Tag Archives: Sultana Begum

Dargah of Bahadur Shah Zafar in Yangon — where the last Mughal Emperor rests

Yangon (Rangoon), MYANMAR (formerly BURMA):

Close to the Shwedagon Pagoda in Myanmar, this dargah is the last tribute to the Mughal ruler and poet.

The main hall at the Dargah of Bahadur Shah Zafar
Photos: Subhadip Mukherjee

Myanmar (Burma) has some uncanny ties with India when it comes to the freedom struggle. Netaji Subhas Chandra Bose was imprisoned in Mandalay and the last Mughal emperor Bahadur Shah Zafar, who was also imprisoned, later died in Yangon (Rangoon).

If one visits Yangon, then one must visit the Dargah of Bahadur Shah Zafar. It is an irony of sorts when one thinks of the last Mughal emperor not being able to spend the last days of his life in a country where his ancestors once ruled. For the British, Bahadur Shah Zafar was more like a threat; they were constantly worried that he could be used as a proxy leader for another attempt at a revolt in India. 

The Dargah of Bahadur Shah Zafar in Yangon

After being arrested from Humayun’s Tomb during the Sepoy Mutiny on September 19, 1857, he was spared the death sentence and negotiated a life in exile instead. They thought it was better to have him sent to exile in Myanmar, and considering his health, they were almost certain that he would never set foot in India again. Bahadur Shah Zafar left Delhi along with his wife, two sons, and some close support staff on October 7, 1858.

More than a rebellious ruler, Bahadur Shah was more into poetry and that’s exactly how he spent the sunset years of his life in Myanmar. The British were paranoid and even prevented him from getting supplies of pen and paper fearing that he would pass messages to his supporters back in India. 

Life in Yangon

Room next to the main hall, housing the tombs

He lived in a small wooden house that was located very near Shwedagon Pagoda. If you are visiting Yangon, then you’ll find Shwedagon Pagoda as one of the major landmarks in the city. His life was miserable out here with a very limited supply of food and without any pen and paper. So, as a last-ditch attempt, he started using charcoal and scribbled poetry on the wall of his home. 

His life came to an end at the age of 87 on November 7, 1862. By then, he was completely bedridden and unable to eat or drink. A very unfortunate end to the last Mughal emperor of India.

Memorial plaques inside the dargah

Even after his death, the British were paranoid and hurriedly buried him without giving him the last respect that he deserved as the last emperor. Just a small plaque was placed on top of the grave and the rest was kept as simple as possible. This was purposely done to prevent his followers from making this place into a pilgrimage spot.

Four years later, his wife also passed away in Yangon and was buried right next to him.

The Lost Grave

The Lost Grave

With time, people simply forgot about this grave just exactly as the British wanted. To make matters more complicated no official records were kept as to the exact place where he was buried. 

The discovery of the grave happened by chance in the year 1991 during an expansion work of a prayer hall that was being carried out by labourers. Two graves were found with small inscriptions on top of them. While one had the name Bahadur Shah Zafar, the one next to it was that of his wife Zinat Mahal. 

Further excavation was carried out on the two graves and upon opening up the grave of Bahadur Shah Zafar, the skeletal remains were found wrapped in a silk shroud.

Interiors of Bahadur Shah Zafar Memorial Hall at the dargah

After this discovery and realising the importance of the grave, it was decided to restore and renovate the graves and the surrounding area. With support from the local community, the local government, and further support from the Government of India, a permanent structure was constructed over these two graves. A dargah was constructed at this very spot making it fit for the last Mughal emperor.

Dargah of Bahadur Shah Zafar

Original grave of Bahadur Shah Zafar at the basement

The dargah has two levels, the top level has a large prayer hall and a room with three decorated tombs. These tombs are that of Bahadur Shah Zafar, Zinat Mahal, and his granddaughter Raunaq Zamani. The surrounding walls in this room have only three known photographs of the emperor and poetry written by him lamenting his life in exile.

Kitnaa hai badnaseeb ‘Zafar’ dafn ke liye do gaz zamin bhi na mili kuu-e-yaar mein

Bahadur Shah Zafar

There is however another secret to this place. There is a room located in the basement of the dargah. This is the room where the original grave of Bahadur Shah Zafar was located when it was discovered. The grave now has been converted into a decorated tomb. This is the very place where the last Mughal emperor was buried and was thought would be forgotten.  But as luck would have it, it is now somewhat fit for an emperor. It’s sad that Bahadur Shah Zafar could never return to the country he once ruled. He remained in exile even after he died in Myanmar.

The Kolkata Connection

A representative from the Dargah reading poetry written by Bahadur Shah Zafar

Bahadur Shah Zafar along with his wife Zinat Mahal were also accompanied by their two sons Jawan Bakht and Jamshed Bakht. His sons never left Burma and settled there and ultimately died there only. Jamshed Bakht had two sons. One of his sons, Mirza Bedar Bakht, came back to India and settled in Kolkata. He married Sultana Begum with whom he had five daughters. Mirza Bedar Bakht had a very quiet life living in a slum and earning by sharpening knives and scissors. He died in the year 1980 in this very city and was buried here in Kolkata. 

Working for more than a decade in the book retail and publishing industry, Subhadip Mukherjee is an IT professional who is into blogging for over 15 years. He is also a globetrotter, heritage lover and a photography enthusiast.

source: http://www.telegraphindia.com / The Telegraph Online / Home> My Kolkata> Historical Landmark / by Subhadip Mukherjee / April 03rd, 2023

Destitute ‘heir’ of India’s emperors demands royal residence

Kolkata, WEST BENGAL :

Sultana Begum works on a garment inside her house in Kolkata. (Photo by Dibyangshu Sarkar / AFP)
  • Sultana Begum’s case rests on her claim that her late husband’s lineage can be traced to Bahadur Shah Zafar, the last emperor to reign
  • After a massive rebellion blamed on an already frail Zafar in the 1850s, British forces executed 10 of the ruler’s surviving sons despite the royal family’s surrender

Kolkata :

A destitute Indian woman who claims she is heir to the dynasty that built the Taj Mahal has demanded ownership of an imposing palace once home to the Mughal emperors.


Sultana Begum lives in a cramped two-room hut nestled within a slum on the outskirts of Kolkata, surviving on a meagre pension. Among her modest possessions are records of her marriage to Mirza Mohammad Bedar Bakht, purported to be the great-grandson of India’s last Mughal ruler.


His death in 1980 left her struggling to survive, and she has spent the past decade petitioning authorities to recognize her royal status and compensate her accordingly.


“Can you imagine that the descendant of the emperors who built Taj Mahal now lives in desperate poverty?” the 68-year-old asked AFP.


Begum has lodged a court case seeking recognition that she is rightful owner of the imposing 17th-century Red Fort, a sprawling and pockmarked castle in New Delhi that was once the seat of Mughal power. “I hope the government will definitely give me justice,” she said. “When something belongs to someone, it should be returned.”

Sultana Begum reacts while holding a picture of last Mughal Emperor of India Bahadur Shah Zafar in her house in Kolkata. (Photo by Dibyangshu Sarkar / AFP) 

Her case, supported by sympathetic campaigners, rests on her claim that her late husband’s lineage can be traced to Bahadur Shah Zafar, the last emperor to reign.


By the time of Zafar’s coronation in 1837, the Mughal empire had shrunk to the capital’s boundaries, after the conquest of India by the commercial venture of British merchants known as the East India Company.


A massive rebellion two decades later — now hailed as India’s first war of independence — saw mutinous soldiers declare the now frail 82-year-old as the leader of their insurrection. The emperor, who preferred penning poetry to waging war, knew the chaotic uprising was doomed and was a reluctant leader.


British forces surrounded Delhi within a month and ruthlessly crushed the revolt, executing all 10 of Zafar’s surviving sons despite the royal family’s surrender.


Zafar himself was exiled to neighboring Myanmar, traveling under guard in a bullock cart, and died penniless in captivity five years later.

Many of the Red Fort’s buildings were demolished in the years after the uprising and the complex fell into disrepair before colonial authorities ordered its renovation at the turn of the 20th century. It has since become a potent symbol of freedom from British rule.


India’s first Prime Minister Jawaharlal Nehru hoisted the national flag from the fort’s main gate to mark the first day of independence in August 1947, a solemn ritual now repeated annually by his successors.


Begum’s court case hinges on the argument that India’s government are the illegal occupants of the property, which she says should have been passed down to her.


The Delhi High Court rejected her petition last week as a “gross waste of time” — but did not rule on whether her claim to imperial ancestry was legitimate. Instead the court said her legal team had failed to justify why a similar case had not been brought by Zafar’s descendants in the 150 years since his exile.


Her lawyer Vivek More said the case would continue.
“She has decided to file a plea before a higher bench of the court challenging the order,” he told AFP by phone.

Begum has endured a precarious life, even before she was widowed and forced to move into the slum she now calls home.

In this picture taken on December 22, 2201, Sultana Begun walks by an alley in the locality she lives in Kolkata. (Photo by Dibyangshu Sarkar / AFP)

Her husband — who she married in 1965 when she was just 14 — was 32 years her senior and earned some money as a soothsayer, but was unable to provide for their family. “Poverty, fear and lack of resources pushed him to the brink,” she added.


Begum lives with one of her grandchildren in a small shack, sharing a kitchen with neighbors and washing at a communal tap down the street.


For some years she ran a small tea shop near her home but it was demolished to allow the widening of a road, and she now survives on a pension of 6,000 rupees ($80) per month.


But she has not given up hope that authorities will recognize her as the rightful beneficiary of India’s imperial legacy, and of the Red Fort.


“I hope that today, tomorrow or in 10 years, I will get what I’m entitled to,” she said. “God willing, I will get it back… I’m certain justice will happen.”

source: http://www.arabnews.com /Arab News / Home> News / by AFP / December 30th, 2021

Fatma Begum: India’s First Female Director | #IndianWomenInHistory

Mumbai, MAHARASHTRA :

Fatma02MPOs15sept2018

Most people are aware of the contemporary female directors that exist in the country as they have gotten recognition, acclaim and fame but few know about Fatma Begum – actress, scriptwriter and director – who created a path for many others in the film industry to follow at a time where male domination in every sphere was prevalent. Being arguably the first in the field she set opened the way for other women to venture into the film industry.

Fatma Begum, the first female director of Indian cinema, was born to a Muslim family in India in 1892.

She was also invested in acting, screen-writing, and production. She was trained in Theatre and initially used to stage Urdu plays, following which she began working in films in 1922. She started her journey as a director with the silent film Veer Abhimanyu (1922). In a short span of time she had directed the following films: Bulbul-ae-Paristan (1926), Goddess of Love (1927), Heer Ranjha (1928), Chandrawali (1928), Shakuntala (1929), Milan Dinar (1929), Kanaktara (1929) and Goddess of Luck (1929).

Bulbul-ae-Paristan was the most famous film directed by her. It was set in ‘Paristan‘ (Fairyland) had a big budget and included special effects using technology.

Fatma worked with filmmakers like Ardeshir Irani and Nanubhai Desai. After this, she created her own production company – Fatma Films, later changed to Victoria Fatma Films – and was the first Indian woman to do so.

When Fatma joined the film industry, only men were part of it. Even female roles were played by men. Thus, Fatma’s determination to break into this male-dominated sphere marked her as a trailblazer.

As an actor, she starred in many films including Veer Abhimanyu (1922), Sita Sardaba (1924), Prithvi Vallabh (1924), Kala Naag (1924), Gul-ae Bakawali (1924) and Mumbai ni Mohani (1925). She also contributed to writing scripts and wrote the script for Bulbul-ae-Paristan (1926). A few of her films featured her daughters, Sultana and Shehzadi. She used trick photography for special effects in films and included fantasy in her films.

Rumour has it that Fatma Begum was married to Nawab Sidi Ibrahim Muhammad Yakut Khan III, the last ruler of the Sachin State. However, no evidence exists to reaffirm this as the Nawab did not acknowledge Fatma Begum or their daughters. No undisputed images of her exist today.

Having a 16-year-long film career, her Last film was Duniya Kya Kahegi after which she retired voluntarily. Her daughters, Zubeida, Sultana and Shehzadi carried on her groundbreaking legacy as they too were actors in silent films. Zubeida went on to become the first Indian actress to star in the first talking film, Alam Ara (1931).

Fatma Begum died in 1983, at the ripe old age of ninety-one, leaving behind a pioneering approach to the film industry.

Sources:

IMDbFatma Begum
CinestaanFatma Begum, Jaddanbai: The earliest female filmmakers of Indian cinema
TCRCThe story of Fatma Begum, India’s first woman director
News18100 years of Indian cinema: The first women directors

source: http://www.feminisminindia.com / Feminism In India / Home> Culture> Cinema / by Maryam Mansoor / March 12th, 2017