Tag Archives: Allama Iqbal

The book ‘Aankh Aur Urdu Shayeri’: A poetic eye on ‘aankh’

Aligarh, UTTAR PRADESH :

UrduBookMPOs11mar2019

An anthology of Urdu verses and proverbs, all on eyes, was launched recently

Eyes are a mirror of the soul, it is said. Some eyes are sly and roguish, some serene and shining, a few, seductive and mysterious. Prod Dr Abdul Moiz Shams and he reels out details about a variety of eyes and their intrinsic worth. He should know considering he is an ophthalmologist by profession, but then Dr Shams also has a keen eye for Urdu  poetry.

DrAbdulMoizMPOs11mar2019

During his long service as an ophthalmologist, he has looked into innumerable defective eyes holding a little flashlight. While restoring vision, he has also looked beyond, into the soul. And what he has come up with is a book titled Aankh Aur Urdu Shayeri.

Inki aankhen ye keh rahi hain Faraz

Ham pe tasneef ek kitab karo

(Her eyes tell Faraz

Write a book on us)

Dr Shams has compiled a 389-page book containing couplets of different shades and emotions on eyes. It’s a treasure trove for connoisseurs of poetry. From Mirza Ghalib, Allama Iqbal to Meer, Sauda, Shaad, Faiz, Majaz, Jigar Muradabadi, Ali Sardar Jafery, Parveen Shakir — a whole lot of Urdu poets and their verses on aankh have been listed.

The book is divided into three parts — the first one contains couplets beginning with aankh, the second one has verses which are allegorical in nature and the third part has proverbs containing the word aankh, listed topic-wise. The book is a ready reckoner of sorts, on eyes. This is perhaps the only book of its kind where all the pages are full of verses on one body part.

Right from his student days Dr Shams had a love for poetry and when he became an eye specialist, his passion took a different turn. He started focussing on poetry of eyes. It’s no wonder that he has four other books to his credit: Hamari Aankhen, Jism-o-Jan, Jism-Be-Jan and Aab-e-Hayat.

“The eye is the jewel of the body. Its function is not just to see but to look beyond and sense colour, form, light and movement. That’s why I started collecting couplets on eyes,” says Aligarh-based Dr Shams who released his book in Hyderabad.

The insightful couplets are real eye-openers. Sample this couplet of Parveen Shakir.

Aankh ko yaad hai wo pal ab bhi

Neend jab pehle pehal tuti thi

Full-length ghazals of Ali Sardar Jafery, Khaisar Siddiqi, Hasrat Mohani and Basheer Badr, all on eyes, make for delightful reading.

Gulab aankhen, sharaab aankhen

Yehi to hain lajawab aankhen

Aankhen uthen to dard ke chashme ubal pade

Palken juhken to payar ka badal baras gaya

One can get an eyeful of couplets in this book which was released at the recent two-day National Urdu Science Congress at the Maulana Azad National Urdu University. “There is no dichotomy between science and literature. In fact they complement each other,” says Dr Abid Moiz, who is also a good humour writer.

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Book / by J S Ifthekhar / March 06th, 2019

Celebrating Urdu

Hyderabad, TELANGANA :
A student posing as Mirza Ghalib
A student posing as Mirza Ghalib

It was an expo with a difference. No, it was not an art, fashion or product fair. It was all about language, something unheard of till then. The city of domes and minarets was witness to a unique celebration of Urdu. And it took school children to bring out the sweetness and magical lyricism of the Urdu language.

Titled after Daagh Dehlvi’s famous couplet ‘Urdu hai jiska naam …’, the exhibition hosted by students and teachers of Central Public High School, Khilwath, recently at the Mehboob Husain Jigar hall in Siasat daily was a runaway success. Students of different schools in the city and lovers of Urdu flocked the show necessitating extension of the expo.

Language is the road map of a culture. It tells you where its people come from and where they are headed. The expo did just that.

It not only traced the history of Urdu but gave visitors something to remember long after they left the premises. Some of the finest Urdu couplets and ‘nazms’ were on display.

What added to the appeal was the way students donned the attire and looks of the famous poets of yore. One could see the poet of East, Allama Iqbal, reclining in his trademark black suit and Mirza Ghalib with his typical cone cap and snowy beard, holding a hookah. There was also Wali Deccani, Mohd Quli Qutb Shah, Mir Taqi Mir, Hazrath Amir Khusro besides writers like Ibne Safi, Premchander.

Students waxed eloquent about the works of the poets apart from reciting their verses. Presentation of ‘Shikwa’ and ‘Jawab-e-Shikwa’, the epic poems of Allama Iqbal by students was the high point of the expo.

“We decided to present the language in all its glory as these days everyone is talking about the decline of Urdu,” said Mohd Zafarullah Faheem, Director, Central Public High School.

The limits of one’s language are the limits of one’s world. But there was no limit to the poetical appeal of the expo. Wherever one glanced one was greeted by ‘shayeri’.

Talk to a man in a language he understands, that goes to this head. And if you talk to him in his language, that goes to his heart. That’s what the Urdu expo did — it went straight to the heart.

source: http://ww.thehindu.com / The Hindu / Home> Features> MetroPlus / by J.S.Ifthekhar / Hyderabad – November 26th, 2015

Life and times of Iqbal

A scene from Sir Iqbal.
A scene from Sir Iqbal.

M. Sayeed Alam’s “Sir Iqbal” will be staged in the Capital this Sunday

The most sung poet and perhaps the most sung song in India “Saare Jahan Se Accha” written by Allama Muhammad Iqbal is all set to ignite the imagination of theatre lovers in Delhi. Playwright and directors, M. Sayeed Alam and Danish Iqbal’s spring time production ‘Sir Iqbal’ is a biographical work on the life, times and scholarship of Allama Iqbal who continues to be misunderstood in India but is celebrated in Pakistan as the man who came up with the idea of a separate nation for Muslims.

“Iqbal’s love for India which clearly comes through in the poem ‘Saare Jahan Se Accha’ and yet his choice of living in Islamic Pakistan over a secular India is in itself a study in contrast, a paradox that has pushed him far away from public memory in India. Iqbal died in 1938 much before the idea of Pakistan even took shape. Doctored history, misapprehensions about Allama being a fanatical Muslim who chose to live in a Muslim dominated undivided India needs to be closely looked into. My play is an effort to demystify Iqbal and clear some perceptions about the great poet, philosopher and politician and above all a humanist who has given India its most enduring patriotic poem yet remains forgotten in the country,” said Alam in the midst of rehearsals for the play which opens to public on March 20 at Sri Ram Centre.

“From what I have read about Iqbal’s political philosophy, he never demanded a separate home for Muslims outside India. Iqbal’s formulations somehow suited the supporters of Pakistan and they hailed him as the ideological father of the country – something that many Indians came to detest and therefore Iqbal remains forgotten whereas his poem as a song is sung everyday in schools all over the country. Our play brings out this dichotomy,” said Alam.

“Sir Iqbal” had first premiered in Kolkata in November last year to much critical acclaim. The one and half hour play with a 15-member cast will see Alam himself essay the role of Iqbal. The play is centred around the poet and philosopher’s life. In the play, Iqbal’s story is narrated by his trusted servant Ali Baksh who enjoyed Iqbal’s confidence and had witnessed many events in his life. Set in British India in the backdrop of the first half of the 20th Century, ‘Sir Iqbal’ will mirror the socio-political churnings during Allama’s times till his death in 1938 in undivided India. The play will perhaps set some records straight and clear many perceptions about Iqbal, who for many Indians still remains an enigma.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Anasuya Basu / March 18th, 2016