Monthly Archives: December 2017

Indians for Collective Action Hosts 49th Anniversary Gala Awards Banquet

UTTAR PRADESH / Saratoga, California, USA :

The Indians for Collective Action's Annual Awards Banquet Oct. 28 honored (l-r) Indian Americans Kamil and Talat Hasan, seen here with Dr. Anuradha Luther Maitra (photo provided)
The Indians for Collective Action’s Annual Awards Banquet Oct. 28 honored (l-r) Indian Americans Kamil and Talat Hasan, seen here with Dr. Anuradha Luther Maitra (photo provided)

Menlo Park, Calif. :

Indians for Collective Action, a San Francisco Bay Area-based nonprofit established in 1968 at the UC Berkeley campus with a motto of ‘Development through Innovation’, celebrated its 49th year anniversary with its ‘Annual Awards Banquet’ at the Arrillaga Family Recreation Center here Oct. 28.

The awardees this year were Sonam Wangchuk, founder of the Student Educational and Cultural Movement of Ladakh, and founder of the Himalayan Institute of Alternatives Ladakh; as well as Silicon Valley-based Indian American philanthropists Talat and Kamil Hasan.

The blockbuster Bollywood movie, “3 Idiots,” was in large part based on Wangchuk’s life. He has increased the high school graduation rate in Ladakh’s districts from 5 percent to 70 percent in a decade.

“It is pleasant to see that people from India in this country are connected and caring for the country of their origin. After having worked with schools to bring reforms, to make them future ready, we are now working with higher education universities to create an alternative university that does education as it should be—more engaged and practical rather than just theory, which is what happens in most institutes of higher learning whether in India or the U.S.,” Wangchuk told India-West.

“Just sitting down and listening to lectures is not in harmony with human nature. Youth are not suited for sitting for hours in a classroom. We are a more hands on species and that is how we learn. This is what we are working towards and hoping that it will not only solve the problems of higher education in a place like Ladakh but in other parts of India and the world too,” Sonam added.

“We are working to engage young people to solve real life problems and if it succeeds, the ripple effects will influence universities in rest of India and the world that needs something more engaging than what we currently have,” he continued. “Higher education is too theoretical, up in the air and abstract and not related to life in most places and people feel it. Higher education of today does not prepare you for real life and people are looking forward to something more real than mumbo jumbo of words.”

Working in partnership with dedicated social workers and organizations in India and the U.S., ICA has supported 370 development projects totaling to more than 8.5 million in 25 states in India.

Bhupen Mehta, the organization’s co-president spoke about some of ICA’s projects like SEWA Rural’s IamTeCHO mobile phone technology rolled out by Prime Minister Narendra Modi in cooperation with WHO and UNICEF, as well as the Jaipur Foot Camp Rajkot that has been scaled by Modi in Rajkot.

“I request you all to give your tan, man and dhan (efforts, heart, and wealth) in whichever order that you want to ICA,” Mehta said. “We are getting senior in age and would like to retire. We are looking for youth to take over ICA and run it for the next 50 years.”

The foundation only works with NGOs with guiding principles of secularism, non-partisanship and democracy with a vision of a secure life for every Indian, in a sustainable environment and a just society.

It provides seed funding, ongoing financial resources, moral and technical support to innovative, community-based, scalable development initiatives.

Some of the initiatives of ICA include the youth project helping connect youth in the U.S. with NGOs in India for hands-on social development experience; and its fellowship fund to help activists in India, especially women, in securing opportunities to come to the U.S. for higher training in the areas of environment, women and child development work.

Kamil Hasan expressed his admiration for ICA’s work and went on to say that the main impetus of all the philanthropic activities that he and his wife, Talat Hasan ,have engaged in are to raise the profile of the Indian American community, so that it can make an impact on mainstream American society economically, socially and politically.

He opined that the Jewish community is a good example to emulate and there are four angles — economic success, philanthropy, cultural education and political involvement — that any community keen to raise its profile in U.S., has to work on.

“We have done very well in the area of economic success and fairly well in philanthropy within the community and in India and cultural dissemination via Bollywood movies, actors, yoga, etc.,” Hasan said. “But we have a lot of work to do in expanding our philanthropy to the mainstream community and in political involvement and public service.”

This was followed by a speech on the legacy of philanthropy by Talat Hasan, who amusingly narrated the philosophy passed down by her father, historian and ambassador, Nurul Hasan. She said that her father told her that since she had been privileged by accidental birth, she has an obligation to give back more to society than she had taken.

“I learnt from my parents that working for the community is not a feel-good activity. It is an obligation and should be an integral part of life,” Talat Hasan said. “You should not wait until retirement to do good, and anything that you take on should be sustainable, not just financially but also in such a way that long after you are gone, the work continues.”

source: http://www.indiawest.com / India West / Home> Featured  / by Shalini Kathuria Narang, Special to India West / November 02nd, 2017

How a royal wedding erupted into an epic battle of wits between Ghalib and the court poet

DELHI :

Zauq and Ghalib took digs at each other through a sehra penned for a prince’s wedding and the Red Fort reverberated with this clash of titans.

The sehra, or prothalamion, (song to celebrate a wedding) is now a vanishing genre. I remember while I was growing up that almost all nikahs would have a sehra read by a relative with poetic aspirations, after the ceremony.

Though sehras are supposed to be in praise of the groom and a prayer for his wedded life, these would be witty and laudatory at the same time, usually a humorous dig at all relatives. A copy of this would then be distributed to the wedding guests.

Sehras fall into the category of nazms and have to be in meter.

The most famous sehra, of course, is the one penned by Mirza Ghalib (1797-1869) for a royal wedding, in which he took a dig at the emperor’s Ustad, Sheikh Ibrahim Zauq (1788/9-1854).

Zauq and Ghalib were contemporaries in Delhi, and their rivalry was legendary. Zauq had been given the title of Khaqani e Hind and drew a nominal salary of Rs 4 per month. The respect and position that he gained as a result was immense. It also gave him free access to the Qila e Moalla (Red Fort).

This was a constant thorn in the side of Mirza Ghalib, who felt he was better and deserved a royal position too. Thus, he never let go of any chance to score poetic points over his rival.

One such chance came at the last grand Mughal wedding, on April 2, 1852 – that of Jawan Bakht, Badshah Bahadur Shah Zafar’s son by his favourite and youngest wife Zeenat Mahal, to Nawab Shah Zamani Begum.

Begum Zeenat Mahal asked Ghalib to write a ‘sehra’ for her son’s wedding. The honour should have gone to Sheikh Ibrahim Zauq, but he was reportedly unwell.

William Dalrymple in his book The Last Mughal writes: “The marriage procession of Prince Jawan Bakht left the Lahore Gate of the Red Fort at 2 am on the hot summer night of 2 April, 1852.”

Dalrymple goes on to write that what was remembered longest and discussed most about the wedding was not so much the festivities or the feasting or the fireworks, but “the marriage odes recited by the Poet Laureate Zauq, and his rival Mirza Nausha, now more widely known by his pen-name Ghalib.”

Ghalib wrote a ‘sehra’ whose maqta (the last couplet in an Urdu ghazal which contains the poet’s pen name) was:

  • ‘hum suKhan_fahm haiN, Ghalib ke tarafdaar nahiN
  • dekheN keh de koi is sehre se baRh kar sehra’

We are connoisseurs of poetry, not partial to Ghalib

Let’s see if there’s anyone who can write a better ‘sehra’

The emperor, realising that this was a dig at his mentor Zauq, is said to have been displeased with the maqta. A slight to his mentor was seen as a slight to the emperor himself. Zafar asked Zauq to write a ‘sehra’ too. Not one to let go of an opportunity, Zauq included these line.

  • jin ko daawa ho suKhan ka yeh sunaa do unko
  • dekh is taraH se kehte haiN suKhanwar sehra

Tell those who claim to be eloquent

This is how poets write a sehra

The fort reverberated with this clash of titans and it is recorded that the Crown Prince Mirza Fakhruddin (also a disciple of Mirza Zauq) exclaimed, “Ustaad ne maidan maar liya“.Dalrymple writes: “The squabble at the wedding was over a single verse in Ghalib’s sehra (or wedding oration) where he appeared – characteristically – to suggest that no one in the gathering could write a couplet as well as he…. Zafar [the king] also encouraged Zauq to reply to Ghalib’s unprovoked sally. The fine sehra that the Poet Laureate came up with ended with a couplet tossing the challenge back to Ghalib:

The person who claims poetic skills,Recite this to him and say,”Look-this is how a poet”

This round went to Zauq as the singers in attendance picked up the verse and spread it all over Shahjahanabad. By next day it was in the newspapers.”

Ghalib then wrote his celebrated qat’a-e-ma’azerat’ (letter of apology), in response to the emperor’s reaction. However, the egoistic poet left no ‘verse’ unturned in adding insult to injury, using poetry as a medium to prove his supremacy and take a dig at Zauq’s humble origins and the Emperor’s negligence of him.

The maqta of this ghazal became even more famous.

      • manzoor hai guzaarish-e-ahvaal-e-waaqa’aii
      • apna bayaan-e-Husn-e-tabii’yat nahiN mujhe
      • I accept the request to state the facts, To praise oneself is not a habit of mine
      • sau pusht se, hai pesha-e-aaba sipahgarikuchh shayari,
      • zari’ye-e-izzat nahiN mujhe
      • My forefathers have been warriors for hundred generations
      • By writing poetry, fame I seek not
      • aazaadah rau huN, aur mira maslak hai sul
      • H-e-kulhargiz kabhi kisi se adaawat nahiN mujhe
      • I am a free spirit and my conduct is always peaceful,I bear malice against no one
      • kya kam hai yeh sharaf ke Zafar ka Ghulaam huN
      • maana ke jaah-o-mansab-o-sarwat nahiN mujhe
      • Is the privilege not enough that I serve Zafar,
      • Agreed rank, position and affluence I have not
      • ustaad-e-shah se ho mujhe par Khaash ka Khayaal
      • yeh taab, yeh majaal, yeh taaqat nahiN mujhe
      • The thought of a row with the king’s mentor
      • This arrogance, this audacity, this strength I have not
      • jaam-e-jahaaN_numa hai shahenshaah ka zameer
      • saugand aur gawaah ki Haajat nahiN mujhe
      • The king’s conscience is all encompassing,
      • The need for an oath and witness I have not
      • sehraa likhaa gaya ze_rah-e-imtiSaal-e-amr
      • dekhaa ke chaarah Ghair ita’at nahiN mujhe
      • The sehra was written in obedience of orders,
      • Non compliance with that order I dare not
      • maqt’e meiN aa paRi hai suKhan gustaraana baat
      • maqsood is se qat’a-e-moHabbat nahiN mujhe
      • I wrote something in the maqta’ which became popular,
      • A reason to ending friendship I want not.
      • ruu-e-suKhan kisi taraf ho, tau ruu_siyaah
      • sauda nahiN, junooN nahiN, veHshat nahiN mujhe
      • If I aimed it at someone in particular then may my face beblackened,
      • I am neither mad, nor crazed nor so deprived of sense.
      • qismat buri sahii, pa tabii’yat buri nahi
      • Nhai shukr ki jagah, ke shikaayat nahiN mujhe
      • Although my luck is bad, but my habits aren’t bad,
      • I’m in a place of thankfulness and complain I do not.
      • saadiq huN apne qaul meiN Ghalib Khuda_gawaah
      • kehta huN sach ke jhooT ki a’adat nahiN mujhe
      • Always true to his word is Ghalib, as God is my witness,
      • I tell you the truth as lie I do not.

This is the original sehra written by Ghalib for Mirza Jawan Bakht:

      • Khush ho ai baKht ke hai aaj tere sar sehraabaa
      • Ndh shahazada Javaa.N baKht ke sar par seharaa
      • [baKht = luck; pun on Groom’s name]
      • kyaa hii is chaaNd se mukhaDe pe bhalaa lagataa hai
      • hai tere husn-e-dil_afroz kaa zevar sehraa
      • [husn-e-dil_afroz = beauty that lights up the heart]
      • sar pe chaDhnaa tujhe phabataa hai par ai tarf-e-kulaah
      • mujhko Dar hai ke na chhiine tera lambar sehraa
      • [phabataa = suits]
      • nav bhar kar hii piroye gaye honge motii
      • varnaa kyun laaye hain kishtii mein lagaakar sehraa
      • saat dariyaa ke faraaham kiye honge motii
      • tab banaa hogaa is andaaz kaa gaz bhar sehraa
      • ruKh pe dulhaa ke jo garmii se pasiinaa Tapakaa
      • hai rag-e-abr-e-guharabaar saraasar sehraa
      • ye bhii ik be’adabii thii ke qabaa se baDh jaaye
      • rah gayaa aan ke daaman ke baraabar sehraa
      • jii me.n itaraaye.N na motii ke hamii.n hai.n ik chiiz
      • chaahiye phuulon ko bhii ek mukarrar sehraa
      • jab ke apane mein samaave’n na Khushii mein maare
      • guu.Ndhe phuulon kaa bhalaa phir koii kyuu.Nkar sehraa
      • ruKh-e-raushan kii damak gauhar-e-Galtaa kii chamak
      • kyuN na dikhalaaye faroG-e-maah-o-aKhtar sehraa
      • taar resham kaa nahii.n hai ye rag-e-abr-e-bahaar
      • laayegaa taab-e-giraa.Nbaari-e-gauhar sehraa
      • ham suKhan_faham hain “Ghalib” ke tarafadaar nahii.n
      • dekhe.n is sehare se kah de koii ba.Dhakar sehraa
      • [suKhan_faham = patron of poetry]
      • Zauq’s sehra
      • Ai Javaan Bakht mubarak tujhe sar par sehra
      • Aaj hai Yaman wa Sada’t ka tere sar sehra
      • Aaj woh din hai ke laaye durr e anjum se falak
      • Kashti e zar mah e nau ke lagakar sehra
      • Tabish husn se manind shua e khursheed
      • Rukh e pur noor pe hai tere munawwar sehra
      • Woh kahe Salle Alay eh kahe SubhanAllah
      • Dekhe mukhade pe jot ere mah o akhtar sehra
      • Taa banni aur banne mein rahe ikhlas baham
      • Goondhiye sura e ikhlas padhkar sehra
      • Dhoom hai gulshan e afaaq mein is sehre ki
      • Gaaye’n marghaan e nava sanj na kyunkar sehra
      • Ru e farkh pe jo hain tere baraste anwar
      • Taar e barish se bana ek sarasar sehra
      • Ek ko ek pe tazai’n hai dam e araaish
      • Sir pe dastar hai, dastar ke oopar sehra
      • Ek gauhar bhi nahin sadgaan e gauhar mein choda
      • Tera banwaaya hai le leke jo gauhar sehra
      • Phirti khushboo se hai itraayi huyi baad e bahaar
      • Allah Allah re phoolo’n se moatta’r sehraa
      • Sar pe turra hai muzaiyyan to gale mein baddhi
      • Kangana haath mein zeba hai to munh par sehra
      • Runumayi mein tujhe de mah o khurshid o falak
      • Khol de munh ko jot u munh se uthakar sehra
      • Kasrat e taar e nazar se hai tamaashiyo’n ke
      • Dam e nazara tere ru e niko par sehra
      • Durr e khush aab e mazameen se banakar laaya
      • Waaste tere tera Zauq sanagar sehra
      • Jis ko daawa hai suKhan ka yeh sunaa de usko
      • Dekh is taraH se kehte haiN suKhanwar sehra

 

(This article first appeared on the author’s blog.)

source: http://www.dailyo.in / Daily O / Home> Arts & Culture / by Rana Safvi  @iamrana / December 27th, 2017

Biographies of Kamil and Talat Hasan

Lucknow , UTTAR PRADESH / Saratoga, California , USA :

Kamil and Talat Hasan have two daughters and live in Saratoga, California. They have recently purchased land in Santa Cruz county and intend to establish a home there as well. They are actively involved in charity and educational activities through the Hasan Family Foundation.

Kamil Hasan

Kamil Hasan is a general partner in the San Jose-based venture company, Hitek Venture Partners. He received his B.S. in engineering from Aligarh Muslim University, India, in 1967, an M.S. degree in engineering from M.I.T, in 1969, and a Ph.D. degree in engineering from UC, Berkeley in 1973. After receiving his Ph.D., he taught at the Indian Institute of Technology, Dehli, as an assistant professor of engineering and later at Stanford University as an associate professor of engineering.

For more than 25 years, Hasan has worked in the software industry. He founded Hitek Venture Partners in 1995, to invest in early-stage companies in the internet, e-commerce, telecommunications, and enterprise software areas. He has a portfolio of 35 companies and serves on the board of five of these companies.

Kamil’s articles have appeared in more than 50 technical and trade journals, and he is a recipient of a John F. Lincoln Foundation award for outstanding achievement in engineering design.

Talat Hasan

Talat Hasan is chairman and CEO of Sensys Instruments, a company she founded in 1996 to market products for the semiconductor manufacturing industry. She holds an M.A. in physics from Oxford University and a B.Sc. in physics from Aligarh Muslim University, India.

Prior to founding Sensys, she was vice president of corporate business development at Tencor Instruments (now KLA/Tencor), and, in 1983, was cofounder of Prometrix Corporation, serving as a board member and senior vice president of strategic planning when the company merged with Tencor.

Previously, she worked as a scientist, conducting research in semiconductor characterization and process control and working for almost five years at Signetics Corporation/Philips Research Labs in Sunnyvale.

She currently serves on the board of directors of Microbar and the board of trustees of Castilleja School (a private school for girls) and of IBPW (Indian Business and Professional Women), and is a charter member of TiE (The Indus Entrepreneurs). She is also active, with her husband, as an Angel Investor for start-up companies and a mentor to several budding entrepreneurs. Also with her husband, she is in the process of establishing the Nurul Hasan Educational Foundation (named after her late father, Professor Nurul Hasan, who was Minister of Education in the cabinet of Indian Prime Minister Indira Gandhi and was a governor of the State of West Bengal, India).

source: http://www.1.ucsc.edu / UC Santa Cruz Current Online / by Barbara McKenna / October 16th, 2000

A tribute to Prof Noorul Hasan: Ananya S Guha

UTTAR PRADESH / Shillong, MEGHALAYA  :

I remember Professor Noorul Hasan when he returned after a prestigious fellowship in Manchester University, to teach us in M.A. at the North Eastern Hill University. He was teaching us Thomas Hardy’s ”Jude The Obscure” and by then we knew that he was a Hardy specialist. Prior to taking up the text he gave us an overview of 19th century English fiction, where the point and counterpoint were realism and reality. I sat enchanted, for never had I heard such concepts discussed. Moreover, our understanding of texts prior to this  was only piecemeal. Professor Hasan was always viewing texts in specific literary and cultural contexts. This was something I never heard before, but our Professor had an unique style. He would explain a novelist or for that matter a poet in a cultural context. What do you think Father Time represents ? he would ask us.

Days later he took up a John Donne poem. Trying to specify metaphysical wit he said with a flourish : ” It is as if he says Q.E.D. after the poem”! Professor Hasan would use  the text as a tool to highlight a writer’s virtues. Ratiocinating as I learnt slowly was an hallmark of the great Metaphysical poets. And then when seminar papers were discussed he would snap: ”What does this word mean? You are writing  a paper not fiction”. Again, ”Don’t use a word, the meaning of which you are not sure”. Here was a man inching us towards perfection, or some kind at least.
I wrote an essay on Metaphysical poetry. His comments were: ”Although the essay makes some useful points about individual poems, it fails to put into perspective Metaphysical poetry in its historical and cultural matrix”. Wow, I was learning.
After my Masters I had decided that if it was going to be a Phd, it would only be under the supervision of the one and only Professor Hasan. He was kind. What do you want to work on? he asked. The poets of the 1930s was a prompt but forethought answer. He dismissed it flippantly — ” so much work on this”. ”Why not William Golding?”
And William Golding it was. ”Tradition And Modernism In The Novels Of William Golding” was the subject, peremptorily decided by the teacher. ”You see,” he explained, ”not much has been written on him,  you will not have to  read much. And what you say should stand”. My mind went back to school. Oh ”Lord Of The Flies”. Poor Piggy, poor Ralph. Was Simon a saint, if so then why did he die so tragically?
”Keep on writing” was Professor Hasan’s maxim, “and then I will read. But remember your first chapter will be the most crucial. It will be theoretical around which the entire thesis will revolve. Around hundred pages”. The words seemed to fade away. Hundred pages of theory. I had no idea of it. I almost gasped. The Professor was looking into oblivion.
Meeting him in his department room with the ostensible reason  of discussing my work, turned out to be more than exciting. ”Do you know I was taught by Firaq Gorakhpuri. When he spoke on Wordsworth it was as if Wordsworth was peeling off the creative layers of his poetry.” Allahabad University in the sixties he averred, had some of the best teachers of English Literature, Firaq, his brother, the Bose brothers and so on. I was transported to a new world of literature and culture. ”You see those days it was an  euphoria in the aftermath of the freedom movement. We debated, discussed, had talks and in the midst of it all was Firaq, two whisky bottles dangling in his sherwani”.
”The problem with teachers,” he said,  “is that they do not go into the creative processes of a text, they cannot build a context out of a text”.
I learnt from Professor Hasan, the nuances of teaching and learning, the critical use of language, and the ability to question, with the context emerging from a text. ”Your chapter on ‘Darkness Visible’ you should send to ”Modern Fiction Studies”. I almost fell down from my chair. My writing in Modern Fiction Studies, arguably, one of the best journals of fiction studies in the world?! I never did. But Professor Hasan never minced words. He meant what he said. He was not vulnerable to blandishment of any kind. He knew what was quality academic writing and what was not. ”You have improved considerably Ananya” he said. I winced. ”In MA you were not good. I used to wonder, this boy speaks so well, but writes badly”. Professor Hasan  could be blunt! Above all he loved humanity, in tolerance even of those who harmed him the most. RIP beloved Sir.
MeenaKumariMPOs28dec2017
(A brilliant Hardy scholar Prof Hasan worked under the supervision of C.B. Cox at Manchester. Professor Hasan was also a brilliant teacher, thinker and translator. He also translated the poems of Firaq Gorakhpuri and Meena Kumari into English. Translations which were received very well.)
source: http://www.thethumbprintmag.com / The Thumb Print / Home> Columns> Culture & Society> Featured> Lifestyle / by Ananya S. Guha / August 21st, 2017

Gulfam Khan feeds orphans on Eid al-Adha

Mumbai, MAHARASHTRA :

GulfamKhanMPOs28dec2017

On the occasion of Eid al-Adha on Saturday, popular actress Gulfam Khan said she celebrates the festival by feeding orphans.

“Eid al Adha is an Eid of sacrifice. Though the Holy Quran does mention sacrificing an animal, I think like most of the times it has a deeper meaning. So, as far as my thoughts are concerned, I believe we are supposed to sacrifice something dear to us in the path of good,” Gulfam said in a statement.

 
“It can be something materialistic or even something emotionally bonding. It shows what length you will go to stand by the right… I still have to go a long way to reach that height, but as of now I try and feed orphans on this day.

“Sometimes I do it by being present over there physically and a lot of times when the orphanages or the underprivileged are in far fetched places, I see to it that the food reaches them and they can feast too like us… May Allah grant us the patience, love and wisdom to walk the right path,” she added.

Gulfan is best known for her roles in shows like “Naamkarann” and “Khwaabon Ki Zamin Par”.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> TV> News> Hindi / IANS / September 02nd, 2017

Meet Noorul Hasan, the youngest IPS Officer

Peeliheeet District, UTTAR PRADESH :

NoorulHasanMPOs27dec2017

Hyderabad:

The youngest IPS Officer, Noorul Hasan took charge as the ACP of Dharamabad Division of Nanded District in Maharashtra State.

The 22-year-old Noorul Hasan hails from Peelibheet District of UP. He studied in a Govt. school up to 8th standard. After passing 10th class, he went to Raibareili along with his father and studied Intermediate through Hindi Medium. Later, he joined Aligarh Muslim University in 2009 for B.Tech. He improved his proficiency in English language during his studies at AMU. He established a forum along with his 10 friends who used to exchange views on national and international affairs. They also used to conduct mock interviews.

He served at Siemens Company for 14 months and one year at Atomic Energy Commission.

In 2013, he started preparations for UPSC Civil Service Exam (CSE). He secured 625th rank in UPSC CSE-2014.

Being a student of Hindi medium, he improved his English later and cracked CSE. He is the role model for the youngsters.

His message to Youth and Civil Service Aspirants-

  1. Dream as big as possible but always prepare yourself for Plan B. Even after plan B, Plan C must be there. 
  2. Decide your destination as early as possible and start working towards it.
  3. In my opinion Success=Summation of each day work carried out for years.
  4. Introspect your weakness. Divide your target in the years, months, weeks and days and move ahead a little everyday. Achieve something every day.
  5. You need to have passion to achieve your goal.
  6. There is no discrimination.
  7. Get best possible guidance from your seniors. It is always better to learn from the experience of others.
  8. Never get demoralize from failures.
  9. Civil service exam is the test for patience and self confidence. So fail but fail better every time. In the end you’ll get success.

https://www.youtube.com/watch?v=lVLwZ5-jmaA

https://www.youtube.com/watch?v=x181EXcuRKE

-Siasat News

source: http://www. siasat.com /  The Siasat Daily / Home> India> Top Stories / December 25th, 2017

Glorious arch over Telugu meet regales ballad & king Qutub Shah

Hyderabad, TELANGANA  :

ArchMPOs27dec2017

Hyderabad :

Malkibharamuni. The name may not ring a bell for many Hyderabadis. But much of the rich and varied cultural and linguistic heritage of Telugu owes to this former ruler of Telangana. For the first time, Ibrahim Qutub Shah IV, revered as Malkibharamuni in Telugu ballads and legends, gets recognition in the World Telugu Conference.

Ibrahim Qutub Shah, who patronized Telugu and issued royal decrees in the language, had endeared the people of his times by popularizing the local language through mega literacy drives. He and his successor Mohammad Quli Qutub Shah V, who founded Hyderabad and built Charminar, had a number of Telugu poets in the royal Qutub Shahi court. Ibrahim Qutub Shah was fluent in Telugu and his generosity towards Telugu language and culture was so high that he continues to live as a legendary Malkibharamuni in the world of Telugu literature and folks songs.

Malkibharamuni figures in the list of 83 personalities, who had contributed to the development of Telugu language. One of the arches to be erected in the city to welcome the delegates of the World Telugu Conference will be dedicated to him. Historian Abdul Majeed Siddiqui in his “History of Golcunda” published about eight decades ago extols the Qutub Shahi ruler saying that Ibrahim’s “lasting service in the domain of politics and culture had lent fascination to the name of the remarkable king and had made him alegendary figure in the Telugu literature. He is Malkibharam (Malkibharamuni) of legend and ballads.”

According to Siddiqi, Telugu, received encouragement and Telugu was patronized as liberally as Arabic and Persian languages. “Telugu poets and prose-writers were munificently encouraged and rewarded,” he said. Mohammad Quli is believed to have composed poems in Telugu too.

The Qutub Shah’s poetry “depicts his impressions about the life and culture of the Telugu society. It shows his sympathy with the local life and traditions,” Siddiqi adds.

In fact, the Qutub Shahis were the first non-Telugu kings, who spoke and wrote in Telugu. The language was at its golden peak during the period of Ibrahim and Mohammad Quli.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City News> Hyderabad News / by Syed Akbar / TNN / December 11th, 2017

RWITC pays tribute to forgotten trainer

MAHARASHTRA  / Bangalore, KARNATAKA :

Dr Cyrus Poonawalla holding the SM Shah Trophy presented to him by the late trainer’s son Kaleem Shah (in light blue chequered blazer). PIC: RS GUPTA
Dr Cyrus Poonawalla holding the SM Shah Trophy presented to him by the late trainer’s son Kaleem Shah (in light blue chequered blazer). PIC: RS GUPTA

The Royal Western India Turf Club mostly prefers to stick to its traditional format when framing its year-long horse-racing programme. But the turf club’s management does make occasional concessions as it did when springing a pleasant surprise with the inclusion of a race in memory SM Shah on Sunday. Late SM Shah, incidentally, was veteran SS Shah’s elder brother who passed away earlier this year.

The younger generation probably may not have heard much about Majeed Shah but old-timers would certainly recollect him as a hard-working and celebrated trainer who carved a place in the heart of the ardent horse-racing fans during an era, which was dominated by the likes of ALJ Talib, Aziz Mahmoud, DP Pandole, Dady Adenwalla and Major VM Lad. He held sway for over two decades before moving permanently to Bangalore in the late 70‘s.

Shah saddled three Indian Derby winners: Nijinsky (1967), Our Select (1968) and Bright Hanovar (1971). He also trained other prominent winners like Hard Held, Bade Miya, Beandaz and Bakhtawar. Apart from MD Mehta and Laxmi P Lala, Shah was patronised by late Mary Homi Wadia aka Fearless Nadia and Mehmood, the actor par excellence and a superstar in his own right who brought glamour to the game with his presence at the racecourse.

Fitting finale

The race framed in memory of the late trainer who spent two decades in Western India was not in RWITC’s prospectus but Shah’s eldest son Kaleem, an American citizen now, helped RWITC pay a perfect tribute to his father. Not only did he sponsor a glittering gold trophy worth a lakh of rupees for the winner but, in a noble gesture, also gave away twenty thousand rupees each to the grooms of five best turned out horses during the day.

By the way, Kaleem, contrary to his father’s wish, ventured into owning horses in USA by purchasing his first thoroughbred in 1996 and gradually increased his bloodstock to become one of the big owners. Kaleem’s famous win till date has been with Bayern who won the Breeders’ Cup Classic, worth US$ 5 million, in 2014. Bayern was saddled by one of USA’s top horse-trainer Bob Baffert.

Returning to the running of the SM Shah Trophy, call it providence if you like; it was won by the filly Priceless Art, owned by none other than Cyrus Poonawalla. It was only fitting that the trophy was presented by one passionate racehorse owner-breeder to another.

Chivalrous gesture

On a day of festivities when the entire Shah clan was in attendance at Mahalaxmi to witness the race, what came as a dampener was that most race-goers were unaware of the significance of the event. The RWITC replayed a video clip which showed some of India’s senior professionals paying tribute to one of their colleagues and that was it.

No effort was made to highlight Majeed Shah’s achievements as a professional or his son’s feat as a race-horse owner in the United States. It was Kaleem’s sobriety that neither did he demand attention from the club’s administration nor the club’s officials.

However, it was Cyrus Poonawalla’s chivalry that saved RWITC some blushes as the former was only too happy to accompany Kaleem for most of the time till the day’s races were over.

source: http://www.punemirror.indiatimes.com / Pune Mirror / Home> Columns / by Usman Rangeela, Columnist, Pune Mirror / December 27th, 2017

‘I always wanted to be a filmmaker’

Bengaluru, KARNATAKA :

Saad Khan
Saad Khan

Director Saad Khan is a known name in the world of theatre and movies. And why not? He knew that he wanted to get into filmmaking and had a clear idea about how to go about it.

As his film ‘Humble Politiciann Nograj’ is all set to release in January, Saad is all excited. In a candid chat with Tini Sara Anien, he talks about the film and more.

How did your interest in direction come about?

I belong to the age when video cassettes were popular. I used to watch at least two movies every weekend. This is when the passion for films came in. At school, I was already into theatre. I remember doing a professional play and being yelled at by my director because I was mouthing everyone’s lines. The director told me that acting is not what I should be doing and that I should probably assist him. My passion grew. I did a summer workshop with Bangalore Little Theatre and finally directed my own play.

What kept your interest alive?

My first play ‘Idle Hand’ was a big moment for me as a director. I didn’t know about the method acting or anything then. The play was about a lazy man and how one particular night, when he sleeps, his hands take over his body. I was associated with many plays after that. I always wanted to be a filmmaker. I knew that I had to make a transition and at that time I felt theatre was the right way ahead.

Is theatre a stepping stone to filmmaking?

From what I have observed in the recent past, there is no particular design for artistes. I’ve heard so many filmmakers and actors’ stories that I know that there is no set formula for it. Eventually, I realised that I didn’t want to stick to any genre. I brought the Hollywood movie ‘Scream’ on stage. I’ve also done musicals.

What was the turning point in your career?

It was when my short film ‘Another Kind of Black’ went to the Cannes Film Festival. I felt I was too cool but I soon realised I was just lucky as the concept was pretty good. That was the moment when I knew that this is what I wanted to do. I wanted to sell stories.

How is your chemistry with actor Danish Sait who plays the ‘Humble Politiciann Nograj’?

Danish used to do prank calls on air as Nograj. Slowly he and I made YouTube videos with ‘Nograj’. Once we did a live video of it from Times Square. After this, I said ‘I think we are now ready to make a film on Nograj’. We already had the title of the film since we always referred to the character as a humble politician. Danish, Maaz (Khan) and I met and wrote the story. I took a bit more time to do the screenplay. We were lucky to get Pushkar Films, Lost and Found Films and Paramvah Studios as producers.

What’s next?

We are just focussing on the movie release at the moment. There are speculations about a sequel.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> MetroLife / by Tina Sara Anien / DH News Service / December 26th, 2017

Anisa sets new mark

Pune,  MAHARASHTRA / Faridabad, HARYANA  :

Anisa Sayyed.
Anisa Sayyed.

Chinki, Swapnil and Nishant also set records

Anisa Sayyed held on to her status as one of the premier pistol shooters in the country winning the women’s 25m air pistol gold in the 61st National shootingchampionships at the National Games shooting range here on Tuesday.

The Haryana shooter, who was third with a score of 576 in qualification, behind Heena Sidhu (581) and Rani Sarnobat (578), was in great form shooting a consistent 33 in the final to erase the National record of 28 set by Annu Raj Singh in Brisbane earlier this year.

Shital Shivaji Thorat (Maharashtra) came second with 30 points pushing Rani (28) to third.

Maharashtra emerged first in the team event with a total of 1714 points ahead of ONGC (1707) and Haryana (1700).

In the junior women’s section, Chinki Yadav (Madhya Pradesh) took the top spot with a National record bettering performance of 31, a good seven points clear of the old record, leaving Gauri Sheoran (Haryana, 28) and Saee Ashok Godbole (Maharashtra, 20) in second and third places.

Haryana took the gold in the junior women’s team event with 1686 points ahead of Tamil Nadu (1652) and Maharashtra (1641).

On Monday, Swapnil Suresh Kusale (Railway) overhauled the existing National record as he collared the gold medal in the men’s 50m rifle 3-position.The Railway shooter, who had finished fourth in qualification, was a good four points clear of second-placed Satyendra Singh (Army) at the end of the final, totalling 457.0 as against 452.8 returned by the Army gunman as he obliterated the existing record of 456.1, established by Sanjeev Rajput in 2013.

Olympian Chain Singh, who has had a disappointing tournament, was forced to settle for the bronze with 439.8 ahead of Anil Sheoran (Uttar Pradesh), the leader of the qualifying field with a total of 1166.0 over the three positions. Chain Singh was second at that stage with 1164.0, while Surendra Singh Rathod and Swapnil had an identical card of 1163.0.

In the team event, the Army Marksmanship Unit was head and shoulders above the rest, finishing on top with 3472.0 points. Indian Air Force was second with 3458.0 and Indian Navy third at 3443.0.

In the junior category, Nishant Dalal (Haryana) was bang on target as he took gold with a new National record to boot. The Haryanvi shooter, who was hardly challenged in the final, finished with 446.7 erasing the existing mark of 442.1, set by Subhankar Pramanick in Pune last year.

Fateh Singh Dhillon (Punjab) took silver with 443.1 after Harshit Banjwa (Madhya Pradesh) was forced to settle for the third spot with 432.2.

In the 25m centre fire pistol, Anish Bhanwala (Haryana) and Yogesh Singh (Indian Navy) had an identical tally of 582.0 over three rounds each of rapid and precision, but in the countback luck was to favour the Haryana youngster, who last week had won the 25m rapid fire pistol. Anhand Jawanda (Punjab) followed the leaders in third position, two points behind.

Haryana also took the top of the podium in the team event with a total of 1734.0 and was followed by Indian Navy (1725.0) and Punjab (1719.0) in that order.

source: http://www.thehindu.com / The Hindu / Home> Sport> Other Sports / by A. Vinod / Thiruvananthapuram – December 26th, 2017