Tag Archives: Emperor Aurangazeb

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

DELHI :

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

The largest engraved emerald gemstone in the world – The Mogul Mughal Emerald, weighing 217.80 carats.

This emerald tablet dates back to the year 1695. It belonged to the Mughal Emperor Aurangzeb who reigned between 1658-1707 and is adorned with the names of the Fourteen Infallible Guides: the Prophet Muhammad, Fatima al-Zahra and the Twelve Imams of Ahl al-Bayt ending with “wal-Mahdi al-Qaim.”

The gem is on display as part of the Al Thani Collection at the Museum of Islamic Art, Doha, Qatar, after it was acquired from Christie’s for $2.2 Million USD.

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

The translation of the inscription reads: ‘O Merciful One, O Compassionate One, O God. God bless Muhammad and ‘Ali and Fatima and al-Husayn, and al-Hasan and ‘Ali, and Muhammad and Ja’far, and Musa and ‘Ali, and Muhammad and ‘Ali and al-Hasan and the Steadfast [al-Qaim] al-Mahdi.

source: http://www.therahnuma.com / The Rahnuma Daily / Home / August 19th, 2021

Little-known fact: Aurangzeb had more Rajput administrators than Akbar

DELHI , INDIA :

In ‘Understanding Mughal India’, Meena Bhargava writes about how Aurangzeb patronised several Hindu institutions & was supported in the war of succession by Rajputs.

A portrait of Mughal ruler Aurangzeb | Photo: collections.vam.ac.uk/
A portrait of Mughal ruler Aurangzeb | Photo: collections.vam.ac.uk/

That Aurangzeb’s orthodoxy and his dedication to his beliefs was personal rather than a matter for political interference is evident in his reactions and responses during the war of succession of 1658, a quadrangular conflict between Dara, Shuja, Aurangzeb, and Murad. Throughout the struggle, Aurangzeb was concerned about Dara’s political manoeuvres. Their individual feelings and religious outlook—which stood in sharp contrast—remained confined to the personal level. Aurangzeb referred to Dara as mushrik (heretic) while Dara called Aurangzeb kotah pyjama (narrow pants), a symbolic attribute of orthodoxy. Both attempted to rally public opinion, but never on religious grounds. In fact, the support that largely came for Aurangzeb was from the Rajputs, notably Rana Raj Singh of Mewar, Raja Jai Singh Kachwaha of Amber, and later, Maharaja Jaswant Singh of Marwar. In this context may be related an interesting nishan that Aurangzeb sent to Rana Raj Singh of Mewar, condemning such kings who practised intolerance that could become the cause of dispute, conflict, and harm to the people, and could ‘devastate the prosperous creations of God and destroy the foundations of the God-created fabric’. Such attitudes of kings, Aurangzeb ordained, deserve ‘to be rejected and cast off’. This document from the Udaipur records is a clear revelation of what Aurangzeb intended as his public policy. It further confirmed that Aurangzeb, in the struggle for succession, did not raise the cry of jihad or Islam in danger, nor did he promulgate a new religious policy contrary to that of his predecessors; neither did Dara claim to be the champion of liberal forces. The issue was not religious or ideological, or whether orthodoxy would triumph or liberalism. It was a question of personal vested interest, political in nature but free from religious connotations, that is: Who would be the emperor of India, Dara or Aurangzeb? It is in such a context that Aurangzeb deserves to be assessed.

Debating Aurangzeb’s leanings—religious orthodoxy or political pragmatism—one needs to ask: Did Aurangzeb really intend, as Jadunath Sarkar suggested, the establishment of dar-ul-Islam or a truly Islamic State in India, the conversion of the entire population to Islam, and the annihilation of dissenters? Or, as Ishtiyaq Husain Qureshi argued, was it rigid adherence to the shari’a and undoing the damage caused by Akbar; or the triumph of Muslim theology, as Shri Ram Sharma asserted? If this was really the case, then the emperor’s personal valour, military skills, and single-minded commitment to achieving territorial expansion and consolidation would stand negated. The biased ideological portrayal of the emperor, regardless of historical accuracy, makes it difficult to explain the increase in the number of Rajput mansabdars in Aurangzeb’s administration as compared to Akbar’s period, and their rise from 24 per cent under Shahjahan to 33 per cent in 1689. Nor can Raghunath Ray Kayastha’s dominance as diwan-i kul be understood rationally. Raghunath Ray not only supported Aurangzeb but also participated in several expeditions of the period. Aurangzeb honoured him with the title of Raja and when Raghunath Ray died in 1664, the emperor, in his obituary written in Ruqa’at-i Alamgiri, remembered him as the greatest administrator he had ever known.

There are well-documented evidences of Aurangzeb’s patronage of various Hindu religious institutions, namely temples, maths, grants to Brahmins and pujaris:

  • Land grants were renewed to the temples at Mathura, Banaras, Gaya, Gauhati, and others, while the emperor is known to have donated ghee for the navadeep in a few temples, including the Mahabateshwar temple at Agra;
  • Gifts were offered to the Sikh gurudwara at Dehradun;
  • Madad-i ma’ash grants, as listed in the Rajasthan documents, were continued to a math of Nathpanthi yogis in pargana Didwana, sarkar Nagor;
  • Grants were also made to Ganesh Bharti faqir and his successors in pargana Siwana with the instructions that the faqir should not be disturbed so he could ‘pray for this sultanat’.
  • The Vrindavan document of 1704 referred to a parwana which sanctioned the rights of Chaitanya gosains who had founded Vrindavan and established pilgrimages in Braj Bhumi, and recognised the right of Brajanand Gosain to receive a fee from the followers of the sect on account of kharj sadir o warid, that is, expenses on guests and travellers from each village. In effect, it was a government levy for the benefit of Brajanand Gosain and his Vaishnavite followers.

From the above description, Aurangzeb’s patronage to temples appears without doubt. And yet some temples were attacked, while others were spared. This aberration in the emperor’s attitude can be explained by only one rationale: it was not iconoclasm, but reprisal for rebellion or political misconduct or disloyalty to the emperor. This exposition can be applied to understand the attack on the Vishwanath temple at Kashi, the Keshav Dev temple at Mathura, and several prominent temples in Rajasthan. In 1669, during a zamindar revolt in Banaras, it was suspected that some of them had assisted Shivaji in his escape from imperial detention. It was also believed that Shivaji’s escape was initially facilitated by Jai Singh, the great-grandson of Raja Man Singh, who had built the Vishwanath temple. It was against this background that Aurangzeb ordered the destruction of that temple in September 1669.

Around the same time, in a Jat rebellion that had erupted in the neighbouring regions of Mathura, a patron of the local congregational mosque was killed, leading to Aurangzeb’s order in 1670 to attack the Keshav Dev temple at Mathura. Temples in Marwar and Mewar were also attacked following the death of Maharaja Jaswant Singh to reprimand and crush the Rathor rebellion and the development of a Sisodia– Rathor alliance. These included temples in Khandela patronised by rebel chieftains; temples in Jodhpur maintained by a former supporter of Dara Shukoh; and the royal temples in Udaipur and Chittor patronised by Rana Raj Singh after the Rana entered into an alliance with the Rathors that signalled the withdrawal of loyalty to the Mughal State. It may be observed that the Rathor rebellion was not a reaction or a protest against the re-imposition of jizya. Instead, this re-imposition, as Abu’l Fazl Ma’muri observed in the context of the suppression of the Satnami revolt and prior to the emperor’s expedition to Ajmer, was meant for ‘the affliction of the rebellious unbelievers’.

MughalBookMPOs24feb2020

This excerpt from Understanding Mughal India: Sixteenth to Eighteenth Centuries by Meena Bhargava has been published with permission from Orient BlackSwan.

source: http://www.theprint.in / The Print / Home>  Page Turner> Book Excerpts / by Meena Bhargava / February 19th, 2020

Deccan papers throw light on Aurangzeb rule

Hyderabad, TELANGANA :

The king’s notes: The Yaddasht-i-Ahkam-i-Muqaddas with Aurangzeb’s imperial instructions. | Photo Credit: G. Ramakrishna
The king’s notes: The Yaddasht-i-Ahkam-i-Muqaddas with Aurangzeb’s imperial instructions. | Photo Credit: G. Ramakrishna

1.5 lakh indelible ink documents preserved in Hyderabad

Think Mughals and you think of Delhi and Agra. But few know that it is Hyderabad that houses the largest collection of written communications of their reign.

The Telangana Archives and Research Institute holds a whopping 1.55 lakh documents — all on handmade paper — including 5,000 from the period of Shah Jahan (1628-1658) and another 1.5 lakh of Aurangzeb (1658-1707). No other archive in the country, not even the National Archives in New Delhi, boasts of such a collection: it gives a graphic picture of the mansabdari system, military administration and revenue machinery of the Mughals in the Deccan. Written in Persian in Shikasta script, cursive style, the documents are linked and arranged in chronological order — date, month and regnal year-wise.

Slew of orders

The documents include Farman (order of the emperor), Nishan (order of a member of the royal family), Yaddasht-i-Ahkam-i-Muqaddas (memorandum containing imperial orders), Parwana (orders issued by higher authorities), Siyaha-Huzur (proceedings of the provincial court), Roznamcha-i-Waqai (daily news report), Qabzul Wasil (bill payments) and Arz-o-Chihra (documents on personnel and horses).

Aurangzeb spent 13 years as the subedar of Deccan during the reign of Shah Jahan and had vast experience in political and other matters. Even after he ascended the throne on July 25, 1658, he continued to focus on the Deccan to check the activities of his rebellious son Mohammed Akbar and on conquering Bijapur and Golconda, which he did in 1687.

According to State Archives director Zareena Parveen, the accountant-general of the erstwhile Hyderabad State, Syed Muhibuddin, went to Aurangabad (the headquarters of the Mughals) for an inspection in 1916 when he discovered a large number of old documents lying in the vaults of Fort Ark.

He took keen interest in preserving them and reported the matter to Daftar-i-Diwani, the administrative wing of Hyderabad State, headed by the superintendent Syed Khurshid Ali. Steps were taken to shift them to Daftar-i-Diwani, which eventually became State Archives. The paper, made by Chinese professionals, has withstood the vagaries of time. The papers remain intact even after water seeped into the archives a few years ago. “In fact they became brighter as it washed away the acidic material that covered the indelible ink used by the Mughals,” said Ms. Parveen.

An expert in Persian herself, Ms. Parveen arranged the documents chronologically, deciphering the contents, and put them in non-acidic dockets.

The documents reveal Aurangzeb’s administrative skills. The Yaddasht-i-Ahkam-i-Muqaddas shows reports on recommendations of pay hikes for staff sent to the emperor, who also had spies to report on negligence, and actions against the government.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad> Sunday Special / by M. Rajeev / Hyderabad – August 11th, 2018

”Taj – A Monument Of Blood”: New Series On Mughal Empire In The Pipeline

Agra, UTTAR PRADESH :

The series will capture the dark side of the story of the Mughal empire and had emperors like Akbar, Jehangir, Shah Jahan and Aurangzeb.

Mumbai :

“Taj – A Monument of Blood”, a period drama series on the rise and fall of the the Mughal empire, is set to be produced by Applause Entertainment in partnership with Contiloe Pictures, who are confident of presenting a story with a mix of blood, betrayal, power, beauty, deceit and heartbreak.

The series will capture the dark side of the story of the Mughal empire, which ruled India for just over 3 centuries and had emperors like Akbar, Jehangir, Shah Jahan and Aurangzeb. Writing is currently underway.

The tale will be told over 5 seasons of twelve episodes each, using the birth and death of Shah Jahan as bookends. It will delve deep into the Mongol origins, bloodlines mixing with Persian and Rajput royalty, the court and palace intrigues, the repeated purging of aspirants to the throne, and the arrival of the British and Portuguese.

Sameer Nair of Applause Entertainment calls himself a big fan of revisionist narratives of history.

“Our history books have been written by victors and often paint very two-dimensional pictures about past empires. When Abhimanyu Singh (Contiloe Pictures) and I first discussed this idea, we immediately moved away from a typical historical to a darker and edgier version of the Mughal empire, a version in which symbolically the Taj is more a monument of blood, than a monument of love,” Mr Nair said in a statement.

Mr Singh, who has produced a slew of historicals for the small screen, says the new series will show viewers the historic journey through a fresh lens.

“It will take viewers on a historic journey showing them an unseen perspective of this illustrious dynasty which lead to their rise as the greatest empire in medieval times and the quest for power, within it, that finally lead to its downfall.”

source: http://www.ndtv.com / NDTV / Home> All India / by  Indo-Asian News Service / July 12th, 2018