Tag Archives: Sadia Dehlvi – Author

Sadia Dehlvi, master storyteller who chronicled capital, dies at 62

NEW DELHI :

Sadia Dehlvi, master storyteller who chronicled capital, dies at 62

Dehlvi was also a close friend of celebrated author Khushwant Singh, who dedicated his book Not a Nice Man to Know to her. (File)

Of all the roles that 62-year-old Sadia Dehlvi played in her life, the one she mastered was that of a storyteller. From her childhood memories, she dug out stories of “nihari Sundays” at home, the jinns that inhabited Shama Kothi where the Dehlvis lived, and the family’s contribution to society in the form of the iconic Urdu and Hindi magazines called Shama and Sushma.

On Wednesday night, Dehlvi — author, activist and food connoisseur — passed away after a long battle with cancer. She had been admitted to the hospital for a few days, and on August 1, her son Arman Ali Dehlvi posted a “cancer treatment fundraiser request” for his mother on social media. A close friend of Dehlvi’s said she passed away at home on Wednesday night.

Activist John Dayal, who also knew Dehlvi’s father, told The Indian Express , “I wished her on her birthday in June, she was fighting cancer so bravely. Her family contributed immensely to the syncretic culture of the city, and so did she. She popularised Mughal cuisine with her writing.”

City chronicler Rana Safvi recalled several meetings with Dehlvi at the Nizamuddin Dargah. Safvi said, “I love her writing, especially her book The Sufi Courtyard: Dargahs of Delhi. I used to often see her at the Dargah… With her gone, the dargahs will feel empty.”

Apart from The Sufi Courtyard, Dehlvi also wrote Sufism: The Heart of Islam in 2009, and Jasmine and Jinns: Memories and Recipes of My Delhi in 2017. She also scripted the hugely popular TV show, Amma and Family, starring Zohra Sehgal. Dehlvi founded Al Kauser, the restaurant in Chanakyapuri, with her mother in 1979.

In 2017, she had told The Indian Express, “Al Kauser was the first roadside kebab shop in New Delhi. It became quite the rage in the ’80s and ’90s. The kitchen was in our house.”

The Dehlvis, who were essentially traders, moved to Delhi in the early-17th Century and took the name “Dehlvi”, which means “the one from Dehli (Delhi),” said writer Sohail Hashmi. “The family started publishing Shama, one of the first Urdu magazines on Hindi cinema, which also served as a quasi-literary magazine. Then came Sushma, a magazine in Hindi. Actor Dilip Kumar was a patron of the magazines,” he said.

Dehlvi was also a close friend of celebrated author Khushwant Singh, who dedicated his book Not a Nice Man to Know to her.

Later, Dehlvi produced a television serial called Not A Nice Man to Know, in which Singh was the anchor.

source: http://www.indianexpress.com / The Indian Express / Home> Books and Literature / by Somya Lakhani / New Delhi / August 06th, 2020

Yunus Dehlvi was the Mirza Ghalib and Mauana Azad of Urdu magazines!

NEW DELHI :

Yunus Dehlvi (right) with Firoz Bakht Ahmed
Yunus Dehlvi (right) with Firoz Bakht Ahmed

Yunus Dehlvi ran the world’s biggest chain of the Urdu magazines from 1943 till 1994 after the family fragmented and the historic era of these publications ended

We have all grown through the fragrant flairs of our childhood, one of them being our childhood mother-tongue historic magazines like, “Thakurmar Jhuli” (Bengali), “Khilauna” (Urdu), “Hans” (Marathi), “Parag” (Hindi), “Chitralekha” (Gujarati), “Chandamama” (Telugu), etc.

So have I grown reading the world famed Urdu chain of magazines including, “Khilauna”, “Shama”, Bano”, “Shama”, “Mujrim”. The doyen of these magazines, Yunus Dehlvi, father of eminent author, Sadia Dehlvi, is no more. He was the Ghalib of publications and Azad of the content.

Dehlvi’s efforts need to be hailed and made known to the world through the most widely circulated edition of yours as a true homage to a warrior for his mother-tongue. Started by his father, Haji Yusuf Dehlvi, Yunus ran the world’s biggest chain of these Urdu magazines from 1943 till 1994 after the family fragmented and the historic era of these publications got sacrificed at the altar of children and grandchildren’s egos.

I “drank” my Urdu and learnt the language not from any madrasa, school or college but from these publications only — my treasure trove!

Having known the “Shama”, “Sushma”, “Khilauna”, “Bano”, “Shabistan”, “Mujrim”, and “Doshi” publisher and the owner of once the biggest chain of Urdu magazine anywhere in the world, Yunus Dehlvi since childhood, it is the saddest blow for me that the third surviving brother after Idrees Dehlvi and Ilyas Dehlvi is no more. It is a huge loss of Urdu and the connoisseurs of the above-mentioned magazines mentioned above.

On February 7, 2019, he breathed his last in the lap of his daughter Sadia Dehlvi and grandson, Ali Dehlivi, besides almost a hundred other relatives around him. He was buried at the Qaum Punjabian cemetery at Sheedipura, Karol Bagh, Delhi, in the presence of hundreds of his lovers with eyes welled in tears. He was 89 and about two years ago, he suffered from stroke.

Dehlvi was member, Governing Council of the Audit Bureau of Circulations Ltd (ABC), besides being the President (1969-70) of Indian and Eastern Newspaper Society (IENS).

A winner of umpteen Urdu awards round the globe, he had it, including Urdu Delhi Award, Edinburgh Urdu Circle, the John Gilchrist gold medal, Sahir Award besides a list of inexhaustible felicitations.

Magazines like “Shama” and “Khilauna” used not only to sell like hot cakes but these were also sold in “black”, the moment these were sent to the vendors. Another reason for the popularity of “Shama” was its “Muamma” (literary puzzle) where words had to be filled from Urdu novels and lakhs of rupees were at stake.

I remember the times when the issue of “Shama” Urdu monthly, the most sought after, had its circulation into lakhs, in fact more than a newspaper, like, “The Times of India” or the weekly, like, “The Illustrated Weekly”, as told to me by Yunus, when I had interviewed him some two years ago just before he was struck by a stroke.

In fact, special flights were booked for transporting “Shama” and “Khilauna” to London, Karachi and New York and the three brothers — Yunus, Ilyas and Idrees — used to accompany. The duty of Yunus was on the Air India or PIA Karachi sector.

Top film actors like Dileep Kumar, Ashok Kumar, Raj Kapoor, Asha Parekh, Nutan, Nargis, Raj Kumar, Sanjeev Kumar, Mohammed Rafi, Malika Pukhraj and many more used to frequent Yunus’ mansion at Sardar Patel Marg, now bought by politician, Mayawati.

Started by his father, Haji Yusuf Dehlvi, Yunus ran the world’s biggest chain of these Urdu magazines from 1943 till 1994 after the family fragmented and the historic era of these publications got sacrificed at the altar of children and grandchildren’s egos.

To be frank, I have learnt my Urdu from the magazines mentioned above and especially, “Khilauna”. Several old fans of “Khilauna”, today in their middle or old age, rummage “raddi” (scrap) shops or old bookshops from Karachi to Delhi and Lahore to Mumbai in search of it but in vain. Even in the libraries, these are not available. Fortunately, I have some 100 copies of the magazine from 1946 till 1987.

Several old fans of “Khilauna”, today in their middle or old age, rummage “raddi” (scrap) shops or old bookshops from Karachi to Delhi and Lahore to Mumbai in search of it.

Syed Faisal Ali, the editor of the Urdu daily “Sach ki Awaz” manages from his resources to get the old issues of “Khilauna” and reads these to relieve stress, “You escape back into your childhood, when you didn’t have a care in the world.” What was once a household name in the comity of children’s Urdu monthlies has become a collector’s item post its shut down.

“The craze for ‘Khilauna’ is keener among the older bunch,” Prof Akhtarul Wasey said, adding smugly that the old magazines always sold ‘at a premium’. However, these are just extinct now.

“Khilauna”, a collection of Urdu culture and heritage, had carved its niche through stories, poems, cartoons, comic strips like — “Nanhi Munni Kahaniyan” (a column for young writers), “Hamara Akhbar” (newspaper clippings), “Suraj Ka Bahadur Beta Shamsi” (serial pictorial story), “Muskurahatein” (jokes), “Hamarey Naam” (letters from readers), “Batao To Bhala” (Readers’ Questions and Answers), and much more.

Renowned Urdu poets and writers of the time — like Khwaja Ahmed Abbas, Hafeez Jalandhari, Hasrat Jaipuri, Qateel Shifai, Ismat Chughtai, Salam Machhli Shehri, Razia Sajjad Zaheer, Krishan Chander, Raja Mehdi Ali Khan, Balwant Singh, Kanhaiya Lal Kapoor, Ram Pal, Sahir Ludhianavi, Ram Lal, Siraj Anwar, Basheshar Pradeep, Shafiuddin Naiyar, Kaif Ahmed Siddiqui, Dr Kewal Dhir, KP Saxena, Azhar Afsar, Prakash Pandit, Aadil Rasheed, MM Rajinder, Jilani Bano, Naresh Kumar Shad, Abrar Mohsin, Masooda Hayat, Ishrat Rehmani, Abrar Mohsin, Khaliq Anjum Ashrafi — besides many others used to be household names from 1940 to 1990s.

The “Shama” and its sister publications will never be forgotten as the connoisseurs of best Urdu literature won’t forget Yunus Dehlvi.

source: http://www.nationalheraldindia.com / National Herald / Home> Cafe> Counter View / February 11th, 2019

One woman in Khushwant Singh’s life

Author Sadia Dehlvi on her friendship with Khushwant Singh

Khushwant Singh and Sadia Dehlvi
Khushwant Singh and Sadia Dehlvi

 If you ask me about the women in author Khushwant Singh’s life, I would say I am the only one. That’s how special he makes all those around him feel. Women are drawn to him because he doubles up as confidante, friend, father and mentor.

For women afflicted with heartbreak, Khushwant readily provides his shoulders to dry the tears and at celebration time he shares the cheer. He has the remarkable ability to suffer all kinds of people, often getting bullied into inviting them home to his evening durbar. I know many women whom Khushwant helped get jobs, admissions, transfers, and senior government posts. Many authors including me owe their career to his mentoring.

I first met Khushwant thirty years ago at the Arab Cultural Centre where my friend Ameena Ahmed happened to be exhibiting her calligraphic paintings. He walked up to me and said “Why are you so beautiful?”. I laughed replying, “Because I am a beautiful person.” Khushwant asked me to come to his house the next evening and the visits to Sujan Singh Park have continued ever since. His flat became my window to the world of the rich, famous and the absurd. Here I met presidents, parliamentarians, religious zealots, intellectuals, artists, poets, businessmen, harassed women, ambitious men and proud transvestites.

Very soon Khushwant began to mention me repeatedly in his newspaper columns and I too openly wrote of my love for him in my columns. It furthered his notoriety and capitulated me into the public arena. Saying, “I want to show you off”, he took me along to people’s homes and to public functions. When there were special invitees for dinner, I played hostess at his home, ensuring guests were comfortable. Khushwant’s wife Kanval was fond of me so my presence in the living room was never a problem. The women Kanval disapproved had to be entertained in his study and were not welcome to stay for dinner.

In 1993, Khushwant dedicated his book Not a Nice Man to Know to me: To Sadia Dehlvi, who gave me more notoriety and affection than I deserve. Many amongst his women friends turned green with envy and to our amusement, some began to accuse him of ghost-writing my columns. We grew to share an incredible bond, a friendship that continues to nurture me intellectually and emotionally.

We share a common love for the city of Delhi and Urdu poetry. Khushwant has a soft spot for Muslims and Muslim women in particular. His house is adorned with calligraphies from the Quran and the Muslim greeting ‘Salaam Alaikum’ is printed on the curtains. One thing that he despises is dishonesty and religious prejudice. I know many well-known people harbouring communal biases who have been dropped permanently from his circle.

Despite the celebrity status, Khushwant answers the phone himself, replies to letters and till recently was accessible to all those who wished to meet him. Taking a prior appointment used to be the only criteria for visiting rights.

With age and exhaustion, the numbers of those invited to the evening Durbar e Khas has shrunk and one rarely encounters a new face. Conversations are shorter and the poetry is usually Ghalib’s. Khushwant now finds it stressful to meet new faces and I have been ordered not to bring friends any more. I try explaining my helplessness with people seeking access to him. He says, “Just tell them that I’m an irritable, senile and nasty old man.” The truth is that at ninety plus, Khushwant is maashallah just as alert, lovable and wonderful as ever.

This piece is an excerpt from thedelhiwalla.com, where it appeared in 2010

source: http://www.livemint.com / Live Mint & The Wall Street Journal / Home> Leisure / by Sadia Dehlvi / Thursday – March 20th, 2014