Monthly Archives: April 2017

Anas bags gold at Taipei City

KERALA :

Taipei City:

Muhammed Anas and Om Prakash Karhana.
Muhammed Anas and Om Prakash Karhana.

India had won seven medals in the first leg on April 24 and six (1 gold, 4 silver, 1 bronze) in the second leg.

Muhammed Anas got over the disappointment of missing out on the first two legs of the Asian Grand Prix and won the 400m gold in the third leg here on Sunday with an impressive 45.69s, just 0.19s off the World Championships qualifying time.

This was the national record holder’s first race of the season after he and M.R. Poovamma were denied visas by China for the Asian GP’s two earlier legs in Jinhua and Jiaxing.

“I missed the qualification time narrowly but it will come soon,” the 22-year-old, whose national record of 45.40s in Poland last year earned him a Rio Olympics slot, told The Hindu over phone.

Om Prakash Karhana, also a National record holder, won the shot put gold with a 19.58m.

Jinson Johnson and Asian champion Tintu Luka were both beaten at the tape and had to settle for silver in the men’s and women’s 800m.

Dutee Chand in the 100m and National record holder in shot-put Manpreet Kaur were the others to win silver medals. Dutee’s 11.52s was her season’s best.

Neeraj Chopra, the under-20 World champion who qualified for the World Championships with an 82.32m at the second leg in Jiaxing three days ago, took the men’s javelin bronze while Asian Games bronze medallist Poovamma picked up the women’s 400m bronze in 53.11s.

The results: Men: 100m: 1. Haiyang Xu (Chn) 10.35s, 2. Yaspi Boby (Ina) 10.39, 3, Saad Hassan (Mdv) 10.40; 8. S. Vidyasagar (Ind) 11.18. 400m: Muhammed Anas (Ind) 45.69s, 2. Cong Lich Quach (Vie) 46.66, 3. Mikhail Litvin (Kaz) 47.03. 800m:1. Indunil M. Herath (Sri) 1:51.34s, 2. Jinson Johnson (Ind) 1:51.35, 3. Mostafa Ebrahimi (Iri) 1:52.66. Triple jump: 1. Shu Cao (Chn) 16.21m, 2. Pratchaya Tepparak (Tha) 15.89, 3. Kuei-Lung Li (Tpe) 15.85; 5. Rakesh Babu (Ind) 15.72. Javelin: 1. Huang Shih-Feng (Tpe) 80.77m, 2. Chao-Tsun Cheng (Tpe) 79.93, 3. Neeraj Chopra (Ind) 79.90; 5. Ravinder Singh Khaira (Ind) 73.81. Shot put: 1. Om Prakash Singh (Ind) 19.58m, 2. Jiaxing Wu (Chn) 19.21, 3. Ali Samari (Iri) 18.68.

Women: 100m: 1. Viktoriya Zyabkina (Kaz) 11.34s, 2. Dutee Chand (Ind) 11.52, 3. Tu Chinh Le (Vie) 11.74; 10. Reena George (Ind) 12.21. 400m: 1. Elina Mikhina (Kaz) 52.55s, 2. Thi Lan Quach (Vie) 52.96, 3. M.R. Poovamma (53.11). 800m: 1. Gayanthika Thushari (Sri) 2:03.87s, 2. Tintu Luka (Ind) 2:03.97, 3. Nimali Waliwarsha (Sri) 2:06.30. Long jump: 1. Thi Thu Thao Bui (Vie) 6.41m, 2. Xu Xiao Ling (Chn) 6.35, 3. Liou Ya-Jyun (Tpe) 6.30, 4. V. Neena (Ind) 6.24. Shot put: 1. Jia Yuan Song (Chn) 17.46m, 2. Manpreet Kaur (Ind) 17.38, 3. Eki Febri Ekawati (Ina) 15.16.

source: http://www.thehindu.com / The Hindu / Home> Sport> Athletics / by Sport Bureau / Taipei City – April 30th, 2017

Riyaz, Joel star in JK Tyre Vroom final day

Hyderabad, TELANGANA / Bengaluru, KARNATAKA   :

Bengaluru :

“I have come straight from a good stint in Hosur and was feeling good,” Riyaz said “I was confident of a good outing and right from the start of the race, I knew that I was on a roll,” he added

Hyderabad’s  Mohammed Riyaz and Bengaluru’s   Joel Joseph did the star turn in the JK Tyre Vroom Quarter- Mile Rush, winning the Super Bikes and Super Cars categories with elan here today.

Riyaz, a runner-up in the National Drag Racing Championship, was supreme in the Unrestricted Open Class, completing the 400 metre dash in just 9.869 seconds.

Racing on his favourite Yamaha RD 7, his reaction time was an amazing 0.507 seconds at the start that give him an unbeatable edge over all the competitors.

“I have come straight from a good stint in Hosur and was feeling good,” Riyaz said. “I was confident of a good outing and right from the start of the race, I knew that I was on a roll,” he added.

“I know my bike very well and I had full faith in myself. I really enjoyed myself,” Riyaz said, when asked about his victory.

In the four-wheeler Unrestricted Class, local boy Joel was a picture of confidence in his Honda City Turbo Dragster. He won the race handsomely as excited fans cheered him on, needing just 12.763 seconds with a great reaction time to clinch the title and all the bragging rights.

Joel reigned supreme in the Indian Open as well to make it a grand double. He clocked a total time of 12.673 seconds which was beyond all the others’ reach.

“I am very satisfied with both my runs today. Coming to the event as a defending champion gave me that confidence and I always knew I had a great chance,” Joel said.

Earlier, Riyaz looked good for the championship mantle in the speedy 851 to 1051cc Class as well, after having clocked 9.912 seconds. But seasoned Rizwan Khan  pulled off a sensational run, recording the quickest time of the day: 9.677 seconds.

“It was an amazing performance by Rizwan,” the Hyderabadi said, graciously acknowledging his friend-cum-rival’s victory. In the super sport Indian Open, Kaleem Pasha of Bengaluru proved to be the king, taking the title in flat 11.778 seconds.

Nidha Adeni of Bangalore, the only lady racer on the second day of the JK Tyre Vroom event, finished a commendable fifth in the Indian Cars’ 1101-1400 cc category.

source:  http://www.outlookindia.com / Outlook / Bengaluru – April 30th, 2017

Proud that my son fought like a lion for his country: Sher Mohammad’s mother

Meerut , UTTAR PRADESH :

Meerut:

When Fareeda Bibi  heard that her son Sher Mohammad — a CRPF constable+ who was part of the battalion that was ambushed in Sukma — had been taken to a Raipur hospital with five bullet wounds, her heart sank.

It was much later that someone in her village of Aasifabad Chanpura in Bulandshahr, UP, told her that her son had taken down at least three Maoists even as he collapsed in unbearable agony. That’s when she smiled a bit. “I am proud that my son fought like a lion for his country,” the 65-year-old said. “He is keeping alive a tradition that our family is known for.”

Sher’s father Noor Mohammad served in the Indian Army and retired with honour. His uncle Abdul Salam was also in the Army and retired 10 years ago.
“When Sher’s son Sohail, 2, grows up, I will ensure he, too, devotes his life to protect this country,” she said.

Though TOI could not independently verify details about Sher’s encounter with Maoists, the jawan told a TV channel from his hospital bed in Raipur that the 74th Battalion of the CRPF was overseeing construction of a road when about 300 Naxals ambushed them with AK-47 rifles+ .

“The 99 CRPF soldiers fought hard. We retaliated, gave them a fitting response. We were able to gun down at least 11 to 12 Naxals. I myself shot down two-three,” Sher has been quoted as saying. He was caught by machine gun fire in the waist and knee.

Sitting on a charpoy in her modest house, Fareeda said the whole village is praying for her son’s recovery.

“We know what it means to join the Army or CRPF,” she said. “There is risk, of course. But patriotism flows in our veins.”

Waris Ali, Sher’s eldest brother, was the first one to receive news of the attack through an acquaintance who saw the report on TV.

Waris told TOI: “As soon as we heard about the incident, we called up CRPF authorities in Raipur. They said Sher was being cared for, so there was no need to rush (to Raipur). I drove down this morning from Delhi, where I work, to be with my mother.”

A large number of villagers have gathered around Fareeda and Waris, consoling them and praying with them. One of them, Aqleem Ali said, “We are a big family. A large number of our relatives are in the armed forces. Sher has done something every fauji would do under such circumstances. He will come back.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News> Meerut News / by Sandeep Rai / TNN / April 26th, 2017

Remembering the doyen

Hyderabad, TELANGANA :

Kolkata :

 

SHARING SIMILAR SENSIBITIES Ustad Bade Ghulam Ali Khan
SHARING SIMILAR SENSIBITIES Ustad Bade Ghulam Ali Khan

Seasoned musicians paid melodic tributes to Ustad Bade Ghulam Ali Khan on his 115th birth anniversary in Kolkata.

The Calcutta School of Music, in association with Saambhavi, offered homage to Ustad Bade Ghulam Ali Khan on his 115th birth anniversary (2nd April) at the century-old School’s Sandré Hall. The evening touched the nostalgic chord when Pandit Buddhadev Dasgupta who, despite his ailment, came to share his treasured memories related to Khansaheb with the audience, sobbed like a child while listening to ‘Hari Om Tatsat’, soulfully sung by Nabhodeep Chakraborty, a young torchbearer of Kasur Patiala Gharana who religiously pays melodic tributes to Khansaheb on this day every year and who conceptualised this event.

According to Dasgupta, the erudite sarod maestro who is an ardent admirer and delightful analyst of Khansaheb’s charismatic music, “Among those legendary musicians who spent part of their lives in the city of joy are Ustad Amir Khan and Ustad Bade Ghulam Ali Khan. The styles of both the ustads had the biggest impact on local vocalists and quite a few Bengali musicians, without any direct taaleem have tried to blend their styles with results which often are little short of disastrous.”

Fortunately, Chakraborty, having been trained by Ustads Raza Ali Khan, Mazhar Ali Khan and Jawad Ali Khan, grandson and grand-nephews of Khansaheb, has acquired enviable gharana treasures.

Extraordinary rehearsal

He insists on the ‘Kasur’ prefix. This has a valid reason. ‘Khansaheb hailed from Kasur, a small town 30 kilometers away from Lahore; and the people still remember the superhumanly riyaaz of ‘Kasuri Bade Ghulam’, says Chakraborty. “It was Khansaheb, who modified the original Patiala style which basically thrived on taans. (Khansaheb’s son) Ustad Munawwar Ali Khan went on record while describing the olden, somewhat rough, gayaki, ‘Aisa lagta tha jaise billiyan jhagad rahi hain (it sounded as if cats were fighting)’.”

The evening was based on some select compositions of Ustad Bade Ghulam Ali Khan under the pseudonym ‘Sabrang’. A clutch of Chakrborty’s disciples presented these khayal bandish-s with sincere reverence. Each one focused on a special aspect of their gharana’s salient features. They were ably supported by Timir Baran Chakraborty on tabla.

Among them Sagnik Sen, a child prodigy who possesses ‘Classical Voice of India 2013’ title, stood out for his short but amazingly matured and melodious presentation of two compositions in ragas Bhimpalasi and Multani. The anecdotal history of every gem, displayed during the course of this edifying evening, revealed that Khansaheb believed in ‘Sab din nahi hot ek samaan’ (Multani); that he sang in praise of ‘Dev Maheshwara’ (Bhupali); that he penned a composition in Megh but sans the description of Monsoon and often sang it in Madhmad Sarang.

SagnikSenMPOs30apr2017

In the latter part of the evening, Nabhodeep Chakraborty, accompanied by Amit Chatterjee (tabla) and Keshab Banerjee (harmonium) presented a bandish in Koheri Kalyan, one of the most heard ragas invented by Khansaheb; the others being Andoli ka Sarang, Malini Basant, Hariruddh (named after a river in Afghanistan, this raga blends Dhani and Malkauns).

His selection also included a Malkauns tarana, set to Asul-e-Fakhta tala of five beats that interprets the rhythm of the fluttering wings of a bird (Fakhta). A rare Maand from the unpublished records of Khansaheb was Chakraborty’s last piece but encores led him to ‘Hari Om Tatsat’- one of the unforgettable compositions, immortalised by Khansaheb. The screening of a documentary film on the life and music of Ustad Bade Ghulam Ali Khan topped it all.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by  Meena Banerjee / April 27th, 2017

Female Qazis: Raising the Bar

Mumbai, MAHARASHTRA :

(L-R) Suraiya Shaikh, Khatoon Shaikh and Heena Siddiqui, newly appointed qazis in Mumbai (Photo: Anushree Fadnavis)
(L-R) Suraiya Shaikh, Khatoon Shaikh and Heena Siddiqui, newly appointed qazis in Mumbai (Photo: Anushree Fadnavis)

India’s pioneering female qazis are pushing for a gender-neutral interpretation of Muslim law

IN THE LAST two years that Suraiya Shaikh was preparing herself to become one of India’s first female qazis, she grew close to a young woman in a Muslim neighbourhood in Mumbai’s Khar suburb. Shaikh is a member of the Bharatiya Muslim Mahila Andolan (BMMA), an advocacy group that campaigns for female rights within the community. She came to know the woman—let’s call her Haseena, a teenager then and now 20 years old—through an outreach programme of the group.

Haseena was going through a particularly bad time. She was only just beginning to heal from a severe bout of tuberculosis, which had forced her to discontinue her school education. She spent all her time indoors, her body was getting frailer by the day, and the strong medicines she consumed had left her deaf in one ear. According to Shaikh, who used to visit Haseena at home, the young girl was also in depression.

During these visits, Haseena would convey her anxieties and fears. And Shaikh, in return, would tell Haseena about her life, and her ambition of becoming a qazi, an Islamic judge. The two Muslim women, separated by exactly 25 years in age, were to become close friends.

Several days went by last year without the two getting a chance to meet. But when Haseena suddenly appeared in front of Shaikh next, she had undergone a striking transformation. She looked healthy and had put on some weight. When she would comb her hair, Suraiya says, she would take almost two hours to do just that. But the most remarkable thing about her, Shaikh recalls, was Haseena’s new-found ebullience.

“It was love,” Shaikh now says. “She was in love.”

Haseena had fallen in love, gotten engaged, and was planning to get married by end of 2017. But this marriage, as Shaikh now laughs while recounting the story, is not going to be like any old love marriage. It is neither a simple love marriage, she says, nor an arranged one. “It will be a wrong-number love marriage.”

A young Muslim man in Malad had mis-dialled a phone number and found himself accidentally speaking with Haseena. Drawn by the quality of each other’s voice, the frequency of these ‘wrong number’ calls increased over the next few months until the two were sure they were in love and decided to get engaged.

Haseena has now put a condition to her suitor. When the two get married in December, their wedding will have to be conducted not by a qazi chosen by his family, as has come to be the tradition, but by a female one, Suraiya Shaikh.

“The boy’s family has so far not agreed to the idea of a female qazi. I believe they are saying this is not possible. But the boy has promised he will convince them,” Shaikh says. “And maybe this will be my first nikaah.”

Some days ago, when Haseena learnt that Shaikh had completed her training, she wanted to know when the qazi would need to be intimated for a December wedding. “I told her, ‘Usually you have to register a month in advance, but you had better register by October’,” Shaikh recounts. “These wrong number marriages, I don’t know… Kuchh tehkeekat karna padega (We will have to carry out some investigations).”

The BMMA, which was formed in 2007, although its members have been campaigning for Muslim women’s rights for much longer, pursues its cause in different ways. It files petitions in court, like the one that resulted in women being allowed to enter the sanctum sanctorum of Mumbai’s Haji Ali dargah. It also runs a legal aid centre in Mumbai, Shariah Adalat, for aggrieved Muslim women, which often pits them against qazis and maulanas who interpret Muslim laws unfavourably towards women.

“It’s really atrocious how these qazis go about their job,” says Khatoon Shaikh, the BMMA’s Maharashtra convenor. “Often, they don’t even have proper training. They just grow long beards and open their shops,” adds Heena Siddiqui, a BMMA member. As the women describe it, Islamic judges have several duties to perform, like ensuring that there is no underage marriage, that a wedding has the consent of both the bride and groom, and later, if the husband wants to divorce his wife, the procedure is spaced out over a proper period of time (with a reconciliation attempt), and not done by the man saying one word thrice at a single go. “But the problem with these qazis,… is that a husband will say ‘talaq’ thrice and a male qazi will just listen to the husband’s version of things and finalise a talaqnama, without once listening to the woman or asking witnesses,” Khatoon Shaikh says.

WHEN BMMA MEMBERS learn of such cases, they not only meet both parties and try to reconcile the matter, but also catch hold of the offending qazis. They send notices to them and, if needed, file police complaints. Sometimes the qazis apologise and promise to rectify issues. Sometimes they switch off their phones and refuse to meet them. In one such case some years ago, they began receiving complaints about a Bandra judge known as Musa Qazi who had solemnised marriages where the bride was a minor and finalised divorces without once meeting the wife. “We just went to his office, all of us, and really scared him,” says Siddiqui, “Now he doesn’t do anything like that. In fact, when we need a qazi, we send our people to him now.”

In most cases, however, such relatively easy resolutions aren’t available, and Muslim women languish under unfair rulings as a result. Two years ago, the BMMA released the findings of a two-year-long survey it had conducted among 5,000 Muslim women in 10 Indian states. A majority of the women turned out to be housewives who had been married before the age of 18 and who suffered from domestic abuse. Many of them were divorcees. The survey revealed that most of them wanted the Triple Talaq process of divorce to be abolished, arbitration before a divorce to be made compulsory, and any qazi who gave legitimacy to such a divorce without consulting the woman or stipulating the need for arbitration to be punished.

About three years ago, as the results of the survey began to come in and several cases presented themselves at their Sharia Adalat, members of the BMMA began to wonder: why should they only deploy their methods for fire-fighting? Why couldn’t they attempt to prevent these fires in advance? Noorjehan Safia Niaz, one of the co-founders of the group, was more specific. Why didn’t the group train women to be qazis?

The group set up a centre for Islamic learning and theology, Darul Uloom Niswaan, and prepared a syllabus covering various subjects ranging from the Indian Constitution and jurisprudence to Muslim prayers and laws, as also the history, principles and values of Islam. A total of 30 Muslim women across India were selected to join the training programme. Two years later, 15 of them have qualified as Islamic judges. There have never been women holding these positions in India before, barring a few exceptions like Shabana Ara Begum, whose father, a qazi in West Bengal, helped her become one several years ago. Niaz says she hasn’t come across any such cases elsewhere either in the larger Islamic world. Several of them have been taunted by traditionalists who claim that females cannot be judges. But the BMMA points out that the Qur’an does not bar women from the role. “The problem is not that the Qur’an is unfair towards women. It is the misinterpretation done by qazis and clerics,” Siddiqui says. “A female qazi, we think, will bring a more gender-neutral perspective when she interprets Islamic laws. She will think about the woman before deciding any matter.”

Siddiqui recounts a case she encountered a few years ago, where a husband divorced his newly-wed wife by uttering talaq thrice upon discovering that she wore glasses. “When the family had come to see her before marriage, she hadn’t been wearing the spectacles. But after the marriage, when they found that her eyesight was weak, they claimed they had been cheated,” Siddiqui says. “And can you believe it? The qazi confirmed this talaq without once meeting the girl.”

Safia Akhtar, a 65-year-old former college professor in Bhopal who has also qualified as a qazi, narrates a problem-case she is currently helping resolve. A woman wants to divorce her husband because he has taken another wife. But whichever qazi she has approached so far has forbidden her from divorcing her husband. “We are now fighting the case in court,” says Akhtar.

Among other things, women judges will ensure that for weddings, the address and identity documents of grooms as well as brides are submitted for scrutiny; that sources of income are ascertained; and that both are marrying of their own free will. “These are small basic things, but often no one does them,” Siddiqui says.

As a qazi, Khatoon Shaikh (second from left) often handles cases where women have been divorced and abandoned without any consultation (Photo: Anushree Fadnavis)
As a qazi, Khatoon Shaikh (second from left) often handles cases where women have been divorced and abandoned without any consultation (Photo: Anushree Fadnavis)

We sit on the floor in a tiny two room office in Bandra’s Kherwadi area. There is little here other than wooden stools upon which rest large registers detailing the cases of several women. The walls are covered with colourful posters of messages. ‘Jahaan insaaf nahin, wahan Islam nahin’ says one; where there is no justice, there is no Islam. Another has details of cases dealt with last year: a total of 229, of which a majority concerned Triple Talaq (31) and polygamy (35); the BMMA has managed to resolve 61 of them, a success rate of 38 per cent.

Below these charts, Nirmala, a Hindu woman who volunteers at the organisation, sits with a large register. “Fifty-four new cases already this year, can you believe it?” she asks and raises her arms.

Beside her, seated on the floor are three women. One of them, draped in a burkha, draws open her facial veil to reveal a face not older than 25, perhaps even younger. “She is almost four months pregnant,” says one of her two companions. “But her husband refuses to cooperate.” The woman’s face has no expression and her eyes seem vaguely focused on the thickness of the register.

The young woman, it turns out, was married six months ago to a Muslim man in a Jogeshwari household in the city. But she had to return home just a few months later after she was verbally and physically abused by her in-laws. She wants a divorce, but her husband has refused to grant one. Her doctors have now found that her foetus has an abnormality, a danger to her as well as the foetus if she goes ahead with the pregnancy, but the husband refuses to sign any document permitting an abortion. He was supposed to visit the office today to discuss the issue, but almost an hour later, he has not shown up.

Suraiya Shaikh’s face tightens with rage when the husband says over phone that he can’t come. She threatens to lodge a non- cognisable offence against him if he doesn’t show up in two days. The young woman gazes at the register throughout the conversation. The doctors want to abort the foetus by next week; an abortion after 20 weeks of pregnancy would be illegal. The three thank Shaikh and promise to return a few days later.

All of Saturday passes like this. A few people come with new cases or to inquire after old ones. The weekdays are much busier, where the entire room is crowded with people and their grievances. Khatoon Shaikh is away today, at a police station in Bhiwandi, where a Muslim man has kept both his children but thrown his wife out of his house on the suspicion that she is having an affair with someone. And when there is no one around, Suraiya Shaikh, Siddiqui and Nirmala joke amongst themselves.

The biggest challenge for them, they admit, will be to be accepted as qazis. “We have done all this,” Niaz says. “Now I think the community should come forward and respond.” But the qazis themselves don’t plan on waiting. Several of them have begun to contact their family members and friends to see if there is anyone of marriageable age whose weddings they can formalise.

SURAIYA SHAIKH HAD JOINED the BMMA after the group helped resolve a marital discord between her sister and her husband. Over the years, she has encountered so many cases, from Facebook Triple Talaq posts to divorce notices sent by email and SMS, that she is no longer surprised by them. She has also learnt to keep her temper in check.

But occasionally, anger gets the better of her. Some days ago, while walking out of Bandra Railway Station with her daughter- in-law, she caught sight of a man hitting his wife. She intervened to help the woman hit her husband back. Her daughter-in-law, who is quite conservative and has been suspicious of her mother- in-law’s activism, was shocked. “How could you do that?” she asked Suraiya Shaikh. “You are a qazi now.”

source: http://www.openthemagazine.com / OPEN / Home> Society / by Chendup G. Bhutia   / April 28th, 2017

A true master

Meerut, UTTAR PRADESH / NEW DELHI :

Renowed Tabla Player Hashmat Ali Khan | Photo Credit: S. Subramanium
Renowed Tabla Player Hashmat Ali Khan | Photo Credit: S. Subramanium

 

Musicians remember the genius of tabla maestro Ustad Hashmat Ali Khan

With the passing away of Ustad Hashmat Ali Khan (February 3, 1932-April 22, 2017), Indian classical music has lost not only a great tabla maestro but also a generous teacher. In a world where people are stingy about passing trade secrets, the Khalifa (head) of the Ajrara gharana of tabla used to say, knowledge grows by sharing. In the words of Pandit Suresh Talwalkar, “Ustad Hashmat Ali Khan was a wonderfully warm man, with a great sense of humour and extremely polished courtly manners of a bygone age, and most of all, the finest teacher one could have.”

A 7th generation musician, the Ustad belonged to the family that despite playing a type of tabla so close to the original Delhi gharana of tabla, was able to maintain its distinct “baaj”.Born in Meerut, his grandfather Ustad Mohammed Shafi Khan was one of the navaratnas of the Maharaja of Baroda. When he was about eight, his grandfather took him to Baroda, and that is where he received his taleem. Once India gained independence, the princely states dissolved, the young Hashmat returned to Meerut where his father put him under the tutelage of Ustad Niazu Khan.At a very young age, he started teaching at New Delhi’s Bhartiya Kala Kendra. Part of the greatness of the maestro was his extremely intellectually open mind – he was always analysing the music style of others and was quick to praise. He incorporated many pleasing elements from other styles in his playing, but with a seamlessness that was envied by his fellow musicians. Talwalkar says, “He was able to embellish his playing very well; even though his own gharana Ajrara was so beautiful, yet he was able to add to it. He was also a very good human being, and extremely learned.”

Pandit Kumar Bose evinces his sorrow at the death of the Ustad, whom he describes as “bahut guni, and iss umar mein bhi, itne tayyar… He was a very fun loving and good natured man.” He added, as a tabla exponent he had researched and added to his gharana’s baaj with great finesse, and he hoped “that his son Akram keeps his music alive.”

Cosmopolitan outlook

Khan was also a very well travelled and cosmopolitan man; he had lived abroad in many countries including Russia, Mauritius, Guyana, Fiji and Australia for years, where he had been sent by the ICCR to teach. He has several students there. His wide travels had given him an urbanity not found in many musicians of his generation. One can recall anecdotes he would relate about an older generation of musicians. With an appropriate pause before the punchline, the subtle embellishments to the main story – Khan sahib was indeed extremely entertaining. There was always a compassion even while talking about musical frailties in others.

Indeed, this much loved musician will be missed; yet the legacy he leaves behind with his numerous disciples, including his musical inheritor, Ustad Akram Khan, and his grandsons, will remain.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by Shailaja Khanna / April 24th, 2017

Major Mohammed Ali Shah’s diversity to the fore

UTTAR PRADESH / NEW DELHI :

Mohammed Ali Shah
Mohammed Ali Shah

Theatre actor Major Mohammed Ali Shah turned a motivational speaker for a session ‘Disruppt’ held in Hyderabad

If diverse experiences are what people seek from life, Major Mohammed Ali Shah has had plenty of those. The son of Lt. Gen. Zameer Uddin Shah (vice-chancellor of the Aligarh Muslim University and brother of actor Naseruddin Shah) wanted to be an actor since childhood, dabbled with a lot of career options before he chose the stage.

After a stint with a call centre when the IT boom was on, he was selected for a Short Service Commission posting — he was a young lieutenant deployed at Jammu and Kashmir,LOC — and then he did an executive programme in Marketing at IIM-Calcutta and switched over to a corporate career.

Yet Shah left it all to pursue a career in theatre and films. Now, in his latest avatar, he has turned a motivational speaker, addressing in a session in the city for a platform Disruppt, that seeks to help people overcome issues in their personal and professional lives.

“Surprisingly, Hyderabad was a place where I had tried for acting opportunities several years ago but things didn’t work out. Destiny brings me back to the same place now. The Disruppt session here even had a few people writing handwritten letters to me. That, in times where people don’t take time to send Whatsapp messages. I had suffered a lot of setbacks in life, so if I can contribute to people’s wellbeing by narrating my personal experiences, why not,” says Shah asks.

Amid all the professional churn, there haven’t been any regrets. “In my corporate life, I was paid well, there was no risk or adventure and I was even growing, getting promoted each year. When I looked back at satisfaction, things weren’t falling in place. I quit it one day to pursue my ambitions in the city of dreams, Mumbai. There was initial regret, but I gathered courage soon enough, my parents and my wife stood by me,” Shah states.

This phase also made him a nuanced actor. His army stint was crucial in landing him roles in Haider, Bajrangi Bhaijaan and the Malayalam film titled The Ruffian. Post two unsuccessful attempts to get into NSD (which was once his long-time goal), life came full circle when he worked with Tom Alter and Saif Haider Hasan.

Hasan even went on to produce his theatre series ‘The Major Actor’s Assorted Monologues’ that had shows at Kuwait, UK, Mumbai and Delhi. “Besides, my army stint had me equipped at everything from polo to rock climbing to martial arts and paragliding, mostly the Short Service Commission stint taught me to be a thorough gentleman. If I’m happy about one thing in life, it’s about taking no help from my family, be it from my sister (a social activist), father or uncle,” he says.

He’ll be next seen in Tigmanshu Dhulia’s Yaara (also stars Vidyut Jamwal and Shruti Haasan) and an untitled film where he plays a Punjabi.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Theatre / by Srivathsan Nadadhur / April 29th, 2017