Category Archives: Amazing Feats

Who is Leena Rafeeq? An 11-year-old Prodigy Girl from Kerala creates AI App for Eye Disease Detection

KERALA / Dubai, UAE:

Just an 11-year-old girl astonishes the world with her extraordinary development skills. She recently created an AI Application that uses advanced models to determine eye diseases or serious conditions such as Melanoma, Cataracts, etc. Read below about this creative Kerala-origin girl.

An app that finds eye diseases is launched by an 11-year-old.

An 11-year-old Dubai-based girl called Leena Rafeeq has designed a modernistic application integrated with Artificial Intelligence (AI). This young girl from Kerala proclaimed that this smart app can locate common eye disorders and symptoms. Moreover, this can be determined through a unique scanning method built into the app and only the iPhone supports this advanced model so far. 

iPhone users will be able to check their eye-related problems and conditions with 70 per cent accuracy. The intelligent app that has been going viral for a couple of days has been named ‘Ogler EyeScan’ by Ms Leena Rafeeq. She was just 10 when she built it and now after so much research at the age of 11, she exuberantly launched it. 

Self-taught Techie

On a social media platform called LinkedIn, she vividly presented the model. She further expounded the workings of her self-made in an online video that she posted online after which several viewers are impressed with her knowledge and skill set. 

She asserted that this AI-based application has the capability to evaluate various parameters. The specifications include light and colour intensity, distance and look-up points in order to track down the eyes. 

It scans the human eyes within the available range of the frame and this is possible through the “advanced computer vision and machine learning” used in this model’s design. 

Features of ‘Ogler EyeScan App’

Leena Rafeeq explains her exceptional achievement and said that the Ogler EyeScan App can also identify any light burst issues. Additionally, this app will first check the eye positioning inside the scanner frame and after that through advanced technological scanning procedures, it can identify some of the common eye problems. 

Built with Machine Learning Algorithms and Computer Vision Systems, eye conditions like Arcus, Melanoma, Pterygium and Cataracts can be checked however 70% accurate results have been recognized till now. 

How AI App is developed?

Ms Rafeeq told that this smart technology app was developed natively with high-level programming developer ‘SwiftUI’ without the involvement of any third-party libraries or packages. She also reveals that she dedicated herself for almost six months to conducting research and development to come up with this initiative. 

Along with this, she continued her learning about different eye conditions, computer vision, algorithms, machine learning models and other advanced levels of Apple iOS development which involves sensors data, AR, CreateML, CoreML and many such tools.

It is notable that the Ogler EyeScan is supported solely in iPhone 10 or Apple phones with iOS above 16. The app is under review on the App Store and this young girl hopes that her model gets listed soon.

Appraisal of her Project

This young Kerala girl leaves many flabbergasted by the invention of such a little girl. People congratulated her as she attains this level at this age. A user commented that this is a pretty good example of how AI can be effectively used in the health sector.

Another goes on to say that this is such an amazing creation and wished her good luck with her future endeavours. They all wished her positive reviews on her app. Ms Rafeeq responded that the model accuracy is “almost 70 per cent”. 

However, she is handling some difficulties with the presence of glare and burst from lights caused by the distance required for capturing scans through the phone device. She has implemented metrics and detection for light-related issues so that the users will be able to re-scan. Her current focus is on training more elegant models. As soon as Ogler is accepted by the Appstore, she will be releasing an update in the software.

source: http://www.jagranjosh.com / Jagran Josh / Home> Current Affairs> Science – Technology Current Affairs / (headline edited) April 2023

The Freedom Fighter and Labour Leader Abdul Bari Still Beloved in Jamshedpur

Shahbad District / Patna, BIHAR :

This May Day, remembering Abdul Bari.

Abdul Bari.

Abdul Bari is not a name that many Indians remember, but Munawwar, a committee member of the Tata Motor Workers’ Union in Jamshedpur, Jharkhand, holds the name in high esteem.

“I don’t see a leader like Abdul Bari [coming up] in the near future,” he said. “It is because of his efforts that we still get high tea at just six paisa.”

“Once, Bari went to the Tatas and he was offered tea. He asked them to first offer it to the workers, and then made an agreement which is still benefitting us. Upmaaloo chaapsamosa all for six paisa in the company’s canteens.”

Asked how they pay six paisa when currency that small no longer exists, he says, “We get token of Rs 2 or more and keep using it for weeks.”

Munawwar visits Bari’s grave every year on March 28, the death anniversary of the pre-independence labour leader, to offer flowers. This duty, he says, was assigned to him by the Tatas.

Thinking of labour in the days of capital

Despite the large numbers of workers who struggle to earn a square meal a day, major political parties remain hostile towards them. In the 55-page Congress manifesto, the words ‘worker’ or ‘workers’ appear 15 times; in the BJP’s 45-page manifesto, the words appears only five times – four while referring to Asha and anganwadi workers. ‘Labour’ figures 21 times in the Congress manifesto, and only twice in the BJP’s.

The Congress does talk about ending the workers’ exploitation and improving working conditions. The party’s manifesto details new schemes and promises to implement old ones related to organised, unorganised and contractual labour. But it is anyone’s guess how schemes that have been on hold for so long will suddenly spring to life.

Dilip Simeon, a founding member of the Association of Indian Labour Historians and former professor of history at Ramjas College, says that nobody talks about labour now because “in today’s context, the labour movement is influenced by communal sentiments”.

“If labour is with the BMS [Bharatiya Mazdoor Sangh] and Shiv Sena, then this is the weakness of the movement; if the labour movement wants to regain its power, then it has to face this challenge.”

Before independence, Simeon says, regardless of community, “leaders came together to advance the struggle of workers in India. Abdul Bari, Maneck Homi and Hazara Singh were their leaders. A Muslim, a Parsi and a Sikh could all be leaders of a workers’ movement.”

“Abdul Bari was so trusted that workers would start their protest first and then ask –what’s our demand?”

Bari was born in 1882, in Bihar’s Shahabad district. He was a student at Patna University in 1919 and was later appointed as a professor of history there, before he started studying law.

He quit to join the Khilafat movement, and actively participated in Gandhi’s civil disobedience movement and salt satyagraha. Bari did not restrict himself to the cause of one social group; he supported several political parties, including the Socialist Party and Swaraj Party, in parallel with the Congress. In addition, he was the voice of the labour movement in India and president of the Jamshedpur Tata Workers’ Union.

What Gandhi said about Bari

The journalist Afroz Alam Sahil has written a book on Abdul Bari, Professor Abdul Bari: Azaadi ki Ladaai Ka Ek Krantikaari Yodhha (Professor Abdul Bari: A Revolutionary Warrior of the Freedom Struggle). The author reveals several stories which won’t be found Indian history books. One such story is around Bari’s mysterious murder, and Gandhi’s reaction to it.

According to a report published by the Times of India on March 31, 1947, Bari was shot dead in the evening of March 28 while on his way home from Khushrupur, 24 miles from Patna. He was then the president of the Bihar Provincial Congress Committee. Following his death, a complete strike was observed, and Tata closed all its plants except essential ones.

Gandhi, in a speech on March 29, 1947, mentioned that he was struck by Bari’s simplicity and honesty. Gandhi added that he was planning to be more closely associated with Bari, and make an appeal to keep his short temper in check as it was not befitting of the highest office in Bihar. Gandhi referred to Bari in the same speech as “a very brave man with the heart of a fakir”. He declared that Bari’s death was the result of an altercation that had ensued between Bari and one Gurkha member of the anti-smuggling force, who was a former member of the Indian National Army.

The author mentions in this book that Bihar’s first Prime Minister (Premium) Barrister Muhammad Yunus had disclosed in an interview to the Orient Press of India that Bari had threatened to disclose the names of some prominent Congress leaders who were involved in the Bihar carnage – just three days before he was killed.

Yunus also said that Gandhi’s statement was given in haste. In his speech, Gandhi had told the audience that there was no politics of any kind in the death, and that it would be unjustified to associate the whole Indian National Army with Bari’s killing just because of one man’s actions.

In another incident discussed in the book, Gandhi arrives at Fatuaha station near Patna in the early morning of March 5, 1947. He travelled from Calcutta to Patna. Bari, chief minister Srikrishna Sinha and others welcomed him on the platform. As soon as Gandhi saw Bari, he laughed and said, “How is it that you are still alive?”

“This book is an attempt at bringing back his identity not just as a leader of the labour movement but a prominent leader of the freedom struggle of India,” the author says. “Professor Bari was one of the biggest leaders of the labour struggle in India. But limiting his role to even that would be unjust, because he was present in every chapter of the independence movement….The speciality of Abdul Bari is that he questioned his own party Congress when it came to the rights of workers.”

In a speech, Bari said, “We are in Congress to serve the poor of this country not to respect Gandhi, Rajendra Babu and Shri Krishna Babu…Lakhs of Indians who walk with them are not there to make them kings but to achieve freedom for this country.”

According to Sahil, “He criticised Gandhi and Rajendra Prasad many times because he was wholeheartedly committed to this struggle. He wanted to organise an all India conference for workers. He had formed the All India Mazdoor Sevak Sangh. He mentioned this in a letter written by him to Sardar Vallabh Bhai Patel on 22 June 1946.”

Why commemorate leaders like Bari today? Sahil has the answer. “Today when Muslim youth talk about Muslim representation, they must read more about Bari, the symbol of Hindu-Muslim unity, in order to understand their own political history and determine how it influences their future.”

Afshan Khan is a Delhi-based freelance journalist.

source: http://www.thewire.in / The Wire / Home> Analysis> Labour / by Afshan Syed (headline edited) / May 01st, 2019

Karnataka 2nd PU result 2023: Commerce Topper Ananya K.A scores 600/600 & Arts Topper Tabassum Sheikh scores 593/600.

Bengaluru, KARNATAKA:

The results of the 2nd PU exams in Karnataka were announced on April 21.

Tabassum Sheikh, 2nd year PU arts topper with her parents Abdul Khaum Sheikh and Parveen Modi, after the results of 2nd PU exams in Karnataka were announced, in Bengaluru on April 21, 2023. Tabassum is a student of NMKRV PU College for Women, Jayanagar. | Photo Credit: Murali Kumar K

The results of the 2nd PU exams in Karnataka were announced on April 21 by Ritish Kumar Singh, Principal Secretary in the Department of School Education and Literacy, and Ramachandran, Chairman of Karnataka School Examination and Assessment Board.

M. Mohan Alva, chairman, Alva’s Education Foundation, Moodbidri offering sweets to Ananya K.A., who topped the commerce stream in the second PU exams in Karnataka. The results were announced on April 21, 2023.

Ananya K.A. , commerce student, Alva’s PU college, Moodabidri is the topper in Karnataka scoring 600 marks out of 600. She hails from Kushalnagar in Kodagu district. She joined Alva’s PU College under the institution’s scholarship scheme

In the arts steam, Tabassum Sheikh, NMKRV PU College, Bengaluru is the topper with 593/600 marks.

S.M. Koushik from Gangothri PU college, Srinivaspura, Kolar district, and Surabhi S. from R.V. PU college, NMKRV campus, Bengaluru are the toppers in the science stream with 596 marks for 600.

How PU students performed as compared to last year

At 74.67%, the pass percentage in the II PU exams shot up by 12% from the previous year.

Of the 7,02,067 students who appeared for the exams, 5,24,209 have cleared them. A total of 4,79,746 (78.97%) regular students, 33,833 (48.42%) repeaters and 10,630 (43.02%) private candidates passed.

The pass percentage in the arts stream (1,34,876 students) was 61.22%, in commerce (1,82,246 students) was 75.89%, and in science (2,07,087 students) was 85.71%.

This year too, the pass percentage of girls is higher than boys — 2,82,602 girls (80.25%) passed against 2,41,607 (69.05%) boys. The performance of rural students was better than those in the urban areas — 1,19,860 (74.79%) rural students passed against 4,04,349 (74.63%) urban.

A total of 1,09,509 students got distinction (above 85%), 2,47,315 students got first class (60% to 85%), 90,014 students got second class (50% to 60%) and 77,371 students secured more than the minimum marks to pass (35% to 50%).

source: http://www.thehindu.com / The Hindu / Home> News> India> Karnataka / by The Hindu Bureau (headline edited) / April 21st, 2023

List of II PU toppers in Yadgir district released

Yadgir, KARNATAKA:

As the results of II PU were announced, the department has released the list of students who became the toppers in the district.

In arts stream, Hanumanth, Swami Vivekananda PU College in Gurmitkal, secured 577 marks with 96.17%, Maheboob Shaikh Sahir from commerce stream, who is studying in Don Bosco PU College Yadgir, secured 560 marks with 93.33%, while Prajna B.M. from science stream, who is studying in Sairam PU College Shahapur, has secured 588 marks with 98%.

The other toppers in arts stream are: Amaresh secured 575 marks (95.83%), Chaitanya 575 marks (95.83%), Arunkumar 569 marks (94.83%), and Nagamma 569 marks (94.83%).

In commerce stream: Ishwarya secured 547 marks (91.16%) and Nagaraj secured 546 marks (91%).

In science stream: Abhishek secured 588 marks (98%), Savitri 580 marks (96.66%), Akash 580 marks (96.66%), Shruti secured 580 (96.66%), and Surendra secured 577 marks (96.16%), respectively.

source: http://www.thehindu.com / The Hindu / Home> News> India> Karnataka / by The Hindu Bureau / April 22nd, 2023

Syed Abdul Rahim’s role in golden era of Indian football immortalized in biopic Maidaan

Hyderabad , ANDHRA PRADESH / TELANGANA :

Syed Abdul Rahim and Ajay Devgn in the poster of Maidaan
Syed Abdul Rahim and Ajay Devgn in the poster of Maidaan

In an era of Indians recognizing their unsung heroes and reviving their memories, a biopic on Syed Abdul Rahim, India’s most successful football coach, is all set to be released on June 23.

The teaser of the film Maidaan featuring Ajay Devgn as the legendary coach of the Indian national football team was released by Zee Films recently. It has already crossed 35 million views of YouTube in five days.

Under Syed Abdul Rahim’s guidance, the Indian team was rated as one of the most powerful teams in the sport, and the period – 1952-1962 turned out to be the golden period of Indian football.

The teaser opens with the resounding music of A R Rahman and the powerful image of the Indians playing Yugoslavia (a country now spilt into Bosnia and Herzegovina, Croatia, Macedonia, Montenegro, and Serbia) in heavy rain.

It seems the bare-footed Indians lost the match against Yugoslavia as Rahim (Ajay Devgn) is shown in tears in the teaser. The film is produced by Bonny Kapoor.

According to reports, from his early days, this Hyderabad-born Rahim spotted talented boys on the football fields of Hyderabad and trained them to cobble up an Indian team.

With him as the coach of the national team, India finished fourth in the Melbourne Olympics and won the gold medal in the Asian Games of 1962 beating Japan and Korea.

Although Rahim is credited for ushering in the Golden Era of Indian football, he passed away unsung. He was never conferred with any award and many say he was too focused on coaching and never mingled with leaders or influencers to get noticed by them.

Maidaan’s teaser is a 90-second clip that tells the story of a fight against the odds by Rahim and his Indian team. The trailer opens with monochrome shots from the 1952 Summer Olympics held in Helsinki (Finland). India fared badly on that occasion and lost 10-1 to Yugoslavia in the preliminary round.

The resounding defeat did not discourage Rahim; instead, it brought out his fighting spirit.

He studied the training methods used by the European teams. Rahim studied their training and tactics and then modified the same to suit Indian conditions. He realized that Indian players had less physical stamina and there was no point copying the European methodology.

Rahim adapted the European ways to suit the Indians and it worked wonders. It must have taken Rahim’s meticulous planning and precision in training the Indians that helped the team perform great in the next Olympic Games in 1956 when India defeated Australia

On 1st December 1956, India stunned the world with the team’s excellent performance and defeating host Australia 4-2. Ace striker Neville D’Souza scored a hat trick and Krishnaswamy scored one goal.

This match is an abiding memory of the glorious era of Indian football.

Today, Indian football fans are disappointed to see Australia plays in the final phase of the FIFA World Cup while India has dropped to the bottom. Indian team employs expensive foreign coaches and support staff but the results are not commensurate with the efforts and expenses.

Sources said the filmmakers had consulted the Football legend’s son S.S. Hakim who died in 2021. Hakim was an Air Force officer who had played in the Olympics and was a highly qualified coach and referee too.

In the film, Ajay Devgn speaks the Hyderabadi (Deccani) version of Urdu. After many delays due to the pandemic and other reasons, the film is scheduled for a theatrical release on 23rd June 2023.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by ATV, posted by Aasha Khosa / April 15th, 2023

Jigar Moradabadi: The Last Standard Bearer of Classical Ghazal

Moradabad / Gond, UTTAR PRADESH:

Guru Dutt’s masterpiece ‘Pyaasa’ (1957), just before its soulful dirge on relationships, shows two poets reciting ‘shers’.

The elder one later also politely reprimands a guest for his snide remark at the “servant” (Dutt), who had begun humming “Jaane woh kaise log the..”, declaring: “Mian, shayri koi daulat-mando ke jagir thodi hai”. Though unnamed, his appearance, sher, and comment were enough to identify him.

Urdu Poetry and Social Reach

The unnamed actor was representing Ali Sikandar ‘Jigar Moradabadi’, who, in his heyday, was so known by his persona – an intense gaze but an air of absent-mindedness too, groomed beard but slightly unkempt long hair, traditional garb and courtly behaviour, as well as poetry, that he could be shown without being named.

‘Jigar’ is seen as the last standard-bearer of the classical ghazal, or the ghazal’s classical tradition, but was rather a ‘bridge’, between its highpoint in the mid-19th century and its transition to the 20th century and beyond.

He was also a connecting link between Urdu poetry and its widening social reach as the dialogue the character utters shows – and is followed by him encouraging Dutt to continue:

“Tum kuch keh rahe the, barkhurdar. Chup kyun ho gaye. Kaho, kaho..”

Jigar Moradabadi – Real Life

This was true in real life too – a young Jigar took instruction from Nawab Mirza Khan ‘Dagh Dehlvi’ – who had participated in mushairas with Ghalib and Zauq – and himself later, mentored poets like Asrar-ul-Hasan Khan ‘Majrooh Sultanpuri’, Jan Nisar Akhtar, and others.

And then like many contemporaries, he did not write for films, yet his work willy-nilly figured in them. While “Kaam aakhir jazba-e-beikhtiyar aa hi gaya/Dil kuch is surat se tadpa unko pyaar aa hi gaya” was used in ‘Pyaasa’, in ‘Daag’ (1952), the Hasrat Jaipuri-written “Ham dard ke maaron ka, itna hi fasana hai/Peene ko sharaab-e-gam, dil gam ka nishana hai” seemed inspired by his “Ham ishq ke maaron ka itna hi fasana hai/Rone ko nahi koi hasne ko zamana hai”.

Then, ‘Be-Raham’ (1980) used this sher – along with most of its ghazal which begins: “Ik lafz-e-mohabbat ka adna yeh fasana hai/Simte to dil-e-aashiq phaile to zamaana hai”. Another master sher in this is “Yeh ishq nahi aasan itna hi samajh lijiye/Ek aag ka darya hai aur dub ke jaana hai.”

Before that, Shyam Benegal’s ‘Junoon’ (1979), the 1857 drama starring Shashi Kapoor, used his ghazal, “Ishq ne todi sar par qayamat.”

How Jigar’s Prime Couplets became popular in films?

But, the prime example was how the prime couplet of ‘Jigar’ became most known to film buffs after actor Raj Kumar made it a dialogue, delivered in his bombastic, drawling style: “Ham ko mita sake yeh zamaane mein dam nahi/Ham se zamana khud hai zamaane se ham nahi.”

Born in April 1890 in Moradabad, ‘Jigar’ was the son of Syed Ali Nazar, who worked in the Law Department and was inclined to poetry too, being a disciple of Khwaja ‘Wazir Lakhnavi’.

After elementary education, including in English, he worked as a salesman for a local spectacles dealer. Later, he turned to poetry full-time, settling in the town of Gonda, where he found in noted poet Asghar Hussain ‘Asghar Gondvi’ a mentor of sorts. He was a familiar face in mushairas all over the country till the mid-1950s, when he began slightly distancing himself from shayri, ahead of his death in September 1960.

‘Jigar’, as mentioned, was a paladin of the classical tradition, and as such, his shayri usually dwelt on love and other facets of the human condition. As he said:

“Un ka jo farz hai vo ahl-e-siyasat jaane/Mera paigham hai mohabbat jahan tak pahunche.”

Yet, while he used the usual tropes associated with the topic, he imparted his own stamp on them with his own stylistic variations.

One of these was paradox. Take:

“Atish-e-ishq woh jahannum hai/Jis mein firdaus ke nazaare hai”, or “Kamaal-e-tishnagi hi se bujha lete hai pyaas apni/Isi tapte huye sahra ko ham darya samajhte hai”, or even “Mohabbat mein yeh kya maqam aa rahe hai/Ki manzil pe hai aur chale jaa rahe hai” and “Usi ko kehte hai jannat usi ko dozakh bhi/Woh zindagi jo haseenon ke darmiya guzre”.

“Abad agar dil na ho to barbad kijiye/Gulshan na ban sake to bayaban banaiye” is another example.

Then, ‘Jigar’ frequently resorted to some deft wordplay and situations: “Tere jamaal ki tasveer khinch doon lekin/Zabaan mein aankh nahi aankh mein zabaan nahi”, “Suna hai hashr mein aankh use be-parda dekhegi/Mujhe dar hai na tauheen-e-jamal-e-yaar ho jaaye”, and “Aghaaz-e-mohabbat ka anjaam bas itna hai/Jab dil mein tamanna thi ab dil hi tamanna hai.”

Vivid imagery was another strength: “Baithe huye raqeeb hai dilbar ke aas-paas/Kaaton ka hai hujum gul-e-tar ke aas-paas” and “Har taraf chaa gaye paigham-e-mohabbat ban kar/Mujh se achhi rahi qismat mere afsanon ki.”

And ‘Jigar’ could use rhetorical devices, like repetition to good effect, as in: “Dil hai kadmon par kisi ke sar jhuka ho ya na ho/Bandagi to apni fitrat hai Khuda ho ya na ho”, “Kabhi un mad-bhari aankho se piya tha ik jaam/Aaj tak hosh nahi, hosh nahi, hosh nai” and sometimes, alliteration: “Hai re majbooriyan mahroomiyan nakaamiyan/Ishq aakhi ishq hai tum kya karo ham kya karen.”

At other times, he could be engagingly simple: “Garche ahl-e-sharab hain ham log/Yeh na samjho kharab hain ham log”, or “Pehle sharab zeesht thi ab zeesht hai sharab/Koi pila raha hai piye ja raha hoon main.”

And a philosophical outlook can always be discerned. It may be active like: “Kya husn ne samjha hai kya ishq ne jaana hai/Ham khaak-nashinon ki thokar mein zamana hai” and “Apna zamana aap banate hai ahl-e-dil/Ham vo nahi jin ko zamana bana gaya”, or a bit resigned: “Jo un pe guzarti hai kis ne use jaana hai/Apni hi musibat hai apna hi fasaana hai”, “Maut kya ek lafz-e-bemaani/Jisko mara hayat ne maara”, and “Yeh misraa kaash naqsh-e-har-dar-o-deewar ho jaaye/Jise jina ho marne ke liye taiyar ho jaaye.”

There is much more to enjoy in the extensive corpus of ‘Jigar’, whose own epitaph could be: “Hami hab na honge to kya rang-e-mahfil/Kise dekh kar aap sharmaiyega.”

source: http://www.ummid.com / Ummid.com / Home> International / by Vikas Datta / IANS / April 16th, 2023

Hyderabad: MANUU-made films bag top honours at CEC UGC Festival

Hyderabad, TELANGANA:

The film ‘Alzahravi’ bagged the best film award in the category of Best Visual Effects and Animation whereas ‘Polymer, the Promise of PDMS’ has been recommended for a citation.

Hyderabad: 

Two films of the Instructional Media Centre, Maulana Azad National Urdu University (MANUU) produced under the MANUU Knowledge Series have won accolades at the 24th CEC UGC Educational Video Festival organized by Consortium for Educational Communication (CEC), an Inter-University Centres set up by the University Grants Commission.

The film ‘Alzahravi’ bagged the best film award in the category of Best Visual Effects and Animation whereas ‘Polymer, the Promise of PDMS’ has been recommended for a citation under the Best Film Documentary award category along with the other three films.

According to Rizwan Ahmad, Director, IMC, the film Alzahravi by Omer Azmi, Producer IMC explores the life, struggles, and achievements of the renowned scholar, Alzahravi, and his contributions to the field of medicine. 

Polymer, the Promise of PDMS by Obaidulla Raihan, Cameraperson, is a thought-provoking film based on a research output by researchers from the Central University of Hyderabad, where they have developed a polymeric material which is graphene base media mists smart composite material which will revolutionise the technology in near future.

Prof Syed Ainul Hasan, the Vice-Chancellor, congratulated the centre on this achievement and said IMC is steadily gaining recognition for its unique and thought-provoking approach to digital media. Appreciating the Media Centre Team’s effort who met him today at his office the Vice-Chancellor expressed the hope that the MANUU knowledge Series will continue to inspire and educate audiences and contribute to the growth and development of Urdu and dissemination of knowledge.

Rizwan Ahmad said both films were also selected previously at various film festivals nationally and internationally. This honour is a testament to the hard work and dedication of the directors of the films and the entire team. MANUU Knowledge Series aims to promote the Urdu language and culture, as well as highlight important issues and stories through the medium of film, a press release said.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Indo Asian News Service (IANS) / April 12th, 2023

Bhopal: Artist Nawab Jahan Begum uses 24 carat gold in Gond artwork

Bhopal, MADHYA PRADESH:

She exhibited tricolour painting in mandana, a tribal art form of Madhya Pradesh. It took more than 6 months to prepare all the artworks, she said.

Bhopal: City artist's Mandana artwork depicts gender equality
Artist Nawab Jahan Begum with her art work | FP Pic

Bhopal (Madhya Pradesh): 

Artist Nawab Jahan Begum from Bhopal has used 24 carat gold in a Gond artwork. She said that this was the first time that 24 carat gold was used in Gond art. “I used liquid gold, which is being liked by visitors here. Many people greatly appreciated the tribal art of Madhya Pradesh,” she said

Nearly 17 works of the painter were on display at Kala Spandan Exhibition in Mumbai inaugurated by film actor Anita Raj. The exhibition was organised from November 24 to 27. She exhibited tricolour painting in mandana, a tribal art form of Madhya Pradesh. It took more than 6 months to prepare all the artworks, she said.

Besides, she exhibited three convertible art works. “Three works have 10 different paintings. It was a different work, which was appreciated.” Her Hindi calligraphy artworks were also on display.

Begum has obtained MA degree in drawing and painting. Her signature styles are abstract modern art paintings, which she make using knife and adds gold to it to give it a royal feel and look. She took part in many national and international painting exhibitions and sold paintings in the UK, Australia, Saudi Arabia, Dubai, Maldives.

She has also made a painting for Taj Lakefront Bhopal. Her works are on display at Bhopal airport and Cymroza Art Gallery in Mumbai.

source: http://www.freepressjournal.in / The Free Press Journal / Home> Bhopal / by Staff Reporter / November 29th, 2022

Hyderabadi medical coder wins Rs 2.2 cr in Mahzooz draw

Hyderabad, TELANGANA / Abu Dhabi, U.A.E:

Hameda is the first female and the fourth millionaire to win the guaranteed one million Dirhams under the new prize structure.

 38-year-old Hameda Begum (Photo: Gulf News)

Abu Dhabi:

A 38-year-old United Arab Emirates (UAE)-based Hyderabadi woman has been revealed as the winner of one million Dirhams (Rs 2,22,28,303) in the weekly Mahzooz draw.

The winner of the draw Hameda Begum– matched five out of the six winning numbers during the 122nd weekly Mahzooz draw held on Saturday, April 1.

Hameda Begum, from Hyderabad, India, who works as a medical coder in UAE. She has been living in the UAE’s capital Abu Dhabi from the past three years.

“I’ve never entered a raffle or won anything in my life so this has been a delightful surprise to me. For me, this is a dream come true, and I can’t believe it,” Hameda told Gulf News.

Hameda is planning to spend her winning for her four children’s education and secure her family’s future.

Hameda is the first female and the fourth millionaire to win the guaranteed one million Dirhams under the new prize structure.

On March 4, the draw revamped its prize pool, introducing a new feature where every week one participant becomes a guaranteed millionaire.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / posted by Sakina Fatima / April 17th, 2023

M Iqbal Manna reinstalled as President of the Giants Group of Udupi for 2023

Udupi, KARNATAKA:

Udupi: 

M Manna Iqbal was on Monday reinstalled as the President of the Giants Group of Udupi for the year 2023, in a ceremony held at the Woodlands Hotel here in the city.

Dinkar K Amin, a Central Committee member of the Giants Welfare Foundation was present as the Chief Guest of the event while Vasudev Mahale, Unit Director of Federation 6 was the installation officer at the ceremony.

Former Federation President Jayarajprakash was the keynote speaker at the event while Dr. Junaida Sulthana, Academic Head, MET, Udyavara, Udupi, Tejeshwar Roa, Federation vice-president, and Lakshmikanth Beskoor, Federation coordinator were present as the guests of honor.

Four women – Dildar Akbar – Special Needs School, Udupi, Sushma Gopalkrishna – Police Inspector Udupi Women’s police station, Bindu Thankappan, Advocate, Shaila Amanna, Asha Nilaya, Udupi – were also felicitated for their outstanding services and selfless contribution towards the society.

The new committee of the Giants Group Udupi was also formed. Yashwant Salian and Vincent Saldana were appointed vice-presidents, Roshan Ballal. Director of Administration, Vadiraj, Joint Director of Administration, Ganesh Ural, Director of Finance, Dayanand Kalmady, Joint Director of Finance. Prabhakar Bangera, Liyaqath Ali, Vinay Kumar Poojary, Zeenath, Geetha Rao, and Diwakar Sanil took oath as Directors.

Roshan Ballal presented the annual report while Vivek Kamath proposed a vote of thanks and compered the event.

The event was followed by an Iftaar arrangement for the members and audience.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karavalii / by Vartha Bharati / April 18th, 2023