Tag Archives: Kaifi Azmi

In 1962 Mohammed Rafi cheered troops on China border

Mumbai, MAHARASHTRA /ALL INDIA :

Mohammad Rafi and Dilip Kumar
Mohammad Rafi and Dilip Kumar

Contrary to the popular notion that wars are fought by the armies alone, the whole nation including Bollywood personalities and leading artists get involved in the national efforts to fight the enemy.

The Chinese invasion in October 1962 was a shocking moment for India. Traditionally, India had supported China at every international forum for at least half a century. The invasion was the least expected from China and India was not at all prepared for it. Prime Minister Jawaharlal Nehru urged the nation to stand united in that hour of emergency and in response Indians donated generously to the National Defence Fund.

The film industry did not lag. Film Industry’s war efforts were led by legendary filmmaker Mehboob, singer Mohammed Rafi and music composer Mohammed Zahur Khayyam Hashmi (Khayyam).

In less than a week they collaborated to produce two music videos, which were to be played in film theaters, on the radio, and on the roadsides to raise funds for the war.

One of those two songs, “Awaz do hum ek hain…”, by Jaan Nisar Akhtar is now a popular political slogan in India. On Nehru’s call to the nation, Jaan Nissar Akhtar wrote the song to which music was given by Khayyam and the voice by Mohammad Rafi. The song is an invocation to Indians to unite in the face of an invader became a national passion and remains so till today.

The song starts with:

ek hai apni zameen, ek hai apna gagan

ek hai apna jahaan, ek hai apna watan

apne sabhi sukh ek hai, apne sabhi gham ek hai

Aawaz do ham ek hai

(We have a common earth, we have a common sky

We have a common world, we have a common motherland

All our joys are common, all our sorrows are common

Say it aloud that we are one!)

The powerful lyrics were turned into a national rage by the soulful singing of Rafi. Jago watan khatre me hai, sara chaman khatre me hai (wake up our motherland is under threat, whole garden is under siege) and dushman se nafrat farz hau, ghar ki hifazat farz hai (hating your enemy is a duty, to guard your home is a duty), aroused patriotic emotions among millions of Indians. The song asks the youth to join the army and fight the aggressor.

The song was picturized on Rajendra Kumar, Sunil Dutt, Raj Kumar, and Kamal Jeet.

Another song produced along with this was written by Sahir Ludhianvi, “watan ki abroo khatre main hai…” (dignity of the nation is under threat). It was also produced by Mehboob and sung by Mohammed Rafi. The song specifically points to the Panchsheel pact and other friendly gestures made by India towards China. It says,

Wo jinko saadgi mein hamne

Aankhon par bithhaaya thha

Wo jinko bhai kehkar

Hamne seene se lagaaya thha

Wo jinki gardanon mein haar

Baahon ka pehnaaya thha

Ab unki gardanon ke waaste

Talwaar ho jaao

(The people we honoured because of our innocence

The people we embraced and called brothers

The people we received with love

Now, do become swords for their throats)

The song also points toward the internal threats at the time of war.

Khabar rakhna koi gaddaar

Saazish kar nahin paaye ae

Nazar rakhna koi zaalim

Tijori bhar nahin paaye ae

(Be vigilant that no traitor conspires against the nation

Be vigilant that nobody makes money out of our war efforts)

The song was picturized on Dilip Kumar, Rajendra Kumar, Raj Kumar, and Kamal Jeet in a video produced by Mehboob.

Lorries with speakers would roam around playing these songs and prompting people to donate generously. It is said that when one such procession reached the house of Shammi Kapoor his wife actor Geeta Bali started crying. She rushed inside her house and told Shammi that she needed to do something for the nation. Geeta took all her jewelry, even the pieces she wore, and gave it away for war.

Rafi felt that singing in the safety of Mumbai was a disgrace in the line of his national duty. He discussed with Dilip Kumar and urged PM Nehru to send them to the border. What would they do there? Rafi felt that his songs could boost the morale of Indian soldiers and the presence of Dilip Kumar would assure the troops that the whole nation is standing behind them.

It was a dangerous mission. It was unprecedented for the artists to perform at the war front. In the cold, Rafi and Dilip reached the war frontier. He sang songs, interacted with soldiers, and boosted their morale. Dilip Kumar later recalled, “needless to say he was the star attraction with the jawans and the young newly commissioned officers”.

After the war ended with a ceasefire the collected funds were used to recover the economy and modernizing the Army.

On 27 January 1963, Mehboob organized an event in Delhi where he invited.all the prominent film stars to perform in the presence of President S Radhakrishnan and PM Jawaharlal Nehru. The event is often remembered for the rendition of “Aey mere watan ke logo…” by Lata Mangeshkar and Mohammad Rafi sang two songs. One was written by Shakeel Badayuni and its music was composed by Naushad, “Apni azadi ko hum hargiz mita sakte nahi.” The song was later adapted into the film Leader and the other was “Kar chale hum fida….” written by Kaifi Azmi and composed by Madan Mohan, which was later adopted in Haqeeqat, a movie based on the India-China war.

The fact that Rafi went to the war frontier and stayed there for a few days to play what turned out to be a big morale booster for the troops remains an unprecedented manifestation of one’s sense of responsibility towards his country.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Culture / by Saquib Salim / December 24th, 2022

Skilled Hands converting couplets into portraits

Malegaon , MAHARASHTRA :

Rasheed Artist is one among these people in Malegaon, who despite all odds went on to achieve such a position, which is difficult for many even under most favourable conditions

Rasheed Artist – renowned artist of Malegaon

The powerloom factories in Malegaon might have been the only available option for the Malegaonians, the deprived people of the Muslim dominated textile town in North Maharashtra. Yet the amount earned after working in these factories was sufficient till a few decades ago to make one’s end meet easily. This perhaps is the reason why the town has surprising number of poets, laureates, scholars and artists who would work in these factories like petty labourers during the day and then indulge themselves in creative activities till late in the evening.

Rasheed Artist is one among these people in Malegaon, who despite all odds went on to achieve such a position, which is difficult for many even under most favourable conditions. Hanging against the walls of the main halls inside the plush bungalows owned by the dignitaries in India as well as in various other countries in the world, Rasheed Artist’s paintings are point of attraction for visitors since many years. Fabulous achievement indeed! However the journey that led to these walls was not easy, and for Rasheed Artist, it needed a matchless and unprecedented effort since childhood.

Malegaon in the sixties though had quite a good number of schools, managements could hardly find a good drawing teacher during those difficult days. Under these circumstances having a professional artist to teach the art of painting to students using watercolor was beyond one’s imaginations. However Rasheed Artist was resolute. He was just 15 but when he failed in fulfilling his strong desire for commercial art in the corridors of the education campus, he decided to quit schooling.

“It was my craze for paintings that forced me to drop out of the school in the early age”, he recalled.

Holding brush in one hand and color box in the other, he began roaming here and there to satisfy his lust for Art. It was then that Wad Saheb, a Director at Camel, the stationary giant famous for manufacturing pencils, watercolor and other stationary items till recently, came to Malegaon. Wad Saheb, as Rasheed Artist described the renowned artist from Shimla, visited Malegaon as part of his nation-wide talent-search program.

“He visited Malegaon for consecutive years in the seventies, shared valuable tips with the students like us and organised painting and drawing competitions to encourage us”, Rasheed Artist said adding:

“In his second visit to Malegaon in 1968, I won the competition. Wad Saheb was thrilled watching the improvement I had attained in one year.”

In Wad Saheb, Rashid Artist found a mentor. But he was not a lord and any further continuation from now had become unbearable for his parents. To bear the expenses hence Rasheed Artist began working in a local powerloom factory along with his father – without of course sharing hardly any money with him for regular household needs. Rasheed Artist would work for three to four days in a week and the moment he would get some cash would rush to Mumbai and wander around the city’s art galleries in his humble and simple attire which is part of his persona even now.

“Jahangir and Taj Art Galleries in Mumbai were my favorite hunting grounds”, he recalled.

His encounter with the masters of the time – including the legendaries Jahangir Sabhawala and Sarvayya at these galleries are still the precious moments of his life.

“My comments and discussions would make them dumb. They could not believe a humble looking person like me had such a sound knowledge of canvas paintings.”, he said.

Rasheed Artist

In 1970, Rasheed Artist permanently moved to Mumbai,and started working on banners, sketches and art works for the upcoming films at V. Shantaram’s Mumbai Central Film Department. He was earning reasonably well now. But to earn was never in his priority list. Therefore he decided to leave Mumbai and return back to Malegaon where his talent soon witnessed a surprising turnaround.

“Innovation and creativity have always been my passions. Back in Malegaon, I began working on popular couplets of Urdu poets and tried to portray them in my paintings”, he recalled.

There was no looking back after that. He soon acquired perfection in transferring Urdi couplets over the canvas with amazing interpretational skills. Hundreds of canvas paintings portraying Urdu couplets by the poets like Mirza Ghalib, Firaq Gorakhpuri, Meer Taqi Meer, Majrooh Sultanpuri, Rahat Indori, Shabina Adeeb, Parvin Shakir and others were ready in quick succession. Subsequently, it became customary for the Malegaonians to gift Rasheed Artist’s paintings to the dignitaries who would visit the town.

While the one gifted to veteran musician Naushad painted on the famous couplet Aabadiyon main dasht ka manzar bhi ayega; Guzroge shaher se to mera ghar bhi ayega is still greeting the visitors in his hall, Shabana Azmi has put the one presented to her father Kaifi Azmi portrayed on Aik woh keh jinko fikre nashaib o faraz hai; Aik hum keh chal pade toh behr haal chal pade in her office.

Rashid Artist with his paintings.

Majrooh Sulatnpuri was lucky to get two paintings. Of these two, the one on Sutoone daar pe rakhte chalo saron ke charaag; Jahan talak yeh sitam ki siyah raat chale is in Canada and the other on Phir koi masloob hua sare rahe tamnna; Aawaze jaras pichle pahar taiz bahut hai is part of the splendid collection at Dubai Urdu Library.

Simultaneously, Rasheed Artist also perfectly worked on portraits of the people he loved the most. They included freedom fighters, world leaders, artists and poets. When Dilip Kumar visited Malegaon in 1980, he was thrilled to see his portrait. The portrait presented to him is now greeting the people at his Bandra residence. The portraits of Iranian leader Ayatollah Khomeini and Mirza Ghalib presented to Ferhad Parizaad of the Iranian Cultural Centre in Mumbai in 1985 are in Iran.

Today Rasheed Artist is the ultimate and globally recognized name when it comes to canvas paintings. In fact, he is perhaps the only artist in the Indian sub continent who portrays Urdu couplets over the canvas with such a sound interpretational skills. Yet Rasheed Artist has few more dreams in his life.

“Apart from writing a book on Sketching and Painting, it’s my dream to transfer the history of Urdu Ghazals from Ameer Khusroo till date over the canvas”, he said in a determined tone.

Rasheed Artist at this stage of his life is finding it easier to run the expenses of his family. However to run his dream project is of course an expensive affair. Moreover, looking at him who resolutely turned down the offers by popular art galleries in London and Australia to auction his paintings, it seems impossible for him to make any compromises merely for the sake of arranging funds needed to work on these projects. Yet one thing is certain. The stubborn in him would not let him sit idle. It would be really interesting to see how he achieves these targets.

[An abridged version of this article was published by The Times of India, on August 25, 2010 in its Nashik edition.]

source: http://www.ummid.com / Ummid.com / Home> India> Life & Style / by Aleem Faizee, ummid.com / June 13th, 2009

Actor, writer, comrade Shaukat Kaifi passes away

Hyderabad, TELANGANA / Mumbai, MAHARASHTRA :

Shaukat Kaifi with her daughter actor Shabana Azmi, lyricist Javed Akhtar, Tanvi and Baba Azmi. File | Photo Credit: PTI
Shaukat Kaifi with her daughter actor Shabana Azmi, lyricist Javed Akhtar, Tanvi and Baba Azmi. File | Photo Credit: PTI

In the world of films she is best known for her work in M.S. Sathyu’s Garm Hava, Muzaffar Ali’s Umrao Jaan and Sagar Sathadi’s Bazaar.

Veteran theatre and film actor and writer Shaukat Kaifi is no more. According to a family source she was in her 90s and ailing for a long while and passed away on Friday evening at her Juhu home in the arms of her daughter, actor Shabana Azmi.

Shaukat Aapa, as she was called, along with her husband, Urdu poet and film lyricist, Kaifi Azmi  had been the leading light of the Indian People’s Theatre Association (IPTA) and the Progressive Writers Association, the cultural wings of the Communist Party of India (CPI).

In the world of films she is best known for her work in M.S. Sathyu’s Garm Hava, Muzaffar Ali’s Umrao Jaan and Sagar Sathadi’s Bazaar.

Shaukat Kaifi’s memoirs , Kaifi and I had been turned into a theatrical rendition Kaifa aur Main with Shabana and Javed Akhtar reading the parts of Shaukat and Kaifi respectively.

She is survived by her daughter Shabana, son and noted cinematographer Baba Azmi, daughter in law actor Tanvi Azmi and son-in-law, poet, writer and lyricist Javed Akhtar. She has passed away even as the year-long Kaifi centenary events roll on.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Special Correspondent / Mumbai – November 22nd, 2019