Oscar-winning sound designer Resul Pookutty of Slumdog Millionaire fame says musical elements define his idea of space and time.
He wanted to be a physicist and win the Nobel Prize. Instead, he became a sound designer and won an Oscar. “Not a mean achievement for a boy who walked miles to school in Kerala and studied under a kerosene lamp. Maybe superconductivity was not really for me,” says the 43-year-old Resul Pookutty, who along with Richard Pryke and Ian Tapp, won the Academy Award for Best Sound Mixing for Slumdog Millionaire in 2009.
Pookutty, who has co-produced and designed sound for the Hindi film, Nanak Shah Fakir, based on the life of Guru Nanak Dev, insists that the experience of working for the movie was nothing short of spiritual. “Before signing, I saw 40 minutes of the footage and was spellbound. It was sheer visual poetry. Nothing like that has ever been attempted in mainstream cinema before. When I met the director, Harwinder Sikka, a man who had no experience in the film industry but was guided by a dream to make this film, I instantly decided to become a part of his journey,” says the sound designer, who received the Padma Shri honour in 2010.
Pookutty, who shot to fame after designing the sound for Sanjay Leela Bhansali’s Black, says little or no importance is given to sound designing in India. “We are a 5000-year-old civilisation. As a culture, we have transferred knowledge through memory and not just the written texts. Sound was knowledge. Is it not surprising that we still underestimate the power and magic of sound,” says Pookutty. He recorded the sound of vacuum and Shimla’s ambient sounds in a shankh, then extracted out living elements to produce what you heard in Black.
A Film and Television Institute of India (FTII), Pune graduate, who failed the interview round the first time he appeared for it, Pookutty believes that formal training in arts is indispensable to broaden an artiste’s horizons. “You become organised. Then begins the process of personal reinvention influenced by exposure to works of masters and thought processes of fellow students. One is taught the history of the art form, which not only helps in the understanding of the art’s evolution but also, aids your own,” he says. Looking 14 years back, when the industry did not use even good microphones, Pookutty, who has been making a ‘sound library’ for more than a decade now, says, “I could have settled and worked in the anywhere in Europe, but the whole metaphor of my art is right here and I have always striven to make sound as realistic as possible, and also showcase that at times silence can be most deafening.”
Attributing his success to wife Shadia, who, he says, keeps him sane and has always allowed him to follow his dreams, the sound designer, who suggested A.R. Rahman’s name to director Danny Boyle for Slumdog Millionaire, is always open to working in the regional industry including Punjabi. “I don’t see the script in terms of the language but the magic it is capable of producing. I was supposed to work on the 3-D Punjabi animation film Chaar Sahibzaade but could not because of time constraints. Give me something that will completely bowl me over, and I am in,” he says.
source: http://www.indiatoday.intoday.in / IndiaToday.in / Home> News> Archive> Supplements> Simply Punjabi / / by Sukunt Deepak – May 01st, 2015 / May 11th, 2015