Tag Archives: Attia Hosain – member ‘Progressive Writers Movement ‘

Tales from 20th century ‘path-breaking’ Muslim women on view

INDIA :

Photo Courtsey: social media
Photo Courtsey: social media

New Delhi, (IANS)  :

Stories of conviction and contribution of Indian Muslim women, who “gave up the purdah” and were at “the forefront of the nationalist and feminist discourse” in the past century are on display here.

The exhibition on 21 “pathbreakers” opened for public view on Saturday.

Organised by Muslim Women’s Forum at the India International Centre (IIC), the show “Pathbreakers: The Twentieth Century Muslim Women of India” features women who remain largely unheard of and unsung in the mainstream narrative.

During and after the freedom movement, a note on the exhibition said, many Muslim women shed the ‘purdah’ and became partners in the project to build a new India.

They went on to become writers, teachers, artists, scientists, lawyers, educators, political workers, trade unions, MPs, and MLAs.

“With a few exceptions, most of them have been forgotten in time.”

The show, inaugurated by author-filmmaker Syeda Imam (granddaughter of early 20th century writer-educator Tyaba Khedive Jung), embodies the spirit of the active contribution of these women, and as Imam said, “were not in the recesses of home and kitchen”.

Far from the commonly-held impression of silenced, cloistered and acquiescent women, ‘Pathbreakers’ narrates the stories of strong, determined and engaged women, the note said.

Some of these women include Qudsia Aizaz Rasul, the only Muslim woman member of the Constituent Assembly and author of “From Purdah to Parliament: A Muslim Woman in Indian Politics”; Assam’s first woman MP Mofida Ahmed, elected from Jorhat in 1957; and Aziza Fatima Imam, who served in the Rajya Sabha for 13 years starting 1973.

Why Muslim women?

The exhibition of photographs, text and video installations, points to their significant contribution towards the building of the nation, along with their sisters of other communities, through its freedom struggle, independence and beyond.

“A multiplicity of stereotypes are constructed by diverse actors regarding Muslim women. But the fact is there is no undifferentiated amass’ of Muslim women. Like women of all socio-cultural groups, they too are a divergent, shifting composition of individuals, often dumped in popular parlance into one single heap. This homogenisation has to be rejected,” the note read.

The show also projects video recordings of readings from writings of some of the featuring women.

The organisers, however, said while the participating women might seem elite, it is only the first step in identifying and recognising pathbreakers from all sections.

Featured are Anis Kidwai, Atiya Fyzee, Atia Hossain, Aziza Imam, Fatima Ishmael, Hamida Habibullah, Hajira Begum, Mofida Ahmed, Masuma Begum, Mumtaz Jahan Haider, Qudsia Aizaz Rasul, Qudsia Zaidi, Razia Sajjad Zaheer, Saleha Abid Hussain, Sharifa Hamid Ali, Saeeda Khurshid, Safia Jan Nisar Akhtar, Siddiqa Kidwai, Surayya Tyabji, Zehra Ali Yavar Jung and Tyaba Khedive Jung.

This exhibition was first held here in May, and was supported by the UN Women. The current show is open till December 8.

source: http://www.twocircles.net / TwoCirlcles.net / Home> Indian News> Indian Muslim / by IANS / December 03rd, 2018

Obituary: Attia Hosain

Lucknow, UTTAR PRADESH / London, UNITED KINGDOM :

Attia Hosain, writer: born Lucknow, India 20 October 1913; married Ali Bahadur Habibullah (one son, one daughter); died London 23 January 1998.

The people who came to see Attia Hosain honoured at a book launch a few weeks ago could have been forgiven for expecting a subdued and fragile old lady. After all, Hosain was 84, had had a long and turbulent life and for years had been in poor health. The launch demanded nothing of her but that she sit on stage as a sort of icon and accept the homage of her admirers, while her daughter – the film producer Shama Habibullah – read from one of her mother’s early World Service pieces.

But Hosain was not one to sit back passively letting encomiums wash over her. Despite her physical difficulties, she immediately engaged with her audience, vividly sharing her emotions and memories. Her indomitability and eloquence swept problems aside, with a degree of hauteur and a magnificent sense of style.

Those qualities must have stood her in good stead. She was born in 1913 into an aristocratic family in Lucknow – a city that is a byword for Muslim scholarship and culture. From her father she inherited a keen interest in politics and nationalism. From her mother’s family of poets and scholars she drew a rich knowledge of Urdu, Persian and Arabic. Her knowledge of English came from an English governess, and subsequently as one of the few Indian girls at an English medium school. She was the first woman from her background to take a degree at Lucknow University.

From early on she was a communicator, first through feature articles for Indian papers, the Pioneer and the Statesman, and membership of the radical Progressive Writers’ Movement. The fiction came later, as a result – she recently speculated – of politics and dislocation.

In 1947, when India was partitioned into India and Pakistan, Hosain was in London with her husband, who had been posted the year before to the High Commission. The division of the two countries and the separation of two religious communities caused her great pain. Immensely proud of her heritage as both a Muslim and an Indian, she chose to remain in England and bring up her daughter and son – now the film director Waris Hussein – on her own. The change brought her a career as a regular broadcaster with her own women’s programme on the BBC World Service and a new perspective.

But the sense of damaged cultural roots never fully died away. “Here I am, I have chosen to live in this country which has given me so much; but I cannot get out of my blood the fact that I had the blood of my ancestors for 800 years in another country.” It was that, she said in her last piece – to be published in an anthology later this year – that drove her to write.

In 1953, Chatto and Windus brought out her book of short stories Phoenix Fled. Eight years later came Sunlight on a Broken Column, an evocative and carefully detailed novel which traces, via the story of young Laila, a society in transition. It was over 20 years, however, before the book was widely recognised. Brought out of oblivion by Virago in their splendid Modern Classics in 1988, it re-established Attia Hosain in the public eye and gave her a platform which she embraced with zest.

– Naseem Khan

source: http://www.independent.co.uk / Independent / Home> News> Obituaries / by Naseem Khan / February 05th, 1998