Category Archives: Arts, Culture & Entertainment

Arabic calligraphy: Art between the lines of prayer

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TELANGANA / Bengaluru, KARNATAKA :

Muqtar Ahmed at work. Photo: Special Arrangement/THE HINDU  

A 24-year-old with a global presence and her teacher are among a few keeping the art of Arabic calligraphy alive in India

Bee Bee Laisa, a final year Engineering student in Bengaluru, has a dream. The 24-year-old wants to transcribe a copy of the Koran in Arabic. “I have always been interested in art and drawing, but it was only when I started learning English calligraphy that I was introduced to the art form in Arabic, which would help me transcribe the holy book,” says Laisa.

And so began her journey in 2016, as a student of the Institute of Indo-Islamic Art and Culture (IIAC) at Richmond Street, Bengaluru, to learn Arabic calligraphy. Also known as khat, this centuries-old art form is held in high regard by Muslims because of its association with the dissemination of the Koran before the era of printing presses.

In the past five years, Laisa has mastered the decorative script thuluth considered one of the most difficult fonts, and naskh (used to write the Koran). Her talent has been recognised on several international and local platforms: her calligraphic artworks of Koranic verses and Islamic phrases have been exhibited in Japan, UAE, and Jaipur since 2017.

Calligraphy alphabet sampler by Bee Bee Laisa. Photo: Special Arrangement/THE HINDU  

It is a huge leap forward for Laisa, whose father works as a banana delivery vehicle driver in Bengaluru. Laisa says calligraphy has helped improve her concentration and also use her drawing skills in her Civil Engineering classes.

“Calligraphers can’t have any dot or line out of place; this has helped me present spotless drawings for my coursework as well,” she says.

The school uses traditional materials to teach the art, including wooden or reed pens (qalam) and inks from plant-based resins. As per tradition, strands of raw silk are placed inside the inkpot (likka), to help regulate the amount of ink on the qalam tip, and also to prevent spills onto the paper.

“We use a paper called muqahar for the final version. Though it is commercially available, calligraphers also learn how to prepare their own muqahar sheets,” says Muqtar Ahmed, the principal and tutor at of the IIAC.

__________

Built to be timeless

  • The process of making muqahar was perfected in the 17th Century by Turkish calligraphers, and Arabic calligraphy students still learn it today.
  • Paper is stained with natural dyes (like tea or floral decoctions) and then coated with a tempering mixture of alum crystals dissolved in egg whites. It is then burnished to get a glossy finish.
  • “Muqahar paper, if made correctly, can last up to 700 years,” says Ahmed.

__________

Devoted to the art

Ahmed is the man guiding Laisa in her mission. He has the distinction of being the only Indian to have earned his Ijazah (Masters diploma) in Arabic calligraphy from the Turkey-based Research Center for Islamic History, Art and Culture (IRCICA), under the auspices of the Organisation of Islamic Cooperation (OIC). He has trained over 500 students through the school’s weekly courses, and has started online classes during lockdown.

“Calligraphy takes a long time to learn, and one only gets better with continuous practice,” says Ahmed.

His own encounter with the art form is a tribute to his tenacity. As an Intermediate school graduate in a small village in Telengana, he started learning Urdu and Arabic calligraphy and decided to make his career as a scribe for an Urdu publication in Bengaluru, in 1990.

Arabic calligraphy by Muqtar Ahmed. Photo: Special Arrangement/THE HINDU  

“I used to write entire pages of articles in the column style, before the computers came in,” he says.

Most of the commercial calligraphy that was done for Urdu and Arabic journals before automated printing lacked the aesthetic values of the original art form, he says.

“I’d like to revive Arabic calligraphy among young people and show them how this can not only be an art but also a way to remember the divine in our life,” Ahmed says.

When he lost his job in 1994, Ahmed decided to research how other calligraphers, especially those outside India, were sustaining their craft. He set up a small commercial press to keep his home fires burning, and kept looking out for masters in calligraphy.

“I realised that it is not a language transforming tool, but an art that has a different respect globally,” he adds.

Among the people who helped him were Washington-based Syrian font designer and calligrapher Maamoun Sakkal, and Mohamed Zakariya, the first Westerner to earn calligraphy diplomas from IRCICA in Turkey.

In what sounds like an incredible process today, Zakariya, who is based in Virginia and does not use electronic communication, tutored Ahmed over postal correspondence for three-and-a-half years.

“I used to send my completed exercises from Bengaluru, and he would reply with his comments and corrections by post. Mr Zakariya didn’t charge me any fees for the tuition, and I feel very fortunate to have been his student,” says Ahmed.

Zakariya also introduced Ahmed to his own master Hasan Chalabi from IRCICA, who invited him to Turkey in 2008. After several visits to Istanbul to learn the art, Ahmed earned his Masters degree in 2013.

Paying it forward

“My professors advised me to start teaching calligraphy in India after I graduated, so that I could rekindle the old majesty of the art. When Mr Syed Mohamed Beary [a local real estate developer] heard of this, he sponsored the establishment of the institute in Bengaluru, and put me in charge of it. I’m glad to see that though it is a very difficult field to excel in, at least 15 of our students are being recognised for their calligraphy,” says Ahmed.

Ameerul Islam and Abdul Sattar, two of his students, have set up a branch of the institute in Hyderabad. IIAC’s curriculum covers the Arabic scripts riqa (for newcomers), naskh and thuluth and nastaliq in Urdu. Learning any two scripts thoroughly is ideal for a calligrapher, says Ahmed.

Bee Bee Laisa. Photo: Special Arrangement/THE HINDU  

Bee Bee Laisa’s aim of transcribing the Koran is shared by her teacher. “In fact it is the ultimate goal of every Arabic calligrapher,” says Ahmed. “But it is a huge project, because there are at least 600 pages to be transcribed. If we do something with our hands, it is priceless,” he says.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture / by Nahla Nainar / February 19th, 2021

9-year-old Kerala boy cooks 172 dishes in an hour, enters Asia Book of Records

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KERALA / Chennai, TAMIL NADU :

Starting out so early is not surprising given that he belongs to a family that runs a chain of restaurants in Chennai. His father Hashnas Abdulla is from Payyoli and mother is from Feroke. 

Hayan Abdulla with certificates and medals of Asia Book of Records and India Book of Records

Kozhikode :

9-year-old Hayan Abdulla of Feroke has entered the Asia Book of Records and the India Book of Records by cooking 172 dishes, including biryanis, juices, pancakes, dosas, salads, milk shakes and chocolates, in one hour.Cooking became his hobby when he was just four. “He showed interest in cooking and began helping me in kitchen,” said Rasha Abdulla, Hayan’s mother. 

Starting out so early is not surprising given that he belongs to a family that runs a chain of restaurants in Chennai. His father Hashnas Abdulla is from Payyoli and mother is from Feroke. “My family noticed that I cook fast. Then I thought why not work on it and be different. For the past one week, I have been recording the time of my cooking. There were no special preparations for the competition,” said Hayan, who is a Class III student of Sherwood Hall Senior Secondary School in Chennai. 

Because of Covid-19 regulations, the competition took place online. He owns a YouTube channel called Hayan Delicacies which explains the making of various dishes in detail in three languages — English, Malayalam and Tamil. While he is passionate about cooking, Hayan aspires to become a pilot. His dream culinary venture is to set up a pasta bar.

source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Express News Service / February 19th, 2021

Hana Bawa : The artist who paints emotions

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Mumbai, MAHARSHTRA :

Paintings by Hana 2

Five full minutes is what it takes for me to tear myself away from the allure of this painting I find myself staring at. Decked up in traditional jewellery and dress, it’s a portrait of a girl, looking back as if beckoning you to follow her, and yet there is nothing beyond her. Complete unto itself, the portrait doesn’t need a backdrop for contextualization. Your eyes must not travel elsewhere and the intrigue in her eyes ensures that it does not. The bold strokes defining dropped shoulders, tousled hair, lips that might break into a smile any minute, and eyes gazing intently at some unknown familiarity- Hana Bawa, a Mumbai based artist, paints the stuff of dreams. It’s not just the technical perfection of her paintings but the sheer magic of their intrigue that pulls you in.

Dilip Kumar and Saira Banu : By Hana Bawa

A 27 year old single mother, Bawa is a self- taught painter. Almost like that of a child prodigy, the story of her artistic journey begins with her perfectly complex childhood drawings. She was already drawing animal figures at the age of seven years. Born into a family of largely sportspersons, Bawa stands out for her artistic talent that finds some resonance only with her grandmother’s interest in crafting. Thanks to an unconventional family background, she never had to face the typical Indian parents’ pressures and diktats to pursue only a certain kind of career, and she remembers not to forget it, as she adds “I am immensely thankful to my family for being extremely supportive of my decisions and career choices throughout.” A graduate in sociology, she also pursued a fashion designing course but an intense passion for art propelled her towards the career path she eventually ended up paving for herself. It is her philosophy of “grow(ing) in whatever you choose to do” that makes her exclaim “I’m still learning” even after having sold numerous pieces of her stunning art.

A mother and her baby

Hana Bawa has not just made commissioned artwork, but her paintings have also been exhibited in Minnesota (USA) apart from various art galleries in India, and Afghanistan – no mean feat for an artist who climbed this high sans a formal art training. When asked about her participation in the said exhibition on the theme of ‘Afghan Culture’, she tells me that it came about largely because of the fame she found in Afghanistan. Well- known in the foreign territory for her detailed paintings depicting Afghan culture, Bawa was asked by the curators of the exhibition to send her artwork that celebrated it. Following naturally from this impressive success story, my questions turn back, once again to her journey and how she made it this far without ever receiving a formal training. Probed further, she reveals that she learnt to colour, quite late in her life (at the age of seventeen) and that too, from the internet. Colours opened up for her, a richer and brighter world that was otherwise largely inaccessible. Colours also lent an emotive dimension to her art, because now she could use different kinds of strokes as well to create different effects, as is evident from her paintings.

A mosque by Hana Bawa

Hana Bawa’s bold and confident strokes sweeping the surface of the canvas neatly are characteristically hers, and hence find a place in almost all the portraits. Asked about the painters who inspire her, Bawa counts three off the top of her head, out of which it (rather unsurprisingly) is Vincent Van Gogh who receives the first mention. Julie Dumbarton, a Scottish landscape painter and another Turkish painter Remzi Taskiren are the other two artists she mentions. Though widely separated from each other in terms of their style, cultural background and subjects they choose for their paintings, all of these artists excel in their skilful use of bold strokes. Van Gogh – in creation of post- impressionistic art that laid the foundation for modern art; Dumbarton in her effective employment of the technique in order to create a riot of colours on a harmonious landscape and Taskiran in his deployment of bold strokes in his portrait paintings to create an effect not very different from what Bawa’s achieves. Apart from these artists, Bawa also adds ‘cultures from around the world’ and ‘women’ to her list of influences and inspirations. With so much for a thought, I expect to hear of the politics that informs her paintings. Painting mostly women from middle- eastern cultures I assume carries a certain kind of latent political symbology, given the kind of times we are living in; but Hana vehemently denies any conscious political underpinnings to her alluring portraits.

She says “No, nothing political. I’m just drawn to these cultures because I cannot actually experience them, so I live them through my paintings and also allow others to access the same through them. For this reason, I do not paint portraits, I try to paint emotions. So, I focus a lot on the eyes – the windows to the soul. It is the look that captivates, not the colours, or the sketch. I paint anything that has a culture and meaning associated with it.”

Hana Bawa

We end the conversation with Bawa telling me about her four year old showing exactly the same skills as she did at his age, if not better. As I sit down to write this, and the world witnesses Bawa’s phenomenal skill and artistic genius, I smile with the hope that there’s another young life who might further enliven the world she has created and aims to create through her art – a world of emotions, passion, dreams and intrigue.

Click here  to follow Hana Bawa on  Instagram.

source: http://www.muslimmirror.com / Muslim Mirror / Home> Featured / by Iqra Raza / November 05th, 2019

Ali Manikfan: The versatile genius without formal education

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Minicoy (Lakshwadeep) / Olavanna (Kozhikode), KERALA :

Another major interest of Manikfan is Lunar calendar and he has built one calendar based on the New moon and on astronomical algorithms

Thiruvananthapuram :

The locals of Olavanna in Kozhikode used to see an upright, lean person wearing Arabian clothing walking towards his home. They only knew that he was a retired official from Central Marine Fisheries Research Institute (CMFRI) living here and was from Lakshadweep.

But, when television screens flashed the name of Ali Manikfan among the Padma awardees, the people were lost in words as to who they had ignored albeit unknowingly.

Mohammed Basheer and P.R. Ramachandran, employees of a private firm in Olavanna said, “He is lean and frail but walked straight and with a twinkle in his eyes but we never knew who he was until the news flashed that he was awarded the Padma Shri.”

Manikfan, who is currently living in a rented accommodation along with his wife in Olavanna, was sent to Kannur in Kerala for studies but after fifth standard he did not pursue formal education and returned to Minicoy, his home town in Lakshwadeep Islands.

He was a keen observer, knew almost every fish that inhabited the sea off the Minicoy islands and this observation turned into a passion for fishes. This motivated him to study more about fishes, their origin and everything in and out about them.

The research in fishes got him a job at the CMFRI where he discovered a rare fish which has been named after him – Abudefduf Manikfani.

He can speak, read and write 14 languages including French, German, English, Arabic and other languages and uses seven of them to communicate.

In 1981, he was invited to Oman to make a ship, a replica of the one believed to be used by Sinbad, the Sailor, during his voyages. He was invited by the Irish voyager Tim Sirven who wanted it to be made without metals. Ali and his made a 27-m long ship using timber and coir in an year. Named “Sohar” after the town of Sohar in Oman. Tim and his team travelled 9,000 km from Oman to China on it and it is now kept in a museum in Oman.

Manikfan told IANS, “Those days metal was not used for making ships and hence we had to replicate one using timber. This ship sailed up to China from Oman and is still kept at Oman museum.”

Another major interest of Manikfan is Lunar calendar and he has built one calendar based on the New moon and on astronomical algorithms.

The multifaceted personality had invented a bicycle with roller motor and travelled to New Delhi along with his son Musa.

Another of his interest is agriculture and he has converted a barren 15 acre land at Tirunelveli in Tamil Nadu into a lush green farm land using indigenous methods of cultivation. He also built a residential premises using traditional materials.

He is now basking in the glory of Padma Shri award but local people vouch that there is no difference in his attitude even after this honour.

Ramachandran said, “He is a great personality and down to earth, we never knew who he was until media reported about him. The local people are planning a grand programme to felicitate him.”

–IANS

source: http://www.muslimmirror.com / Muslim Mirror / Home> Featured / by Muslim Mirror / February 07th, 2021

10th trustee appointed for Ayodhya mosque project

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Ayodhya, UTTAR PRADESH :

The design of a mosque and a hospital to be built on a five-acre land in Ayodhya’s Dhannipur village was unveiled on December 19, 2020. Photo: Twitter/@IndoIslamicCF  

The new mosque will be bigger than Babri Masjid, says war veteran Mohammad Afzaal Ahmad Khan

The new mosque will be bigger than Babri Masjid, says war veteran Mohammad Afzaal Ahmad Khan

The trust entrusted with building a mosque and hospital in Ayodhya’s Dhannipur village on Tuesday nominated war veteran Mohammad Afzaal Ahmad Khan as its tenth trustee, officials said.

The Dhannipur mosque project was formally launched on Republic Day at Dhannipur, around 24 km from the Ram Janmabhoomi, exactly six months after the Sunni Waqf Board constituted the mosque’s trust — Indo-Islamic Cultural Foundation (IICF).

The trust was constituted following the 2019 Supreme Court verdict that backed the construction of a temple at the Ram Janmabhoomi and ruled that an alternative five-acre plot be found for a mosque in Ayodhya in lieu of the Babri Masjid.

The blueprint of the mosque complex, which includes a hospital, was unveiled on December 19.

In a virtual meeting of the IICF in Lucknow, it unanimously nominated 80-year-old Khan as its tenth trustee, officials said.

Khan is a veteran of the 1965 and 1971 wars and a recipient of the Sena Medal. He is also a recipient of the President Award – Samaj Ratan.

The Ayodhya Mosque project of the IICF is based on serving humanity. The hospital will be the centre stage of the project, Khan said.

“We will provide free of cost treatment to the ailing poor through this hospital, and our community kitchen, another important part of our project, will feed at least 1,000 people daily, and the research centre that is also part of the project will be dedicated to great freedom fighter of Awadh Maulvi Ahmadullah Shah,” he said.

The new mosque will be bigger than Babri Masjid, but won’t be a lookalike of the structure which once stood in Ramjanmabhoomi premises.

Meanwhile, the Indo-Islamic Cultural Research Centre, to be built by Uttar Pradesh Sunni Central Waqf Board in Ayodhya, would be named after freedom fighter who led the first war of Independence in the Avadh region, Maulvi Ahmadullah Shah.

The decision was taken in the IICF meeting, spokesperson of the trust, Athar Hussain said.

The research centre will have a museum, library and publications to showcase Indo-Islamic culture of shared struggle and accomplishments of Hindus and Muslims of India, he said.

Shah had led the first war of Independence in 1857 in the Avadh region.

The spokesperson said that as the Allahabad High Court has dismissed a petition filed by two Delhi-based sisters claiming ownership of the five-acre land at Dhannipur village in Ayodhya, the process to speed up the project will begin now.

source: http://www.thehindu.com / The Hindu / Home> News> National / by PTI / Ayodya, Lucknow / February 10th, 2021

Mangaluru: Beary Chamber of Commerce & Industry felicitates Covid warriors

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Mangaluru, KARNATAKA :

Mangaluru :

Beary Chamber of Commerce and Industry (BCCI) felicitated COVID-19 warriors on Wednesday, February 3 at Hotel Ocean Pearl, Mangaluru.

The felicitation program commenced with prayer offered by Ashraf Kinara Kudroli.

Chancellor of Nitte University, N Vinay Hegde said, “When society was facing turbulent times, extending a helping hand to those in need is commendable. I have never witnessed such unprecedented times in the last 81 years of my life. People have been philanthropists on several occasions, but being one during the pandemic is a different thing altogether.”

Chairman Sri Devi Education Trust Sadananda Shetty said, “I congratulate the Beary Chamber of Commerce and Industry for felicitating COVID warriors who worked hard, faced all the difficulties, and risked their lives during the pandemic.”

President Beary Chamber of Commerce and Industry, S M Rasheed said, “The year 2020 was a tough year for all of us, as one of our active founder members lost his life due to coronavirus.”

Image result for images Mangaluru: Beary Chamber of Commerce & Industry felicitates Covid warriors

As many as 11 COVID warriors were felicitated in the event namely: Abdul Rehman Goodinabali, Ziyauddin Ahmed, Abdul Rauf Putthige, Dr Farhan Fazal, Dr Tajuddin K, KM Asif, Abubakar Siddique, Mohammed Ilyas Bajpe, Ashraf Kinara Kudroli, Abdul Azeez and Mohammed Ashraf Kandak.

President Beary Chamber of Commerce and Industry S M Rasheed welcomed the gathering, treasurer Mansoor Ahmed proposed the vote of thanks and Abdul Razzaq compered the event.

source: http://www.daijiworld.com / DaijiWorld.com / Home> Top Stories / February 03rd, 2021

Mangalore University proposes to introduce courses in Beary art forms

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Mangaluru, KARNATAKA :

Mangalore University. Credit: DH File Photo

The university has issued a notification on January 28 constituting a committee for drafting the curriculum and regulations.

The university has issued a notification on January 28 constituting a committee for drafting the curriculum and regulations to introduce the courses in Beary art forms. The committee is headed by Prof Uday Barkur, Dean of Faculty of Arts at Mangalore University.

Karnataka Beary Sahithya Academy Chairman Rahim Ucchil said that the Academy had written to the university to introduce courses in Beary art forms like ‘Duff’, ‘Burda’, ‘Mehandi’, ‘Oppana’, and ‘Kolkali’ on September 16, 2020. The university has accepted the request and constituted a committee the draft the regulations. The introduction of the courses will help in saving the art forms and promoting it, he added.

Beary is an ethnic Muslim community, mainly concentrated in coastal Karnataka, and has its own language and culture.

The committee constituted by the university comprises organisers of Beary programmes Bashir Baikampady and Ahmed Bava Moideen, teachers Abdul Razak Ananthady, Haidarali, language expert S B Darimi, writers K M Siddique Montugoli and Mariyam Ismail, ‘Duff’ teacher Noor Mohammad, ‘Oppane’ and ‘Kolkali’ artist Rahis, artiste Zulfikar Ahmad, member coordinator Aboobakkar Siddique, Academy President Rahim Uchil said.

The courses in art forms will help in warding off the feeling of inferiority among a few people on the art forms. If it is introduced as a course, it will help in passing on the art forms to the future generation. It may be recalled that the Academy had recently introduced Beary script and numerals. Beary script has 13 vowels, 33 consonants and nine numerals. The Academy had released a calendar with all 12 months in Beary language.

The academy intends to submit a proposal on introducing Beary language as the third optional language in schools from sixth standard onwards. The Chairman said that Beary language has a history of 1,400 years and is spoken by over 20 lakh people. 

source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by Naina J.A , DHNS / February 06th, 2021

The coming-of-age story of Rani Rudrama Devi on television

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Mumbai, MAHARAHTRA :

Producers of the Telugu TV serial ‘Rani Rudrama Devi’, Alind Srivastava and Nissar Parvez explain why period dramas need a rich storyline to go with its technical brilliance in order to connect with audiences

The legendary warrior queen Rudrama Devi of the Kakatiya dynasty was celebrated for her valour. But how many of us are aware of her formative years, her emotional journey and of her hardships as an eight-year-old girl who was brought up as a boy?

Star Maa’s new period drama Rani Rudrama Devi depicts the emotional journey of a little girl before her transition into a fearless leader.

Nissar Parvez   | Photo Credit: Special arrangement

Producers Alind Srivastava and Nissar Parvez, of Mumbai-based Peninsula Pictures, explain over phone that a team from the Star Maa channel had approached them last year with the story pitch. The duo says that there were “so many emotions” to tell about her and the other characters who aid her journey. “We realised the story is not just about the warrior queen,” Alind remarks.

Once the research team finalised the storyline (after drawing references from various books) the project got rolling in October 2020. A set was constructed at Naigaon, Mumbai.

Right ingredients

Peninsula Pictures has prior TV experience; two of their shows currently on air are Aladdin – Naam Toh Suna Hoga and Hero — Gayab Mode On, which is telecast on Sab TV, but the Telugu-language serial Rani Rudrama Devi marks their début in the vernacular space.

A set was constructed at Naigaon, Mumbai by mid-October. While the technical crew including a team of technicians, director Santosh Badal, director of photography Kunal Kadam and costume designer Niyati Pathak from their VFX studio in Mumbai give it the required grandeur and scale, the cultural nuances and Telugu flavour are enhanced by artistes, a language editor and dialogue writer from Hyderabad.

The main challenge, however, in a period drama is the familiarity. While it can serve as an advantage, with audiences able to connect to the story easily, the familiarity also brings about scrutiny. “The moral of the story has to be absolute correct. It is the same story being told, but what matters is the way it is presented,” says Nissar.

“Visual effects, colour palette, music and acting will make for a visual spectacle, but only a rich storyline will excite the audiences. The glamour, glitz and technical chutzpah of a historical drama is present but at the heart of Rani Rudrama Devi is the story of a girl. We want our presentation to make the viewers think, ‘Oh, I know the story, but never imagined it like this’,” Alind adds.

Alind Srivastava   | Photo Credit: Special arrangement

Having previously watched the Anushka Shetty-starrer Rudhramadevi (2015), which was also based on the warrior queen, the duo feels that the movie cannot be compared to their TV series.

“We didn’t emotionally connect with the film which we feel we have achieved in our series. Unlike the movie, we are trying to show how Rudrama became what she became. Also, the interpersonal equations between the characters is something to watch out for in our series,” says Alind.

Aladdin and Hero Gayab Mode on Sab TV are their two shows currently on air. With this first historical drama in Telugu, the production house has made its debut in a regional space.

Rani Rudrama Devi airs weekdays at 9pm on Star Maa.

source: http://www.thehindu.com / The Hindu / Home> Entertainment / by Neerja Murthy / Hyderabad – February 03rd, 2021

Indian woman who won Dhs15 million in Big Ticket raffle, says she bought the ticket for the first time

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KERALA / Doha, QATAR :

Thasleena Puthiya Purayil with her husband and children.

Indian expat based in Qatar Thasleena Puthiya Purayil has hit the Dhs15 million Big Ticket jackpot in Abu Dhabi on Wednesday.

Thasleena who lives in Doha bought the winning ticket online.

Thasleena, who hails from Kerala, took home the mega prize amid pandemic.

Big Ticket Abu Dhabi wrote on Facebook, “Congratulations to Thasleena Puthiya Purayil, from India, with winning ticket no. 291310. She won Dhs15 Million in The Fantastic 15 Million series 224.”

Thasleena told Big Ticket officials that she brought the ticket for the first time.

In Qatar, Thasleena and her husband Abdul Gaddaf run a chain of restaurant and their business is doing quite well.

The happy couple has 3 children, a son who is studying in a University in Dubai, daughter and an infant.

Big Ticket also wrote, “Congratulations to Wilma Danthi with Ticket No. 001517 from India for winning the Dream Car Range Rover series 1!”


Apart from Thasleena, 7 other Indians won prize money between Dhs350,000 to Dhs20,000 in the raffle draw.

The Big Ticket, the longest-running and biggest raffle draw in the UAE is hosted at Abu Dhabi International Airport, Al Ain Airport and online at www.bigticket.ae

The raffle draw said, “What started out with a Million Dirham cash prize, gradually grew over the years and now on Big Ticket’s 29th year, we’re giving away grand prize’s of up to 20 Million Dirham.”

The raffle draw guarantees cash prizes vary from month to month with Big Ticket giving away a minimum of 10million dirham up to our biggest jackpot of 20 million.

source: http:///www.gulftoday.ae / Gulf Today / Home> News / by Gulf Today, Staff Reporter / February 06th, 2021


Gauahar Khan wedding LIVE UPDATES: Gauahar and Zaid look stunning at their reception

Arts, Culture & Entertainment, , ,

Mumbai, MAHARASHTRA :

Gauahar Khan and Zaid Darbar’s wedding will be an intimate affair attended by family and close friends.

Gauahar Khan and Zaid Darbar at their wedding reception. (Photo: PR Handout)

Actor Gauahar Khan is set to marry choreographer Zaid Darbar today. The couple hosted their chiksa and mehendi ceremonies earlier this week. Sharing pictures of her mehendi, Gauahar wrote, “Writing our love story on each other’s hearts forever with the blessings of our family and friends and above all Allah. ❤”

Announcing her wedding on Instagram, the actor had written, “The year 2020 has been anything but ordinary and our love story through it all has been nothing short of extraordinary! It gives us immense joy to announce that we are tying the knot and embarking on a journey of forever. Keeping the current scenario in mind, we will be celebrating the big day with our family in an intimate ceremony. We seek your blessings & love & are eternally grateful for the constant support & the outpour of warm wishes we have received. We hope for every soul to find its mate and pray for every heart to find it’s reason to beat. All our love, Gauahar and Zaid.”

Gauahar Khan had previously shared an animated video on Instagram, which detailed her love story with Zaid Dabar. She shared with her followers that the two bumped into each other during the lockdown as they shopped for groceries and hit it off instantly. They started texting and their dates comprised of long drives and Zoom calls.

source: http://www.indianexpress.com / The Indian Express / Home> Entertainment> Television / by Arushi Jain, Kriti Sonali and Sana Farzeen – New Delhi / December 25th, 2020