Category Archives: Arts, Culture & Entertainment

Unique initiative of Siasat: Old Age Home inaugurated by Prince Muffakham Jah

Hyderabad, TELANGANA :

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Hyderabad:

Education is very essential. There can’t be anything more pleasant than the restoration of high standard of Madarasa-e-Aliya. This was stated by Prince Muffakham Jah while addressing the inaugural function of Old Age Home, “Sukoon” yesterday which was established by Siasat Urdu Daily at Vikarabad.

Prince Muffakham Jah further told that if any steps are taken for the restoration of old standard Madrasa-e-Aliya, he is ready to provide all kind of assistance.

It may be mentioned that in his welcome address, Mr. Zahid Ali Khan had recalled the good olden days spent as a students by him and Prince Muffakham Jah at Madrasa-e-Aliya.

Mr. Zahid Ali Khan mentioned that he could find no other person suitable for the inauguration of Old Age Home than Prince Muffakham Jah. He also recalled the long association of his family with the Asif Jahi rulers and said that the contribution they made for the development of Hyderabad City cannot be undermined.

Citing the modesty and humility of Prince Muffakham Jah, Mr. Zahid Ali Khan told that quite often, prince says that Hyderabad is not identified by its Biryani and Sherwani but it is known for the humility and nobility of the Hyderabadis. He further said that he salutes this passion of humility of Prince Muffakham Jah.

He told that he and Prince Muffakham Jah are the products of Madrasa-e-Aliya.

Present on this occasion were Dr. Shahid Ali Khan, Mr. Zaheeruddin Ali Khan, Managing Editor of Siasat Urdu Daily, Mr. Amer Ali Khan, News Editor of Siasat Urdu Daily, Mr. Mohammed Jalaluddin Akbar, IFoS, Mr. Khudadad Khan, Mr. Syed Abdul Wahab Qadri, Mr. Aizazur Rehman Khan, Vice Chairman of Shadan Group of Institutions, Mr. Ali Masqati, Mr. Iftekhar Husain, Mr. Sarib Rasool Khan and others.

Addressing the gathering on this occasion, Mr. Zaheeruddin Ali Khan told that taking advantage of the presence of Prince Muffakham Jah in Hyderabad City, the inauguration of Old Age Home has been organized.

He further told that the Old Age Home provides accommodation for 100 persons. He mentioned that basic amenities and medical facilities will be ensured for the inmates of Old Age Home.

The audience congratulated Siasat Urdu Daily and said that the need for such a modern and well-furnished Old Age Home was deeply felt.

source: Siasat News

source: http://www.archive.siasat.com / The Siasat Daily / Home> Hyderabad> Top Stories / by Sameer / April 08th, 2019

COVER STORY : Travelling in tandem

Bengaluru, KARNATAKA :

Anjum is a self-confessed foodie, and loves cooking. In fact, she recalls, it was this love and talent that led to her meeting Omer at the restaurant: “I used to bake a lot, and market my cakes and pastries to earn my pocket money, to spend on music and clothes”

He is a descendant of the royal families of Bhopal, Pataudi and the Paigahs of Hyderabad, she is the sister of the tycoons who run one of Bengaluru’s biggest realty companies. They have now joined hands to raise the level of living in the Prestige Group’s apartments and resorts-she designs and executes the interiors, while he has set up and runs the group’s hospitality vertical

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Nawabzada Omer Bin Jung and Anjum Razack met on a blind date. Well, not exactly a blind date, they say: “Actually, we were set up!” says Anjum, and Omer agrees. “But she picked me up!” he adds, with a twinkle in his eye. He is being literal: “I had no car, and used to roam around in buses and auto-rickshaws when I was working with Wipro.” So this young woman whom he had never met came to his office and gave him a lift.

Recalling the incidents of more than a decade ago, husband and wife keep bickering good-naturedly and correcting each other over details. The story that emerges is that a friend of Anjum’s said she wanted to meet her-at Casa Piccola, a restaurant to which Anjum used to supply cakes she baked. “And will you please pick up this guy Omer on the way? I want to meet him too,” she said. So an unsuspecting Anjum drove an equally unsuspecting Omer to the restaurant, where they sat and waited for the friend. When some time passed and she didn’t appear, they realised what had happened.

Was it love at first sight? “I don’t know if it was love, but I knew immediately that this was the guy I was going to marry!” she says. “My mother had always told me: ‘You should know what kind of boy you should bring home to meet me!’-and that afternoon I told her I had met the right man.”

Omer, for his part, “Enjoyed being the hunted, for a change”. They didn’t meet, or talk, for a month; but one day-just before Valentine’s Day, Anjum remembers-she and her friend were driving somewhere, when they spotted Omer walking. “We stopped, said ‘Hi!’ and gave him a lift.”

Things didn’t take very long after that. “My family doesn’t have the time for trivia!” Anjum explains. “I told my mother as soon as I got home that I had met the boy I was going to marry. I mean, we were two eligible young people in the same town. He was not of our caste of traditional business people, which was actually a plus point in his favour! Our families met, and I went through the various shredders his family put me through, then picked up the pieces-and we got engaged, then married in the next eight months.”

“We were two eligible young people in the same town. He was not of our caste of traditional business people, which was actually a plus point in his favour! Our families met, and I went through the various shredders his family put me through, then picked up the pieces−and we got engaged, then married in the next eight months.” − Anjum

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A few months before the marriage, they went to see Omer’s grandmother: “That was the first time I took a break from work,” she says. “Morph was still a one-person company, with only a set of carpenters to supervise. When we came back, I was broke, and went straight back to work. Side by side, I set up home and pottered around there, too.”

Anjum, the sister of the Razack brothers who run Bengaluru-based construction major Prestige group, is an entrepreneur in her own right: she set up Morph Design Company (MDC), which she runs as its Managing Director. Omer, who heads Prestige’s recent diversification into the hospitality business, comes from a long line of rulers-from the Paigahs of Hyderabad on his father’s side to a royal pedigree on his mother’s. “I have an interesting and diverse lineage. My maternal grandmother was the ruler of Bhopal with its matriarchal system. She married the Nawab of Pataudi, which was a much smaller kingdom, but both became our family’s houses. My father’s people were Prime Ministers to the Nizam of Hyderabad.” The Paigahs are a family of the senior aristocracy of the erstwhile Hyderabad State, with each of them maintaining his own court, individual palaces and a standing army of 3,000 or 4,000 soldiers.

Anjum, on the other hand, was what she calls ‘a one-woman army’ in a male-dominated business when she joined her brothers in 1993 and set up MDC. That ‘one-woman army’ has grown in 23 years to a Rs. 200-crore, 30-member team; but she continues to work hands-on with every project. “They are a bunch of kids-we are a young, growing office,” she says. “Besides, I love what I do-and I always put in 100 per cent into any assignment, because you always get only what you put in. I am also an obsessive perfectionist and would never deliver to a client what I wouldn’t live in myself.”

She had found, when she finished school, that she was in a ‘strange situation’ with not too many career options for a girl of her background-a Kutchi Memon in a typical business family, but one whose father had believed in education for his daughter as well as his three sons. “My parents have always been very aspirational for all their four children,” she explains. “We were all given education, encouraged to travel and grow-all against the norm in our community.” So after her B Com, she did a course in interiors with paint manufacturer Jenson & Nicholson. She then got a job with an interior designer in the early 1990s before joining the family business. “I jumped into the ocean headlong, without even knowing how to swim!” she says. “It was only the challenge that kept me

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MDC, which she established soon after that plunge, not only creates all the interiors in the Prestige Group’s developments, but also offers consultation, comprehensive planning and end-to-end design solutions for a range of other select clients for both their existing structures and new projects. She is also rightfully proud of the fact that her brothers Irfan Razack, Chairman and Managing Director of the Rs. 4,700-crore Prestige Group, and Rezwan Razack, who is Joint MD, never gave her any special privileges in business. “Even though we are a very close-knit family,” she says. “Morph is my very own, Prestige is my client. I charge design and project management fees, and for the furniture and other material I supply from either my own manufacturing units or those from whom I source them.” She does, however, describe working with family as putting her ‘between a rock and a hard place’ very often.

“My big idea was to reach out to the discerning interior design market, be it luxury or aspirational, and provide my clients with a lifestyle that they would enjoy,” is how Anjum how explains the way she approaches her work. “I wanted to introduce discerning customers to living spaces that represent and reflect their individual taste and stay relevant through changing times.” Designing an interior space, she points out, presupposes that “A design metaphor will reveal itself in every object, colour, finish and patina”. Obviously, when the idea finds expression and rhythm in such detail, the natural outcome would be a space made distinctive by its very uniqueness. “That,” she adds, “is why I do not just stop at designing the experience of an interior space, but also construct or create most of the objects that shape the design.”

“I went to boarding school at Sanawar, then Hindu College in Delhi and the London School of Economics. When I came back to India, I decided to move to Bengaluru instead of Hyderabad−it was a new city as compared to Hyderabad, and I could do anything here with its own level of decadence! Besides, my elder brother was here too” − Omer

“Good taste in interiors has come of age. The challenge lies in the fact that often, the notion of interior design stops at the placement of attractive objects in a well-designed room. While that is a mandate we can serve with ease, we challenge ourselves to give our customers much more. This we do by shaping their experience of interior space, through manipulation of spatial volume, as well as surface treatment. So, while apartments today are predicated on the optimal use of space and uniformity, our challenge is to create a unique interior space in a structurally similar landscape,” she says.

“We have also integrated backward to create a super-large vertical, with project management, sourcing and a trading company-and now even furniture manufacturing. We create 90 per cent of all the furniture that is provided in any Prestige construction.”

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From its beginnings as an in-house interior design subdivision, Morph has morphed into a fully integrated interior design firm that executes and handles projects for external clientele, too. It provides a one-point solution from design, creating a portfolio of work across apartments, villas, clubhouses, spas, resorts and hotels. Hotels, resorts or serviced apartments. “All of these need to be addressed very differently from one another,” Anjum explains. Along the way, the company has worked with globally renowned architecture firms like Dileonardo, Woods Bagot, HBA, MAP and SRSS, and executed projects as large as 2.5 million sq ft (nearly a quarter million sq m). “We have also won a lot of awards, in different areas of our work. My brothers look at me differently now!” she adds.

Describing herself as an entrepreneur at heart, not satisfied with interior design alone, Anjum says this is why she vertically integrated the manufacturing process by setting up state-of-the-art in-house factories over two decades ago, to cater to the different design sensibilities of customers, from traditional, classic to the more contemporary, experimental and eclectic. “Our products are also designed to give our clients great value for money across the entire product spectrum,” she adds.

“From a process perspective, everything from concept, drawings, prototyping, to the final production of each and every piece of furniture that we use in our projects is backward integrated,” she explains. “Our external dependence is minimal and allows us to achieve unmatched quality giving us the ability to create truly bespoke interiors, where each detail is created by us. Having control over customisation and production, we ensure that our design process is a constantly evolving and dynamic one”

“The journey has been tough-but a good tough!” Anjum smiles. “The biggest chip on my shoulder is that I didn’t go to design school. But I love working, and I have been loyal to my work.” She did, however, take a course in designing at Cornell University. “I firmly believe that you must always start from the back operations to be strong. There was a sad lack of originality and quality in the market-that’s why I started my furniture business with visits to China, Italy, Germany, Austria and Burma, getting the best rates at which I could import what I needed for each project.”

With this bottom-up organisational design approach, Anjum has been responsible for business development, strategic planning, diversification, and project management along with all other key executive functions. Her work is inspired by a diverse set of influences, both traditional and contemporary, and she references the Deco and Nouveau period styles as being particularly impactful. Firmly believing in the importance of constant evolution for prolonged success, she doesn’t hesitate to incorporate innovative materials into her projects, work with young artists and experiment with all aspects of execution.

“Some things are non-negotiable! For instance, no phones are allowed at meal time. The kids get a platform to talk to each other and us, about things that would otherwise get buried in their busy lives. There are some ground rules, and they stick to them” – Omer

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“My two new factories involve a huge investment, which means I will probably be able to break even only two or three years,” says the businesswoman, now 49. “The state-of-the-art factories have been conceived with a lot of mechanisation-manufacturing wooden joineries, handcrafted furniture, modular furniture, wardrobes, windows and kitchen assemblies. MDC also has a unit which specialises in developing soft furnishings.” Today, Anjum can proudly claim that she has nurtured MDC into one of the country’s most respected décor studios with globally recognised clientele and numerous national and international awards to its credit.

Talking of challenges, Anjum says the biggest one has always been the debate between functionality and design and how to marry them: “The aspirational customers have a relatively limited budget and want products that are aesthetically pleasing, have longevity and are easy to maintain. We have strived to address the needs of this particular segment and are happy to say that we have managed to achieve it to a very large extent.”

The other challenge, she says, is to provide aesthetic designs to any area. “Everyone deserves appealing spaces, regardless of its size,” she says. “We, at Morph Design Company, excel in providing just that.” Pointing out that the business also involves effectively executing two opposing areas of demand: the high-volume kitchen and wardrobe assemblies on one side, and the need for personalised and exclusive products that cater to the individual versus the mainstream on the other, she credits the nature of these challenges is what keeps her and her team striving for excellence.

Anjum is a self-confessed foodie, and loves cooking. In fact, it was this love and talent that led to her meeting Omer at the restaurant: “I used to bake a lot, and market my cakes and pastries to earn my pocket money, to spend on music and clothes,” she says. “Casa Piccola was one of my biggest customers. And so, when my friend Goga suggested meeting her there, I didn’t think it was at all strange.”

She also reads voraciously and loves to travel-collecting art and antiques from the places she visits. Her husband shares her interests-and so they pack their bags and heads off to different locales in India and abroad. The couple began with a two-week honeymoon in Africa; and because he loves surprising her, he recently took her on a road trip from Budapest to Prague via Vienna-“He made me drive!” she mock-complains- so that he could treat her to a four-hour meal at a three-star Michelin restaurant on the way.

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Nawabzada Omer Bin Jung, formally designated Executive Director, Hospitality-Prestige Group, is also the Founding Managing Director of Prestige Leisure Resorts (P) Ltd. With three decades of experience in hospitality, he is currently spearheading the Group’s foray into hospitality. “I went to boarding school at Sanawar, then Hindu College in Delhi (where he was a gold medallist in his BA, Anjum intercedes) and the London School of Economics,” he says. “When I came back to India, I decided to move to Bengaluru instead of Hyderabad-it was a new city as compared to Hyderabad, and I could do anything here with its own level of decadence! Besides, my elder brother was here too.”

After a couple of years in the finance department of Wipro, he joined his brother who has a resort in Bandipur. “Actually, it was a just a Club House; now it has been converted into the Northwest County resort,” he explains. In 1997, three years after he married Anjum, he floated the idea of helping his brothers-in-law take their construction business into resorts. “There has been no looking back since then,” he says. “We also have food courts in malls, we run franchises for Subway, Falafel and others… it’s a good mix.”

Adds his Begum: “It wasn’t an asset class at all – it was Omer’s brainchild.” He explains that because the business was totally in real estate, it had no assets on its balance sheet because all its projects were sold. “Assets are always good to have,” he says. “That’s where the discussion started. And we began to become more asset heavy.”

And so, having established Prestige Leisure Resorts, Omer now aims to set up international spas, city hotels, resorts and food courts all over India in the coming years. He is amply qualified: besides his gold-medal BA and his post-graduate Diploma in Business Studies from LSE, he also has a post-graduate Master’s Degree in Business Administration with a specialisation in Marketing, as well as a Certification in Strategic Management by Cornell University School of Hotel Administration, US.

“To excel in any field, one needs to be a team player. Managing people and ensuring employee and customer satisfaction is an integral part of being a success. We are a service-oriented industry and it is our team’s talent that decides the success of our work” – Anjum

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At Prestige, Omer has been instrumental in conceptualising and tying up with Banyan Tree Hotels and Resorts, Singapore, for one of Bengaluru’s most beautiful spa resorts the world-class Angsana Oasis Spa & Resort; the Angsana Oasis City Spas at UB City; Hilton International for the Conrad, Bengaluru; Oakwood Asia Pacific for the Oakwood Premier Serviced Residences at UB City and the Oakwood Residences-Forum Value Mall, Whitefield as well as the 3.4-hectare Sheraton Grand Whitefield Hotel and Convention Center in the group’s Shantiniketan project; the JW Marriott Hotel in Prestige Golfshire below the Nandi Hills and the 23-storey Conrad Hotel overlooking the Ulsoor Lake. He is also the brain behind the Transit food lounge at The Forum, Koramangala.

“We have introduced some of the most reputed international brands in the world to South India, such as the Hilton Group and Marriott International for hotels; the Banyan Tree for resorts: our Angsana Oasis Spa & Resort is managed by Banyan Tree Hotel & Resorts, Singapore. We also have the Oakwood Premier Prestige Serviced Residences in our landmark development, UB City, as well as in Whitefield,” he points out. We launched our hotel, ‘The Aloft’, in Prestige Cessna Business Park in 2014 in association with Starwood Hotels & Resorts Worldwide.”

Anjum also shares some of the secrets for her success: “To excel in any field, one needs to be a team player. Managing people and ensuring employee and customer satisfaction is an integral part of being a success. We are a service-oriented industry and it is our team’s talent that decides the success of our work. Therefore, it is very important to ensure that your team is motivated and happy. Finally, it is crucial to have in depth knowledge of both the industry and the products, which is only possible if you have a genuine passion for your work, as only then will you constantly strive towards perfecting your art.” Apart from this, it is paramount to believe in yourself, your abilities and objectives and have the right conviction. Life is full of complexities. Keeping things simple and using a straightforward approach helps unravel intricacies.

Her role models are her father Razack Sattar, an enterprising entrepreneur who started Prestige Fashions way back in 1956; and after his passing, her three elder brothers Irfan, Rezwan and Noaman have been her mentors, propelling her to success. “They have inspired me to keep pushing myself to achieve greater heights and are a source of constant motivation for me,” she explains. She too wants to carry on this culture of helping others: “I want to create a platform for young interior, product and furniture designers whom I will launch and mentor, to help hone their skills and realise their dreams,” she concludes.

The Jungs’ daughter Zara was born in 1999, and their son Ayaan five years later. “Kids never worried me, I enjoy them at all ages,” Omer says. And Anjum gives him ‘100 per cent for being an outstanding father’, saying: “He handles the children so well. Till date, he puts Ayaan to bed every night. He also takes his just-into-his-teens son on a fishing and hunting trip for two weeks every year.”

How did they manage everything: work, which is often 24×7, parenting- which is 24×7-and getting away for holidays? “We have a very good support system in the family,” Anjum says. “My mother has always been a big help, even though she was looking after my father who fell sick in 1995 soon after our marriage, and never recovered till he passed away in 2004. But I too never thought of multi-tasking-handling work, kids and home-as a problem. Of course, we had good staff: our maid and driver are very devoted to the family.”

Both of them are religious, and practise their faith: “We pray, fast, and go for Haj,” Omer says. Adds Anjum: “My mother was very pragmatic in her approach to Islam, though my father was more ritualistic.” According to Omer, their prayers are more for thankfulness than to ask for something. “We are so blessed,” he points out. “We have been to Arabia few times. So yes, we practise-but at the same time, we question.” Says Anjum, simply: “I like the balance.”

And the children are, fortunately, not yet growing away from their parents: Zara has her own life, but is at the same time totally plugged into the concept of family. “Some things are non-negotiable!” says Omer. “For instance, no phones are allowed at meal time. The kids get a platform to talk to each other and us, about things that would otherwise get buried in their busy lives. There are some ground rules, and they stick to them.” They are not totally happy going away on their own, but can still manage independently all over the place. Zara, for example, went to Oxford on her own for a summer course, Anjum points out. “She organised her own travel, and did very well there too-she came first in her class.”

All four of them spend a lot of time together as a family, even on holidays. “We don’t need to go out and mingle, we are very content by ourselves,” she says. “Three holidays every year are a must. We go away for the summer, Dussehra and Christmas vacations.”

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Last year, Ayaan came up with a surprising question: “Why must we always fly abroad? Why don’t we take a holiday in India?” Says Omer: “Both of us had found it very difficult earlier to wrap ourselves around a holiday in India. But after my son asked this question, we decided to go to Rajasthan-it was fun. We like our luxuries-but besides the Michelin restaurants, we also like to eat local food in different places. For example, we had a great meal of daal-bhaat at a truck stop in Rajasthan.” They didn’t of course, exactly rough it out in the desert: his royal connections ensured that they had the best hospitality in the local palaces. “India is brilliant!” Anjum says.

“Even though both of us are busy, we like to invest time in the kids as well as for ourselves together,” Omer says. “Of course, there is always a trade-off, in terms of earning less than we could if we concentrated only on our work or business. The question of what has priority in our lives keeps changing. But health, time with the children, family time, religion-they all take precedence.”

In addition to all this, Omer manages to find time to play cricket-coming as he does from a cricketing family-and golf, besides his angling and hunting which again is a throwback to his family’s traditions. “He is a ‘renowned shot’!” Anjum says with obvious pride. That, he explains, is a qualification that enables him to participate in national shooting championships. He is also interested in football, and took his son to watch Manchester United play a home match on Boxing Day last year: “There must always be an element of surprise in what I do,” he grins. “I had planned the itinerary for that trip with a gap of one day, which the rest of the family were clued in that they didn’t even notice! That was the day I just took off with Ayaan for the match.”

“We have introduced some of the most reputed international brands in the world to South India, such as the Hilton Group and Marriott International for hotels; the Banyan Tree for resorts: our Angsana Oasis Spa & Resort is managed by Banyan Tree Hotel & Resorts, Singapore” — Omer

How have they found the much-vaunted “entrepreneur-friendly” systems introduced by the government, especially that of Karnataka where they operate? “Well,” starts Omer, “When we started the hospitality business, we needed a total of 29 licenses… But today,” he pauses dramatically, and adds: “We need 29 licenses, still. The license raj has not gone away, it is only that we have learned to handle it more gracefully. The pain is still there. But we had the luxury of assets like easy access to loans and, our families.”

Anjum’s story is slightly different. “I started as a woman entrepreneur,” she explains. “That angle worked for me.” She still loves to cook; and, Omer says, “People love to be invited to our home for a meal.”

“We never have the time to get bored,” Anjum says. “We’ve practically grown up together, through our 23-year marriage. Both of us are the same age, so that’s almost half our lives. We have so many things in common; like, we were reading the same translation of the Quran, or The Little Prince, at the same time-but we are still as different as chalk and cheese. Of course, his stupid sense of humour sometimes irritates me, but…” To which her husband grins. And she adds: “I promise you, I wouldn’t want to grow older with anyone else but Omer.”

source: http://www.corporatecitizen.in / Corporate Citizen / Home> Cover Story / by Sekhar Seshan / Vol.3, Issue No. 2 / April 15th, 2017

Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

INDIA :

Image result for images Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

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Highlights
  • Murraba came down to the Indian kitchen possibly from Central Asia
  • The Royal Turkish kitchen had a separate section devoted to murraba
  • In Azerbajjan, the jams are part of every tea time table

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It’s a spiced and sweet preserve that possibly has as many people who revile it as those who love it. Murabbas are not for everyone-and even before we begin this piece, here’s the disclaimer: I absolutely, staunchly, vehemently dislike it. But then I don’t care for European style jams either, and my revulsion with the murraba may have something to do with the fact that as children we were force fed quite a bit of it on grounds of good health.

Unlike the mango murraba, popular in Gujarat, in UP, it is Amla ke Murraba that used to be quite popular at least within a social mileu engendered by the fabled composite Ganga-Jamuni tehzeeb or culture of the region. While that culture may be marginalized today, the story of murraba is one that can keep it preserved, much like the fruit itself.

Murrabas possibly came down to the Indian kitchens from Central Asia, where they are a part of many regional culinary cultures. Georgian food, for instance, has preserved sweet fruit as part of the traditional desserts . In Azerbaijan, the jams are part of every tea time table. And the food of the Ottomans that borrows from all these traditions has murraba-making firmly in place. The royal Turkish kitchens had a separate section devoted to “rub” and “murraba”, styles of jams that were thicker than the other Western style jams. To make these, fruit pulp and sap was boiled and thickened and then dried in the sun to preserve it for the harsh winter months.

Photo Credit: Nata Vkusidey/Istock. Mango murraba from Gujarat
Photo Credit: Nata Vkusidey/Istock. Mango murraba from Gujarat

Murrabas in all these central Asian and Turkish traditions naturally used the bounty of the land – the many fruit available in these regions from black currants to quince, pomegranate and even rose that grew in the imperial gardens. Different cities were famous for different jams.

The Mughals who ruled India for almost 300 years obviously brought to the subcontinent this way of preserving fruit from central Asia. Some murraba traditions that we still find in the country – like a ginger candy in Andhra Pradesh are quite reminiscent of the central Asian sweets. However, the Subcontinent had its own fruit and spices and local produce was naturally used to make these preserves.

Image result for images Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

Photo Credit: Xuanhuongho/Istock

Apple  murraba from Himachal, Amla from UP and Mango from Gujarat are perhaps the three most popular murrabas in our midst today, though the almost anything can be candied. Naturally, any fruit with a slightly sour (or astringent) flavour is far better suited to being stewed than sweet ones, which already have a high sugar content.

Amla, or the Indian gooseberry, now regarded as a superfood, is rich in Vitamin C, has fiber to combat digestive ailments and a host of trace minerals which are invaluable nutrients. In Ayurvedic medicine, the fruit is support to bring many benefits-it is given to pregnant women as a source of nutrition.

To make a murraba out of amla was obviously a way to make the fruit more palatable. The sour and bitter berries are cooked in honey  or sugar , candying them. Eating one or two of these candied fruit a day is supposed to be therapeutic.

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Of course, the use of murraba or preserves as something out of a pharmacy itself is a Turkish tradition, where the royal cooks developed recipes out of ingredients regarded as medically superior for the elite. It was a practice that the Mughal aristocracy followed too and murrabas became a rich man’s delicacy and indulgence. Those times are past, and yet some tastes linger on.

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About the Author:

Anoothi Vishal is a columnist and writes on food for The Economic Times and NDTV Food, and runs the blog a moveablefeast.in. She tracks the business of restaurants and cuisine trends and also researches and writes on food history and the cultural links between cuisines. Anoothi’s work with community-based cuisines led her to set up The Great Delhi Pop-Up three years ago, under which she promotes heritage, regional and community-based cuisines as well as researched and non-restaurantised food concepts. She has also been instrumental in reviving her own community’s Kayastha cuisine, a blend of Indo-Islamic traditions, which she cooks with her family and has taken across India to a diverse audience.

Disclaimer:

The opinions expressed within this article are the personal opinions of the author. NDTV is not responsible for the accuracy, completeness, suitability, or validity of any information on this article. All information is provided on an as-is basis. The information, facts or opinions appearing in the article do not reflect the views of NDTV and NDTV does not assume any responsibility or liability for the same.

source: http://www.food.ndtv.com / NDTV Food / Home> Food & Drinks / by Anoothi Vishal / September 18th, 2017

Poems reflect the fate of calamity victims at Dasara

Madikeri, (Kodagu) , KARNATAKA :

Poets of various languages take part in the Dasara multilingual poets' meet in Madikeri on Friday.
Poets of various languages take part in the Dasara multilingual poets’ meet in Madikeri on Friday.

The agony of flood-affected people in Kodagu echoed during the multi-lingual poets’ meet held as a part of Madikeri Dasara Janotsava, at ‘Kala Sambhrama Vedike’ on Friday.

More than 60 poets recited their poems in Kodava, Arebhashe, Tulu, Telugu, Marathi, Beary, Hindi, Havyaka and English languages. Every poem communicated a meaningful message to the people.

The heritage of Kodagu was also part of many poems. Madikeri Dasara was also reflected in some of the works.

Ranjitha Cariappa, M A Rubina, K Girija, Manju Gopinathan and Allaranda Vittal, H G Savitri were among the poets. Inaugurating the poets’ meet, Deputy Commissioner Annies Kanmani Joy said that the poem is an effective way to communicate the emotions.

Senior Civil Judge Noorunnisa recited a poem on the occasion.

Writer Shobha Subbaiah presided over the meet.

District Superintendent of Police Dr Suman D Pennekar, Poets’ meet committee President Chi Na Somesh and Madikeri Dasara Committee Working President Robin Devaiah were present.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DH News Service, Madikeri / October 04th, 2019

Fastest Growing ‘Women Qazis’ In India Ask Muslim Men, ‘Have You Read The Quran’ Why Are You Partial With Us?

Hyderabad, TELANGANA :

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Newly trained women Islamic clerics, or Qazis, have started work in towns across India, offering an invaluable support system to Muslim women, and inviting opposition from orthodox circles.

Iqra’s world fell apart in six months. In her telling, it began, as it often does, with marriage. The 23-year-old’s marriage to Ali was an exchange programme of sorts. Ali was her cousin, son of her khaala, her mother’s sister. In turn, Iqra’s brother married the same khaala’s daughter. Her khaala also became her mother-in-law. Such marriage between first cousins is commonplace among Muslims in South Asia.

Two months later, Iqra’s sister-in-law ran away from home. Her parents had apparently forced her into the marriage against her wishes.

The sister-in-law’s flight to freedom imprisoned Iqra. Her mother-in-law, upset with her own daughter’s running away, took out the anger on Iqra. “Khaala would abuse me at every chance she would get. She would give me gaalis till I would break down. She was angry with her daughter, and she would direct it at me,” she said.

One day, her husband asked her to go back to her parental home. “He told me he would come to take me back when his mother calmed down a little,” Iqra said.

Soon thereafter, Iqra found out she was pregnant. She called her husband to give him the ‘good news’. He sounded happy too. Her husband and her mother-in-law soon took her to a doctor who gave her a medicine. The doctor told her that since she needs to avoid sex, she should continue staying with her parents.

A few weeks later, Iqra had a miscarriage. “I don’t know if they had a hand in this, but my husband never came back to take me home. He stopped taking my calls and responding to my messages,” she said.

As she dealt with the trauma of the miscarriage and the betrayal, two burqa-clad women emerged as her support system. It is in their office, in Jaipur’s busy Johri Bazaar, that Iqra related her harrowing story to #KhabarLive.

The women, who are present this day, are 45-year-old Jahan Ara and 43-year-old Afroz Begum. They are Rajasthan’s first women qazis, or clerics, social and religious adjudicators in Islam, mediating in family disputes.

“She had already filed a case with the police before she came to us,” said Ara, “So we couldn’t interfere in the matter between the families. Otherwise, we could have called her husband and her in-laws and told them it wasn’t the right way to treat their bride.”

Muslim, Woman, Qazi
The job of a qazi has been an exclusive male preserve till recently in India, as it is in most parts of the world. In recent years, activists and organisations within the Muslim world have pushed for the inclusion of women as qazis, and pushing against patriarchy and orthodoxy, more women have taken to the vocation in recent years.

It was only in April this year that Jahan Ara and Afroz Begum received their Qaziyat certificates, after completing their two-year training from Darul Uloom-i-Niswan in Mumbai, an institute established by the social organization Bharatiya Muslim Mahila Andolan. They graduated along with thirteen other women, who went on to become qazis in Maharashtra, Gujarat, Rajasthan, Madhya Pradesh, Tamil Nadu, Karnataka, Bihar, West Bengal and Odisha.

Every day, they see people like Iqra, who seek advice and adjudication, at the office of the BMMA in Johri Bazar. Nishat Hussain, the BMMA’s Rajasthan convener, set this office up ten years ago.

“We have ourselves seen women being subjected to violence since childhood. My father used to beat my mother,” says Jahan Ara. “There would be no one to help her. The male qazis, whose role as an Islamic judge is to counsel and help, always support the men. They will just say it’s ‘Allah’s choice’. No, it’s not. And we need to tell women in our community that the Holy Quran does not differentiate between a man and a woman.”

Jahan Ara, who grew up in Jaipur, went through an abusive marriage for years before she finally decided to leave her husband about 10 years ago. After the divorce, she says, her husband didn’t let her meet their children, paid her no alimony, and refused to give her the customary 15 grams of gold Muslim men must pay their wives if the marriage ends. “The local qazi refused to help me get my rights,” she says.

She knew she had to change her situation. She started working with a women’s rights organization and went on to start a Madrassa for the children in her locality. “I started thinking what is the right kind of Islam, the one that’s taught in the Quran or the one we were practicing?” she says. That led her to enroll for the course to become a woman qazi.

Jahan Ara and Begum have faced a lot of opposition from male qazis and other members of the Muslim community. Lately, things have begun to change. “The other day a qazi came and congratulated Jahan Ara for the work she’s doing. This is progress. Gradually, society will start accepting that women can be empowered,” said Nishat Hussain.

When Men Fear Women
“The role of a qazi is marriage, divorce and intervention against injustice. Male qazis have a certain world view–they want us to believe the husband has more rights. But the Quran doesn’t say so. Women becoming qazis will change that patriarchal mindset,” says Zakia Soman, one of the BMMA’s founding members.

According to her, triple talaq (the controversial Islamic practice of instant divorce) has ruined a lot of women’s lives. It is unconstitutional, she says, and not valid as per the Quran. “We no longer need to accept the treatment that’s been meted out to us for decades,” she said.

Qazi Afroz Begum echoes her words. The 43-year-old says that though there’s support from her family, her husband and her five sons, it’s still a long way before Rajasthan starts accepting women as qazis. She says unlike the male qazis, who simply indulge in “dukandaari” (business), they will follow the requirements of Muslim personal law that are often overlooked.

The women qazis need to be given a month’s notice for a nikah. They will then check all the documents–the bride and the groom’s qualifications, proof of income, medical reports and divorce certificates, if any, before they approve of the marriage. “Until women know what their rights are, how will they demand them?” asks Qazi Afroz.

As Afroz explains how they are going to bring about change, Jahan Ara receives a call. “Aap kal tashrif layenge? (Will you come tomorrow?)” she asks in a curt manner.

It was a man they have just sent a notice to. His wife came complaining to the women qazis one day of his alcoholism. Most nights, she said, he doesn’t return home. She suspected multiple affairs. “We sent him a notice, and now he’s scared,” says Jahan Ara.

Durdana Khan, 29, a local reporter in Jaipur, says it’s due to the constant support from these two women over the last year that she’s no longer scared of anyone. Durdana was married to a well-to-do family in Jodhpur in 2008. Six months into her marriage, her father-in-law started making sexual advances towards her. “He would keep touching me and would ask me to visit his room,” she said. When she complained to her husband, his response was, “Deal with it. This happens in our family.” Durdana was shell-shocked, and tried to run away several times. But each time, her husband and his family members would find her and beat her up. In 2012, her husband finally agreed to give her talaq (divorce).

“Allah has never wanted us, women, to live in deprivation. Men and women are same in the eyes of Allah. So why should we have to tolerate the subjugation of men?” Durdana asks. The 29-year old’s plight did not end with the divorce. After she returned to Jaipur to stay with her parents, her brothers started harassing her and their father, scared that they will lose their share of the property. Ara and Begum helped her resolve the property dispute, negotiating with her family members.

“A male qazi, more often than not, grants property rights to the sons alone. We are trying to change that,” she says.

The women qazis have also set up a team of about 15-20 women who work in different parts of Jaipur and its outskirts. “Every leader is responsible for their area. When they find a case of violence, they report it to us. We then approach the victim and help her,” she said.

Waiting For The First Nikah
Arbitrating disputes of property and marriage is the easy part. The difficult part is conducting marriages. Since they received their certificates only in April, they are yet to be approached by anyone to perform a nikah.

Safia Akhtar, 61, the only woman qazi from Bhopal who graduated with Jahan Ara and Afroz Begum, says that none of them have performed a nikah yet because men feel women should be under ‘purdah’ and cannot go to a mosque where the ceremony usually takes place for the groom. “Muslim marriages are male-dominated events. Now that we have our qazi certificates, they are asking us how will we conduct it in a room full of men.”

Safia says she constantly receives death threats from men. “Someone just informed me I’ll be removed from Islam for being a qazi,” she says. But the 61-year-old isn’t scared. “They want me to shut up, but I won’t. If they can prove I am wrong, I’ll leave Islam myself,” she says.

32-year-old Nasreen, who has recently become the first woman qazi in Karnataka, says it’s mostly the women who come to her with cases. “A lot of people don’t want to accept that I am a qazi. They constantly ask me how a woman could be a qazi. And my response to them is, ‘Have you read the Quran?” Nasreen says only women qazis can understand the discrimination a woman faces in the community. “Men usually don’t come to us, and that says a lot about their mentality,” said 35-year-old Aslam Banu, the woman qazi from Odisha.

About a year ago, when news of the country’s first 15 female qazis was announced, the All India Muslim Personal Law Board did not approve of the idea, declaring that female qazis were not permitted in Islam and could not be appointed. Tahir Mahmood, a former member of the Law Commission of India, which oversees adjudication over Muslim personal law, disagreed with the AIMPLB, as did the Darul Uloom Deoband, the influential Islamic school in Deoband, UP.

UnIslamic?
Khalid Usmani, Rajasthan’s chief qazi, also thinks women qazis are un-Islamic. “If I tell you I am Lord Raam, will you believe it?” he asks. Usmani says women qazis don’t know anything about Quran or Islamic laws. “How can women be qazis? They are not meant to do all this. They have a role in society, and they should let men perform their roles,” he said. The chief qazi says that people have ‘rejected’ these women as qazis. “They can’t go to a mosque. It’s not allowed in Islam. They are just fooling people. And that is why people don’t go to them either,” he said.

Whatever you might think of Usmani’s views, he’s definitely wrong about the last part. People certainly go to them. The Jaipur office of Ara and Begum is never empty. There are women who come to them to register cases against their husband for domestic violence, some come with property disputes, and others to save their marriages when the husbands have uttered triple talaq. Some women come just to sit and listen, to learn how they could stand on their own two feet after their husbands have left them.

People used to go to Aisha, Prophet Muhammad’s wife, for advice and guidance.
The chief qazi’s views on the subject don’t find universal acceptance. Akhtarul Wasey, who has taught Islamic studies at Jamia Millia Islamia, and is now the President of Maulana Azad University in Jodhpur, says the Quran doesn’t say anything to prevent women from becoming qazis. “Our holy book doesn’t differentiate between men and women. Whoever’s calling the appointment of female qazis un-Islamic, is wrong,” he says.

Wasey says people used to go to Aisha, Prophet Muhammad’s wife, for advice and guidance. “In fact, we attribute one-third of the Sharia law to Aisha. If Aisha could do it, then why can’t women be qazis? This is what I would like to ask Usmani saab.”

According to him, if women are educated and know Islamic laws and the Constitution, nothing can stop them from becoming Islamic judges. “Forget nikah, there are so many other things that a qazi does, and a woman can do all of those,” he says.

“One day women will even become Muftis and teach the Quran,” says Qazi Afroz, “We know it’s a long journey.” #KhabarLive

source: http://www.hydnews.net / Khabar Live Hyd / Home / by Dr. Fazalullah Shaikh / October 04th, 2019

Urdu not a foreign language, says Panjab University’s Urdu Department

PUNJAB :

From its glorious status during the Nizami Deccan, Urdu has few takers today.
From its glorious status during the Nizami Deccan, Urdu has few takers today.

PU’s Urdu Dept. objects to being clubbed with foreign tongues

The Panjab University’s Urdu Department has objected to its proposed merger with other foreign tongues, asserting that Urdu is not a foreign language  but an Indian one like Hindi and Punjabi.

The university recently proposed making the Urdu Department part of the School of Foreign Languages to be set up after merging departments of Russian, French, German, Chinese and Tibetan languages, said Urdu Department coordinator Ali Abbas on Saturday.

“Urdu was born, nurtured and cultured in India during the first two decades of the 13th century by Amir Khusrau. From that moment onward, Urdu and Hindi languages have not looked back. Not only this, even Punjabi language was put on the path of development by Baba Farid Ganj Shakar,” said Mr. Abbas in a letter to the PU’s Dean University Instructions (DUI). A “wrong impression” is being created by certain elements that Urdu is a foreign language”, said Mr. Abbas, asserting that “it is far from the truth”.

The Urdu script. The photo is for representative purpose only. | Photo Credit: S. Harpal Singh
The Urdu script. The photo is for representative purpose only. | Photo Credit: S. Harpal Singh

Urdu, Punjabi and Hindi are the three main languages of India which were later accorded the status of State language at different times, the letter stated.

The Urdu Department raised the objection after the PU authorities recently proposed to merge small departments with less than six faculty members with each other to form one single school or centre, as per new norms laid down by the National Assessment and Accreditation Council (NAAC).

As per PU’s proposal, the merger is aimed at enhancing “academic performance by sharing infrastructure and human resources of various smaller departments”.

Mr. Abbas has, however, suggested bringing the departments of Hindi, Urdu and Punjabi under one umbrella of the department of Indian languages. “… or the Urdu Department may be allowed to function independently as per the present arrangements,” he wrote.

Final call tomorrow

Several other departments are also being merged. A 15-member panel will take a final call on the proposed mergers on September 30.

Before Partition, the Urdu Department was a major department of the then University of Punjab, Lahore, which was set up in 1882.

It was introduced in Panjab University, Chandigarh, in 1976.

source: http://www.thehindu.com / The Hindu / Home> News> National / by PTI / Chandigarh – September 29th, 2019

Deccan’s heritage on display

Kalaburagi (formerly Gulbarga), KARNATAKA :

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From coins to paper currency, books, radio, telephone, gramophone and old cameras, one can find a wide variety of antiquities at Ayaz Art Gallery in Kalaburagi. Detailed information about each item exhibited here makes this collection a heritage enthusiasts’ favourite. The credit for developing this intriguing collection goes to Mohammed Ayazuddin Patel, who is a photographer by profession.

After the completion of his education, Patel worked abroad for six years. In the meantime, he developed an interest in Deccan’s heritage. As a professional photographer, he has extensively documented the region’s ruined monuments.

Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.
Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.

Patel has collected the antiquities from various places, urban and rural. There are instances of him finding value in an item that others would discard as scrap. Apart from objects, he also has a good collection of rare books published during the British and Nizam rule. Some of them are printed at Oxford Press.

Coins and currency form a major part of the collection. The coins from Satavahana, Rashtrakuta, Chalukya, Hoysala, Nagas, Gandhara, Khilji, Lodhi, Tughluq, Mughals, Bahmani, Wadiyar, Kalachuri, Tipu, Qutb Shahi, Nizam Shahi, Adil Shahi, Barid Shahi,  Imad Shahi, Malwa, Kashmiri, British, and present coins and notes of Indian government are available with him.

Being an artist, he has exhibited the collection aesthetically, with all the details like the currency name, country, capital of country and country’s population on display. Presently, he is having about 275 countries currency notes in his collection which can be treated as the largest collection in Karnataka.

Many research scholars visit his art gallery to get information about the region’s history and heritage.

He has travelled to 26 countries to present the cultural beauty of the Hyderabad Karnataka region. While returning, he picks each country’s flag. Such flags are displayed neatly at the gallery.

Apart from this, he has exhibited his work of digital art, attended seminars, art camps and got honours for the same. Some of the unique pieces found in the gallery include an old lantern used in the ship; an ink bottle of 1855 AD used for fountain pens ; metal locks from Bahmani to Nizam period and terracotta plates and bowls of Nizam period.

Property and other agreement bonds written in Arabic, Parsi, Halegannada, Sanskrit and other languages find a place in his collection. The stamp papers of Jodhpur State and Bikaner State, Jaora State under the of Iftikhar Ali Khan Bahadur, Bhopal and Burma Government both, British India, Travancore and Dewas State, Rajgarh State, Government of Madras, Government of Mysore and Indian non judicial paper are in his collection.

After practicing photography for many years, he started digital art using his photos that portray the heritage of Hyderabad Karnataka.

Mohammed Ayazuddin Patel
Mohammed Ayazuddin Patel

He acknowledges the support extended by his parents. His mother used to collect coins and antiquities as a hobby. And his father, Mohammed Khaja Naveed Patel, was a Munsi and was an expert of history. “Kalaburagi has a rich history and heritage.  It is everyone’s responsibility to collect and preserve these objects,” Ayazuddin says.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Rehaman Patel / August 17th, 2019

All eyes on antiques here

Kalladka (Dakshina Kannada), KARNATAKA :

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After his dream to become a kabaddi player was crushed by his ill-health, Yasar Kalladka turned to another area of interest. Collecting antiques. The man from Kalladka, in Dakshina Kannada, began this journey in 2003.

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It has been a great one so far, he says. In his museum is a massive collection of rare coins, notes, agrarian equipment etc. A series of currency notes from different countries that carry their ministers’ and freedom fighters’ faces are arranged in order of their date of birth.

Currency notes of more than 200 countries that carry images of iconic buildings, birds, animals are also in the museum.

A Karnataka map studded with 879 coins of 50 and 25 paise value, and an India map studded with 1,020 coins draws many visitors.

There’s an album that identifies on currency notes the dates of birth of presidents and prime ministers of India. Yasar has spent seven years to make a 50-feet-long chain using 999 10-rupee notes.

RBI-issued coins that mark important occassions can be seen in Yasar’s museum. The currencies issued by China, made of bamboo during the second world war; coins from dynasties like Maurya, Mughal, Pallava, Keladi, Chola, Kadamba, Chalukya, Hoysala,  Nizam, The East India Company etc, and medals of soldiers are now owned by him. Signatures of Gandhi, Lata Mangeshkar and Kapoor families are also found in his collection. In his newspaper clippings collections, the focus is on the deaths of personalities like Indira Gandhi, Rajiv Gandhi, Nehru etc. Road maps, tissues of different countries, perfumes and one-inch holy books also find a place in his museum.

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For Yasar, his main source of information are the contacts he has built over the years.

His collection has grown when relocating families have given him antique materials. Once, a woman from England visited his museum and gave him an uncut currency sheet of 30 dollars from her collection.

His networking on social media also fetches him clues to source for his collection.

Sample this, a board he found in a junkyard turned out to be a piece of evidence to prove that the Panemangalore bridge was built by the British in the year 1914, that it has now crossed more than 100 years. “Young people need to understand the value  of the collections,” says Yasar.

He has bagged many awards for his passion including the Aryabhata Award for his collection of coins and currencies.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Deepa Kamila / September 14th, 2019

Ahmad Abbas: The man who gave us Amitabh Bachchan

Panipat, HARYANA / Mumbai, MAHARASHTRA :

Mr. Khwaja Ahmad Abbas, well-known film critic, script writer and producer. | Photo Credit: THE HINDU ARCHIVES
Mr. Khwaja Ahmad Abbas, well-known film critic, script writer and producer. | Photo Credit: THE HINDU ARCHIVES

On the occasion of writer-filmmaker Khwaja Ahmad Abbas’s 102nd birth anniversary that fell earlier this week, some reflections on his first movie Dharti Ke Lal, a film that was not available for public viewing until about a year back…

The name Khwaja Ahmad Abbas, whose 102nd birth anniversary passed by this week with nary a mention of him in mainstream media, rings a bell in the mind of an average cinephile primarily for two reasons. The first is as the story/screenplay writer for Raj Kapoor’s cinema; and the second is as the filmmaker who introduced the star of the millennium, Amitabh Bachchan, to Hindi films. His directorial output, comprising 14 feature films and numerous short films and documentaries, is either ignored or overlooked.

This year is special for someone who wants to get introduced to Abbas’s cinema — heavily influenced by the art of Soviet filmmakers like Sergei Eisenstein and Vsevolod Pudovkin — as it marks seven decades since his first film, Dharti Ke Lal (Sons of the Soil) was released. It was a unique experiment by the Indian People’s Theatre Association (IPTA), co-founded by Abbas, at film-making and an early example of Indian film industry’s tryst with social realism. This was the realism of the kind that would be seen later in the films of Satyajit Ray, Bimal Roy and Mrinal Sen.

The tale of a peasant family’s struggles during the British-authored Bengal famine of 1943 during World War-II, the film was a combined adaptation of three literary works — Bijon Bhattacharya’s Bengali play Nabanna; a Hindustani play Antim Abhilasha; and Krishan Chander’s short story Annadata.

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Dharti Ke Lal can also be considered a part of an Abbas trilogy (emphasis mine) of 1946. The three films — the other two being Dr. Kotnis Ki Amar Kahani and Neecha Nagar, both written by him — presented three different ways in which he expressed the idealism of a common man in pre-Independence India. Dr. Kotnis Ki Amar Kahani, a biopic on Dr. Dwarkanath Kotnis, was based on Abbas’s story, And One Did Not Come Back. It showed a young doctor, inspired by Pandit Jawaharlal Nehru’s call to serve the wounded Chinese during the Sino-Japanese War, staking his career to serve the dispossessed masses in a distant country. This was a primer into Abbas’s early-day internationalism.

Neecha Nagar by Chetan Anand, about a nonviolent rebellion by residents from a decrepit shantytown, shows an educated youngster Balraj (Rafiq Tanwar) motivating and organising the masses to speak up against Sarkar (Rafi Peer), the municipality head. Abbas’s desire to lift the urban subaltern to a state of peaceful revolution found expression through the screenplay of the movie.

https://www.youtube.com/watch?v=VLv5Nb4M534&feature=player_embedded

Neecha Nagar – Part 1 of 10 – Cannes Awarded Indian Classical Movie 

source: http://www.youtube.com

Dharti Ke Lal, with a young peasant Niranjan (played by Balraj Sahni) in the lead role, was much more explicit than Neecha Nagar in advocating for independence and self-rule. It is set in Ameenpur, a village in pre-Partition Bengal, is slowly coming to grips with India’s struggle for independence. Through references to Saare Jahan Se Achcha, with Ravi Shankar’s music playing in the background, Abbas introduces a nationalist tenor into the film.

The first half, where the family of Samaddar, the village pradhan (head) and his son, Niranjan, tries to live a happy, agrarian life within their means, is an early-day attempt at realistically portraying the village life. This is celluloid portrayal of the kind of society people got introduced to through Munshi Premchand’s novels like Godan and short stories like Panch Parameshwar. Tropes like the affinity of the villagers toward their land and the affection they show toward their cattle and cow are straight out of a Premchand short story.

The second half, where Samaddar’s family is forced to migrate to Calcutta is Abbas’s attempt to see the city through the prism of a humble peasant. The scarcity created by the famine; the apathy of the rich in the city; and the simmering Hindu-Muslim animosity combine to create absolute misery in the lives of the economic migrants. They further encounter indifference as they are forced to beg. Finally, following the end of famine, they are forced to return to their village where they mobilise themselves into a group and practise saajhe ki kheti (collective farming).

Coming back to the Abbas trilogy part, while Dr. Kotnis Ki Amar Kahaani and Neecha Nagar were inspired by Nehru’s vision of an enlightened urban India, Dharti Ke Lal seeks to emphasise Gandhian ethos of seeking comfort in the village life.

In terms of aesthetic merits, Dharti Ke Lal ranks equal to the likes of Do Bigha Zameen made in the next decade. The affection with which the camera views the villagers as it takes their close-ups makes the characters and their situations relatable. Just notice the sense of wonder on the faces of the family members in the 10th minute as they welcome the clouds, emphasising the love-hate relationship a farmer enjoys with the monsoons. The poignancy of the moment is accentuated by an alaap, with a flute playing in the background. This surely reminded me of joy in the face of villagers of Champaren in Lagaan as they anticipate the rains on seeing the clouds, expressed through the ghanan-ghanan song.

source: http://www.youtube.com

In a radio interview quoted in an audio tribute, Abbas expressed a sense of pride when he says that Dharti Ke Lal is the only film that was ‘socialist’ when it comes to the production process. He says none of the members was paid less than Rs.200 or more than Rs.400. His socialist ideals and life-long belief in upliftment of the downtrodden — his commitment to idealism made journalist Vinod Mehta compare him to historian Eric Hobsbawm — kept informing his writing and his film-making.

source: http://www.youtube.com

His production company, named ‘Naya Sansaar’ (A New World) was his way of voicing his message of empowerment as he made films like Shahar Aur Sapna, Do Boond Paani and Saat Hindustani. Most of them were commercial disasters and some of them look didactic from a 2016 viewpoint. However, if there is one film that has remained relevant, both in terms of its art and its content, it is Dharti Ke Lal.

source: http://www.thehindu.com / The Hindu / Home> Cinema / by Hari Narayan / June 11th, 2016

How this vlogger travels the world, free of cost

Utraula, UTTAR PRADESH / Charummoodu, KERALA :

JinshaVlogger01MPOs26sept2019

While most of us here find it difficult to save money for an annual vacation tour, vlogger Jinsha Basheer is earning money for every trip she takes. The crossroad of her life was her decision to publish photographs and videos of her own journeys online. When her posts on Facebook crossed 8000  likes, Jinsha was assured. Vlogging is more remunerative than the job of an engineer.”

Jinsha Basheer, who grew up in village of Charummoodu near Thiruvalla has only 11 months of experience in vlogging.  But this 28-year-old has more following than those who had been dabbling on Facebook Facebook for over 10 years. Jinsha became a vlogger by chance soon after landing a job with an IT  firm after completing her engineering. The story goes like this:

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Jinsha and Faisal when refuelling at a petrol bunk near Adoor, happened to witness an altercation involving one of the petrol bunk employees and a biker. The biker claimed that he was given less petrol for the money he had paid. The employee argued that every customer should check the counter to ascertain the quantity of petrol received.

Faisal, deciding to get to the bottom of the issue, enquired with another employee of the petrol bunk who revealed a big secret: Fill petrol for 5 or 10 rupees more than the required quantity.  For example, fill petrol for 110, 220, or 1015 rupees. In such cases petrol will be filled as per the exact amount. He talked about those petrol bunks which manipulated the software and delivered less quantity of petrol for the money paid. To make this event public, Jinsha recorded a video and posted it in Facebook with an advice to fill petrol for 5 or 10 rupees more  than the usual exact amounts like 100, 200, 1000 etc. Their Facebook page, which till then had only Jinsha and Faisal as members, received 5000 likes within a day.

A reply to trolls

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Jinsha was born in Utraula in Uttar Pradesh to Basheer, a military man and Barisha, a nurse, as the  youngest of the three sisters. When she was 8 years old, the family resettled in Charummoodu.  Jinsha loved travelling since her childhood. During her studies, she travelled to Mysore and Madurai. Taj Mahal, Agra and Qutub Minar remained her dream destinations. On the first weekend of getting married to Faisal, they travelled to Vagamon and her passion for travelling was rekindled.

While she was working in an IT firm owned by Faisal (which was also a period of many journeys), she  got an offer for taking up a job of a teacher in Qatar. The school management asked her to send a video depicting a simulation of her teaching the pupils. By the time the school management intimated her of their satisfaction of her teaching video, the ‘petrol bunk’ video had become  ‘viral’ in the Facebook. Jinsha decided to focus on volgging instead of taking up the teaching assignment in Qatar. Faisal, too, supported that decision. The first vlog.trip was made from Masinagudi to Ooty via the Kallatti pass. Another vlog on a journey through the Bandipur forests followed. These videos highlighting the beauty of the forests, too, became viral.

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Attempts were made by some elements to hurl abuses at Jinsha and her father through adverse and offensive comments. Jinsha was appalled but decided not to quit. But both Basheer and Faisal supported her cause. “If you bow down now, it will be akin to accepting total surrender.”

Jinsha took a screenshot of the Facebook page of the person who was vitriolic on her which also had that person’s photograph and posted it on her own Facebook page. Within minutes, the children and nephews/nieces of the person apologized. Soon after that, the Facebook page of the person disappeared.

Making money for and from travelling

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One of the first international vlogs Jinsha Basheer did was in Singapore. Dubai and Thailand followed.  The followers were introduced to the facts that in Singapore, a bottle of water costs Rs 350 and that in Thailand, one could take selfies with tigers, all through her vlogs.

“Rains round the year, gentle sunshine, towering buildings, beautiful landscape…Singapore is a place that must be visited at least once in a lifetime. At the same time, Dubai is a place of Guinness Book of world records. There is a village in Dubai with a rivulet and farming. This village is known as Al Barari Farm.” More than one lakh likes were received for this vlog alone.

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“Thailand is a country of individual freedom. The issue is how that freedom is utilized. There is a zoo housing 200 tigers in Thailand. In the elephant rearing centre, one could play with the elephant calves. Photos can be captured with one riding a crocodile in a lake of about 1000 crocodiles.” These facts were included in Jinsha’s vlog on Thailand.

‘Mariner of the Seas,’ a royal Caribbean cruise liner which berthed in Kochi was visited with special permission. “The vlog relating to this visit to the ship with an interior bigger than the LuLu Mall got instant popularity,” Jinsha explained how she started getting remuneration from Facebook.

The vlogging technique

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Jinsha and Faisal discovered ‘The Earth Lounge’ in Kochi international airport while on their way to Dubai. They entered the lounge to avoid the boredom of waiting for their flight. Two hours in there costs Rs 2000. But if you are holding Visa Platinum, Master Card etc it will cost only Rs 2. With that unlimited food and drinks, bathing area, relaxing area etc are made available to you.  ‘The Earth Lounge’ which the airport runs with the promotion of banks, was immediately videoed by Jinsha. Similar videos with little known facts were released on Jinsha’s Facebook page.  Likes and comments started piling up on such posts. Remuneration flowed from Facebook and You Tube.

“Tour operators approach us. They invite us to film the package tours they conduct. The tour and accommodation facilities would be arranged by the operator. The vlog that is made on the tour should reflect the services provided by the tour operators. The tour operator which took us on their package tour to Thailand saw more number of tourists opting for its services. The income comes through the Facebook posts. If 1000 readers read it, some small amount will come in the account.  You Tube is the best paymaster. If there are 1000 subscribers and 4000 minutes of viewing, an account for transferring remuneration can be created. The more the number of viewers, more is the remuneration. Jinsha explains after going through the statistics after turning a professional vlogger she has 87,000 followers on You Tube.

Offers for international tours are waiting her attention. There is some indecision on where to fly next among the options available. Faisal loves Switzerland. Jinsha has decided that as soon as her Dubai trip is over, she would fly out to Europe.

source: http://www.travel.manoramaonline.com / OnManorama / Home> Travel> Celebrity Travel / by Baiju Govind / May 16th, 2019