Monthly Archives: December 2016

Central Sahitya Akademi award for 2 Dakshina Kannada writers

KARNATAKA :

Mangaluru  :

TWO well-known authors — Edwin Joseph Francis D’Souza from Mangaluru and Bolwar Mohammed Kunhi from Puttur —  have been chosen for the prestigious Central Sahitya Akademi Award for 2016 in Konkani and Kannada languages, respectively.

This is the first time that two writers from Dakshina Kannada have been recognised for the prestigious national award in the same year.

Edwin J F D’Souza
Edwin J F D’Souza

Edwin D’Souza has won the award for his Konkani novel Kallem Bhangaar (Black Gold), while Bolwar Mohammed Kunhi won the award for his 1,110-page Kannada work Swatantryada Ota (Run of Independence). Kunhi is the only writer to have got the Central Sahitya Academy award twice. Earlier he got it for his children’s novel Gandhi Thata Bapu hege Aadaru.

BM Kunhi
BM Kunhi

Kunhi was born in 1951 in a village in Puttur called Bolwaru. He is a short story writer, novelist, playwright and scriptwriter, and one of the pioneers to have introduced Muslim culture in Kannada prose.
Won award at the right time, says D’Souza

D’Souza is elated after winning the Kendra Sahitya Akademi award for Konkani.
He  said, “There could not be a better award when given at the right time and without lobbying. What is more important is to get an award when you feel that you deserve it. In my case all these three factors played their role.”

He was born in Valencia, Mangaluru in June 1948 and studied in St Aloysius (Autonomous) College, Mangaluru. He holds a degree in commerce, a postgraduate diploma in Konkani and five online diplomas from the Bible School, US, in Christian Theology.

His first short story in Konkani was published in 1964. Since then he has penned 33 novels, over 100 short stories, columns and satires. Many of his short stories have been translated into English, Kannada, Hindi, Kashmiri, Malayalam and Tamil.

He has won 13 state, inter-state and international awards for literature. His acclaimed short story A Cup of Hot Coffee was published by Late Khushwant Singh in his anthology, Our Favorite Indian Short Stories.  Several of his short stories have been published by Kendra Sahitya Akademi, in its publications Prateechi and Indian Literature. The Goa Konkani Akademi published his 450-page novel Kallem Bhangaar in Devanagari script.

His spouse of 41 years Jane D’Souza was immensely happy. “I would consider it as the best-ever Christmas I ever had in my life so far. Sometime I wondered how he can write so much and so effortlessly without being distracted. Now I know he was born to write.”

Speaking to Express from his home in Koramangala in Bengaluru Kunhi said, “I could not have been better honoured. I had  no clue, I am also honoured that the Akadami has recognised my work not once but twice, earlier in 2009 for my children’s literature. Kannada is a beautiful language and can effectively express and portray literature in any culture, which is the strength and the beauty of the language”.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / December 22nd, 2016

Revisiting the life and times of Hayat Bakshi Begum

Hyderabad, TELANGANA :

A day after staging the internationally-feted heritage play, Quli: Dilon ka Shahzaada , actor-director-playwrighter Mohammad Ali Baig staged its sequel, Saavan-e-Hayat in Golconda Fort this Sunday celebrating the splendour of the Qutub Shahs.

A biographical play on the life of Golconda’s de facto empress, Hayat Bakshi, the only child of Mohammad Quli Qutb Shah and perhaps the most powerful lady of medieval Deccan.

A magnificent blend of great writing and commendable acting ensured the 65 minute play in Hindustani kept the audience glued to their seats.

The play featuring Mohammad Ali Baig in triple roles as Hayat’s father, husband and son, Rashmi Seth as old Hayat, Noor Baig as young Hayat and Ayushi Gupta as adolscent Hayat also featured Vijay Prasad, Kavita Golechha and SA Majeed in prominent roles.

It was well-attended and generously applauded by the theatre lovers and the locals alike who thronged the fort to watch the historic play.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Hyderabad News / December 20th, 2016

`Pilot girl’ gives wings to dreams of many

Hyderabad, TELANGANA :

pilotgirlmpos28dec2016
Charminar  :

A narrow, unpaved lane in Moghulpura leads us to a first floor two-room rented apartment. Awards, shields and certificates lining the tiny drawing room wall show the dizzy heights Salwa Fatima has scaled. Daughter of a sales manager at a bakery, Fatima is the first Muslim woman pilot from the city and would soon be flying commercial planes once she finishes her advanced training.

The story of the ‘pilot girl’, as she is popularly known in the area, has in fact given wings to the dreams of many more girls from the area. They are charting new career paths and English is now a priority. “Currently two Muslim girls from the area are studying in IIT. The girls are doing much better than boys academically in some cases,” says Urdu daily Siasat chief editor Zahid Ali Khan who was instrumental in fulfilling Fatima’s dream.

Living with her parents and three siblings — two sisters and a brother — Fatima broke the chains of conservatism to dream big. So, while other girls from the community joined teaching or the few ambitious ones became doctors, Fatima had her sights set on flying higher as a pilot.

Trained first at Andhra Pradesh Aviation Academy, she completed a course in Multi-Engine Rating (MER), necessary to become a commercial pilot, this September from New Zealand. A few more months of training and she will join an airline to fly passenger planes.

But her journey began many summers ago when she read that there were just three women pilots in India. “I found that there was no Muslim woman pilot in the city and secretly dreamed to become one,” says Fatima, 28, as her father Syed Ashfaque Ahmed and mother Syed Siraj Fatima look on.

And lady luck smiled on her. Siasat chief editor Khan, who was a guest at a programme conducted by Fatima, was impressed with the girl’s fluency in English. Khan asked what she wanted to become. “When uncle (Zahid Ali Khan) heard that I dreamed to become a pilot, he told me to meet him,” she says.

Next, Khan decided to contribute to funds required for her education. He even approached some friends. “It was a revelation for me. A Muslim girl from the Old City, which is often described as backward, wanted to be a pilot. I had to support her,” says Khan.

But when she needed a massive 36.02 lakh for advanced training, Khan approached Telangana CM K Chandrasekhar Rao and the state agreed to give her a scholarship.

Fatima, who is married to a management graduate, says: “I am fortunate to have the backing of my parents, husband and in-laws.” Her mother-in-law, a retired school principal, supports her dream completely.

Fatima already has big plans for her 18-month-old daughter. “I want her to become an IAS officer,” she says.

source:  http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Hyderabad News / TNN / December 20th, 2016

The joys of reverse sweep

NEW DELHI / Mumbai, MAHARASHTRA :

HAVING A BALL Saqib Saleem at Hindu College in New Delhi | Photo Credit: Photo: Abhimanyu Sindhu
HAVING A BALL Saqib Saleem at Hindu College in New Delhi | Photo Credit: Photo: Abhimanyu Sindhu

In a candid conversation, Delhi boy Saqib Saleem revisits his college days

My encounter with Saqib Saleem happens as he converses, overcome with nostalgia, with his college cricket coach Jai Pal Singh about the good old days. His eyes survey the familiar area of the Hindu College staff room as he leads me to the Sports Complex where he ‘lived, ate and slept’ during his stint as a cricketer. So, he used to play cricket? His coach corrects me and says he still does. “Once a sportsman, always a sportsman.”

“The college has changed a lot, yet the air is unchanged”, remarks the actor seeing the new administrative building cornering the famous Virgin tree. With searching eyes attempting to gather the familiar, he spots Manish pakodewaala where he used to come in the middle of practice to satisfy hunger pangs.

Entering the sports complex, he sits at the higher end of a staircase, good enough to give him a panoramic view of the landscape. Quite seemingly distracted by the urge to relive the experiences of the college, Saqib intently looks at the field reconstructing the space for us.

Composed, yet gushed, his manner is amiable as he talks to some college students in between. He wears aviators concealing his gaze lest I intervene in his reconstruction of a personal journey. Going back in time, Saqib talks about his experience as a college student, his journey to Bollywood and his upcoming film.

Excerpts:

Tell us about your time in college.

College was the best time there could be. I used to come at 7 a.m. and leave at 8 p.m. It had become my second home. Even today I tell my friends in Mumbai that if given a chance to go back in time, I would like to relive the three years of college.

I was the president of Nakshatra, the fashion society of the college. We did fashion shows across different colleges and participated in competitions. I didn’t want to be a model or actor in the beginning but walking the ramp gave me a temporary high. I used to get the best model trophy everywhere. I thought, maybe what I do, people like that, and as a result garnered confidence. It all started with Nakshatra!

You’ve also represented Delhi and Jammu and Kashmir in cricket. Didn’t you want to pursue a career in the sport?

My love for cricket started early. I wanted to be a professional. But as I got exposure, I got a reality check. I saw better talent around me. There is no harm in accepting there are better people. Appreciation for others and recognition gives me the boost to work harder in life. I wanted to figure out something I was best at and could prove my mettle in. I wanted to carve my own niche. Thus the detour happened, Mumbai happened.

Any particular interesting incidents that you’d like to recall from your college life.

There are many. You need to be there on Valentine’s Day in the college to see the spectacle. I was active in university politics as well. My support for candidates used to be agenda-based, irrespective of party affiliations. It is necessary to indulge in campus politics as it completes your college experience. It is a huge learning experience. You get to meet interesting people and learn public dealing.

Although I was a day-scholar, I rented a flat near campus with a few friends which acted as our ‘crash pad’ in case we didn’t want to go back home after a party. I also had plenty of friends in the hostel. The annual college festival Mecca was the best time of the year. You could feel the energy of the college in just three days.

How did you end up going to Mumbai? Did you have anything to fall back on there?

Well, you won’t believe me, but I went there for a girl. I was dating a senior who wanted to be an actress, so she went to Mumbai after college. At that time, I was working with my father managing the restaurants. She called me one night and said that a long distance relationship won’t work. I asked if I could move to Mumbai to be with her. She said yes and I eventually moved hoping to make a career in modelling. But, we broke up in three months. Yes, so that’s how I stayed in Mumbai and ended up being an actor.

How was your experience in the advertisement industry working with different directors and brands?

The experience was very interesting. As an actor, I don’t really enjoy doing ads. But there are some really brilliant ad makers who make your realise your true potential and help you throughout. They make you see things you never really thought you had. My whole education in acting was through advertisements. It taught me how to face the camera. I had no background in theatre or acting. Ads helped me better my craft. People who don’t have any professional background in acting can use the medium of ads to get recognition and move forward.

You’re in the city for the shoot of your upcoming movie, Koroli Loves Sumit. How has the experience been working with Aleya Sen?

Well, I worked with her in a music video called “Tum ho Toh”. Both Taapsee Pannu, my co-actor in the movie and I featured in the video. She offered us the movie after the video. It is exciting and interesting to work with her as she also comes from the advertisement industry, and has a unique style.

I was excited as I was asked to play a Lajpat Nagar gym trainer, a role quite close to my experiences in the city. The movie is a love story about two people who’re not meant to be. It will hopefully hit the screens in the first quarter of next year.

As a new age actor, what advice would you like to give to aspiring actors and people wanting to enter the industry?

You just got to believe in yourself. If you respect yourself, others will respect you as well. There is no rocket science to it. You have to enjoy what you do. If you don’t believe in yourself, no one will. You should always be ready to learn new things and acquire experiences.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Sidharth Yadav / December 17th, 2016

Time, Tide wait for Mum

Udupi, KARNATAKA / Ahmedabad, GUJARAT :

WhatsApp group helps 60-year-old woman unite with her family after 3 years

nasrinmpos21dec2016

When Nasrin Banu Mulla aka Rukiya, a 60-year-old woman left her home Navabs Chawl, Danilimda (Ganesh Nagar) in Ahmedabad to meet her daughter Muneera in Surat, little did she know that this journey would take her almost three-and-a-half years to reach Muneera’s house that was just 270 km away.

Nasrin accidentally landed in Mumbai and from there reached Udupi to start living at the Kalmadi bus stand near Malpe. Speaking to Bangalore Mirror, Rasheed Vittal who played an important role in uniting Nasrin with her family, said, “The lady was lucky because she was taken to Vishwasada Mane, a home for destitutes run by Sunil and his wife Elizabeth in Shankarapura of Udupi. She was then mentally disturbed for which she is being treated,” he said.

As her health improved, she began thinking of her children and grandchildren. On seeing children around, she would tell everyone that her grandchildren resembled them. However, she was helpless because she was illiterate and could not recollect her residential address in Ahmedabad. She did not have an address nor a telephone number for people to even help her. Totally unaware about what to do, she spent almost three years and three months in the ashram. She had a feeling that she would never meet her near and dear ones. The ashram staff too made all attempts to find her address, but failed.

She was fortunate to meet Siraj, a resident of Krishnapur working in Saudi Arabia, on December 10. Siraj Krishnapura was on a holiday and had taken his mother to a private hospital in Mukka for treatment. During the same time, the inmates of the destitute home had been to the hospital for a checkup. Nasrin who had covered her head with a shawl caught Siraj’s attention. He approached her and she told him in a Hindi mixed with Bengali about how she was travelling to her daughter Muneera’s house in Surat but accidentally landed in Udupi. She requested Siraj to provide her with a copy of the Quran. He provided her with a mat so that she could perform Namaz and shared this experience on a WhatsApp group, MFriends, with a message that he would be returning back to the Gulf as his holidays were ending and it would be great if someone from the group helped in uniting this lady with her family.

Rasheed, who is also the founder of MFriends, said, “On December 15, we decided to take up the cause of Rukiya. I immediately contacted the orphanage head and collected more details of the woman. Along with her photo and contact numbers of the president of MFriends Haneef Haji Golthamajalu, we shared the post on social media. We then contacted Shantaram Rao, a Mangalurean social worker settled in Ahmedabad for help. Shantaram took the initiative further and saw that the post got maximum reach including mosques as well as Muslim organisations. Several newspapers in Ahmedabad reported the same. We then created a WhatsApp group called Operation Rukiya. The message spread in several Muslim dominated areas of Ahmedabad.”

Within two days, Dilavar called Rasheed Vittal claiming that Nasrin was his mother. He told them that his family had made every attempt to search for her but to no avail. After uniting the family, Rasheed said, “It was a heart touching moment to see a mother unite with her family. They all had tears in their eyes.” Nasrin is widowed and four of her five daughters are married.

source: http://www.bangaloremirror.com / Bangalore Mirror / Home> News> State / by Deepthi Sanjiv, Bangalore Mirror Bureau / December 21st, 2016

 

Rosaiah releases compilation of speeches of Shabbir

Hyderabad, TELANGANA :

Hyderabad  :

A transparent governance was the only factor that would drive all-round development of the State, said Leader of Opposition in the Telangana Legislative Council Mohammed Ali Shabbir.

He was speaking after a book — actually a compilation of Mr. Shabbir Ali’s speeches delivered in the House — was released by former Governor of Tamil Nadu K. Rosaiah, who said it would be a record of proceedings that could be referred in future. The former Chief Minister of erstwhile Andhra Pradesh also recalled his association with the Council that lasted over 22 years.

Mr. Shabbir Ali wanted democratic traditions in elected Houses to be preserved and said his own journey of two years in the Council of Telangana State was more dynamic and meaningful in serving the cause of the poor and downtrodden. In his second innings as Leader of Opposition, he said he was in a position to advise the TRS Government in welfare measures.

Presiding over the meeting, Chairman of the Telangana Council K. Swami Goud said it was new tradition of book release at Council initiated by Mr. Shabbir. The tradition should continue for a healthy democracy.

Leader of Opposition in the Telangana Assembly K. Jana Reddy, former Union Minister S. Jaipal Reddy, TPCC president N. Uttam Kumar Reddy, Telangana’s Irrigation and Legislative Affairs Minister T. Harish Rao and a host of others, said the book contained valuation information on various subjects and that it would be helpful to future generations.

source:  http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad / by Special Correspondent / December 19th, 2016

The road less taken

GUJARAT / SINGAPORE :

Away from its cookie-cutter malls, Singapore’s Kampong Glam district is a different universe – a delightful cultural mix.

Melting pot: The streets of Kampong Glam
Melting pot: The streets of Kampong Glam

At Haji Lane, in Kampong Glam, one of Singapore’s most atmospheric districts, vibrant graffiti art — African tribal figures, surreal motifs, arresting visages — stares back at me. The psychedelic surfaces on the walls appear gilded in the afternoon sun. Embedded within the walls are colourful windows of pre-war shop houses that occasionally fling open to reveal the owner’s face. The picturesque lane is a photographer’s delight and I click a dozen photos a minute. Nobody seems to mind. People stand and talk in doorways of shops brimming with cult labels and vintage clothing. Hookah bars and cafes spill on to the sidewalk. This is a universe away from Singapore’s crowded, cookie-cutter malls.

“Haji Lane is named after the Haj, the pilgrimage undertaken by Muslims to Mecca and Medina,” says my guide Naseem Huseini, a second-generation Gujarati-Singaporean, as I move around, entranced by my new geography. “It provided accommodation for poor Malay families and lodging for pilgrims.” Today, reasonable rents and a prime location have turned the lane into a hub for upcoming designers and artists, the concept very similar to Delhi’s Hauz Khas Village. I peer through the shops’ doorways and spot artists at work — sculpting, etching, painting and tailoring. The narrowness of the shops’ facades is beguiling though. For as I peep in, I find them stretching way, way beyond. Naseem explains that the shops were built so because in the ’60s and ’70s, the government taxed property owners on the number of windows the houses had!

 

The graffiti-laden walls at Haji Lane
The graffiti-laden walls at Haji Lane

At the end of Haji Lane, we are swamped by the cheerful chaos of central Kampong Glam dominated by shops catering to the Malay/Muslim community: frame makers, tombstone carvers, textile wholesalers, spice traders, perfumers, Muslim food caterers, and retailers of gemstones, and religious paraphernalia. The Indonesian batik textiles and Muslim prayer carpet shops have been here for almost a century.

Kampong Glam, or KG, as it’s popularly called, is named after the gelam tree whose bark was used by the Orang Laut Malays (the indigenous sea nomads and gypsies of Singapore) to make awnings and sails. “The tree’s timber went into making boats or was used as firewood. Its fruit was ground and used as a spice and its leaves boiled to relieve rheumatism and cramps,” says Naseem.

History whispers from every corner of KG. And its streets have evocative monikers — Bussorah, Baghdad, Kandahar. Earlier, many of them were synonymous with specific trades. For instance, North Bridge Road housed tailors and Chinese-run goldsmith shops, Sultan Gate was dominated by stone masons and blacksmiths, while Bussorah Street hosted centres for pilgrimage services.

The exterior of Alaturka restaurant.
The exterior of Alaturka restaurant.

“In the early days,” elaborates Naseem, “KG was the exclusive preserve of Sultan Hussein and his family, and the rich Malay and Arab merchants. Later, the Bugis, Javanese and the Chinese also arrived. These people set up kampongs or villages, and built shop houses to expand their businesses.” The kampongs were row wooden houses with steep roofs of corrugated iron or thatch, gathered around a communal centre. Today, these structures stand demolished in the quest for modernisation.

While trying to negotiate KG’s uneven sidewalks, my eyes are constantly drawn to its architectural wonders. The Istana Kampong Glam, the Sultan’s palace, impresses with its exquisiteness. The golden dome and exquisite minarets of the Sultan Mosque — Singapore’s most important mosque and the pivot around which KG seems to flow — seem to scrape the sky.

KG’s street life unspools more engaging sights. We bump into Muslim men in lungis and white skull caps and abaya-clad women, who appear incongruous in Singapore’s landscape, where fashion-forward men in dapper suits and ladies in skyscraper-heels rule. In Bussorah Street, we’re engulfed by shops selling Indonesian batiks, leather bags, Persian carpets, kebaya dresses and handmade perfumes. A cluster of old stores in the shadow of Sultan Mosque sell traditional textiles, carpets and perfumes.

Partially to escape the catatonic heat, we stride into a cool, inviting wood-panelled shop chock-full of hundreds of glittering vials of custom-made perfumes. This is the iconic Jamal Kazura Aromatics, one of Singapore’s oldest perfumeries. A family-run business since 1933, the shop stocks readymade scents as well as fragrances customised from pure essential oils. There are massage oils, scented body soaps and shower creams too. The shop’s cut-glass perfume bottles are as intriguing as the scents. Kazura, the store owner, explains that his shop does double duty as his workshop. Like a modern-day alchemist, he creates scents from hundreds of ingredients sourced from around the world. We spot bits of sandalwood from India jostling for space with frankincense from Africa, myrrh from the Middle East, patchouli from Indonesia and lavender from France.

Kazura adds that when his grandfather, an Indian Muslim, arrived in Singapore in 1933, he started the business and expanded it later to Malaysia and India. “Blending perfumes is as much an art as a science,” he says. “Perfumers have to rigorously train their noses to distinguish between different scents. The provenance of perfumes is in ancient Egypt and Mesopotamia, and they still play a vital role in the Arab world. A good fragrance takes one closer to Allah,” he adds philosophically.

From Arab Street, we amble into Baghdad Street. “Would you like to try teh?” Naseem asks me, two hours into our walk. What’s that? I ask her. In response, the lady steers me to a hole-in-the-wall kiosk located at the junction of Bussorah and Baghdad Street. Here, an elderly white bearded gentleman is making tea at a stall ironically named “No Name Teh Sarabat” stall! Ahmed (65) has been selling Malaysian “pulled tea” for 40-odd years at this very spot and is quite a cult figure. His shop is abuzz with old Malay men sipping fragrant tea available in two flavours — teh tarik infused with rose essence and teh alia (ginger tea). The beverage is cheap. For a Singapore dollar and five cents, we’re soon cupping our hands around a mug full of a brew of black tea, milk and sugar. Ahmed explains that the technique of “tariking” (the process of ‘pulling’ tea from one cup to another) isn’t just a show, but actually makes the tea (teh) taste more delicious.

Food is an omnipresent motif in KG. Hip gelaterias, bistros and cafes pepper its warren landscape. Street after street resonates with the bustle of chairs and conversation, and the clatter of plates and glasses. Iranian, Lebanese, Turkish, Middle-eastern, Indonesian, Thai and Chinese, the repertoire is eclectic. There’s nasi padang (steamed rice served with various dishes) and Malay kuih (cakes), Middle Eastern falafels, sushi/sashimi, Lebanese meats and even quesadillas. At Alaturka, an award-winning Turkish restaurant, our taste buds are tantalised by succulent kebabs, soft pita bread and piquant dips glistening with unctuous olive oil. There’s mint-cinnamon tea to wash it all down with. As I stride out of KG, I feel I’ve learnt a thing or two about Singapore’s rich cultural heritage as well as the vital message it delivers — that plurality and diversity can thrive only in the soil of tolerance and inclusiveness.

source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle> Destinations of the Week / by Neeta Lal / December 18th, 2016

Author Yasmeen Premji in City

KARNATAKA :

yasminpremjimpos21dec2016

Mysuru :

International Books, Arts and Cultural Society, Mysuru, had organised an interaction with Yasmeen Premji, author, philanthropist and architect, at a function held at Wind Chimes in Nazarbad here this morning to commemorate the first anniversary of its English Book Club.

Yasmeen Premji, who is also the Director of Azim Premji Foundation, interacted with the members of the Club on her novel ‘Days of Gold and Sepia’ based on the life of Laljee Lakha, an orphan who rose from a humble family in Kutch to amass a fortune as Bombay’s cotton king in pre-independence era.

English Book Club Founder- President Shubha Sanjay Urs, Club In-Charge Yogini and others were present.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / December 15th, 2016

Haunting notes from the Sitargalli of Miraj

Miraj (Sangli District) , MAHARASHTRA :

A peek into the lives of the luthiers of Maharashtra and their bygone glory

sitarmpos17dec2016

Around 40 km from the bustling city of sugar lords, Kolhapur, sits the small town of Miraj. We drive through crowded by-lanes, where you can relive age-old stories of a traditional craft that has its roots in this erstwhile royal city. The craftsmanship is something of a gharana in itself — with successive generations of families engaged in creating beautiful stringed instruments, such as the sitar, tanpura and the swarmandal over centuries.

Fading melody A sitar-maker of Miraj
Fading melody A sitar-maker of Miraj

Entering one of the workshops of the sitar-makers in a bylane, we meet the gifted Naeem, Imtiaz and Zuber, strangely all with the last names ‘Sitarmaker’, a proud heritage which binds the close-knit community that can trace its family tree to a single ancestor. Their pride, however, seems to be diminishing by the day. These artisans, once the uncrowned kings of the music trade, are now struggling to survive. They say, half in jest, “We are good at two things — making sitars and living from hand to mouth”.

There was a time when these luthiers were paid handsomely and even commissioned by Mughal emperors down the ages to make their uniquely resonant instruments. Their flourishing trade had developed into an entire lane of luthiers, stretching from one part of the town to the other. It is called Sitargalli, meaning the lane where sitars are made.

Waning interest

Artisans at every shop we pass are trying to make a desperate pitch about their instruments. They even go to the extent of downplaying the quality of wares in the neighbouring shop. “Their art is not pure. They separated from the family for business and now want financial gratification from it,” they say. One such family member, Imtiaz, does not speak much. In his dingy shop lie incomplete wooden frames of sitars. Some completed but unsold sitars are visible under a dusty, mouldy cloth.

Imtiaz invites us to his home far away from the main town. On the border between Kolhapur and Miraj lies his house, an abode of legendary sitar-makers for over a century. Stretches of farmland in three directions behind his house lend it a false image of prosperity. Asked how much of the land he owns, Imtiaz politely replies, “ Hum toh rehte bhi border pe hai. Na ghar ke na ghaat ke .” (Even the house we live in is on the border between the two towns. We are neither here nor there).

The family greets us with piping hot cups of tea and biscuits. But the mood turns sombre when Imtiaz begins to speak, “Nowadays people want to play guitars and we don’t know how to make them. What they don’t realise is that the guitar is a foreign instrument. To make and buy foreign instruments in India is like sounding the death knell for our own instrument makers.”

Imtiaz recalls, “We used to live in a mansion. My father would tell me that his grandfather taught all of them how to make sitars. They would play together, eat together and live happily. But after a few years, when business slowed down, families were pitted against each other. Brothers competed to earn money; this killed the trade. Luthiers came to Miraj, learned the craft and left… started their businesses elsewhere. It is just here that they don’t want to keep the business within the family. This infighting only adds to the misery.”

Exacting riyaaz

His father, Abdul Majid, who has been making sitars for six generations, is hard at work finishing a sitar. He says, “Very few people want to put in the hard work and effort to learn the sitar. It is not easy. Your fingers bleed in the beginning. They get calloused. They hurt from the playing. It is not easy to sit with a straight spine for three hours, on the floor, for every riyaaz (practice) session. Very few have the determination to go on. If playing needs so much effort, can you imagine how much is needed to make the instrument?”

Zuber, their cousin, speaks of how he almost drove a chisel into his foot while hollowing a plank for a sitar. Gazing at the children of the family, Imtiaz wonders, “I don’t know whether these children will ever understand the power of the art that they hold in their hands. They will be the eighth generation in this lineage, should they choose to stay with the trade.”

The family has started farming because it cannot afford to wait for sitar orders. “For sustenance, we have leased some land and are growing vegetables. Most of them we sell and use the leftovers at home. We are lucky that we get to eat fresh from the farm.”

Solid guarantee

As we’re leaving, Imtiaz gives us one final sales pitch that is too hard to ignore. “We will make the best instruments you need and, if you don’t like them, I will personally carry them back to my workshop. My trade is not agriculture, it is these instruments.”

(To sustain their trade, Bajaao has offered the luthiers a fair trade deal. In an industry that is rife with duplicity and fraudulent dealings, the company offers a hundred per cent guarantee on the quality and longevity of an instrument made according to the flawless Miraj tradition.)

The writer is CEO of Bajaao and recently visited the famous town of luthiers.

source: http://www.thehindubusinessline.com / Business Line / Home / by Suman Singh / print edition December 17th, 2016

Story-Telling

Mysuru, KARNATAKA :
Kalasuruchi has organised a story-telling by Ayesha Karim, Retd. Bank Officer, Canara Bank, Mysuru, at Suruchi Rangamane, 476, Chitrabhanu Road, Kuvempunagar, on Dec. 17 from 4.30 pm to 5.30 pm

For details, contact Ph: 0821-2541795 or Mob: 92435-81097, according to a press release.

source: http://www.starofmysore.com / Star of Mysore / Home> In Brief / December 16th, 2016