Tag Archives: Mohammed Ayazuddin Patel

Kalaburagi artist for Jordan

Kalaburagi, KARNATAKA :

Kalaburagi-based artist Mohammed Ayazuddin Patel will participate in a three-day International Art Festival titled Colours of the World organised in collaboration with Amman Greater Municipality and SMD Foundation at Ras Al Ain Art Gallery, Amman in Jordan.

The festival will be inaugurated under the patronage of Anwar Halim, Ambassador of India in Oman, on Saturday. 

Artists from the U.S., Jordan, Canada, Taiwan, India and other countries are taking part in the art festival.

Mr. Patel will display his digital painting works based on Indian culture.

source: http://www.thehindu.com / The Hindu / Home> News> National> Karnataka / by Staff Reporter / Kalaburagi – March 02nd, 2022

Deccan’s heritage on display

Kalaburagi (formerly Gulbarga), KARNATAKA :

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From coins to paper currency, books, radio, telephone, gramophone and old cameras, one can find a wide variety of antiquities at Ayaz Art Gallery in Kalaburagi. Detailed information about each item exhibited here makes this collection a heritage enthusiasts’ favourite. The credit for developing this intriguing collection goes to Mohammed Ayazuddin Patel, who is a photographer by profession.

After the completion of his education, Patel worked abroad for six years. In the meantime, he developed an interest in Deccan’s heritage. As a professional photographer, he has extensively documented the region’s ruined monuments.

Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.
Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.

Patel has collected the antiquities from various places, urban and rural. There are instances of him finding value in an item that others would discard as scrap. Apart from objects, he also has a good collection of rare books published during the British and Nizam rule. Some of them are printed at Oxford Press.

Coins and currency form a major part of the collection. The coins from Satavahana, Rashtrakuta, Chalukya, Hoysala, Nagas, Gandhara, Khilji, Lodhi, Tughluq, Mughals, Bahmani, Wadiyar, Kalachuri, Tipu, Qutb Shahi, Nizam Shahi, Adil Shahi, Barid Shahi,  Imad Shahi, Malwa, Kashmiri, British, and present coins and notes of Indian government are available with him.

Being an artist, he has exhibited the collection aesthetically, with all the details like the currency name, country, capital of country and country’s population on display. Presently, he is having about 275 countries currency notes in his collection which can be treated as the largest collection in Karnataka.

Many research scholars visit his art gallery to get information about the region’s history and heritage.

He has travelled to 26 countries to present the cultural beauty of the Hyderabad Karnataka region. While returning, he picks each country’s flag. Such flags are displayed neatly at the gallery.

Apart from this, he has exhibited his work of digital art, attended seminars, art camps and got honours for the same. Some of the unique pieces found in the gallery include an old lantern used in the ship; an ink bottle of 1855 AD used for fountain pens ; metal locks from Bahmani to Nizam period and terracotta plates and bowls of Nizam period.

Property and other agreement bonds written in Arabic, Parsi, Halegannada, Sanskrit and other languages find a place in his collection. The stamp papers of Jodhpur State and Bikaner State, Jaora State under the of Iftikhar Ali Khan Bahadur, Bhopal and Burma Government both, British India, Travancore and Dewas State, Rajgarh State, Government of Madras, Government of Mysore and Indian non judicial paper are in his collection.

After practicing photography for many years, he started digital art using his photos that portray the heritage of Hyderabad Karnataka.

Mohammed Ayazuddin Patel
Mohammed Ayazuddin Patel

He acknowledges the support extended by his parents. His mother used to collect coins and antiquities as a hobby. And his father, Mohammed Khaja Naveed Patel, was a Munsi and was an expert of history. “Kalaburagi has a rich history and heritage.  It is everyone’s responsibility to collect and preserve these objects,” Ayazuddin says.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Rehaman Patel / August 17th, 2019

The last Nizam’s indelible imprint on Kalaburagi

Hyderabad / Kalaburagi (formerly Gulbarga) , KARNATAKA :

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The city has many structures built during the time of Nizam Mir Osman Ali Khan Bahadur

A kilometre away from Kalaburagi railway station is Aiwan-e-Shahi, a magnificent stone structure built in early 19th Century. For political leaders and bureaucrats visiting the city, it’s the most preferred accommodation.

Kalaburagi has several such architectural remnants of the times of the Nizam rule, uniquely Indo-Islamic in style, and still in use. Nizam Mir Osman Ali Khan Bahadur, the last monarch, who ruled the province between 1911 and 1948, stayed in Aiwan-e-Shahi when he visited the city and is today a government guest house. The Nizam used to travel in his own train from Hyderabad to reach the palace in Kalaburagi and a special railway track was laid up to the entrance of the complex for the purpose.

Like most buildings constructed during the Nizam’s rule, the Aiwan-e-Shahi portrays a rich and imposing architecture synthesising medieval and modern styles. It is constructed using local white stones, popularly known as Shahabad stones, abundantly available in the surrounding area. The front view of the palace was greatly inspired by Gothic style architecture.

Kalaburagi-based heritage collector and artiste Mohammed Ayazuddin Patel has copies of some rare photograph of Nizam. In one of them, he is the Nizam is seen playing tennis outside the Aiwan-e-Shahi palace complex. His train is also visible in the background. The picture was said to have been taken by Raja Deen Dayal, the official photographer at the Nizam’s court.

The Nizam, known as the architect of modern Hyderabad, left an impression on Kalaburagi too. The building now houses the tahsildar office, zilla panchayat and central library. The entrance arch gate of Vikas Bhavan, the mini Vidhana Soudha that has the district administrative complex and one of the entrances of Mahbub Gushan Garden in the heart of the city were built during his time. There are several private houses across the city that were built for the families of Deshpande, Deshmukh, Mali Patil, Police Patil, Jamadar, Mansafdar, Pattedar, Inamdar, Jagirdar, Kulkarni, Hawaldar – the official and administrative titles given by the Nizam.

“At least, the Aiwan-e-Shahi should be included in the protected monuments and converted into a museum to showcase the region’s cultural past,” says Rehaman Patel, Kalaburagi-based researcher and artiste. According to him, the Nizam had expanded public spaces such as parks, lakes, town hall, and gardens in the city engaging several engineers. Mahbub Sagar (now called Sharnbasweshwar lake) and Mahbub Gulshan Garden continued to be used by the public. The town hall is used by the Kalaburagi City Municipal Corporation as a conference hall.

The Filter Bed built for providing pure water to the residents continues to supply drinking water to parts of the city. The Mahbub Shahi Kapda Mill that produced high-quality cloth and supplied it not just to various cities across India, but to other countries as well, was in operation till the 1980s. The Nizam had also established Asif Gunj School and MPHS school, the oldest educational institutions of the city.

“In the early 1930s, he formed the Hyderabad Aero Club and built Begumpet Airport for his Deccan Airways, one of the earliest airlines in British India. He had the distinction of employing, perhaps, the world’s first woman commercial pilot, Captain Prema Mathur, during the late 1940s. The other airport built in Bidar in 1942 is now used by the Indian Air Force to train its pilots. The Nizam was also credited for renovating several monuments belong to Buddhists, Jains, Chalukyas, and Bahmanis. The renovation and excavation of the caves of Ajanta and Ellora was undertaken with the funds of the Nizam government and supervised by then archaeology director Ghulam Yazdani,” Mr. Rehaman said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Kumar Buradikatti / Kalaburagi – September 16th, 2019

Ayazuddin Patel only artist from Karnataka to participate in international art camp in Europe

KARNATAKA :

Lalit Kala Akademi Awardee Mohammad Ayazuddin Patel will be participating in the 5 th International Cultural-Artistic event from July 8. | Photo Credit: ARUN KULKARNI
Lalit Kala Akademi Awardee Mohammad Ayazuddin Patel will be participating in the 5 th International Cultural-Artistic event from July 8. | Photo Credit: ARUN KULKARNI

National Lalit Kala Akademi Awardee and noted artist Mohammed Ayazuddin Patel will be participating in the 5th International Cultural-Artistic Event, a fortnight exhibition of painting and workshop-cum-art camp in Greece-Kosova-Balkan in Europe from July 8.

Mr. Patel is the only artist from Karnataka to attend the event which attracted 30 artists across the world. The event, which is jointly organised by Municipality of Suva-Reka and Department of Culture, Kosovo and Greece, provides a common platform for artists to exhibit their talent and get international exposure.

Speaking to The Hindu, Mr. Patel said that five of his digital art works were submitted online for the selection to the event. The 46-year-old artist has bagged 20 prestigious awards including 55 th National Lalit Kala Akademi Award, National Award for Photography and National Award for Digital Painting recognised by the Ministry of Culture.

Mr. Patel has also participated in international group exhibition in six countries and displayed his digital art works painting and photography during exhibitions at 34 different places and organised 20 solo exhibitions across the country.

Mr. Patel is known for digital painting and mixed media and his works adorn several walls in important State buildings.

As per the event schedule, the selected artists would be visiting famous museums, art galleries, historical monuments and old places in nine European cities including Istanbul in Turkey, Thessaloniki in Greece, Suva Reka in Kosovo, Budva in Montenegro, Mostar in Bosnia, Sarajevo in Herzegovina, Dubrovnik in southern Croatia, Tirana in Albania, Ohrid in Macedonia and Kavala in Greece during the 15 days camp.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by  Correspondent / Kalaburagi – June 27th, 2017

Discoverers worry for the ‘ World’s Longest Cannon ’

KARNATAKA :

Researchers hope the government will act to protect the cannon at Gulbarga Fort

Mohammed Ayazuddin Patel, Dr Rehaman Patel and Mohammed Ismail measuring the Bara Gazi Toph
Mohammed Ayazuddin Patel, Dr Rehaman Patel and Mohammed Ismail measuring the Bara Gazi Toph

The three researchers, Mohammed Ayazuddin Patel, the national award winner, artist and photographer, Dr Rehaman Patel, artist and researcher at Indo-Islamic Art, Kalaburagi, and Mohammed Ismail, Bahmani researcher and coin collector who recently discovered a cannon in a fort in Kalaburagi, which they say is the longest in the world, are worried over its preservation.

It was their visit to Gulbarga Fort in search of the name of the first Bahmani sultan, Alauddin Hasan Bahaman Shah among the Persian inscriptions on the Jama Masjid that led to its discovery. Speaking of the cannon to Bangalore Mirror, Mohammed Ayazuddin Patel said, “Since 2010, I have been researching on the subject. The existing world record is in the name of Tsar Cannon that is 17.5 feet long and was built in the 15th century in Russia. The cannon has been named in Guinness Book of World Records, when the fact remains that the top three longest cannons exist in India. It is a matter of pride for the people of Kalaburagi and the Hyderabad-Karnataka region that the longest cannon in the world is located in Bahmani Fort and was manufactured during the reign of Bahmani Empire in the 14th century. It is made of the alloy Panch dhatu.”

The cannon is known as Bara Gazi Toph and measures about 29 feet in length. Its circumference is 7.6 feet and diameter 2 feet. The barrel is 7-inch thick. In India, the largest recorded cannon is about 23 feet long and is located in Koulas Fort in Nizamabad district of Andhra Pradesh. Asaf Jah-1 (first Nizam) granted the Koulas Fort to the Rajput king Raja Kunwar Gopal Singh Gaur in 1724 AD for his bravery in the battle of Balapur and Shakkar Keda. The biggest cannon on wheels, built by Raja Mansingh, is in Jaipur and measures 20.6 feet in length.

“The Jaipur cannon weighs about 50 tonnes. We assume that the weight of the Kalaburagi cannon could be around 70-75 tonnes. While, the firing range of the Jaipur cannon is about 35 kilometres, that of Bara Gazi Toph could be 50-55 kilometres,” Ayazuddin Patel said.

The Bahmani monarchs, who ruled from the present Kalaburagi (Ahasnabad), stand out among other rulers for their contribution to the city. The founder Alauddin Hasan Bahaman Shah (1347-1422) made Gulbarga the capital and before his death he became the master of a vast empire. Even as they extended their territory, the rulers made significant contribution to the fields of art, architecture and literature.

The Bahmani sultanate was the first independent Islamic state of the Deccan in South India and one of the larger medieval Indian kingdoms. They ruled for 191 years (1347-1538 AD). Their other capital was Bidar.

The Gulbarga Fort was significantly expanded in 1347 by Alauddin Hasan Bahmani after he cut off ties with the Delhi sultanate. Islamic monuments such as mosques,
palaces, tombs, and other structures were also built later within the refurbished fort. The Jama Masjid built within the fort in 1367, is a unique structure of Persian architectural. It is fully enclosed, and has elegant domes and arched columns, which is unlike any other mosque in India.

The biggest challenge about historic monuments in the state is their protection, a fact not going to be any easy with the region being a backward area. “The Archaeologi-cal Survey of India and state archaeology department should take steps to protect the cannon at the Bahmani Fort and it should be included in the world record list. It should be fenced. The cannon is filled with sand and pebbles, so should be properly cleaned. Also, a signboard stating its details as the longest cannon in the world is a must. The fort and Jama Masjid must be declared heritage centres,” added Ayazuddin.

The team submitted a memorandum with their pleas to the district in-charge minister Sharan-prakash Patil, the deputy commissioner, regional commissioner, as well as the departments concerned.

 

GIGANTIC CANNONS OF THE WORLD

Jagadamba Bhavani Tope: Located at the historic Koulas Fort in Andhra Pradesh is believed to be the largest cannon in the world. The cannon (left), which is 23 feet in length and weighs 70 tonnes, is predominantly made of iron. It has a 16-inch calibre with an explosive head of 150 kg.

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Jaivana: Recorded as the world’s largest cannon on wheels, Jaivana was manufactured during the reign of Maharaja Sawai Jai Singh II (1699–1743) at a foundry in Jaipur, Rajasthan. Jaivana’s barrel measures 20.19 feet in length and 11 inches in diameter. The 50-tonne cannon is mounted on four wheels. The rear wheels are mounted on roller pin bearings, to turn it 360° and fire in any direction. It was designed to fire a 50 kg cannon ball to a distance of 35 km. This cannon was never used in any battle as the Rajput rulers of Amber had friendly relations with the Mughals.

source: http://www.bangaloremirror.indiatimes.com / Bangalore Mirror / Home> News> State / by Deepthi Sanjiv, Bangalore Mirror Bureau / December 28th, 2016

A story in pictures

BOOK Monuments of Gulbarga is a book that captures ancient art and architecture through photographs.

Gulbarga01-31mar2014

Domes, tombs, minars , forts, moats and off-course masjids . Are you thinking of Delhi? Why travel thousands of kilometres to experience the reminiscences of the sultanate? Prefer going to Gulbarga, a night’s journey from Bangalore. Instead, feel every bit of Gulbarga’s history by just turning the pages of a book. “Monuments of Gulbarga, Treasure House of Islamic Architecture”, a photo-book authored by Mr. Mohammed Ayazuddin Patel gives you this experience.

Gulbarga, now a district headquarters in northern Karnataka, was the capital city of Bahamani Sultanate for two centuries. It was at its zenith in the 15{+t}{+h}century and was home to hundreds of monuments. The Sultanate was founded by Bahaman Shah or Allauddin Hasan Gangu. He shifted the capital from Daulatabad in the present-day Maharashtra to Gulbarga and laid the foundation for a magnificent city. The other great kings of the dynasty were Mohammed Shah and Mujahid Shah.

Resembles Spain`s Mezquita

The book provides a pictorial account of the history of the Bahamani kingdom. Beginning with a nostalgic photo of a tomb of Allauddin Hasan Gangu Bahamani, the founder of the dynasty, the book vividly portrays the beautiful Gulbarga fort, its ramparts, fine arches and abutments. The Jama Masjid, built within the fort, resembles the Great Mosque of Cordova (Mezquita) in Spain with grand corridors and lofty entrance. Various pictures of Shahi Jama masjid in the book unfurl a tableau in front of the onlooker. This masjid located in Shahbazaar was constructed for the members of the royal family. ‘It has a unique architectural style of Mughals and the Persian style’, the book says.

The mausoleums of Mujahid Shah, Daud Shah, Ghiyat-al-din Shah, and Shams-al-din resemble that of Hasan Gangu. Unique is the Tomb of Feroz Shah, with intricate jalis and twin domes. The pictures of 800-year-old Holkonda fort capture the Islamic culture and the simplicity of Tughlaq style aptly. This fort houses an idgah and a Dargah of Hazarath Mohamad Mashaq Sahib, a Sufi saint believed to have come to Gulbarga at the request of Bahamani Sultans.

Gulbarga is famous for the tombs of Sufi saints and Pirs . Noted among them is Dargah of Khaja Bande Nawaz Gesudaraz, built by Mohammad Shah Bahamani. It has a Bijapuri arch built by Afzal Khan, army general of the Ailshahis. Other Sufi tombs being Dargah Khabullah Hussaini with beautiful paintings and calligraphy, Dargah Hazarath Kamal-e-Mujarrad and Dargah Hazarath Shaik Sirajuddin Junaidi.

Majestic, but dilapidated is the Ferozabad fort, built by Feroze Shah Bahamani. He was known for his flair for fine-arts and architecture. This fort, on the banks of Bheema river, encompasses a huge mosque, Tosha khana , and palacial buildings. In spite of its beauty and historical significance, this fort is ill-maintained. Arrays of dung cakes adorn the walls of the sepulchral edifices. Weed-infested mahals are on the verge of collapse due to vagaries of nature. Crumbling structures like Kanchini Mahal, once magnificent and awe-inspiring narrate a story of wanton negligence.

The Chor Gumbad with floral designs, Chand Bibi Gumbad or Kali Gumbad with exquisite Chajjas andJalis , Upli Gumbad – incomplete, yet beautiful, the utterly neglected tomb of Jaccha Bibi, the Siddi Ambar Gumbad with a rectangular porch, are only a few identified among tens of such monuments wailing for attention.

Water conservation

The photos of Hirapur form an interesting set. Hirapur, a suburb of Gulbarga has Ibrahim Adil Shahi Jama Masjid, built in black stone decorated with immaculate designs.

The town has wells, embedded with finely crafted staircases, jharokas and of all, ingenious technology of water conservation to avoid excessive evaporation in soaring temperatures. The wells are still seen as an evidence of splendour, but grossly uncared for.

Strewn inside the fort and atop the bastions are numerous canons, cast in brass and other alloys, weighing several tons, flaunting an intimidating appearance. Famous among these canons is Baragazi Toop atop the Burj in the fort.

Gulbarga is dotted with tombs and mausoleums lost in history, beckoning the curious eyes with their regality. This book displays a tableau of medieval Islamic culture and gives a splendid account of the forgotten monuments. The author also gives an account of Hindu and Jain monuments and pilgrim centres. Patel dedicates quite a bit to the revered Sharanabasaveshwara Temple, Sannati Chandralamba Temple, Ganagapura Dattatreya Temple, and Mallinatha Basadi at Malkhed, but, there is no reference to the nearly 700 year-old-shrine of the Madhwa saint Jayateertha on the banks of river Kagina at Malkhed, a major pilgrim centre.

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Patel, a national award winner, also records Aiwan-e-shahi, Osmania Intermediate College, MSK Mills established in 1884 by the Nizams. He is President of National Graduate Art and Photographers Association.

TAMRAPARNI R. RAGHAVENDRA

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by Tamraparni S. Raghavendra / March 28th, 2014