Category Archives: Arts, Culture & Entertainment

Amid BHU row, Belur college appoints Muslim teacher in Sanskrit department

Belur,Howrah City,  WEST BENGAL :

Ramzan Ali, who joined Ramkrishna Mission Vidyamandira in Belur following nine years of experience at a north Bengal college, said he was overwhelmed by the warm welcome extended to him.

Banaras Hindu University (File photo | PTI)
Banaras Hindu University (File photo | PTI)

Kolkata :

At a time when students of the Banaras Hindu University in Uttar Pradesh are up in arms over the religious identity of one of its Sanskrit teachers, a college, on the outskirts of Bengal capital, has appointed a Muslim man as an assistant professor to teach the subject.

Ramzan Ali, who joined Ramkrishna Mission Vidyamandira in Belur following nine years of experience at a north Bengal college, said he was overwhelmed by the warm welcome extended to him by the students and faculty members.

“I was welcomed by principal Swami Shastrajnandaji Maharaj, and everyone. Maharaj told me that my religious identity was not important, what mattered was my grasp over the language, my indepth knowledge and my ability to share it with the students,” Ali, who joined the Belur college on Tuesday, told PTI.

Asked about the Banaras Hindu University (BHU) agitation, he said, “I believe Sanskrit embodies India’s inclusiveness, its rich culture.

Don’t forget Sanskrit is the mother of all languages.

How can anyone bar people from other religions from learning and teaching Sanskrit?” A section of students at BHU has been demonstrating against the appointment of Feroz Khan as the assistant professor of the varsity’s Sanskrit department.

Although the BHU authorities backed him, Khan has not been able to take classes.

Ali, who is in his early 40s, asserted that he had never faced any discrimination as a Sanskrit teacher.

“I never felt that I was out of place or unwanted while studying or teaching Sanskrit. Here, at the Belur college, the management has arranged for my accommodation and ensured that I do not face any inconvenience,” the assistant professor maintained.

A student of the Sanskrit department at Ramkrishna Mission Vidyamandira said he was looking forward to attending Ali’s classes.

It is “unfair” to question the religious identity of a teacher, he said.

“Ali sir has just joined So far, I haven’t had the opportunity to attend any of his classes. I am looking forward to it,” the student added.

The principal of the college could not be contacted for his comment.

‘Tipu rocket’ gallery opened without any formal inauguration in Karnataka

Shivamogga, KARNATAKA :

The museum has a large cache of 1,700 such rockets that were recovered from an old well at Nagara village in Hosanagar taluk last year.

An image of the 'Tipu rockets.'
An image of the ‘Tipu rockets.’

Shivamogga :

A dedicated gallery housing metal cased rockets used during Tipu Sultan period (18th century) has been opened in Shivamogga city. However, it was thrown open to the public without a formal inauguration by people’s representatives, which according to sources, is due to the recent controversy surrounding the ruler.

The gallery was opened to the public on the first day of the Heritage Week on November 21.

The gallery has been set up at the Shivappa Nayaka Palace which is also a museum. It is the first and largest gallery having the “Tipu rockets” or “Mysore rockets” in the world.

While the Royal Artillery Museum, Woolwich Arsenal in London, is home to a collection of two such rockets, three pieces are at the government museum in Bengaluru. There was no dedicated gallery for the rockets until the one in Shivamogga opened.

The museum has a large cache of 1,700 such rockets that were recovered from an old well at Nagara village in Hosanagar taluk last year. However, only 15 are kept in the gallery owing to lack of space.

The length of the rockets now housed at Shivappa Nayaka Museum ranges from 190 mm to 260 mm and the diameter ranges from 33 mm to 65 mm. While the lightest specimen weighs 372 g, the highest one weighs 1.75 kg.

History buffs throng museum to see ‘rockets’

Sources in the Archeology, Museums and Heritage Department told TNIE that a formal inauguration was not done to “avoid any further controversy.” Earlier, the BJP State government had decided not to celebrate Tipu Jayanti at the government level and is thinking of removing lessons related to the ruler from textbooks.

History enthusiast Ajay Kumar Sharma said, “The department also avoided naming the gallery as Tipu Rockets Gallery but played safe by naming it as Mysore Rockets Gallery. There is also an argument that similar rockets were used by the Marathas. However, thorough carbon dating needs to be done to determine the period. Though it is not clear who invented these rockets, it is said that they were used during the period of Hyder Ali and his son Tipu Sultan.”

‘World’s first metal cased rockets’

Information put up at the gallery states that Mysore in the 18th century was the greatest threat to the development of the British colonial enterprise in India. The British fought them at every step. It was in this series of wars that England and the wider world was introduced to a new weapon of war – The Mysore metal cased rocket. The instant bamboo stick or sword blade attached to the rocket passed through a man’s body.

It resumed its initial speed and destroyed 10 or 20 men until the combustible matter with which it was charged was spent.

“Mysore was the first state in the world to have moved to the next stage of rocket development from wooden firework rockets to metal war rockets successfully,” the information reads. Though there was no formal inauguration, the gallery has already attracted history buffs who are visiting the gallery each day.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Marx Tejaswi / Express News Service / November 23rd, 2019

Actor, writer, comrade Shaukat Kaifi passes away

Hyderabad, TELANGANA / Mumbai, MAHARASHTRA :

Shaukat Kaifi with her daughter actor Shabana Azmi, lyricist Javed Akhtar, Tanvi and Baba Azmi. File | Photo Credit: PTI
Shaukat Kaifi with her daughter actor Shabana Azmi, lyricist Javed Akhtar, Tanvi and Baba Azmi. File | Photo Credit: PTI

In the world of films she is best known for her work in M.S. Sathyu’s Garm Hava, Muzaffar Ali’s Umrao Jaan and Sagar Sathadi’s Bazaar.

Veteran theatre and film actor and writer Shaukat Kaifi is no more. According to a family source she was in her 90s and ailing for a long while and passed away on Friday evening at her Juhu home in the arms of her daughter, actor Shabana Azmi.

Shaukat Aapa, as she was called, along with her husband, Urdu poet and film lyricist, Kaifi Azmi  had been the leading light of the Indian People’s Theatre Association (IPTA) and the Progressive Writers Association, the cultural wings of the Communist Party of India (CPI).

In the world of films she is best known for her work in M.S. Sathyu’s Garm Hava, Muzaffar Ali’s Umrao Jaan and Sagar Sathadi’s Bazaar.

Shaukat Kaifi’s memoirs , Kaifi and I had been turned into a theatrical rendition Kaifa aur Main with Shabana and Javed Akhtar reading the parts of Shaukat and Kaifi respectively.

She is survived by her daughter Shabana, son and noted cinematographer Baba Azmi, daughter in law actor Tanvi Azmi and son-in-law, poet, writer and lyricist Javed Akhtar. She has passed away even as the year-long Kaifi centenary events roll on.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Special Correspondent / Mumbai – November 22nd, 2019

24 Hours In Life Of Rofikul Islam: Quack-Quack, Hoot-Hoot — Of Ducks And Owls

ASSAM  :

Rofikul Islam is a professional wildlife guard and much in demand for his amazing knowledge of birds and animals. Delhi’s Deputy Chief Minister Manish Sisodia is among his top clients.

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Quack! The gander gives away the nest’s position behind an arbour of foliage. Mrs White-Winged Duck responds with a quick quack-quack. Rofikul Islam raises an arm, winks at his team. And they, finger on trigger, behold Assam’s state bird—so elusive and endangered that perhaps only 200 pairs rem­ain in the wild on this planet—with unabashed sideways glances of looky-loos. They go click, click, click. But the light is low; the sun has just yawned out on this island in the Jia Bhoroli, the livewire of Nameri national park straddling Assam and Arunachal Pradesh.

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Will he stop prying into Mr and Mrs DUck’s private moments? He won’t.

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Rofikul, a professional wildlife guide with AllIndiaBirdingTours, has prepared well for the sortie. This morning is a long trek—boating, fording, and pushing their trusty legs to their limits. Waking up to a burst of tweets, retweets, pa-chip-chip-pa-tip (sounds like potato chip and dip?), breakfast is hearty in the camp. “By noon, the team logs nearly 80 species of birds,” says Rofikul, a Kaziranga nat­ive who turned 30 this November. Growing up near the fam­ous park helped him hone a guide’s primary asset: like telling a Crested Kingfisher from a finch by their calls. Booked through the year, his adventures are on unplumbed land—jungles on the Assam plains, in the Northeast’s hills and snowcapped Sikkimese mountains. His guest list? Long and impressive; includes Delhi deputy CM Manish Sisodia.

Back to camp, lunch,  another exp­edition (short; sundown gathers pace), tea/cookies/Maggi, and it’s almost time for dinner around a bonfire. The thatch-and-bamboo cottages, the snug beds wait invitingly. But the guardian owl is on his nightly run. Hoot hoot! Everything screeeeeee-s to a halt.

source: http://www.outlookindia.com / Outlook / Home> Magazine> National / by Rituparna Kakoty / November 21st, 2019

Faith no barrier

Srinagar, JAMMU & KASHMIR :

A Muslim woman is taking Sikh boys and girls in Srinagar closer to their religion by teaching them kirtan singing. Tasleema Langoo is a regular at Gurduwaras and finds applause even in the Golden Temple. Shazia Yousuf reports.

TasleemaLangoo01MPOs22nov2019

As she recited a shabad from Guru Granth Sahib at the Golden Temple Amritsar, almost everyone was engrossed in the melody of the kirtan. As soon as she finished, an old woman came towards her, almost crying, kissed her hands and hugged her.

“Now you are the voice of Sikh women. You have done what no girl could do, you are the honour of your Sikh community now.” The old woman said while taking off her golden earrings and gifting these to her.

She didn’t know the girl she was praising was a Kashmiri Muslim.

It is a three year old incident, but Tasleema Langoo’s association with kirtan is almost two decades old. The 26-year-old from Shaheed Gunj Srinagar has been teaching Kirtan to Sikh boys and girls since she was 14. She is perhaps the only kirtan tutor for the community in Srinagar.

She comes from a family of musicians. Her great grandfather sang for Maharaja Pratap singh, her grandfather Ghulam Qadir Langoo was a court singer of Maharaja Hari Singh. Her uncles and aunts have worked as musicians with Radio Kashmir. Tasleema’s father Abdul Majeed Langoo teaches music at Women’s college MA road.

Tasleema was five or six years old when some Sikh girls approached her father for learning music for religious purposes. “They were my father’s students from college. They would call him Langoo Veerji and wanted to learn harmonium and tabla from him for kirtan singing. I was the youngest daughter and would follow him like his shadow, watching and observing him,” Tasleema says while composing a shabad for her students at her Alochi Bagh residence where the family has recently moved in.

Every morning, Sikh girls would come with a shabad from Guru Granth Sahib and Tasleema’s father would compose it for them, “I would sing with them. Though there was music in every room of our house, but kirtan would excite me most,” she says.

It went on for many years. The students kept changing. And Tasleema’s love for kirtan compositions kept growing. She insisted on joining her father’s class where she would help his students in playing instruments who in turn would write shabads in Urdu (Arabic script) for her, “I was first hesitant, I thought it is disrespecting to sing something we don’t believe or mean. But she loved and respected it more than them,” says Tasleema’s father Majeed.

The class swelled with every day. It was now Tasleema who would sing to the compositions of his father for the students. “They were thrilled to hear her mesmerising voice that they couldn’t find in their community for years. Even the parents of students would come to listen,” says Majeed.

In 1998, when Tasleema was in 8th standard, she decided to start her own coaching class. “By now I was fully trained. The only difficulty was reading Granth Sahib in Punjabi. My father got a Urdu version from Amritsar for me,” she says. Tasleema says, she would start her day with morning prayers (Namaz) and recitation from Quran. “Then I would open Granth Sahib, memorise a new shabad and compose with the help of my father, for my students.”

In 2000, Tasleema left her studies after high school. The same year she gave her first performance in a gurdwara. Tasleema sang in the Gurdwara at Lal Chowk Srinagar on the invitation of a Sikh family. “First not many people were attentive, but when I sang, they were all humming and praising in Punjabi language.” She could hardly understand their words and kept pleading the family not to reveal her Muslim identity.

But when they came to know of her Muslim identity, she earned many blessings. More and more invitations for kirtan darbars followed. “There are two to three invitations in a month. On Sundays I sing in Chatti Padshahi Gurdwara. I sang in many kirtan darbars outside the state. People invite me to sing at Baisakhi and other festivals,” she says.

In 2001, a known singer Harjinder Singh spotted her in Chatti Padshahi gurdwara and advised her to go to Radio Kashmir. She went for an audition, qualified, and began singing kirtans for Radio Kashmir.

Afterwards, late Ghulam Nabi Sheikh encouraged her to go for Kashmiri auditions too. She did and thus began to sing in Kashmiri too for the radio.

Most of her time, however is spent in teaching. She has taught more than 200 Sikh boys and girls. At present she has 15 students. She charges Rs 300 each. And what about her neighbours and relatives. How did they react?

“Our home in Shaheed Gunj was adjacent to mosque. Once I was singing loudly with my students when the mosque imam entered our house. I was ready for a reprimand, but to my surprise, he gave his blessings and told me that I was doing a wonderful job by maintaining communal harmony at a time when our place needed it most,” she says.

Tasleema, however, gave in to her apprehensions in testing times. After the Chattisinghpora Massacre in which 36 Sikhs were killed by unidentified assailants, she stopped her classes. However she could not keep herself away for long and resumed her classes.

For the small Sikh community of Kashmir, she is a saviour of their traditions. “You cannot imagine what she is for our community. It is she who teaches us verses from our holy book every day,” says her student Supinder Singh of Bemina, a postgraduate student at University of Kashmir.

“We never feel she is different from us, she absorbs herself in every verse,” says another student, Manpreet Singh, an engineering graduate.

In 2007, when her magical voice reverberated in the Golden Temple,  Sikh religious leader, Harbans Singh visited her house to thank him. “He told me, ‘you are doing us a favour’ and he gave me some money as well,” she says.

source: http://www.kashmirlife.net / Kashmir Life / Home> Faith> Music / by Shazia Yousuf, Kashmir Life / June 27th, 2010

Book Negates Stereotype Image of Muslim Women

Nizamuddin Basti, NEW DELHI :

The book “Resilience: Stories of Muslim Women” was released by noted journalist and author Sagarika Ghose at a function at the India International Center, New Delhi on Wednesday. — Photo: Caravan Daily
The book “Resilience: Stories of Muslim Women” was released by noted journalist and author Sagarika Ghose at a function at the India International Center, New Delhi on Wednesday. — Photo: Caravan Daily

‘Resilience: Stories of Muslim women’ released in New Delhi

New Delhi :

At a time when her stereotypes as meek and submissive entity are used by a political class to further its agenda, a new book catches Muslim woman in her multidimensional persona and in the process blasts many a myth surrounding her. In each of the varied fields of human endeavour, these Muslim women have come out in flying colours.

The book “Resilience: Stories of Muslim Women” was released by noted journalist and author Sagarika Ghose at a function at the India International Center here on Wednesday in the presence of many woman activists.

Speaking on the occasion, Ghose said the book negated the stereotype image of Muslim women as it illustrates that no matter what the economic impediments or social taboo, given the means and empathy Muslim women could also scale the height of success.

The book explores the lives of 11 resilient Muslim women who fought against all odds and got the opportunity to study in a tiny adult education centre. She congratulated these women and lamented in the scientific age woman have to face many odds and discrimination in every community.

The book release ceremony was followed by a discussion on the condition of women moderated by Nazia Erum, author and media advocacy head of Amnesty International India.

Social activist Shabnam Hashmi, the spirit behind the success of these women, said the book is like fresh air in the present political environment of the country in an oblique reference to the Modi Government’s push for enacting controversial Triple Talaq law which seeks to criminalise a civil matter like marriage.

She claimed stereotypical images of Muslim women are being used to further marginalise the minority community.

In early 1980, we started teaching the Nizamuddin Basti girls but it was a bumpy journey as girls had to struggle against severe hostility from the Basti residents whom Muslim girls going to study was “ anti-Islam or anti-Deen”, she added.

Shubha Menon, author, who documented the life of girls and women of Nizamuddin Basti, Delhi, said these were mostly dropouts or had not studied at all. She said she was touched by their stories and decided to bring the brighter side of the Muslim women.

On the occasion, many of these women narrated their stories of struggles.

Farida, who is a daughter of a Maulvi attached to Tablighi Jamaat, said she fought patriarchy, gender bias, poverty, and triple talaq to become a graduate.  She said there was no discrimination on the basis of gender at home as her father loved her much but did not in favour of sending her to school.  She told she was made to wear a burqa at 9, married off at 13 abandoned with two children at 16.

Farida, who now runs an NGO, has a sister Syeda whose story is also the same. “Both the sisters married to two brothers, unpaid labour in their matrimonial home, sloggers, beaten at the whims of a cruel matriarch, bearing children and hardship in one go. Their father, a Maulvi of Tablighi Jamaat, caught between the demands of his fellow Jamaatis and love for his daughters. The two sisters return home with meager belongings plus four pairs of mouths to feed. Then from rock bottom poverty, they extricate themselves. Their horizon widens and they rise and thanks to Seher Study Centre”.

Ayesha said she not only fought for her education but brought up her son to be an MBA and her daughter a Master in Science.  Mussarrat, who now works for an international NGO, told that her grandmother kept her locked at home.

Other women Asma, Ishrat, Parveen, Shahjahan, Farhat, Parveen,  and Najma’s stories are similar but not identical.

Shabnam said the mentors of Seher Study Centre in the Basti; teaching, counselling, chatting, encouraging the oppressed girls to break out of their fetters and manacles and ultimately from their cloisters.

From verbal threats to lathis, they not only bore them but spun them around to give great leverage to the girls they were grooming, she said.

The book, which chronicles the stories of successful women, also highlights the Markaz versus the Dargah which is another contradiction of the Basti. Stories of the Dargah dot the entire book. For example, Nizamuddin’s disdain for power is a poignant anecdote. Rulers of the Sultanate, Tughlaqs and Khiljis were not permitted to enter the Pir’s Khanqah. The Saint’s priority was not to pay obeisance to the ruler but to feed the poor and indigent no matter of what faith or of what caste while the Markaz propagates orthodox Islam. The author does not deride one practice at the cost of the other. Their parallel existence may occasionally clash but seldom becomes a major eruption.

She makes the reader a partner in her adventure as a reader is taken through the winding gulleys, narrow stairs, tottering houses, all the time surrounded by a mass of humanity; namely Muslims who live and breathe Nizamuddin. There is a constellation of girls who were transformed by the Seher Adult Education Centre. The stories unfold one by one.

The author Menon concludes that Seher comes out as a unique experiment, which not only transformed all those women who studied there but their future generations as well.

source: http://www.caravandaily.com / Caravan Daily / Home> Books / by Abdul Bari Masoud, Caravan Daily / August 29th, 2019

India’s top 5 revenue generating monuments were all built by Muslim rulers

Taj Mahal | Commons
Taj Mahal | Commons

The Taj Mahal and 4 other monuments earned Rs 146.05 crore, more than half the total revenue generated by centrally-protected monuments, in 2017-18.

New Delhi:

 Fringe Hindu groups and even some BJP leaders may have sought to belittle their significance but official data shows that India’s top five revenue generating monuments were all built by Muslim rulers – the Taj Mahal, Agra Fort, Qutub Minar, Fatehpur Sikri and Red Fort.

While Qutub Minar was built by rulers of the Delhi Sultanate, the rest were constructed by the Mughals.

These five monuments together earned the government Rs 146.05 crore in 2017-18, according Archaeological Survey of India (ASI) data. This is more than half the total revenue of Rs 271.8 crore generated by all centrally-protected monuments.

The Print
The Print

The Taj Mahal, which has been in the news for all the wrong reasons in recent years, with the Supreme Court last month pulling up the ASI for its poor maintenance, continued to be the highest earner at Rs 56.83 crore.

While some politicians sparked a controversy last year by arguing that the Mughal-era monument did not represent Indian culture, the number of visitors to it, both Indian and foreign, only increased since 2016-17.

A total of 64.58 lakh people visited the Taj Mahal in 2017-18 compared to 50.66 lakh in 2016-17.

Last year, the UP tourism department had even omitted the Taj Mahal, a UNESCO world heritage site, from a brochure listing the state’s principal attractions.

With total earnings of Rs 30.55 crore, Agra Fort built by Mughal emperor Akbar, another UNESCO world heritage site, was the second highest revenue generator in the last financial year.

While the Konark Sun Temple in Odisha came second after the Taj Mahal in terms of number of visitors (32.3 lakh), it generated only Rs 10.06 crore as revenue. This, officials said, is because the temple is mostly popular only with Indian tourists, with 32.21 lakh domestic visitors making the trip last year.

While Indian tourists are charged Rs 30 per head as entry fee to world heritage monuments across the country, foreign tourists have to pay Rs 500 each.

“It is impossible to communalise the entire Indian population through the meaningless political venom spewed by politicians,” said historian S. Irfan Habib, explaining the increase in visitors to the Taj.

“No matter what they say about the Taj Mahal and Red Fort, Indians will continue going there,” he added.

source: http://www.theprint.in / The Print / Home> India> Governanace / by Sanya Dhingra / June 07th, 2018

Tipu, legend in the West

Srirangapatnam, KARNATAKA :

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It is an irony that Tipu Sultan, the Tiger of Mysore, whom the current government in Karnataka wants to remove from its history, is celebrated in Britain, France and the US in song, drama, opera, novel, poetry and paintings. A wealth of Tipu’s  personal effects, curiosities and artifacts have found way into numerous art galleries and museums in many countries in the West. There’s not a major museum in the UK that does not exhibit some artifact related to Tipu.

The 75th Highlanders were a regiment raised in Scotland to exclusively fight Tipu. Scottish generals like Sir Hector Munro, Baillie, Beatson, Fraser, Gordon, Dunlop and others participated in the wars against Tipu. The Scots, more than the English,  were in the forefront of the British forces in all the Anglo-Mysore wars fought by Tipu as well as his father Hyder Ali. That explains the importance of the display of Tipu memorabilia in Edinburgh and Glasgow.

After Tipu was finally defeated and killed in 1799 by the British, under the command of Arthur Wellesley, the future Lord Wellington who 16 years later defeated Napoleon Bonaparte in the Battle of Waterloo, images of Tipu, his capital Srirangapatam (Srirangapatna) and his numerous impregnable forts and fortresses, proliferated throughout Britain. No other Indian ruler ever captured the imagination of the average Englishman as Tipu did. It is said that British housewives would quieten their babies by whispering “else, Tipu Sultan will come and get you.” Even three decades after Tipu’s death, his name was such a terror that when Ram Mohan Roy visited England on a mission from the then Mughal emperor, hostile crowds confronted him in London, mistaking him to be related to Tipu because his headgear resembled Tipu’s iconic turban.

Tipu Sultan, his capital city Srirangapatam, and the wars he fought against the British became favourite subjects for paintings, sketches and etchings by some of the most famous artists of the day in England and Scotland. When Ker Porter, the famous  Scottish painter’s Panorama — a single large painting of Tipu — was displayed in Edinburgh, there was euphoria among the public as they rushed to have a glimpse of it. JMW Turner, the renowned British painter, painted portraits of Tipu  and scenes of Srirangapatam and other places in Mysore kingdom. Sir David Willkie, another famous painter, was commissioned by the widow of David Baird to paint the poignant “Discovering the body of Tipu Sahib on 4 May, 1799”.  It was exhibited in 1838 in the Royal Academy of Arts in London. David Baird had spent several years in Srirangapatam as Tipu’s prisoner, and had his revenge in the final assault on him.

Alexander Allen travelled to India to personally see the hill forts of Mysore kingdom and produced captivating scenes in his paintings. William Darnell Beckford, Holmes, Hunter and many others made several stunning paintings of Tipu and his palaces. Sir Walter Scott, the great Scottish novelist, wrote works of fiction based on Tipu and his times. Charles Dickens, Wilkes Collins and Jules Verne have all depicted themes from Tipu’s life in their novels.

The numerous artifacts of Tipu Sultan, pilfered, looted and spirited away by the British after the fall of Srirangapatam, became collectors’ items. Tipu’s dismantled throne, his numerous swords, daggers, bejeweled sword belts, hookahs, ivory caskets , nutcrackers, gold watches, precious jewels and many other priceless items occupy the pride of place in museums in London, Glasgow, Edinburgh and Wales.

The most awesome of these artifacts is the life-size toy tiger depicted devouring a British soldier. It has cast a spell over generations eve since it was spirited away by Wellesley to England where it was displayed at the Kensington Museum, now  known as Victoria and Albert Museum (V& A Museum). This toy tiger in bright yellow strips has in its belly a mechanical pipe organ hidden, which creates wailing shrieks and a loud road when its handle is turned. There was near stampede for months in front of the museum when people flocked to see the wonder toy of Tipu Sultan. The fact that it is kept in an exclusive large room in the otherwise crowded V&A Museum, and with separate security, speaks of the importance that is accorded to this curious Mysore object. A replica of it is at the Scottish National Museum in Edinburgh. It was commissioned in 1999, when the bi-centenary of Tipu’s death was commemorated, as the original one at V&A could not be moved for fear of damaging it in transit.

The most significant of Tipu’s artifacts are at the Edinburgh castle. Inside the castle is the ‘National War Museum’, in which the battle honours of the Scottish Regiments are displayed. Here are seen several swords and arms used by the Scottish generals against Tipu and his Mysore armies. What is interesting are the words Carnatic, Mysore, and Srirangapatam engraved on the granite slabs displayed on the walls.

At a private museum in Powai Castle in Wales, one can see Tipu’s camp tent, made of silk and heavily embroidered, his camp cot made of sandalwood, his hookah and many other personal items, besides two large cannons.

A painting of Tipu with his war rockets hung on a wall at NASA’s Wallops Flight Facility in Virginia in the US was seen by young APJ Abdul Kalam when he was on a visit there in his early years at ISRO, about which he wrote as an inspiration many years later.

At the Edinburgh International Festival (EIF), held annually in August, Tipu’s memories come alive during the closing ceremony’s fireworks display when the Scots burst explosives and fire rockets around the castle to create scenes of their soldiers encountering deadly fires around Tipu’s forts in Nandidurg, Savandurg and other places.

Tipu Sultan, the Tiger of Mysore, died 220 years ago, but his legend continues in the lands of those he fought fiercely against, who appreciate his valour, unyielding spirit and reckless courage. In the land that he defended from them, his memory  is sought to be erased from school textbooks.

(The writer is a former Professor of History at the University of Hyderabad)

source: http://www.deccanherald.com / Deccan Herald / Home> Opinion> Comment / by K S S Seshan / November 07th, 2019

Inter-college debate contest held

Chennai, TAMIL NADU :

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Team from Justice Basheer Ahmed Sayeed College wins

Safa Tabassum and Mayura Varshini from the Justice Basheer Ahmed Sayeed College for Women won the Elihu Yale Inter-Collegiate Debate 2019, organised by the Indo-American Association (IAA), Chennai, in association with the Consulate General of the United States of America, Chennai, at the Women’s Christian College on Monday.

They were presented the Elihu Yale Rolling Trophy 2019, and Safa was also recognised the Best Speaker among the participants.

The topic of the debate was “Presidential form of government for India: Will it work or fail?”, and students from nearly 18 colleges participated.

Giving away the prizes, Consul-General Robert G. Burgess, Consulate General of the United States of America for South India, spoke about how competitive debates have had a long and rich history in civil discourse.

“These debates promote a deeper understanding and greater appreciation of values, rights and responsibilities that are inherent in democratic societies,” he said.

A team from the Women’s Christian College, comprising Shilpa Srinivasan and Sharada Sharma, were the first runners-up, and Shaina Dewan and Parth Gupta from the Great Lakes Institute of Management were the second runners-up.

J. Prasad Davids, president, IAA, said the debate was a small gesture of the association to strengthen ties for the advancement of education and research, as well as to strengthen Indo-U.S. relations. Chairman of the panel of judges, M. Ganapathy, former secretary west, MEA; principal, Women’s Christian College, Lilian Jasper; and past presidents of IAA P. Murari and Meera Ramanathan were present.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – October 15th, 2019

Roti Bank: Unique effort to fight hunger, provide food to the poor in impoverished region of UP

Mahoba ,  Bundelkhand Region , UTTAR PRADESH :

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Everyone in Mahoba knows Haji P Mohammad alias Haji Muttan and can guide a visitor to his home.

After all, he is the man who had opened the first Roti Bank, a unique initiative to ensure that no one stays hungry in the town. It has been a huge success story and similar Roti Banks were late opened in different parts of the country & even outside India.

But it was not an easy journey when Haji Muttan started the Roti Bank. The beginning was in the year 2014. It was decided that rotis would be collected–volunteers would go from house to house and collect them, in order to provide food–rotis and sabzi for the needy, so that no one went to bed with an empty stomach in the town.

In the backward and impoverished Bundelkhand, which often suffers from drought, lack of employment opportunities and extreme poverty, everyone was aware that there was a need for a public participatory movement to tackle the level of hunger and malnutrition.

However, he managed to form a team of such people–like Jaspal Singh and Pankaj Anuragi, who were ready to dedicate themselves for the cause. ‘Many households were eager to provide at least two rotis and sabzi. The request was just to ensure the food was fresh”.

There were so many needy people who had no one to look after them, some had to be provided food at their home. But people realised that it was a cause that was worth an effort. Youngsters came and joined him. “I always wanted to do some social service, something for the sake of humanity”, says Haji Muttan.

Over the years, the Roti Bank became a symbol of pride for the town. After all, hundreds were getting benefited everyday. Later, others got inspired and more Roti Banks were opened in the region and in other cities of Uttar Pradesh from Varanasi to Rampur and Gorakhpur, and then across India.

Om Narayan, who has been associated with the work from the beginning, says that the aim was service. “People from all religious communities came together, joined the movement”, he says. “After Roti Bank’s success, similar projects started in Banda, Chhatarpur and other cities in Bundelkhand”, he added.

“Apart from Haji sahab, Jagannath Prajapati and Father L Masih are also part of the team. There are many volunteers who do it with dedication”, he further said. After Tsunami, when Indonesia witnessed destruction, and there were large number of destitutes and orphans, Roti Banks was started at different places there also.

Haji Muttan also visited Indonesia. A non-governmental initiative that is being run with public support by dedicated inviduals, it has set an example how to fight hunger, especially, when a huge population still suffers from extreme poverty and the country needs to wage a war against hunger and malnutrition.

source:  http://www.newsbits.in / NewsBits.in / Home> India / by Shams Ur Rehman Alavi