahora Young Men’s Association in Bombay in 1936), and community halls and overseas organisations in the UK, US and Canada. Significantly, the Vohra community narrates it past as emerging from local Hindus who converted to Islam and therefore showing their links with local Hindu groups like the Patidar community in Gujarat.

Sandrien Verstappen.

Verstappen’s account of how the Vohras tell their history, manage their lives, and make claims of belonging in Gujarat is a powerful reminder of the importance of local ancestry, village-based marriage circles, and agricultural practices in the making of a community. What joins the Muslim Vohra community with their Hindu neighbours is as important as what separates them. And yet despite the valiant efforts of the Vohra community to build Anand as ‘hub’ for prosperity, the ongoing movement of Muslims from Hindu-majority villages and Hindus from Muslim-majority areas is a deeply troubling phenomenon that is not limited to Anand and should worry us all.

Anti-Muslim violence has created a vicious cycle which justifies segregation and the making of Hindu/Muslim majority neighbourhoods in the name of ‘peace.’ But this is not peace but apartheid. And it has significant effects on the well-being of those who live in Muslim-majority spaces. For instance, a resident of Gamdi in Anand says that “the municipality is only maintaining the roads in places where Hindus live.”

So regardless of communities perceive themselves, religiously segregated neighbourhoods can lead to the situation where certain areas are deliberately neglected by the government simply because they are inhabited by minorities. Segregated areas help politicians to clearly mark spaces that did not vote for them and then punish them. Even though Verstappen is keen to show that Vohras are part of a wider form of urbanisation in India and are not moving to Anand only because of safety but also to rise up the social ladder, I feel that state-sanctioned segregation cannot be understood through only a regional lens. Here the regional lens can be a limitation rather than an aid to understanding minoritisation.

The process of segregating and isolating Muslims in India within specific neighbourhoods is now a national issue and is connected to the second-class status accorded to Muslims beyond Gujarat. Having seen this process unfold in Gujarat over the last two decades, I cannot fail but notice that residential segregation is part of a larger fabric that creates the infrastructure for segregated laws, segregated schools, and segregated life. In some situations, like the current rise of Hindu supremacy in India, it is liable to become the bedrock for the unequal and unfair treatment of minorities.

Verstappen also tracks the transnational links of the Vohras, who like other Gujaratis overseas, send remittances home, invest in real estate, and support charitable organisations. In this way, the community uses the opportunities opened up by the overseas citizenship scheme and contributes to the development of Anand as a ‘hub’. Here, again, I am reminded of the recent violence in Leicester that shows that the domestic politics based on the false and pernicious idea that Hindus and Muslims belong to separate worlds and are forever at war may be spreading to the diaspora, which can have significant effects on the Vohra community in general.

In sum, Verstappen’s book is important because it tried to tell new stories about Indian Muslims, a story that does not begin with violence and end in suffering but shows us how a particular community, in a particular region is transforming displacement and segregation in the aftermath of anti-minority violence into the making of a ‘hub’ – a space for mobility, a space for aspirational middle-class Muslims to access Hindu spaces, a space to forge an identity that is not a prison. A story of the making of an aspirational Muslim middle-class that cannot be reduced to victimhood.  In other words, the book shows us how new lives and connections are made by communities who have deep ties to a region and a way of life that cannot be reduced to the word ‘Muslim.’

Moyukh Chatterjee is a Visiting Scholar at the University of Edinburgh and is the author of the forthcoming book, Composing Violence: The Limits of Exposure and the Making of Minorities, Duke University Press (2023).

source: http://www.thewire.in / The Wire / Home> Books / by Moyukh Chatterjee / January 27th, 2023

Sibghatullah Khan introduces Hyderbadis to their rich past through his Deccan Archives

Hyderabad, TELANGANA:

Mohammad Sibghatullah Khan (In Blue shirt standing extreme right) with locals on a curated heritage walk

It’s January; there’s a nip in the air and the humidity is low. It’s a great time to explore Hyderabad on foot. Whether you’re traveling to a new destination or want to pull back the curtain on your city, these walking tours are the best way to rediscover the streets of Hyderabad. Mohammed Sibghatullah Khan co-author of Hyderabad Deccan, an architectural and visual designer by profession and a history enthusiast, offers theme walks centered around food, architecture, cultural history, and more. 

Did you know that eminent Bollywood personalities like Kaifi Azmi, actor Tabbu, Nigar Sultana all of these had once lived at Malepally one of the oldest localities of Hyderabad during the time of Nizams? Mallepally was built by the fifth Asafjahi ruler-Afzal Ud Daula next to the Afzal Sagar tank which was one of the largest tanks. Also, did you know that Charminar, one of the most charming landmarks of Hyderabad, is the finest example of Qutub Shahi architecture? To know more take a walk with Mohammed Sibghatullah Khan to explore Hyderabad’s varied architectural styles from Gothic and Indo-Saracenic; to Neoclassical and Art Deco.

He organizes experiential walks in collaboration with local businesses concluding these with food, snacks, and drinks steeped in history.

Ratna G. Chotrani spoke with Mohammed Sibghatullah about heritage walks he conducts across Hyderabad city, the need for heritage conservation, and why archiving is important for the future. Excerpts from the interview:

Please tell me about your background and how you developed a career in the heritage sector.

I was born and raised in Hyderabad. I was always fascinated by the old structures and monuments of the city. My love for buildings grew more when I took up architecture as a profession. As part of academic research on the architectural evolution in Hyderabad city, I started reading more and more on the built heritage of the city which was vanishing at an alarming rate. With The Deccan Archive, I started to curate heritage walks and workshops in and around the city to connect to and educate people about the cultural significance of the city they call home. I have been involved in several documentation and heritage conservation efforts in and out of academia. After three years of research on monuments, I have co–authored an illustrated guidebook that talks about the built heritage of Hyderabad city.

After scraping through the limited resources available on the internet, I realized that there wasn’t enough compiled data on the city on digital platforms. This started shaping my idea of The Deccan Archive as a platform that would shed light on the fascinating and often overlooked history of, not only Hyderabad but also the entire Deccan; and would hopefully try to bring this information into public knowledge and ignite a sense of pride and responsibility in the people, so they come forward and help preserve our shared heritage.

Why did you think of these heritage walks?

I used to post details of Hyderabad’s architecture on social media and got a lot of following. To get a real deep-dive into the city’s heritage and culture to know more about its sprawling gardens and parks or to meander around Tank Bund or stroll through Paigah palace to learn of its historic past when people commuted on horseback and danced in the ballrooms of  British Residency what better way than do a heritage walk. I mooted the idea and then a few people showed interest and soon it became a caravan of people with a common interest.

How many such walks have you held, so far?

We, from Deccan Archives, have organized 70 to 80 walks since 2018. Every Sunday we meet in the early hours and move to the main topic of the walk. It could be Uncovering Hyderabad or Hyderabad’s eclectic architecture, uncovering stories of Hyderabad Deccan, and even discovering the food of Hyderabad.

You founded the Deccan Archives with a common concern for preserving the unique tangible and intangible heritage of the Deccan. How would you rate the success of your idea and venture?

The Deccan Archive initially started in November 2018 as an anonymous blog that covered the chronological history of the Deccan in chapters. For an entire year since its inception, the blog was operated solely by me. I would spend days at the State Central Library and the Salar Jung Museum Library, reading about the birth of this fortunate city and the men who shaped it. One year later, I brought together my friends from college to form a team of designers, photographers, and artists to work on this project. The group traveled to the old city of Hyderabad in search of lost and forgotten monuments, following the extensive work of Dr. Omar Khalidi as a reference for our quest. A typical outing for the group would consist of documenting buildings and damage to them, identifying their architectural styles and materials, digging out histories associated with them, and trying to preserve them digitally

Now let’s talk about food. Why should a resident need to walk with you to know his food?

We look at monuments, places, restaurants, local communities, and everything that we are surrounded with. We take our walkers to places that are not accessible to them for instance we went to Khursheed Jah Devdi,  a European-styled architectural palace located in Hyderabad. … It was built by the Ancestors of Paigah noble Khursheed Jah Bahadur, Then we went to Paigah Palace near Begumpet even the Rashtrapathi Nilayam which is otherwise not accessible to the common man. 

Do you think it helps and has it received its purpose?

Initially, only 30 people came but it went on increasing in numbers. The motive is to reach out to people and try to connect people with history and their roots. When a lot of locals come to our walk they do not know there is so much architecture, and history in a building. We try to bring that awareness about our very own Hyderabad its tangible or intangible assets. For instance, during one of our walks, we took them to the Zinda Tilismath factory which has a medicinal history in the city. Zinda Tilismath was formulated in 1920 by Hakim Hakeem Mohammed Moizuddin the very first Herbal medicine which was named “Zinda Tilismath” (an Urdu word for living magic). Many Hyderabadis and others who romanticize Unani medicine in India and around the globe pledge that this potion has a magical cure for all ailments. 

Tell us about your Food Walks.

Food walks are organized to create awareness about the local cuisine. Even as people go about their weekday routine we during the walks listen to the maitre d’share lyrical stories about dishes during Nizam’s era. We then make our walkers get to taste that very particular cuisine. We have a curated menu for instance We begin at Hotel  Nayaab at Naypul to get the taste of Malai paya – creamy lamb trotters followed by Chattha Bazar where a small local vendor sells the best Shammi Kebabs. We then head to Sheh ran near Machlikaman Charmina where we relish the succulent fish fry and the melt-in-the-mouth Shammi Kebabs made by combining minced lamb, mutton,  with split chickpeas, onions, chilis, ginger, garlic, and various herbs and spices such as cumin, red chili flakes, garam masala, and mint leaves.

Honestly, we were pleasantly surprised by the positive reception we received. The crowds on our walks get larger every week, people give us access to their private collections of old and rare photographs or share interesting tidbits about their family history, and enthusiastically show us the artifacts or medals from the Nizam era.

source: http://www.awazthevoice.in / Awaz, The Voice / Home / by Ratna Chotrani / January 30th, 2023