Category Archives: Arts, Culture & Entertainment

Bengaluru theatre goes abroad

Plays from the city travelled across the world and the seven seas, new forms flourished… It was an exciting year for the city’s theatre scene

The Bangalore theatre scene, this year was marked by new productions, new forms, re-runs of older plays, and plays from the city staged abroad. Apart from the regular theatre festivals, including The Hindu MetroPlus Theatre Festival and Jagriti Season 2014, Ranga Shankara celebrated turning a decade and the 60th birth anniversary of veteran theatre personality, Shankar Nag, with a theatre festival that showcased some of the best contemporary Indian productions.

S. Surendranath, artistic director of Ranga Shankara, names three. “Ramneek Singh’s Chidiyon Ka Pinjra was very well received by the audience. Abhishek Majumdar’s Kaumudi was one of the best productions that happened in Indian theatre. The writing, the performances and the overall structure were excellent. And A Straight Proposal from Delhi was an eye opener.”

A scene from Trivial Disasters. Photo: special arrangement
A scene from Trivial Disasters. Photo: special arrangement

Nimi Ravindran and Shiva Pathak are ecstatic with how much they have achieved with Sandbox. “We have done 110 shows. There have been 35 shows of Anish Victor’s Koogu. It was staged in Delhi, Kolkata and Assam and even travelled to Kenya. We also had 26 shows of Ajay Krishnan’s Trivial Disasters,” says Nimi. The focus of Sandbox is to stage plays at alternate spaces. Shiva adds that performances, so far, have primarily been held in home spaces. “But we have also had plays at offices, at academic spaces like IIHS quite a few performances at Humming Tree in Indiranagar and at Beaglesloft.”

A scene from Koogu. Photo: special arrangement
A scene from Koogu. Photo: special arrangement

Remote Bangalore, presented by Rimini Protokoll and produced by Goethe-Insitut, Max Mueller Bhavan, was another unique theatre experience for Bangaloreans. The ‘performance’ involved a re-look at the city through a tour through undiscovered spaces. Sandbox Collective closely collaborated with German-based Rimini Protokoll for Remote Bangalore. Sandbox is set to welcome 2015 with travelling with The Company Theatre’s Piya Behrupiya to Chile.

2014 was yet another year of achievement for Abhishek Majumdar. He won the first Shankar Nag Theatre Award. His theatre company The Indian Ensemble, which he founded with Sandeep Shikhar, also had a fruitful year. Two landmark productions, Thook, commissioned by the Hunger for Trade Project, an international theatre network, and Kaumudi, were presented by Indian Ensemble. “It was a challenging year for us,” says Abhishek. “We have never had two openings in the same year. Thook andKaumudi were very different productions. Also, Indian Ensemble came together in a way that has made us very happy. We had our first international tour as a company. We travelled to the United States and performed at Carriage House Theatre in Hartford Connecticut and the Iseman Theatre at Yale.”

This year Indian Ensemble started the Director’s Programme. “It was started with four students, Basav Biradar, Amit Sharma, Anju Alva Naik and Karen D’Mello. The students have already put up individual scenes from Sakharam Binder.”

There were other members from Indian Ensemble who won awards and acclaim for their work. Ramneek Singh received the Inlaks Scholarship to continue his studies at LISPA and Anshuman Acharya won the Hindu MetroPlus Playwright Award.

Bangalore Little Theatre, the city’s oldest English theatre group, lived up to their reputation of staging stunning productions, including Finding Ananda, a tribute to Swami Vivekananda on his 150th birthday, Ira Hauptman’s Partition, directed by Sridhar Ramanathan, both held as part of the History of Ideas Programme, and Our Iceberg is Melting, directed by Amjad Prawej.

Vijay Padaki, director of BLT, says: “One of the most successful productions in the History of Ideas programme has been The Prophet and The Poet. Prasar Bharati commissioned a tele-film of the play. It was broadcast by Doordarshan twice in the year. An event of great significance was a theatre festival facilitated by BLT. It involved four other theatre groups of Bangalore, and was a tribute to the playwright-statesman Vaclav Havel. The experience of the Theatre Collective was presented by me in an international conference in Prague on Havel’s life and works. BLT organised the All-India Arts and Heritage Management Conclave that was held in Bangalore.”

Actor and director Vivek Madan says this year a lot of shows travelled abroad. “There were a lot of collaborations. New forms developed because of Sandbox Collective. There was also Zip Zap Pow, an all-woman, one-minute festival.”

But 2014 was also a year of loss and bereavement for the theatre community. One of the most talented light designers in the city, Beary Mustafa passed away, leaving behind a void in the theatre community.

“We worked together for ten years. It is a huge thing to adjust to going to a theatre space and not seeing him,” says Abhishek.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Sravasti Datta / December 29th, 2014

I believe art has no barriers: Kavitha

Telangana Jagruthi Samithi president and MP Kalvakuntla Kavitha sharing a few thoughts with renowned kuchipudi danseuse Shobha Naidu at the International Kuchipudi Dance Convention at GMC Balayogi Stadium in Hyderabad on Saturday. Photo: V.V. Subrahmanyam
Telangana Jagruthi Samithi president and MP Kalvakuntla Kavitha sharing a few thoughts with renowned kuchipudi danseuse Shobha Naidu at the International Kuchipudi Dance Convention at GMC Balayogi Stadium in Hyderabad on Saturday. Photo: V.V. Subrahmanyam

Let us live together, forget about the bifurcation’. Taking a cue, Padma Sri recipient Yarlagadda Laxmi Prasad felt that the three-day convention was more than symbolic in many ways of how Telugu-speaking people can live and enjoy all liberties.

The three-day International Kuchipudi Dance Convention at GMC Balayogi Indoor Stadium could not have begun on a more touching note on Friday in terms of how the Telugu-speaking can live together and aspire to prosper.

It was a brief but to-the-point speech by Kalvakuntla Kavitha, Nizamabad MP and president of Telangana Jagruthi Samithi, which clearly floored the select audience at the Convention, organised by Silicon Andhra.

“Not many people liked the idea of me coming over to grace the inaugural of this three-day dance convention as they felt there is a clear tinge of residual Andhra Pradesh in the way the event is being organised. But I insisted that though Andhra Pradesh and Telangana are divided politically and administratively, that should be not the case with arts and culture. I believe art has no barrier,” Kavitha said amidst applause.

“Moreover, this being held in Hyderabad, it is a question of pride for all of us. Like Chandrababu Naidu, Telangana Chief Minister K. Chandrasekhar Rao too is all for the promotion of arts and culture of Telugu-speaking people. Let us live together, forget about the bifurcation, which is for a different cause,” she reminded.

Taking a leaf from the pages of history, Kavitha enthralled the audience by gently reminding them that though Kuchipudi was born in a village in Andhra Pradesh, it took the generosity of the 17th Century king Abdul Hasan Qutub Shah (more popularly known as Tani Shah) to promote this world-famous dance by setting up a ‘kuchipudi agraharam’ in Hyderabad,” she said to repeated cheers from the audience.

Taking a cue, Padma Sri recipient Yarlagadda Laxmi Prasad felt that the three-day convention was more than symbolic in many ways of how Telugu-speaking people can live and enjoy all liberties. “Let me tell you that the Telangana Chief Minister has given this venue free of cost and promised to extend all possible help to the organisers. This speaks of how we can steer clear of petty issues,” he remarked. AP Legislative Assembly Deputy Speaker Mandali Budda Prasad felt it was a question of great pride for the country itself that Kuchipudi had become synonymous with Indian culture.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad / by V.V. Subrahmanyam / Hyderabad – December 26th, 2014

Monumental men who want to preserve Bangalore

Bangalore  :

Bangalore is 477 years old or at least the record books say so. From the times of Kempegowda to its Silicon Valley days, this city has stood witness to several stories, some told, some untold and many forgotten.

In search of this treasure trove of tales, a group of architects and a few likeminded others started some years ago Bygone Bangalore, a group on a social networking site. Their objective is to revive and relieve those forgotten stories. What started as page for sharing old photographs is now turning out to be among the few groups mirroring the city’s heritage.

“Did you know Chhatrapati Shivaji got married in a temple in Malleswaram?” asks Naresh Narasimhan, an architect who has been a part of Bygone Bangalore from its initial days. “In fact, his father owned a huge house in Chickpet. That’s the thing, the more you know about your city’s past, the more you love it,” he says.

From the outset, the group had its goals defined: to bring to the fore old and inspiring photographs of the Garden City, to prompt conversations about the place, especially on social networking forums and among the new migrant population.

“Unlike Chennai, New Delhi or Mumbai, our photo archive is minimal. We wanted members of this group to share old frames from their albums to increase this database. Thanks to the network, we have been able to exhibit some rare photos of Bangalore,” says Kiran Natarajan, another member of Bygone Bangalore.

As was conceived, these photographs soon led to conversations, even explorations. “Recently we found the tomb of Hyder Ali’s maternal uncle, Ibrahim, in Kumbarpet. Ibrahim was instrumental in making Hyder a king and this piece of history was lying unattended there,” says Mansoor Ali, an architect.

Members of the group also looked back to trace the history of Russell Market. And what they found was quite intriguing. Inside the present building, which is almost 133 years old, stands a 150-year-old clock tower. “Earlier it was called the New Market. It was an open ground where hawkers sold goods to British officers. The British later decided to a build a concrete structure there. It was one straight corridor with a clock tower on it.

The market was expanded again in 1921, but the original construction remains. In fact, some people are keen on getting that clock ticking once again,” says Kiran.

As the explorations continue, every trivia from the yesteryears is shared with those interested during heritage works organized by the group. “Recently, we organized a food walk in Basavanagudi. We wanted to explore the history of Basavanagudi through the traditional eateries in the area. This is one part of the city which retains its old-world charm,” says Ali.

The group also delves into issues of conversation. “There were 1,880 documented buildings in Bangalore, today there are less than 400 remaining. While some of these are with government, those owned by individuals are being demolished to accommodate real estate boom,” says Naresh.

Heritage isn’t just about concrete structures. It’s going back in time to Bangalore’s old way of life. If you want to experience it, step out and look for it. Even though places like Madiwala and HSR Layout have turned into concrete jungles, they too have a history. For instance, the temple of old Madiwala village still exists, and the temple fest still happens. What’s heartening is that more people are coming forward to participate in these celebrations that keep the Bangalore of yore alive

Kiran Natarajan | Bygone Bangalore member and what they know is shared to those interested, through heritage walks by the group.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Bengaluru> Namma Metro / by Arun Dev, TNN / May 05th, 2014

‘Celebrate November 20 as Tipu Sultan Jayanti’

The Tipu Sultan Art and Cultural Trust has condemned the State and Union governments for ignoring Tipu Sultan’s contribution to the struggle against British colonialism. The trust has urged the State and the Centre to celebrate Tipu Sultan Jayanti on November 20 every year, and declare it a public holiday.

Speaking at the 214th death anniversary of Tipu Sultan here on Saturday, trust president Irshad Ahmad Bisti said Tipu Sultan was one of the most neglected icons of the freedom struggle. He was a national leader who should be venerated by all regardless of caste, creed or faith, he said.

Mr. Bisti said it was a pity that some people with communal leanings were trying to defame Tipu Sultan and project him as a fanatic.

The trust had been fighting to make sure that Tipu Sultan received the recognition he deserved.

The trust wanted Tipu Sultan Jayanti to be celebrated as a State function, and had demanded that a train be named after him, and a memorial built in Hubli and Dharwad.

It said it submitted several memoranda to Governor H.R. Bhardwaj and Chief Minister Jagadish Shettar, but there was no favourable response, Mr. Bisti said.

If action was not taken, the trust, in association with like-minded organisations, would intensify the struggle, Mr. Bisti added.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / by Staff Correspondent / Dharwad – December 05th, 2013

Government Will Celebrate Tipu Jayanti, Says Siddu

Bengaluru : 
The state government has decided to celebrate Tipu Jayanti henceforth, said Chief Minister Siddaramaiah on Monday.

He was speaking at the book release of Tipu Sultan: A Crusader for Change by historian Prof B Sheik Ali, which has been published by the Karnataka Gazetteer Department.

“There has been a lot of pressure from various quarters to celebrate Tipu Jayanti on the likes of Valmiki Jayanti and others. We have decided to take this into consideration and will announce the date shortly,” Siddaramaiah said. Sources said the date is likely to fall in May.

Referring to the book, Siddaramaiah heaped praise on Ali. “However, the book must also be translated into Kannada as it will have a wider reach. There have been allegations that Tipu was against Hinduism. I would like to clarify that this is false and he was known to have built several temples along with mosques. He was a good administrator. The real fight for freedom against the British actually originated with Tipu Sultan,” he said.

Ali said the book primarily focuses on the achievements of Tipu as an administrator along with details about his life.

“Tipu had said that a state’s structure and its success depended entirely on whether the welfare of its people was guaranteed or not. He imbibed the best qualities of the Renaissance and Reformation and implemented it in the administration. The concept of equal rights for all was first initiated by him,” he said. Principal Secretary of the Kannada and Culture Department Shalini Rajneesh said the book had been written and published with a grant of `10 lakh from the Central government.

MP Rehman Ali, Minister for Infrastructure Development, Information and Haj Roshan Baig, Minister for Energy D K Shivakumar and others were present.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / December 23rd, 2014

Virasat award to Amjad Ali Khan

Ustad Amjad Ali Khan
Ustad Amjad Ali Khan

Renowned sarod maestro Amjad Ali Khan will get the Alva’s Virasat 2015 award on the inaugural day of the three-day cultural event at Vidyagiri near Moodbidri on January 8.

A release issued by the Alva’s Education Foundation, which conducts the event, said the award carried a purse of Rs. 1 lakh.

The Padma Vibhushan recipient began performing at the age of six, said the release, adding that his music “spreads emotions of love and peace”.

The release described the man as “epoch-making”, with a personality that did not differ on-stage and off-stage.

Born in the Bangash family of musicians from Gwalior, he is sixth generation artiste. He trained under his father Hafeez Ali Khan and went on to become a legend in his chosen instrument sarod.

He has performed in many countries and is the recipient of many awards.

He has also been a visiting professor for international institutes and has paired with many artistes to present jugalbandis and fusion music programmes.

Two books have been written about him – The World of Amjad Ali Khan and Abba: Gods Greatest Gift To Us. Married to Bharatanatyam exponent Subhalakshmi, the couple’s sons Aman Ali Khan and Ayan Ali Khan are emerging sarod players.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Mangaluru / by Special Correspondent / Mangaluru – December 25th, 2014

A dim outlook for the lamps of olden days

The lamps are now purchased only by restaurants, cinemas, serial production houses and interior decorators. Photo: B. Jothi Ramalingam / The Hindu
The lamps are now purchased only by restaurants, cinemas, serial production houses and interior decorators. Photo: B. Jothi Ramalingam / The Hindu

Hurricane lanterns, once a common sight in households, are now a part of antique collections

If you were to search the loft in your house, you might find a hurricane lamp with the faint smell of kerosene still emanating from it. These lanterns, which were once a common sight in households, are now a part of antique collections.

Until about two decades ago, most homes in the city owned hurricane lamps with wicks. The flame would never get extinguished, not even on windy nights. The children of the house were often entrusted with the task of cleaning them in the evenings.

“As children, we had to remove the glass covering carefully, and clean the soot gathered from the previous day’s use. After this, kerosene was poured in the bottom chamber and the wick lit. We used to study under its light,” recalls V. Aryadevi, an octogenarian resident of Mylapore.

Now, these lamps are purchased only by some restaurants, cinemas, serial production houses and interior decorators. “Earlier, we used to sell around 300 lamps per month. But, now, the number has fallen to 100,” says Shair Ali, who has been selling lanterns since 1945 on Evening Bazaar Road.

Though electric lamps have replaced hurricane lights, he says the latter burn for a longer duration. “I use one in my house to this day. You can still spot them in villages,” he says.

K. Nizam, who also sells hurricane lamps in the locality, says those who sell food on Marina and Elliots beaches, and petty shop owners purchase the lanterns from him. “But most customers prefer electric lamps. They feel that pouring kerosene and lighting the lamps is too much of a hassle. Hurricane lamps are more of a decorative piece in most homes now,” he adds.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Vivek Narayanan / December 24th, 2014