Tag Archives: Nasheet Shadani – Visual Artist

Facebook’s Urdu lover

NEW DELHI :

Nasheet Shadani is one of the handful ‘creative strategists’ Facebook employs around the world. He is also a great lover of the Urdu language and runs a unique platform called Ishq Urdu on, where else, Facebook, with 254,000 followers. The Cannes award-winning adman who has worked with ad agencies like McCann, Grey and Ogilvy and Mather tells Grin why he is dedicating his life to reviving the medieval Indian language of great poets.

From Shadani’s Project Urdu.

There are around 70 million Urdu speakers in the world — most of them in South Asia. ‘But most websites, blogs represent Urdu in a very boring way. Most are just e-books, directly uploading content from books. Many thought that Urdu is a language spoken by some kind of obscure species. There was no curation and at times it gave an impression that it is indeed spoken by obscure species. The need to modernize the language in terms of visual look and feel as well as curation was badly needed,’ says Shadani. Several great Indian poets including the 17th century maestro Mirza Ghalib wrote in Urdu.

Shadani grew up speaking the language in Old Delhi and studied fine arts at the Jamia Millia Islamia university. He learnt Urdu calligraphy while he was working on a project called Save Calligraphy and redesigned Ogilvy’s logo in Urdu which won awards at the Cannes Lions Festival in design.

Ogilvy in Urdu.

‘This made me realize how culturally rooted works with a good cause can make a huge difference. Soon, I started immersing myself in the language which was followed by a series of discoveries. From thoughtful Urdu poetry to Angaray (which was the start of ‘Progressive Writers Movement’) to Bollywood , I started feeling an urge to share this knowledge with friends through my personal Facebook profile,’ Shadani, who soon moved onto to creating Ishq Urdu.

The project took off the ground in August 2015 with the goal to make people realize that they are already speaking Urdu in their day to day routine and listening to Urdu all the time through Bollywood songs and dialogues. ‘Most people think that Urdu is limited to its poetry but the truth is that Urdu has an entire ecosystem around it. To help solve this problem, we came up with our first campaign Bollywood Without Urdu where we removed Urdu words from iconic Bollywood songs and dialogues to highlight the importance of Urdu in our day to day life,’ says Shadani. For instance, the famous dialogue Mogambo khush hua would not sound the same without the Urdu word khush in it.

Shadani says he is touched when Urdu lovers from all across the globe connect with him and share their stories which pushes him towards his goal of making the language cool, contemporary and relevant in today’s world.

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source: http://www.grin.news / Grin.news / November 22nd, 2017

The Past is Present

Mumbai, MAHARASHTRA :

Fellows from the Godrej Culture Lab Leadership Programme examine the role and relevance of Urdu in contemporary culture

A poster by Nasheet Shadani
A poster by Nasheet Shadani

On display today at the Godrej India Culture Lab are posters with lines which might seem oddly familiar. ‘Tu vastu badi hai anandmayi anandmayi…’, reads one, and ‘Jeevan ek yatra hai mangalmayi…’ reads another. It’s not difficult, if one focuses a little and, uses a dictionary (if required) to understand these lines, and neither is it difficult to identify them as what they are — lyrics from well-known Hindi film songs, in which all the Urdu words have been replaced by Sanskrit-origin Hindi words.

Shorn of the original words, these lines present a disconcerting picture, showing us what we would lose without the Urdu words that still make up so much of our culture. And that exactly is the point being made by visual artist Nasheet Shadani in these posters, part of the series of works he calls ‘Bollywood Without Urdu’.

Zeenat Kulavoor’s calligraphy
Zeenat Kulavoor’s calligraphy

These works by Shadani are being displayed as part of ‘Urdu Culture Now’, a celebration of contemporary Urdu culture. “Despite Urdu having had such a strong influence, it doesn’t seem to have much presence in Mumbai right now. We wanted to challenge this underrepresentation of the language in the city’s culture and show the different ways in which it is used in contemporary culture,” says Pallavi Khare, a student of Media and Cultural Studies at Tata Institute of Social Sciences, who is one of the curators. Khare, along with six other Humanities students from colleges across the city, is a Fellow in the first batch of the Lab’s Leadership Programme, the first of its kind in the city.

Besides, Shadani’s works, also on display will be graphic designer and typographer Zeenat Kulavoor’s contemporary takes on Arabic calligraphy. The event will also have a panel discussion on ‘Urdu Revival Through the Internet’, featuring lyricist and poet Hussain Haidry, Kulavoor, and executive editor of The Wire Urdu, Mahtab Alam. This will be followed by a Qissabaazi performance by actor and storyteller Danish Husain and an Urdu rock performance by independent musician Winit Tikoo. “There are so many misconceptions about Urdu — that it isn’t an Indian language or that it is all about this old world ‘pehle aap’ culture, and we wanted to challenge that,” says Divya Vaidya, a third year student of architecture from the School of Environment and Architecture. Also available at the event will be a specially curated collection of books by city-based library and book store, Trilogy, as well as a daawat representing Hyderabadi and Lucknowi cuisines.

For the Lab itself, an important reason for hosting the event is to give its Fellows a good grounding in what it takes to be engaged with art and culture in the city. Parmesh Shahani, who heads the Lab, explains that this falls within the larger goal of enabling more people to engage productively with the city’s, and the country’s, culture scene. He explains, “We started the leadership programme for three reasons. The first one was the need to formalise our internship. The second reason, which is more ambitious, is to create a pipeline for people who want to work in culture because in the seven years that we’ve existed, we realised that almost everyone who is currently working in culture has either stumbled onto it or somehow figured out their way in. The third reason comes from a strong impetus we have to innovate. We have a super focused calender of events, but we also try to make some innovations every year. This time, one of the innovations is this programme.”

source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle / by Pooja Pillai / June 08th, 2018