Tag Archives: Gauhar Jaan

The First Cigarette

Delhi / Calcutta, BRITISH INDIA:

The 1860s and 70s were a difficult time for the old and noble families of Delhi. The changes ushered in after the rising of 1857 had precipitated the decline of the city that had begun with the invasion of Nadir Shah over a century ago. The grandeur of the old Mughal capital was gone and with it disappeared the wealth and commerce. This was the era of Mirza Asadullah Khan Ghalib and his poetry of decrepitude and nostalgic longing. Old merchant families were particularly badly hit.

The Ellahies were just such an old family of Delhi merchants. By the 1870s it was being run by Hajee Karam Ellahie. The writing was however, on the wall and the family realized that opportunities in Delhi were dwindling. Karam’s much younger brother, Bukhsh, an ambitious young man therefore decided that he would not sit around waiting for the decline to be complete. Rather he would take on the challenges of the new era head on.

If Delhi was in decline, the new capital of the British, Calcutta, had been growing rapidly over the same period. By the second half of the nineteenth century it was a city bursting with opportunities, ideas and wealth. Young Bukhsh decided the best way to approach the new age was to move to Calcutta. In 1878 he joined an old Muslim firm in Calcutta as a young apprentice hoping to pick up enough skills to survive in the new order.

Gauhar Jaan in a Cigarette Advertisement

During his time in the city, Ellahie also keenly observed his fellow denizens closely. Amongst the new fashions that caught his eye was the habit of smoking cigarettes. The British army had picked up the habit during the Crimean War in the mid-1850s from their Turkish rivals. Unbeknownst to Ellahie precisely around the 1880s, when he was apprenticing in Calcutta, a new cigarette-rolling machine was making it faster and cheaper to produce cigarettes commercially.

A shrewd businessman, Bukhsh soon asked his older brother to lend him some capital to start a business importing tobacco to make cigarettes. In 1885, with his brother’s loan, Bukhsh set up Bukhsh Ellahie & Co. Apart from new production techniques he also adopted new advertising techniques to popularize the new trend in the city. Cashing in on the growing celebrity of the Hindustani classical singer, Gauhar Jaan, Bukhsh Ellahie launched a brand of local cigarettes called the ‘Gauhar be Baha’. he also distributed free cigarettes to the army as a precocious new promotional tool.

The brand and the business were an enormous success. Before the century ended, Bukhsh was one of the richest men in the city. So complete was Bukhsh Ellahie’s domination of the local market that when foreign firms such as Wills and ATC first came to India, they had to enter into partnerships with Ellahie and depend upon the latter’s distribution networks.

Bukhsh Ellahie & Co Offices

Until 1901 the firm of Bukhsh Ellahie therefore remained the sole agents for the major foreign tobacco companies. It was only in 1901 that E.J. Parrish, the manager of ATC’s Indian operations eliminated Ellahie’s sole agency and instead set up its own distribution depot at 95, Clive Street, Calcutta, with its own devoted staff. While the partnership flourished however, Ellahie innovated once more and advertised the partnership using yet another then still fairly new commodity, i.e. matchboxes.

Matchbox label issued by Bukhsh Ellahie & Co. advertising their partnership with British American Tobacco.

Bukhsh Ellahie & Co. were, as they themselves would later advertise, unquestionably the “Pioneer of the Tobacco Trade in India”. Yet, their mercantile portfolio were not limited to tobacco, or indeed matches. Ellahie was a general merchant and dealt in a wide variety of goods. He was also an official supplier for the Indian Army, thereby acquiring a large and lucrative captive market. Above all, they were one of the first local firms to recognize the importance of foreign trade and worked hard to develop international trading partnerships.

In time, Hajee Bukhsh Ellahie became members of both the Bengal and Punjab Chambers of Commerce and was honored by the British government, first with the title of Khan Bahadur and later, with the Companion of the Indian Empire (C.I.E.). He also became a well-known philanthropist and built or sustained several charitable institutions in his adopted city, Calcutta. On Chitpur Road he built a Musafirkhana or a Traveler’s Lodge. He also founded an orphanage and an association for the burial of indigent Muslims.

Khan Bahadur Haji Bukhsh Ellahie

Notwithstanding recent awareness of the unhealthfulness of smoking, Calcuttans continue to smoke in large numbers today. A recent survey found the city is the highest consumer of cigarettes in all of India. Few of these modern smokers however, have ever heard of Bukhsh Ellahie. His once legendary fame and wealth have, alas, disappeared from public memory like the smoke from his Gauhar cigarettes.

Posted in: Businesses PastCalcutta By GaslightGaslit Glamour

source: http://www.web.sas.upenn.edu / Calcutta by Gaslight / by Projit Bihari Mukharji / August 09th, 2018

‘Piya ka des’: 165 years on, Nawab Wajid Ali Shah’s legacy lives on in Kolkata

Awadh, UTTAR PRADESH / Kolkata, WEST BENGAL :

The nawab, who was deposed by the British, came to plead his case with Governor General Lord Charles Canning, only to be imprisoned at Fort William.

Nawab Wajid Ali Shah (Photo| Wikimedia Commons)

Kolkata :

Some 165 years ago, in the month of May, Nawab Wajid Ali Shah — the last ruler of Awadh — is believed to have written the now-famous lament “Babul Mora Naihar Chooto Jai…Mein Chali Piya ke Des” (O father, my home I leave behind…I go to my beloved’s land), as he made his way to Kolkata to live the next 31 years of his life in exile.

The nawab, who was deposed by the British, came to plead his case with Governor General Lord Charles Canning, only to be imprisoned at Fort William as the East India Company feared that he may turn into a rallying point for sepoy mutineers during the first war of Indian Independence, which broke out the very next year.

After he was freed two year later, Wajid Ali and many from his court who chose to join him in exile decided to live in his ‘Piya ke Des, gifting a legacy of music, dance, Urdu poetry, fashion and fusion cuisine to the syncretic culture of the metropolis.

“My great, great, grandfather Wajid Ali Shah, who landed here by steamer on May 13, could have chosen to live anywhere after he was freed…but he chose this city. We believe he fell in love with its culture and found remnants of his beloved Lucknow in Metiabruz or Matiaburj where he chose to settle,” said Shahenshah Mirza, 54, a civil servant and a history buff.

The nawab, over the years, built some 18 palaces and the landmark Sibtainabad Imambara in Calcutta, but his descendants live scattered as the British demolished the palazzos on one pretext or the other.

Mirza and his father, 86-year-old Sahebzada Wasif Mirza – the president of the Awadh Royal Family Association — now live in a modest though stately old house at Talbagan Lane, off Dargah Road, in the heart of the eastern metropolis.

“Just 500 of his followers came with him in 1856, but as news spread that he was building a Lucknow-like city within a city, at Metiabruz in Calcutta, many of his nobles, artisans and musicians followed and flourished here,” said Mirza.

Though much of the original mini-city which Wajid Ali built was taken over for Garden Reach shipyards, Metiabruz still exists and is now famous as a garment tailoring hub — reportedly accounting for Rs 15,000 crore worth of textile trade a year — mainly on account of the skilled tailors who came here as part of the Nawab’s entourage.

Wajid Ali, who used the pen name “Akhtarpiya” for his poetry, prose and thumris, was a known patron of arts, and with the destruction of Mughal cities in the aftermath of the 1857 revolt, Kolkata subsequently became the new cultural capital, attracting talent from all over north India.

As time progressed, Bengal’s zamindars and rich ‘bhadraloks’ (gentlemen) enthusiastically developed a taste for the Nawab’s leisure activities ‘mujra’ (music and dance soirees), kite-flying and pigeon games (kabootar baazi). “Even today some 3,000 people are engaged in the business of making kites in this city,” explained Mirza.

The nawab introduced the citys elite to Thumri, Dhrupad and Kathak. “Singers and dancers of the calibre of Bindadin Maharaj, Piyari Sahab, Gauhar Jaan, Malka Jaan, Jauhar Jaan came to settle here…Kolkata opened up to Kathak and thumris,” said well-known Shantiniketan-based musicologist Rantideb Maitra.

This, in later years, influenced the film industry and the dance and music forms became part of the pan-Indian culture.

The song ‘Babul Mora’ itself was popularised by Kolkata-based music director Rai Chand Boral when he got Kundan Lal Saigal to sing it for the movie ‘Street Singer’ in 1938, nearly 80 years after it was written.

“Kathak, though it started as a temple dance, had taken a stylised form under the Mughal patronage. When brought to Kolkata by Wajid Ali, who himself often danced as Krishna, it blossomed into a popular classical dance form,” said Shyam Banerjee, another musicologist and Urdu translator.

However, if the average Kolkatan remembers the Awadh ruler with fondness, it is because of the gastronomic legacy he left behind.

Said Manzilat Fatima, another of Wajid Ali’s descendants from his junior begum, Hazrat Mahal — who led mutineers in Lucknow and eventually escaped to Nepal — “He (Wajid Ali) tried to recreate Lucknow but with a difference…(among other things) his kitchen became an experimental centre for new dishes.”

Fatima (53), who runs the up-market restaurant Manzilat’s explained that experiments led to the inclusion of potato — then a rich man’s exotic vegetable favoured by Europeans — and eggs to Awadh’s Biryani. “New spices, coconut milk, mustard oil, all went into the making of Awadhi dishes and the result was the unique dum-pukht Kokata Biryani, now so popular all over,” she said.

The Nawab also set up a printing press in Metiabruz and came out with a weekly gazette in Urdu, adding to the literary and journalistic tradition of the city, which boasts of being the cradle to some of India’s oldest newspapers.

“We feel he was more popular in the city he chose to make his own than in Lucknow…When the legendary filmmaker, Satyajit Ray, asked my father how he saw Wajid Ali’s legacy, he had explained that it lives on, as is evident from the fact that ‘you chose to make your first Hindi movie – Shatranj ke Khilari – on a novel based on the the Awadh ruler’s life’,” added Mirza.

source: http://www.newindianexpress.com / The New Indian Express / Home> Kolkata / by PTI / May 23rd, 2021

Google doodle celebrates Gauhar Jaan, India’s first recording artist

Azamgarh, UTTAR PRADESH / Kolkata, WEST BENGAL / Mysuru, KARNATAKA :

Gauhar01MPOs26jun2018

 

Today’s Google doodle features legendary musician and dancer Gauhar Jaan, the first Indian to record music on a 78 rpm record, thus opening up a new avenue for Indian classical music.  Gauhar Jaan was born on this day in 1873.

The illustration is by Aditi Damle, showing Gauhar Jaan with her cat, and the gramaphone in the background.

Gauhar Jan
Gauhar Jan

Gauhar Jaan was born Angelina Yeoward to an Armenian Christian father and an Indian Jewish mother. Angelina converted to Islam along with her mother in the 1880s and became Gauhar Jaan. Her mother, ‘Badi’ Malka Jaan, was an accomplished Kathak dancer and singer and was a courtesan in Benaras. Gauhar learned classical music and dance from her mother. The duo moved to Kolkata later, where Gauhar learned more classical forms such as the Patiala gharana, Dhrupad, Thumri, and the Bengali keertan. She started singing songs penned by Rabindranath Tagore much before it came to be known as ‘Rabindra Sangeet.’

Her maiden music concert was when she was as young as 17 years. Gauhar began giving dance performances too after a few years. She went on to perform in many parts of India, including Mysuru, Chennai, Dharbanga, and Allahabad. Gauhar used her travels as an opportunity to learn regional art forms. She could sing in as many as 20 languages.

When Frederick William Gaisberg, the iconic recording engineer from the Gramophone Company, visited India to record Indian music, Gauhar Jaan was the first musician to accept his offer. This was at a time when her male counterparts were reluctant to accept a new technology, which they feared would spoil their voice. On the day of the trial recording, she is believed to have said “My name is Gauhar Jan,” according to Suresh Chandvankar of the Society of Indian Record Collectors.. This eventually became the label of the first Indian album. Gauhar has over 200 records to her credit. In 1994, the Gramophone Company re-released 18 of her songs as a collection.

Rajeshwari Sachdev as Gauhar.
Rajeshwari Sachdev as Gauhar.

“Gauhar Jaan was exceptional in more ways than one… she created a template to showcase something as expansive as Hindustani music in just three minutes!” said Vikram Sampath, who wrote her biography  ‘My Name Is Gauhar Jaan! The Life and Times of A Musician.’ . Earlier gramaphone records would last only for three minutes and artists had to scream into horns as the acoustic technology was in its nascent stage. Gauhar’s method of recording was adopted by many women singers, which eventually led to more women taking up recording.

In the book, Mr. Sampath has chronicled the life and times of Gauhar, including her lavish lifestyle, her ill-fated relationships, and dwindling health during later years. There is an interesting story about the cat that is featured along with Gauhar in Tuesday’s Doodle. It is said that Gauhar spent ₹20,000 in the early 1900s and threw a party when her cat delivered a litter of kittens, according to historian V. Muthiah. However, she spent her last days as a court musician in the Mysore Maharaja’s palace for a sum of ₹500 per month, before she passed away on January 17, 1930.

Director Ashutosh Gowarikar has bought the movie rights for Mr. Sampath’s book, hoping to bring Gauhar’s life to the silver screen. Gauhar’s life had been enacted as a play  directed by Lillete Dubey. Singer Rajeshwari Sachdev played the title role, while Zila Khan played the older Gauhar.

source: http://www.thehindu.com / The Hindu / Home> Sci-Tech> Internet / by  K. Deepalakshmi  / June 26th, 2018