The book, co-published by Zubaan Publishers, will hit the stands on October 12
The book will hit the stands on October 12. (Source: University of Chicago Press)
The life and times of India’s first woman radio newsreader Saeeda Bano will unravel in a new book, originally written as a memoir in Urdu, Penguin Random House India announced on Monday.
The book, Off the Beaten Track, has been translated into English by Bano’s granddaughter Shahana Raza from her 1994 memoir Dagar Se Hat Kar“.
The memoir takes the reader through events of great personal impact in her life such as walking out of a suffocating marriage, witnessing the violence of the Partition, moving to Delhi from Lucknow as a single mother, eating toast with prime minister Jawaharlal Nehru , and falling in love with a married man — Nuruddin Ahmed, who would, in the course of their twenty-five-year relationship, become the Mayor of Delhi.
“Unflinching and riveting, ‘Off the Beaten Track’ offers a personal account of the Partition and the burgeoning capital city of a newly-independent India.
“A story of hope and resilience, it’s an unforgettable exploration of a fascinating woman; beckoning readers to reflect upon what it means to live and love passionately in the face of conformity and social pressure,” the publishers said in a statement.
The book, co-published by Zubaan Publishers, will hit the stands on October 12.
source: http://www.indianexpress.com / Indian Express / Home> Books and Literature / by PTI, New Delhi / September 28th, 2020
The dream of a tailor at Eruva near Kayamkulam was fulfilled by his four sons who created the 3.1-kilometre-long handwritten copy of the Quran in the world.
Noushad and his sons with the box in which the collar cloth rolls of handwritten Quran are fixed on a rotator | Express
Alappuzha :
The dream of a tailor at Eruva near Kayamkulam was fulfilled by his four sons who created the 3.1-kilometre-long handwritten copy of the Quran in the world. Kadharsha Moulavi, son of M K Noushad, said his father’s dream was to create the holy text on a cloth canvas as a handwritten copy.
The Quran teacher of Tharbiyya Madrasa at Palluruthy in Ernakulam said, “He had expressed his wish a few years ago, but the lack of time did not allow us to complete the task. In the Covid lockdown period, we decided to undertake it. We etched the text on the stiff collar rolls of 1.5-inch width stitched together. It took us around 111 hours to complete the writing. Ten green marker pens and 40 bottles of ink were used and and the whole project cost us Rs 20,000.”
Noushad himself had created records by stitching a huge shirt joining the flags of 54 nations and made the Indian Tricolour using buttons. When the then president, APJ Abdul Kalam, came to Kochi in 2003, Noushad was called there and felicitated by him.
His four sons are educated in the Quran and Arabic studies and all are teaching in different institutions. Muhammad Shafi, a teacher of KIT School, Kayamkulam, said the siblings started the work on June 8 and completed it by July 26.
“As many as 155 collar canvas rolls were used to create the long strip. One collar canvas is 20m long. The copy was written using marker pens in neat handwriting. The special box to fix the canvass roll was designed by our father. People can read from Volumes 1 to 30 without any difficulty. If the reader turns the rotator fixed in the box, the text starts unrolling for easy reading,” Shafi said. “As per our knowledge, such a long handwritten copy of the holy text does not exist in the world,” he added.
Noushad said the national flag with buttons was a novel idea and he got several accolades for it. He had tried to get these recognised by the Guinness World Records but could not pursue it then. “President Abdul Kalam felicitated me after hearing about the flag. I had stitched it using 20,454 buttons and presented it during the official Independence Day celebrations in Kayamkulam on August 15, 2003.
Another initiative was a shirt that was stitched together with the flags of 54 countries. Each flag was stitched in my shop and the shirt in the end had a height of 10 feet. It was released on the 54th Republic Day in 2003.
I had also created a floral arrangement using small pieces of clothes on the Thiruvonam day in 2004,” Noushad said.
source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Biju E. Paul / Express News Service / September 26th, 2020
‘Delhi Crime’ is also set for the second season. The first season was based on 2012 Delhi rape survivor Nirbhaya
The show that stars Adil Hussain, Shefali Shah and Rasika Duggal in the lead roles, is based upon the real-life incident of 2012 Delhi rape of a medical student|Twitter
The nominations for the best drama are revealed, after Emmys 2020 for the comic category concluded. In the list of nominations is Netflix’s popular show ‘Delhi Crime’. The show that stars Adil Hussain, Shefali Shah and Rasika Duggal in the lead roles, is based upon the real-life incident of 2012 Delhi rape of a medical student.
The news was shared by Adil Hussain on his Twitter handle . He wrote, “As we speak. Just now I came to know that #DelhiCrime, that I am a part of, has been nominated for Best drama series at @iemmys International #emmyawards #Emmys.”
‘Delhi Crime’ is also set for the second season. The first season was based upon Nirbhaya (the name given by the government), who was gang-raped in 2012 in a moving bus in the capital of India.
Recently, Schitts Creek sweeped all the awards as being the best comedy show.
source: http://www.eastmojo.com / EastMojo / Home> National / by Pratisha Borthakur / September 24th, 2020
The artworks in acrylic and of different sizes have adorned the walls of the restaurant.
Hyderabad:
A 14-year-old girl’s passion for painting paid off as her artworks have made their way to London to adorn the walls of a restaurant.
Syeda Ashna Turabi, a class 10 student, is elated as her six paintings including an art work of historic Charminar, Mecca Masjid and its surroundings have been displayed at Adeena’s Kitchen, a restaurant opened in South London last week.
The art works attracted the attention of a businessman when Ashna’s father had posted them on social media.
Impressed by her paintings, Syed Amjad Ali bought six of them for his restaurant, which serves Indian, especially Hyderabadi food.
The artworks in acrylic and of different sizes have adorned the walls of the restaurant.
“Thanks to Almighty Allah I have achieved this success and I hope to carry this forward,” Ashna told IANS.
Painting came naturally for this Hyderabadi who took keen interest in drawing and colouring since her nursery school days.
Like many children of her age, she was fond of drawing and colouring. However, she persisted with her hobby as she moved to high school and it turned into a passion.
Urooj Ahmed, a freelance photojournalist, did everything possible to encourage Ashna, the eldest of his three daughters.
“I realized that she has some special talents in her and provided her all the required support and encouragement,” he said.
Ashna has done her artworks with all including oil paint, coffee, ink, water colours, and acrylic
What makes Ashna’s achievement special is she learnt the art on her own. “She used to spend hours working on canvases and with every painting she improved,” said Urooj Ahmed.
Ashna, however, received some guidance and useful tips from Fawad Tamkanat, a leading artist and son of well-known Urdu poet Shaz Tamkanat.
Last year, Urooj Ahmed started uploading her works on Facebook and other social media platforms.
Ashna now plans to do a series of paintings on Indian culture and heritage. “I want to do a series of paintings on different subjects like various dynasties and monuments,” she said.
She also wishes to organise an exhibition to display her artworks. “It will take some time as I want to focus on studies while continuing the art in the available time,” she added.
Source: IANS
source: http://www.siasat.com / The Siasat Daily / Home> Top Stories / by Minhaj Adnan / by IANS / September 21st, 2020
Noted Islamic scholar and author, Professor Yasin Mazhar Siddiqui (76), former Chairman, Department of Islamic Studies, Aligarh Muslim University passed away today after a prolonged illness.
Professor Yasin Mazhar Siddiqui wrote more than 40 books and 300 research articles in Urdu, Arabic and Persian. His writings on the Prophet and his teachings got wide acclaim. He wrote extensively in reputed literary journal, ‘Nuqoosh’ and got international ‘Nuqoosh Award’, ‘Seerat-e-Rasool Award’ and ‘Seerat Nigari Award’.
Professor Siddiqui, an alumnus of Aligarh Muslim University worked for ten years at the department of History before joining the department of Islamic Studies as a Reader, and later he became professor and chairman of the department. He also served as the Provost of Aftab Hall.
Professor Tariq Mansoor, Vice Chancellor, expressed his deep sense of sorrow at the demise of professor Siddiqui whose profound scholarship explored new dimensions of Seerah writing. His death causes irreparable loss to the academic world.
Professor Nisar Ahmad Khan, Dean, Faculty of Social Sciences, Professor Muhammad Ismail, Chairman, Department of Islamic Studies and Professor Obaidullah Fahad deeply mourned his death.
source: http://www.milligazette.com / The Milli Gazette / Home> News> Community News / by The Milli Gazette Online / September 15th, 2020
Jaffer Gulam Mansuri established Delhi Darbar Restaurant in 1973 at Grant road in Mumbai. Fondly call Jafferbhai, he made amazing biryani and could cook every item on the menu. He was ailing for the past few days and was admitted to Breach Candy Hospital in Mumbai. He tested positive for Covid. He was around 80 years old.
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Rajdeep Sardesai@sardesairajdeep
He was known as the ‘biryani king’ of Mumbai.. he served the best dabba gosht in Mumbai.. Jaffarbhai of Mumbai’s Delhi durbar has passed away: thank you for many fine meals from college days till now.
MLA from Bhiwandi (East), Rais Shaikh, tweeted “Jaffer Bhai will always be remembered as the Biryani King of Mumbai. May Allah grant him Jannatul Firdaus.”
Noted TV journalist tweeted: “He was known as the ‘biryani king’ of Mumbai.. he served the best dabba gosht in Mumbai.. Jaffarbhai of Mumbai’s Delhi durbar has passed away: thank you for many fine meals from college days till now.”
Meena Iyer, CEO of Ajay Devgn FFilms and former editor of Bombay Times tweeted: Jaffer Mansoori of the famed Jafferbhai’s Delhi Darbaar, Mahim, Metro and several other areas of Mumbai breathed his last today. He was the Badshah of Mughlai food. RIP Sir. Condolences to his family.
To see his banquet/restaurant please visit: https://goo.gl/maps/AiT3oMhBwrHC3q2b9
source: http://www.milligazette.com / The Milli Gazette / Home> News> Community News / by The Milli Gazette Online / September 10th, 2020
FMS Welfare Trust, with an aim to serve Sadaat-E-Ekraam and poor to eradicate hunger, inaugurated ‘Roti Bank’ on Friday at Nampally, Hyderabad.
The initiative was inaugurated by Siasat’s Managing Editor Zaheeruddin Ali Khan Ali along with other Welfare Trust members.
The trust was founded by Hasan Nawaz Khan in Chicago, with a team of five in July 2017. Multiple programs under the Trust are undertaken in Hyderabad and Gulbarga for improvement of social and economic status of the poor and needy.
source: http://www.siasat.com / The Siasat Daily / Home> Photos> Hyderabad (Photos) / by Shaik Nizamuddin Laeeq / September 18th, 2020
Achan Village (Pulwama District), JAMMU & KASHMIR :
Pulwama :
A young budding writer from South Kashmir’s Pulwama district has received over 70 awards and certificates so far from different institutes of the world for his writing skills. The young writer aspires to become a human rights activist.
Faheel-Ul-Islam (18), son of Rafiq Ahmad Mir of Achan village in Litter Tehsil of Pulwama district, who is pursuing his Bachelor’s in Political Science at Aligarh Muslim University, a writer, wants to bring changes in the society where the youth as per him have degraded their morality and wants to work for the uplift of future generation.
Faheem said that he was in Class 11th when he started writing and since then he has co-authored around one dozen books. “Recently my book titled ‘The Midnight Silence’ got published, which is now available online as well as offline,” he said.
He said a book, which is a collection of 30 poems is multi-dimensional and the topics that have been touched include ‘our valley, our youth, hope, nature and many other things’.
“Since the last four years, my articles got published in the leading international, national and local papers and magazines,” he said, adding that he has continuously writing on all unethical things like drug addiction, suicide, rape and other issues.
“The sole motive of my writing is just to awake our youth, on which our future depends and I want to transform them to such an extent so that they too can contribute their part for the welfare of the society,” he added.
Faheem further stated that the most prestigious awards he has received so far include Indian Excellency Award by bringing hope in youth, Indian Humanitarian Award for my social work and Bravo International Award for inspiring and motivating youth to transform the morally degraded society.
“I have planned to publish a new booked titled ‘Concealed Chinars’ in which I will provide an opportunity to 20 such writers who are unable to publish their writings due to financial issues,” he said
He further added after completing his bachelors, his plan is to pursue masters in Human rights so that he can help the people in highlighting their issues.
“Besides studying and writing, I am presently working as a Radio Jockey at Kashmir Online Radio where I always try to change our youth who have been involved in futile exercises,” he added.
“My message to the youth of Jammu and Kashmir will be that don’t waste your time in futile exercises and try to contribute the society,” he said, adding that “if our youth will work positively, our future will be prosperous”.
source: http://www.therealkashmir.com / The Real Kashmir News / Home> Pride of Kashmir / September 17th, 2020
Farsi, or Persian, was once counted among the great global sultans of language and culture. In a corner of Calcutta, the flame still glows. We chart the bygone glory of the tongue, and speak to some who keep its flicker alive.
LANGUAGE LEGACY : The tomb of the great Persian poet Sheikh Saadi in the Iranian city of Shiraz, sketched by the 19th century French painter Eugene Flandin . Voyage en perse, avec flandin, ed. gide et baudry, 1851 : from Wikimedia Commons
Bani adam a’za-ye yekdigar-and/ke dar afarin-aš zeyek gowhar-and. All human beings are members of one frame, or body/Since all, at first, from the same essence came/When life and time hurt a limb/Other limbs will not be at ease/ You who is not sad for the suffering of others/Might not deserve to be called human.”
The portals of the Iran Society, a 75-year-old centre for Persian studies in Calcutta, reverberated with the musical rendition of verses one afternoon. The recitation of 13th-century poet Saadi Shirazi’s verse by Persian teacher Abid Hossain leaves a delegation from Tajikistan speechless.
Tajikistan is one of the central Asian countries where Persian is spoken and used officially, the others being Iran (earlier Persia), Iraq, Afghanistan, Ujbekistan and Azerbaijan. The Tajik delegates, a team of five experts, have been collecting samples of Persian literature, especially poetry, from across the world. “We didn’t know that this region, so far away from the Persian Gulf, had once been a seat of Persian literary activities. We knew about Delhi, Kashmir, Punjab, but not of Calcutta, Dhaka or Chittagong,” says Abdughani Mamadazimov, who teaches international relations at the Tajik State University in Dushanbe and is the leader of this delegation.
Persian or Farsi was introduced in the Indian subcontinent by the Persianate rulers of Central Asia in the 13th century. The language was not only the lingua franca of the classes — just like English in modern India — but also the language of creative literature and philosophy. In fact, the word Hindu, connoting people living in a geographical region beyond River Indus, is of Persian origin. So is the word Hindavi (later Hindi), used for the language spoken by the people in large parts this land. After having played a key role in communication and literature, the language was replaced by English in late 19th century. And now it faces ignominy or oblivion.
During the Muslim conquest of Persia in the mid-7th century, the Parsis took refuge in Gujarat and parts of western India to avoid religious persecution. And that is how Farsi floated into India. “Persian language, with pre-historic roots in southwestern Iran, is one of the oldest Indo-European languages,” says Amit Dey, a senior historian and professor at Calcutta University. He continues, “The Arabs conquered Persia but failed to impose Arabic on the conquered. The Persians were forced to accept the Arabic script but did not sacrifice their language. Instead, Farsi turned into a prestigious cultural language in various empires in Western Asia, Central Asia and South Asia. New literature, espe-cially Farsi poetry, developed as a court tradition in the eastern empires. Thus, Farsi became a vehicle of cultural conquest defying Arabic political hegemony.”
As a result, some of the classics of literature, such as Rumi’s Mathnawi, Firdausi’s Shah Nama, Omar Khaiyyam’s Rubaiyat, Hafez’s Divan and Saadi Shirazi’s Gulistan, were written in Farsi in the medieval period. Farsi also became the vehicle of Sufi mysticism, defying all orthodox religious boundaries.
Its secular, liberal and strong cultural moorings helped Farsi survive political threats from Arabic and other languages. Even rulers of Turko-Afghan origin in medieval India, including those of the Delhi Sultanate and the Mughal regime, accepted it as the language of the court and diplomatic discourse. “They chose Farsi rather than their mother tongue Turkish, or Arabic. Persian flourished in the Indian subcontinent, unlike in northern Africa where the conquered nations were Arabised,” says Dey.
According to him, the decision to embrace Farsi was actually a political move by the rulers to get the better of the orthodox ulemas or Muslim theocrats — mostly proponents of Arabic and Turkic.
Patronage of the language encouraged the flow of Persian texts and Persian speakers — soldiers, merchants, administrators, scholars, poets, Sufi saints, artists and artisans — to South Asia between the 11th and 18th centuries.
Irrespective of their ethnic, religious or geographical origin, these migrants from central and western Asia had skills in Farsi that would help them earn a livelihood in courts and bureaucracy.
Farsi reached its pinnacle in south Asia when Mughal emperor Akbar established it as the official or state language in 1582.
Mind you, this was despite the fact that the Mughals were native speakers of Chagatai Turkic. “He used the language as a tool to knit together diverse religious and ethnic communities in his court as well as his burgeoning kingdom, culturally,” adds Dey.
Not just Muslim aristrocrats, but also scribes of upper caste Hindu lineage — Brahmins, Kayasthas and Khatris — who served as clerks, secretaries and bureaucrats, learnt the language and got acculturated in Persian etiquette for social mobility. Ghazals, nazms and qawwalis (at Sufi shrines) in Farsi were wholeheartedly accepted as forms of literary and musical expression by the educated of all faiths and ethnicity.
Akbar and Jahangir commissioned Persian translations of the Ramayana and the Mahabharata. Dara Shikoh went a step further when he took up the task of translating the Upanishads into Persian, aided by veteran bureaucrat Chander Bhan. Persian romances, such as Laila Majnu and Yusuf Zuleika, were translated into many Indian languages.
The medieval Bahamani Sultanates and successor Deccan Sultanates and even the Hindu Vijayanagara kingdom had highly Persianised culture. The Sikh gurus as well as the Maratha ruler Shivaji were well-versed in Persian. The language had been used by the Bengal Sultanate as one of the court languages and in the chancery’s administration mainly in urban centres in Gaur, Pandua (today’s Malda), Satgaon (a port in Hooghly) and Sonargaon (near Dhaka), long before the Mughal period.
One of the principal patrons of Farsi in the early 15th century Bengal was Sultan Ghiyasuddin Azam Shah who established contact with the legendary Persian poet, Hafiz. Poet Alaol composed literature in the language and translated Persian classics into Bengali.
Royal patronage encouraged a section of non-Muslim elites in Bengal, especially the Bengali Hindu gentry and aristocracy, appropriate aspects of Persian culture, such as dress, social practices and literary taste. Rammohun Roy wrote treatises in Persian and started India’s first Persian newspaper Mirat-ul-Akhbar in 1823. The country’s first Persian printing press was also set up in Calcutta.
In the initial phase of the British administration, Persian was used as the language of the courts, correspondence and record-keeping. Governor-General Warren Hastings, well versed in the language, founded the Calcutta Madrasa where Persian, Arabic and Islamic Law were taught. The remnants of Persian judicial terms adalat, mujrim, munsif and peshkar are still used in courts across India.
The sharp decline of Persian began when English was made the language of governance through Lord Macaulay’s education policy in 1835. The emergence of vernacular languages, especially Urdu, ushered in further decay of Persian.
Says Dey, “Persian was, after all, a language of the elite. Urdu first emerged as the common language of soldiers of heterogeneous origin (Mughals, Rajputs, Pathans, Turks, Iranians, etc.) in the Mughal camp, and then became a language of the masses.” Urdu borrowed elements from Persian — idioms, styles, syntax, script — and mixed these with the local dialects, such as Poorvi and Brajbhasha. “Sufi saints like Nizamuddin Aulia also chose Urdu for discourse with his followers,” he adds. Furthermore, many madrasas started focusing on religious education with more emphasis on Arabic scriptures.
Notwithstanding its decay, Farsi survives in Hindi and Bengali as thousands of loan words used in everyday life. Sample these: abohawa (weather), jomi/zamin (land), maidan (ground), rang (colour), maja (fun), kalam (pen), chashma (spectacles), pyaz (onion), pulao (flavoured rice), jharu (broom), badmash (rogue) and so on.
It also survives as a discipline in “foreign language” departments of many universities in Calcutta, Delhi, Mumbai, Lucknow, Hyderabad, Guwahati and Patna. Says Iftekhar Ahmed, head of the department of Persian in Calcutta’s Maulana Azad College, “There are plenty of jobs for students of Persian in Central Asia and the Middle East. Some of the graduates are even hired by giant tech companies such as Amazon and Google.” Institutes like the Indian Institute of Persian Studies, Delhi, and Calcutta’s Iran Society are trying to keep the language and its heritage alive.
The Iran Society, founded by M. Ishaque, a Persian scholar, is the country’s oldest functioning centre for Persian studies.
The society offers a Farsi course and is a treasure trove of old and rare Persian books and journals. Fuad Halim, a council member of the society, says, “Most of our students are researchers of medieval Indian history, which is primarily documented in Persian. But there are some retired people too who join the course just for the sake of learning.”
Pritam Goswami and Prateeti Bhattacharya are two such PhD scholars. Pritam is researching the evolution of food habits of Bengalis which include food of the Nawabs of Murshidabad and Dhaka. Prateeti is working on the position of women in the Delhi Sultanate. She says, “Since there is a lot of misconception and misrepresentation of the history of the period, I want to read the original documents and treatises penned in Farsi.” Subhashini Majumder is a retired state land revenue officer who joined the course because she wants to read Rumi and Saadi in Persian.
The institute has been serving as a window to the Persian world hidden in the heart of the city. While visiting the institute at Kyd Street (now known as Dr Md Ishaque Road), Tajik scholar Abdughani expresses hope that the institute and the language can “build a bridge between secular Indians and secular central Asian nations.”
According to him, Persian is a language that has defied all borders and divisions. He adds, “It’s a neutral language of poetry, philosophy and culture that has united political and sectarian divisions for thousands of years.”
source: http://www.telegraphindia.com / The Telegraph, online / Home> Culture> Heritage> Big Story / by Prasun Chaudhuri / September 13th, 2020
A script has been developed for the Beary language spoken mainly by a section of Muslims and others in the coastal region.
The initiative was taken by the Beary Sahithya Academy and the script was developed by nine-member Beary writers.
Academy President Rahim Ucchil launched the script and said that the script has been developed in such a way that it will sync with the Unicode.
The script is unique. There are plans to launch an app to download the script in mobile phones shortly.
The expert team who developed the script are Abdul Rasheed Zaini Kamil Sakhafi, Aboobakker Siddiq, Haider Ali, Abdul Razak Ananthady, A K Kukkila, Muhammed Fouzeed, Abdul Samad Bava, Abdul Rahiman Kuthethoor and Hamza Malar.
Speaking about the script, Ucchil said it has 13 vowels, 33 consonants, numbers, months and days. Efforts will be made to popularise the script using the online platforms.
Further, he said that the academy has submitted a proposal to introduce Beary as a third language in schools for students from class 6. Once it is approved, Beary language will also be taught in schools as a third language.
He said that Beary language is being spoken by nearly 20 lakh people across the world. It serves as a vital link for Tulu, Malayalam, Kannada, Konkani, Kodava and other languages.
The academy plans to publish Beary Calendar titled ‘Naalkanakk’ for the year 2021, he added.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Mangaluru / September 12th, 2020