Tag Archives: Bilal Siddiqui

Jannat Mari is Shah Rukh Khan’s brainchild: Bilal Siddiqi on ‘Bard of Blood’

Mumbai, MAHARASHTRA :

EmraanHashimiMPOs25sept2019

Ahead of its release this Friday, Bard of Blood writers Bilal Siddiqi and Mayank Tewari discuss the challenges involved in adapting a book into a seven-episode TV format

In 2015, at the book launch of The Bard of Blood, author Bilal Siddiqi and novelist, Hussain Zaidi, made jokes on Emraan Hashmi as to how he is the right candidate to essay RAW agent Kabir Anand, without considering the eventuality that would transpire four years later. Bilal agrees that he did not put an image to the character while writing, and that the casting of Emraan Hashmi happened organically. “When you have a star like Emraan on board, it will obviously elevate the viewership of the show. He embodied the character and brought in lots of nuances to Kabir Anand,” says Bilal Siddiqi, who has written the screenplay of Bard of Blood along with writer Mayank Tewari, known for writing Newton and The Accidental Prime Minister.

Inside the writer’s world

The biggest selling point of The Bard of Blood was Bilal’s age (he was 20) — too young to be dealing with guns, agents and weapons of mass destruction (read: third world politics). But his fascination for the espionage genre stems from his mentor Hussain Zaidi, with whom he assisted in books like Byculla to BangkokMumbai Avengers and My Name Is Abu Salem. Bilal wrote a brief outline of Kabir Singh, the protagonist of The Bard of Blood, and says he never had the intention to make it into a novel. “He [Zaidi] liked whatever I had written and sent it to my publisher. They called me one day, asking to finish the book so that they can take a call. I somehow managed to fulfil my dream of writing,” he says.

He was “subconsciously influenced” by Zaidi, who had one advice for him: ‘Make it visceral and graphic’. That he did when he sat with Mayank Tewari in the writer’s room, having discussions back and forth on how to better the book. “Bilal was very proactive in saying, ‘let us use this material as a springboard to take it to the next level’. Since it was written five years back, we had to spend more time on the screenplay to make it relevant and real,” says Mayank Tewari, adding that the duo has taken the “best chunk from the book”.

Unlike The Accidental Prime Minister, which was non-fiction, the challenge for Mayank was to construct scenes that drives the characters throughout the season, in a satisfying way for the audience. “The one good advantage is that, all characters were sharply etched out. There were some really good lines in the book, which we have retained,” he adds. Mayank did have heated exchanges with Bilal on how to interpret Balochistan. He quips, “But that’s what makes the collaboration rewarding, right? Disagreements lead to fruitful agreements. And everything was in the spirit of making a good show.”

Writing a novel has its own perks. For instance, Bilal had the luxury to use The Bard of Blood as a device to get into the character’s psyche, exploring his inner voice and go overboard with the descriptions — a counter to the film format, where you need to show these things on screen rather than tell. He admits that they had to tone down the details, adding, “Screenplay is like a manual for filmmakers to shoot. So, it is a different ball game and Mayank has given some valuable inputs.”

Bilal acknowledges the timely suggestions of Shah Rukh Khan, who has produced it along with Netflix. In fact, Jannat Mari, the character played by Kirti Kulhari, is Shah Rukh Khan’s brainchild and was not there in the book. “He [SRK] saw the pitch before it went to Netflix. The series has several characters that were not part of the book. In that sense, you can say that Bard of Blood is the best version of my book.”

(The writer was in Mandawa at the invitation of Netflix)

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Srivatsan S / September 24th, 2019

How I wrote a novel at 19 and was published at 20

Mumbai, MAHARASHTRA :

A first-person account from a student of St Xavier’s College, Mumbai, whose first thriller, ‘The Bard of Blood’, has just hit the shelves.

BilalMPOs31mar2017

Being a published writer at 20, to be honest, is not something I thought I would have to speak about too much. I could speak about being a writer (writer’s block, etc.). Or I could speak about being 20 (how I never quite liked college, etc.). But, a writer at 20? Well, let’s give that a shot.

How I got around to writing my first novel, The Bard of Blood , is an interesting journey itself. Around the time I had turned 17, I had a sudden growing interest in the covert world of espionage. And it wasn’t a James Bond film that drew me to this newfound interest of mine. It was, in fact, the entire talk of jihad and Islamic extremism that plagued every newspaper. There was always an article of some extremist outfit wreaking havoc.

Being a Muslim, I wanted to understand why I was so different from them, when ideally, we both were supposed to believe in the same set of principles? One thing led to another, and I had suddenly read a lot more than anyone else my age probably had about the subject, finding myself disagreeing with the ideology that had tweaked itself conveniently to something it was never meant to be.

Simultaneously, being an avid reader of fiction, I always kept myself abreast with the latest Lee Child or Jack Higgins novel. And then, I soon realised that India itself was bereft of a fictional character who was as powerful as a James Bond or a Jack Reacher. I wanted to fill that void. I wanted to create a character worth his salt, that wouldn’t seem like a ‘me too’ of a Bond or a Bourne, but could stand his own and be equally magnetic. And what’s more, he was going to be set in the real world dealing with what could well be real situations.

Writing to write, not to be published

I was going to write the novel regardless of whether it would get published or not. It was going to be for my satisfaction, perhaps for a 40-year-old me to look back and find traces of himself in a character he had created two decades ago.

So, at the age of 19 I had begun writing the novel, burning the midnight oil and still making it to college on time the next morning. Soon afterwards, I met Chiki Sarkar, then the Chief Editor of Penguin Books, through Hussain Zaidi (a renowned crime writer whom I have been assisting for thethe past three years). Zaidi had discovered my writing skills and had dropped in a word to Sarkar, who agreed to read the synopsis.

She responded saying that she would like to read half the manuscript, after which she would take the final call. I was suddenly motivated to complete the book, which I might have drifted with otherwise. To meet Penguin’s high standards, I had to up my game. I had to get my facts in place and research the topics well. Zaidi helped me at every step, and there was a reversal of roles, from me assisting him, he started assisting me! It took me roughly a year to get done with the project.

The benefits of writing a book at 20

You get applauded for doing something at an early age, something that people spend a lifetime hoping to do. You begin to be taken a lot more seriously too.This stood true in my case especially, because I picked a topic like the Taliban instead of writing a soppy teen romance.

There are drawbacks too. When you set out to write, there is bound to be apprehension – perhaps you’re too young to write about this subject? But you must learn to brush that away. Believe in yourself even if others don’t. In my case, especially, I backed myself as a story-teller. I had a good story and I was going to tell it.

And being 20, I was in college, which came with a set of problems that I could dedicate another article to! Writing was that much-needed escape, a catharsis of sorts.

But once that’s done, you can’t let the fact that you’ve been published get to your head. Because then you would be remembered as the guy who wrote a novel at 20 and then never wrote another. Or, worse still, you wouldn’t be remembered at all!

Like any other book-lover, I absolutely love the smell of books; new and fresh, or old and musty. But you know what’s better than the smell of a book? The smell of your own book! And I intend to smell many more of them!

We welcome your comments at letters@scroll.in.

source: http://www.scroll.in / Scroll.in / Home> Write to Win / by Bilal Siddiqui / April 04th, 2015