Tag Archives: Tipu Sultan-The Tiger of Mysore

Why We Need a Book About Muslims Who Fought for India’s Freedom

Mumbai, INDIA :

Can a stable and just democracy flourish on foundations of wilful amnesia and erasure?

A c. 1800 painting showing the last stand of Tipu Sultan, ruler of Mysore in 1799 at the end of the Anglo-Mysore Wars with the East India Company. Photo: Henry Singleton/Public domain.

Many will ask why a book about Muslims who fought for India’s freedom? There’s no answer to such questions except another question. Had we been better memory keepers as a nation, could we have avoided the peak disinformation and stupidity which normalises reviling ordinary Muslims as outsiders, infiltrator and insurgents? 

Muslim Freedom Fighters of India is a two-volume biographical compilation by Salim Khan on less-known, mostly forgotten and hardly known Muslim figures. The books aim to clear the fog around Muslim freedom fighters whose names are heard of without them being extensively known and this requires us to understand why this fog exists. Written in an extremely readable and accessible format, these biographical accounts embed the historical figures in the context of their times, responding to unprecedented events with foresight, clarity and conviction that sealed their fate and shaped and the nation’s destiny.

 Whether we are reading about Generals of 1857 – Bakht Khan and Khan Bahadur Khan – or the Cambridge-educated Rampur scion Mohammad Ali Juahar of Khilafat moment and his fiery mother Bi Amma, the larger questions seething beneath the stories keep rising to surface. Who does a society and nation choose to remember and celebrate? Whose memories are deemed worthy of preserving? History is always shaped by those who control archives, narratives and memorialisation and hence memory. 

Reading about Tipu’s dazzling reign through the three Anglo Mysore wars where he proved superior to British forces, I was reminded of the controversy sparked by the late Girish Karnad’s suggestion of naming the Bengaluru airport after Tipu Sultan. Karnad had said, “It is true that Tipu Sultan was not born in Bengaluru, but he was a son of this soil and a freedom fighter. Had Tipu been a Hindu, he would have achieved the status of Shivaji, and the airport would have been named after him.” I recalled Karnad because his play Dreams of Tipu Sultan echoes the same theme that this two-volume tribute to erased, obscured and deliberately unremembered historical figures echoes: that when politics lays down who should be forgotten, remembering the erased becomes a duty, an affirmation and a political act. 

It is important to clarify that this is not a compilation of eulogies but well-researched fact based account of people who had the uncommon clarity to resist colonial domination even before the nationalistic narratives took shape. That they happened to be Muslims is important today because of the distortions that have obscured and erased them. But back then when they fought and resisted, they were simply rallying for the cause of their soil and their watan. From the earliest times they understood that freedom from foreign domination required Hindus and Muslims to put up a united front as in the war of 1857, the Khilafat movement, and the period between 1919 and 1924. Back then too, traitors cut across religious lines – Jagat Seth, Mir Jafar, and Ilahi Baksh.

Muslim Freedom Fighters of India: Part 1 and Part 2’, Salim Khan, Qalam Aur Kaagaz Books.

From Siraj ud Daulah to Tipu to Shahzada Firoz Shah, the book shows how the fog around these personalities is not accidental but meticulously designed – initially by the colonial mind, then picked up by early nationalists and woven into simplistic narratives. The macabre dance of history further stifled Muslim voices. Cataclysmic events like the ‘end’ of the Mughal Dynasty in 1857 and the Partition in 1947 sundered clans, erased family histories, legacies crumbled with no one is around to defend and uphold them. Today, even people who don’t know history have heard of Lakshmi Bai, but many who read history may not have heard about Shahzada Firoz Shah, the Mughal Emperor’s grandson who in August 1857, led a band of armed soldiers to rally the rebels in Rohilkhand and Malwa and who fought alongside Tatia Tope and called for a united Hindu-Muslim front against the Company. 

The British understood the dangerous potential of popular memory and subverted any potential for memorialisation of hugely influential figures. No one knows if Shahzada Firoz died in battle or escaped to West Asia. The Maulavi Ahmadulla of Faizabad whose authority and fearlessness scared the British so much that they kept a reward on his head, was likewise interred in an unmarked grave. Knowing that even his memory could become a node to unite the rebels, the British saw to it that no commemoration was permitted or possible. Zafar, the last Mughal was exiled to Rangoon for the same reasons.

In her book, India, 5,000 years of history on the subcontinent, Audrey Truschke, elucidates how Muslim rulers like Nawab Siraj ud Daulah and Tipu Sultan to Zafar felt a responsibility for their subjects no matter what their religion. For example, Siraj ud Daulah actively intervened in times of famines and drought in Bengal. But after the British took over they did nothing to alleviate human suffering, so that 20% of Bengal’s population died in the famine of 1768 and the small-pox epidemic of 1769-70 following it. This had never happened during earlier episodes of failed harvests. Truschke says, British historians initiated the custom of categorising Indian rulers as tyrannical, effete and incompetent, reducing them to their religion and writing in terms of Hindu rulers and Muslim rulers. The British needed to demonise Muslim rulers who were their immediate predecessors in subcontinent so that they might look good by comparison, Truschke notes. It was a part of the colonial propaganda.

Another pattern Salim Khan’s compilation brings out is that from mid-18th century onwards, the first responders and the most committed crusaders resisting colonial domination – the kings, queens, princes, preachers, noblemen – were Muslims. Not only because the British had wrested from them the power they had wielded for centuries (howsoever fragmented or diluted it may have become); but also, because they were looked upon as leaders. In Awadh, for example, the Shia elite took it as their moral-ethical duty (see Chapter 7, volume I: Shia Ullema and Noblemen of Awadh

Even in the 20th century, Muslim freedom fighters like Hasrat Mohani of the Inquilaab Zindabad fame and Asfaqullah Khan of the Kakori conspiracy who was an icon for Bhagat Singh, remain in the shadows, seen only in a hazy half-light. Were their contributions any less or only less remembered? One of the most important projects post-Independence should have been to restore memory and affirmation to those whom the British put on the wrong side of history, no matter what their religion or caste. But we know this is not what happened.

Since the arrival of the political controversy over Tipu Sultan, we have entered in an era of deliberate distortion of history. The larger question that these accounts refrain from asking but that jumps to any thinking person’s mind is this: can a stable and just democracy flourish on foundations of wilful amnesia and erasure? Should the memory of Muslim freedom fighters be kept only by the Muslims? The heritage and memory of Indian Muslims needs to be reclaimed by them. But equally, these volumes are required reading for the casually miseducated, hopelessly disinformed or simply ignorant Hindus who have been stupefied into denying and distorting their composite history.

Varsha Tiwary is a Delhi-based writer and translator. She has recently published 1990, Aramganj a translation of the best-selling Hindi novel Rambhakt Rangbaz.

Evaluating Indian Kings: Tipu Sultan Stood Against the British with Valour and Courage

Mysuru, KARNATAKA :

The half-baked propaganda of communal forces against the Tiger of Mysore is trying to divide communities

THE Tiger of Mysore (Sher-e-Mysore) Tipu Sultan often finds space in sections of the media, especially in Karnataka. There have been occasions of State-sponsored celebrations of his birth anniversary and the Bharatiya Janata Party (BJP) regularly creates obstacles to these celebrations, resulting in unnecessary ruckus. This time around, Tipu Sultan is in the news from Malegaon in Maharashtra.

The newly elected deputy mayor of Malegaon Shan-e-Hind Nihal Ahmad, put up the portrait of Tipu Sultan in her office, upsetting the Shinde group’s Shiv Sainiks and the BJP. These forces got the portrait removed with the intervention of the authorities. Some protests were also held.

Maharashtra Pradesh Congress Committee President Harshvardhan Sapkal got incensed and defended Tipu Sultan, claiming that the contribution of Tipu Sultan to Mysore is equivalent to that of Chhatrapati Shivaji Maharaj in Maharashtra.

But, Chief Minister Devendra Fadnavis did not like the idea of comparing Tipu Sultan and Shivaji Maharaj, as it was an insult to the latter. Following this absurd comment, the Congress office was pelted with stones by BJP workers and nearly seven people were injured in the ensuing mayhem.

The objection of the BJP to the statement from the Congress leader is that Tipu was a “mass murderer of Hindus” and he tried to convert Hindus to Islam. There are many other charges put against Tipu by Hindutva elements. Most of these try to project Tipu as anti-Hindu and a cruel king. This is far from the truth.

Lots of these myths are part of the communal narrative, accentuated by the British narratives, which are harsher against Tipu in particular. This is because he was one of the few rulers who fought against the British. Tipu had asked Nizam and the Peshwas to oppose the armies of the East India Company. He foresaw the dangers of British power entrenching in India.

Tipu’s administration was a mixed one, with many top officers being Hindus. Purnaiah served him as the Mir Miran (head of a department) and was crucial to his administration. Krishna Rao was his treasurer. Shamaiya Iyengar held a high-ranking ministerial position and Narsimha Iyengar held a position in the postal department. Tipu Sultan reportedly provided grants to the Sringeri Shankaracharya, including for the rebuilding of the temple and the installation of the Hindu goddess Sharada. He granted land and endowments to various temples throughout his kingdom. During his reign, the 10-day Dussehra celebrations were an integral part of the social life of Mysore.

In 1791, Maratha forces led by Raghunath Rao Patwardhan attacked and plundered the historic Sringeri Sharada Peetham, causing the Shankaracharya to flee. Upon learning of this, Tipu Sultan expressed deep anger, stating that those who committed such acts would face consequences, and promptly sent funds, gifts, and letters to restore the temple and reconsecrate the idol. The raid was part of the Third Anglo-Mysore War, during which Maratha forces caused significant destruction to the temple complex, including killing or wounding people and looting property.

Tipu Sultan, who frequently interacted with the Sringeri Jagadguru and addressed him with high respect, immediately ordered the Mysore administration to assist in the restoration, demonstrating his patronage of certain Hindu institutions. Evidence of this restoration is found in several letters in Kannada, preserved in the Sringeri monastery records, where Tipu requested the Jagadguru to pray for the prosperity of his kingdom.

Tipu Sultan was a staunch opponent of the British. There is an accusation against him that he persecuted some Hindu and Christian communities. The reason for this persecution, however, was purely political, not religious. About these persecutions, historian Kate Brittlebank says that “This was not a religious policy but one of chastisement”. The communities targeted by him were seen as disloyal to the State.

The communities Tipu targeted did not belong only to the Hindu stream. He also acted against some Muslim communities, like the Mahdavis. The reason was that these communities were supporting the British and were employed as horsemen in the East India Company’s armies. Another historian, Susan Bayly, says that Tipu Sultan’s attack on Hindus and Christians outside his state is to be seen on political grounds, as at the same time he had developed close relations with these communities within Mysore.

Sarfaraz Shaikh, in his book Sultan-E-Khudad has reproduced the ‘Manifesto of Tipu Sultan’ in which he declares that he would not discriminate on religious grounds and would protect his empire until his last breath. He had a great interest in rocket technology. This finds appreciative mention in Dr APJ Abdul Kalam’s book, Wings of Fire.

It is interesting to note that in the Rashtriya Swayamsevak Sangh’s series for children on Indian history, they had published a book on Tipu in the 1970s. BJP’s Yeddyurappa had adorned Tipu’s headgear to solicit votes in the 2010 elections in Karnataka. Then President, Ramnath Kovind, sent a eulogising message on the occasion of Tipu Jayanti (2017). He has an RSS background. He praised Tipu by saying that “Tipu Sultan died a heroic death fighting the British. He was also a pioneer in the development and use of Mysore rockets in warfare.”  Tipu – along with Rani Laxmi Bai – are also depicted as freedom fighters through drawings in Part XVI (page 144) of the original, hand-written and illustrated copy of the Indian Constitution.

Due to his policies, Tipu was popular among the people of Mysore. There are many folk songs, sung in villages, praising him. It is for this reason that one of our greatest playwrights, Girish Karnad, said that had Tipu been a Hindu, he would have the same status that Shivaji Maharaj has in Maharashtra. This is very close to what Sapkal stated, nothing extra.

This whole incident of opposing the portrait of Tipu in the Deputy Mayors’ office is one more instance of communal forces latching on to divisive politics. Kings should not be seen just by their religion; their policies towards people of different religions and people’s welfare should be the major criterion for evaluating them. Tipu stands very tall in this scale of religious tolerance. The half-baked propaganda of the communal forces is trying to divide communities.

A major tribute to Tipu was paid by Subhash Chandra Bose. He adopted Tipu’s ‘springing tiger’ as the insignia of Azad Hind Fauj, which fought against the British. The major contribution of Tipu was to forewarn the Indian rulers about the advancing threat of the East India Company, the British. It was for this that he bravely fought against the British and laid down his life in the fourth Anglo-Mysore War. The communal forces who are out to demonise Tipu belong to the ideology that did not even lift a little finger against the British rule.

source: http://www.clarionindia.net / Clarion India / Home> Opinion / by Prof Ram Punyani / February 18th, 2026

Mapping Tipu’s defeat

Mysuru, KARNATAKA :

Bengaluru-based collector Sunil Baboo has acquired maps that show the battle plan of the Third Anglo-Mysore war, which Tipu Sultan lost.

A painting of Tipu Sultan used for representational purpose only

Bengaluru : 

Sunil Baboo, a Bengaluru-based collector, has a penchant for procuring items of historical significance. The latest additions to his private collection? Maps detailing the British battle plan to corner Tipu Sultan.One of the maps, engraved by J Cooke, a man who worked under the British, shows the battleground of the Third Anglo-Mysore war that lasted between February 5-24, 1792, and saw Tipu’s defeat. 

Sunil Baboo | Ashishkrishna HP

He acquired the map during a trip abroad. He met a French woman named Christine Champlaine, whose great-grandfather served in the French army and came into the possession of the maps of the 1792 battle. “I bought them from her in early 2020,” Baboo says.The map details the seige of Seringapatam (now called Srirangapatna), and the position of the various troops on the side of the British, and the positions of British generals.

It shows the locations of Nizam’s forces, the Nawabs of Arcot, and the Marathas, vis-a-viz Loll Baug, Shair Ganjaum, Dowlet Baug (Daulat Bagh), Tippoo’s Tent, Powder Works, Hyder’s Mausoleum, Palace, Pavilion, River Cauvery, and Carigaut Pagoda.

“They cornered Tipu even before he realised it. Cornwallis went on to conquer all of Tipu’s forts – Nandidurg, Savandurg, Uttaradurg, Manjarabad fort, Ballari fort, Krishnagiri fort and others. Also, Tipu had a sense that his own people were turning hostile. There were instances of his own people falling for the lure of money from the British,” says Baboo.

In 2018, he acquired a lithograph titled ‘Taking of the City of and Fort of Seringapatam’ from a dealer of antiquities in Canada. Created by French painter Jean Duplessi Bertauz, the piece illustrates Tipu’s final battle. “It shows the slyness with which the British laid siege to Seringapatam, cornering Tipu from every side. In fact, Napoleon Bonaparte, who was busy fighting wars in Europe, had offered to help Tipu, but it was too late,” says the 60-year-old. 

Also engraved is the following text: “Tippoo perished with a great number of this followers and all his treasure fell into the hands of the conquerors. Colonel Wellesley commanded the reserve at the assault, and was afterwards nominated Governor of the City.”Baboo, who used to run an export business, is drawn to history. “I have a passion for documenting antiquarian documents, and maps that represent the past and which shaped our present,” he says.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Sanath Prasad, Express News Service / April 06th, 2021

India: Historians recall role of Muslims in freedom struggle

Coinciding 74th Independence Day on Aug. 15, scholars recollect help of Turkey to India’s national freedom struggle

Abdul Hameed Nomani, General secretary of the All India Muslim Majlis Mushawarat

New Delhi:

Celebrating country’s 74th Independence Day on Aug. 15, under the shadow of recent communal riots in capital Delhi and anti-citizenship law stir, many Indian scholars have called for recalling the role of Muslims during India’s freedom struggle.

Author and scholar Waseem Ahmed Saeed said over time, the contribution of Muslim freedom fighters in India has been forgotten.

In his book titled Kala Pani: Gumnam Mujahideen-e-Azadi 1857, Saeed said from the 1757 Battle of Plassey in Bengal, Tipu Sultan’s Seringapatam battle in South India in 1799 to the massive revolt in 1857 against the British was led by Muslims.

Saeed, who has authored a book on the subject in the Urdu language, said while India’s official history celebrates Udham Singh for killing Michael O’Dwyer, the lieutenant governor of Punjab in India, in revenge for the 1919 Jallianwala Bagh massacre in Amritsar, it does not recognize Sher Ali Afridi, who killed Lord Mayo, British viceroy and governor-general of India from 1869-1872.

Speaking to Anadolu Agency, many Muslim scholars and historians said the role of their ancestors in the freedom struggle has been overlooked.

According to Syed Jamaluddin, director of historical research projects at the Institute of Objective Studies, a think tank, there is no adequate coverage of the role of the Indian Muslims in the national movement.

“The contribution of Muslim revolutionaries, poets and writers is not known today. Similarly, little is known about the contribution of people like Ali Musliyar and Bi-Amma, who made significant contributions,” he told Anadolu Agency. He is currently editing a book on the Muslim role in India’s freedom struggle.

Saeed recalled in his book that it was the ruler of Bengal Siraj-ud-Daulah, who first fought and lost to the British in 1757, which became a cornerstone for the imperial power to colonize India.

He said that even after losing this battle, there were many rebellions led by Muslims until 1850.

Muslim revolts against British

Jamaluddin mentions the Fakir-Sannyasi rebellion, a joint revolt against colonial power by Muslim and Hindu ascetics, for preventing them from collecting religious tax from locals. It started in 1764 and continued until the 1850. He said the rebellion even spread its wings to southern India’s Madras (now Chennai) presidency.

But most prominent and popular movements that hit the British hard in the early 20th century in the subcontinent was the Reshmi-Rumaal Tehreek (Silk Cloth Movement) led by Maulana Ubaidullah Sindhi with the help of Turkey, Germany, and Afghanistan.

Speaking to Anadolu Agency, a prominent Muslim scholar Abdul Hameed Nomani said that despite his best efforts, Sindhi’s contribution has not been included in the official Indian history.

Along with an Indian prince Raja Mahender Pratap Singh, Sindhi, and Maulvi Barkatullah had established the exiled government of India in Afghanistan in 1915.

“The movement picked up around the same time when Subhash Chandra Bose [renowned Indian freedom fighter] was allying with Germany and Japan to oust the British from India. While Bose is celebrated nationwide, not much is known about Sindhi and his supporters,” said Nomani, who is also the general secretary of the All India Muslim Majlis Mushawarat, an umbrella group of prominent Muslim organizations.

It was named Silk Cloth Movement because Sindhi and other leaders used to send letters and directions to their cadres written on silk cloth.

Later, Sindhi went to Turkey and joined the country’s national struggle.

“The movement led to the formation of Indo-German-Turkish mission to encourage local tribes on the borders of Afghanistan to attack Britishers and their interests. While the key figures were arrested by the British, the movement remains a key event in the freedom history,” he added.

He said even though in 2011 the government released a postal stamp to commemorate Sindhi’s movement, there has been no vigor to record the sacrifice of Sindhi and his allies Mahmud Hasan and Husayn Ahmad.

“Only passing reference has been made about the role of Muslims in India’s national struggle,” rued Nomani.

source: http://www.aa.com.tr / Anadolu Agency / by Cheena Kapoor / August 14th, 2020

Hyder Ali: The ‘Napoleon of South India’

Devanahalli, Mysore, KARNATAKA :

Hyder Ali, who is famously known as ‘the Nepoleon of South India’ for his relentless fighting against the conspiracies of the East India Company and its henchmen and for checkmating the British ambitions of expansion in South India, was born in 1722 at Devanahalli village, Karnataka state. His father was Fateh Mohammad Ali and mother Mujidan Begum.

Though he did not have any formal learning, he received training in martial arts. Hyder Ali was sharp in intellect, strong in will, capable of  handling multiple tasks simultaneously and was brave at heart.

He had participated in Devanahalli war in 1749 as a young soldier of Mysore State. Recognizing his gallantry, Nanjaraj, the Minister of Mysore kingdom, honoured Hyder Ali with the title of ‘Khan’ and promoted him as the Chief of a battalion in the Mysore army.

They attacked Mysore several times with the help of the East India Company.

Though Hyder Ali suffered initial losses, he resisted them successfully and proved a virtual nightmare to East India Company. Even then, the British rulers provoked Hyder Ali again which led to the second Mysore war in July 1780. He went to the battlefield along with his son, Tipu Sultan.

While Hyder Ali captured the Arcot, his son Tipu defeated the East India Company troops and captured Kanjeevaram, which was about 50 miles from Madras. This sent shivers to Warren Hastings, the Governor General of East India Company.

He immediately sent additional troops from Culcutta, Madras with abundant funds under the control of his Commander General, Sir Eyre Coote. While fighting against the foreign enemy on one side, Hyder Ali and Tipu Sultan taught a befitting lesson to Malabar Nayars and chieftains, who revolted against him with the active support of Nizam of Hyderbad.

Hyder Ali, while leading his troops towards successive victories, fell ill and died in the battlefield on 7 December, 1782, near Narasingarayuni Peta village, which is now in Chitoor district of Andhra Pradesh.

source: http://www.siasat.com / The Siasat Daily / Home> Featured News / by Nihad Amani / August 22nd, 2020

Streetwise Kolkata: How Tollygunge is linked to Tipu Sultan

Kolkata, WEST BENGAL :

Decades before the birth of the city of Calcutta, the area that is now Tollygunge was a dense forest land called Russapugla with an abundance of mangrove trees.

The clubhouse on the grounds of Tollygunge Club in Kolkata. The club is preparing for its New Year’s Eve party with stage equipment on its grounds. (Express photo: Neha Banka)
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Most know Tollygunge as a neighbourhood in south Kolkata rather than the long stretch of road by the same name that cuts through a large swathe of the area.

Decades before the birth of the city of Calcutta, the area that is now Tollygunge was a dense forest land called Russapugla with an abundance of mangrove trees. Over the centuries, the land was cleared for settlement and urban planning but some traces of the forest can still be found in the expansive property belonging to Tollygunge Club and the Royal Calcutta Golf Club in the neighbourhood, some of the oldest social clubs in the city.

Tollygunge Club, established in 1895, derives its name from the neighbourhood of Tollygunge, that in turn got its name from William Tolly, a colonel in the British Army in 1767. Calcutta was a city of creeks, although many have been entirely or partially filled up. Today, few of those creeks remain, winding slowly across the city, trying to find their way into the Bay of Bengal, but one would have to search beneath cramped, illegal urban settlements and mounds of garbage to find them.

Tolly’s Nullah behind the grounds of Tollygunge Club in Kolkata. (Express photo: Neha Banka)
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In the outer peripheries of the property that belongs to Tollygunge Club, a narrow creeks snakes past, as if conjoined to the boundaries of the club’s walls. On both banks of the creek, slums have developed over the years and garbage floats on the water, emanating a foul stench.

According to historian P Thankappan Nair, who has documented the city’s history extensively, this creek was originally called the Govindpur Creek. There is no historical documentation for why the creek was so named, but perhaps it acquired its name from that of the village of Govindapur, one of the three villages that went on to form the city of Calcutta. According to Nair, another name for this creek in Bengali was Adi Ganga or the original River Ganga that flows past the city.

This map is a conjecture map and shows the path of Adi Ganga. Tolly’s Canal is named ‘The Creek’ in this map and runs past Tollygunge when it was still the village of Govindapur. (Map credit: Chattopadhyay 1990/Jenia Mukherjee)
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In 1775, Colonel Tolly wrote to Warren Hastings, the Governor-General of India, with a proposal of leading an excavation to connect the village of Balliaghat, now called the neighbourhood of Beliaghata, in the wetlands of the eastern fringes of the city, to the neighbourhood of Tollygunge through a waterway.

Slums have come up on both banks of Tolly’s Nullah. (Express photo: Neha Banka)
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According to published letters in the Fort William-India House Correspondence Vol.7 (1773-1776), Tolly wrote to Hastings saying he can do the same on a contract with the East Indian Company or lend his services for Rs 80,000, along with a levy on tolls paid by boats passing through the creek for a period of 12 years. This plan was agreeable to the Company, and Tolly was directed to survey the land. This creek, 27 kilometres long, was then renamed Tolly’s Nullah after the colonel and opened for navigation in 1777.

After the opening of the Nullah, the neighbourhood became more developed and came to be known as Tollygunge. After Tolly’s death, his widow was unable to continue collecting the tolls and the maintenance of the waterways. The Company took over the management of the Nullah and auctioned its leasehold rights in March 1794 to an Englishman in the city, John Hooper Wilkinson. In 1804, the Bengal Government took control over the Nullah and the Collector of 24 Parganas was authorised to maintain it.

Passersby stand on a small bridge that connects the banks of Tolly’s Nullah. (Photo: Neha Banka)
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There is no document to independently verify this fact, but according to the Tollygunge Club archives, the premises of the club was originally an indigo plantation home of Richard Johnson, a merchant in the East India Company, set up in 1781.

Around 1806, the British dispatched Tipu Sultan’s family to Calcutta and gave them a living allowance. Tipu Sultan’s son Ghulam Mohammed Shah purchased the plantation grounds from Johnson to be used as a residence and the family spent a considerable amount of time in the neighbourhood.

After the family’s fortunes changed, they sold some portions of the plantation and leased out other sections to William Dixon Cruickshank, a Scottish banker, who was looking to build a sports club for the British that would also allow residential facilities and provide space for the British to socialise.

After the fortunes of Tipu Sultan’s family changed, they sold some portions of the plantation and leased out other sections to William Dixon Cruickshank, who was looking to build a sports
club for the British. (Express photo: Neha Banka)
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Over time, Tipu Sultan’s family divested complete control of the estate and the lands came under the direct control of the Tollygunge Club, a name that the institution acquired because of the neighbourhood it was located in and because of the location of the creek that runs just behind its premises.

Over the decades, most of the open spaces in the club were converted into an 18-hole golf course and the forest land was cleared to make space for other structures and facilities inside the club premises.

Today, there are no signboards that indicate the location of the Tolly Nullah in the neighbourhood of Tollygunge. Haphazard modern construction has changed the facade of Tollygunge and to find the nullah, one would have to engage in a self-conducted walking tour using an old map of the city for guidance.

An offshoot of the main road in Tollygunge, a narrow lane, through which only one vehicle can pass at a time, is the only way to access the nullah these days. Slums occupy both banks of the waterway and an overwhelming sense of garbage permeates all around. Tollygunge Club itself has changed over the decades and its history can only be found in pockets.

Haphazard modern construction has changed the facade of Tollygunge and to find the nullah, one would have to engage in a self-conducted walking tour using an old map of the city for guidance. (Express photo: Neha Banka)
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Although most of the dense forest has been cleared away over the years, jackals still roam its greens in the darkness of dusk and late into the night. On any given day, one can spot diverse species of birds on the club grounds, like kingfishers and cattle egret. Few city residents know of how the institution and its neighbourhood got its name and perhaps even fewer know of the existence of the waterway that lies beyond the high walls of the club.

source: http://www.indianexpress.com / The Indian Express / Home> Cities> Kolkata / by Neha Banka / Kolkata , December 27th, 2019

Tipu, legend in the West

Srirangapatnam, KARNATAKA :

TipuSultanMPOs07nov2019

It is an irony that Tipu Sultan, the Tiger of Mysore, whom the current government in Karnataka wants to remove from its history, is celebrated in Britain, France and the US in song, drama, opera, novel, poetry and paintings. A wealth of Tipu’s  personal effects, curiosities and artifacts have found way into numerous art galleries and museums in many countries in the West. There’s not a major museum in the UK that does not exhibit some artifact related to Tipu.

The 75th Highlanders were a regiment raised in Scotland to exclusively fight Tipu. Scottish generals like Sir Hector Munro, Baillie, Beatson, Fraser, Gordon, Dunlop and others participated in the wars against Tipu. The Scots, more than the English,  were in the forefront of the British forces in all the Anglo-Mysore wars fought by Tipu as well as his father Hyder Ali. That explains the importance of the display of Tipu memorabilia in Edinburgh and Glasgow.

After Tipu was finally defeated and killed in 1799 by the British, under the command of Arthur Wellesley, the future Lord Wellington who 16 years later defeated Napoleon Bonaparte in the Battle of Waterloo, images of Tipu, his capital Srirangapatam (Srirangapatna) and his numerous impregnable forts and fortresses, proliferated throughout Britain. No other Indian ruler ever captured the imagination of the average Englishman as Tipu did. It is said that British housewives would quieten their babies by whispering “else, Tipu Sultan will come and get you.” Even three decades after Tipu’s death, his name was such a terror that when Ram Mohan Roy visited England on a mission from the then Mughal emperor, hostile crowds confronted him in London, mistaking him to be related to Tipu because his headgear resembled Tipu’s iconic turban.

Tipu Sultan, his capital city Srirangapatam, and the wars he fought against the British became favourite subjects for paintings, sketches and etchings by some of the most famous artists of the day in England and Scotland. When Ker Porter, the famous  Scottish painter’s Panorama — a single large painting of Tipu — was displayed in Edinburgh, there was euphoria among the public as they rushed to have a glimpse of it. JMW Turner, the renowned British painter, painted portraits of Tipu  and scenes of Srirangapatam and other places in Mysore kingdom. Sir David Willkie, another famous painter, was commissioned by the widow of David Baird to paint the poignant “Discovering the body of Tipu Sahib on 4 May, 1799”.  It was exhibited in 1838 in the Royal Academy of Arts in London. David Baird had spent several years in Srirangapatam as Tipu’s prisoner, and had his revenge in the final assault on him.

Alexander Allen travelled to India to personally see the hill forts of Mysore kingdom and produced captivating scenes in his paintings. William Darnell Beckford, Holmes, Hunter and many others made several stunning paintings of Tipu and his palaces. Sir Walter Scott, the great Scottish novelist, wrote works of fiction based on Tipu and his times. Charles Dickens, Wilkes Collins and Jules Verne have all depicted themes from Tipu’s life in their novels.

The numerous artifacts of Tipu Sultan, pilfered, looted and spirited away by the British after the fall of Srirangapatam, became collectors’ items. Tipu’s dismantled throne, his numerous swords, daggers, bejeweled sword belts, hookahs, ivory caskets , nutcrackers, gold watches, precious jewels and many other priceless items occupy the pride of place in museums in London, Glasgow, Edinburgh and Wales.

The most awesome of these artifacts is the life-size toy tiger depicted devouring a British soldier. It has cast a spell over generations eve since it was spirited away by Wellesley to England where it was displayed at the Kensington Museum, now  known as Victoria and Albert Museum (V& A Museum). This toy tiger in bright yellow strips has in its belly a mechanical pipe organ hidden, which creates wailing shrieks and a loud road when its handle is turned. There was near stampede for months in front of the museum when people flocked to see the wonder toy of Tipu Sultan. The fact that it is kept in an exclusive large room in the otherwise crowded V&A Museum, and with separate security, speaks of the importance that is accorded to this curious Mysore object. A replica of it is at the Scottish National Museum in Edinburgh. It was commissioned in 1999, when the bi-centenary of Tipu’s death was commemorated, as the original one at V&A could not be moved for fear of damaging it in transit.

The most significant of Tipu’s artifacts are at the Edinburgh castle. Inside the castle is the ‘National War Museum’, in which the battle honours of the Scottish Regiments are displayed. Here are seen several swords and arms used by the Scottish generals against Tipu and his Mysore armies. What is interesting are the words Carnatic, Mysore, and Srirangapatam engraved on the granite slabs displayed on the walls.

At a private museum in Powai Castle in Wales, one can see Tipu’s camp tent, made of silk and heavily embroidered, his camp cot made of sandalwood, his hookah and many other personal items, besides two large cannons.

A painting of Tipu with his war rockets hung on a wall at NASA’s Wallops Flight Facility in Virginia in the US was seen by young APJ Abdul Kalam when he was on a visit there in his early years at ISRO, about which he wrote as an inspiration many years later.

At the Edinburgh International Festival (EIF), held annually in August, Tipu’s memories come alive during the closing ceremony’s fireworks display when the Scots burst explosives and fire rockets around the castle to create scenes of their soldiers encountering deadly fires around Tipu’s forts in Nandidurg, Savandurg and other places.

Tipu Sultan, the Tiger of Mysore, died 220 years ago, but his legend continues in the lands of those he fought fiercely against, who appreciate his valour, unyielding spirit and reckless courage. In the land that he defended from them, his memory  is sought to be erased from school textbooks.

(The writer is a former Professor of History at the University of Hyderabad)

source: http://www.deccanherald.com / Deccan Herald / Home> Opinion> Comment / by K S S Seshan / November 07th, 2019

Mysore’s legacy in Scotland

Mysuru, KARNATAKA :

The view of the 12th century edifice at Edinburgh castle that houses the National War Museum.
The view of the 12th century edifice at Edinburgh castle that houses the National War Museum.

The legend of Tipu Sultan is still alive in far away Scotland

It is an irony that Tipu sultan, the ‘Tiger of Mysore’, whose birth anniversary celebrations in India became a contentious issue recently, in Scotland whose soldiers and commanders fought for the dissemination of this great warrior king, the only Indian monarch to have died on the battlefield fighting the British, is cherished and commemorated in song, dance, drama, opera, in novel and in paintings. A wealth of personal effects and curiosities of Tipu Sultan have found way to numerous art galleries and museums in Scotland, particularly in its capital Edinburgh.

The participation of the Scots in the affairs of the East India Company began immediately after the unification of Scotland with England through an Act of Union in 1707. Since then Scottish people began coming to India as soldiers, generals, writers, administrators, traders, merchants and missionaries. But they excelled in their service as military generals and commanders. A separate Regiment of foot, the ‘75 Highlanders’ 75th .Highlanders was raised in Scotland to deal with Tipu Sultan. Scottish generals like Sir Hector Munro, Baillie, Beatson, Fraser, Gordon, Dunlop and others participated in the military operations against Tipu. The Scots, more than the English were in the forefront of the British forces in almost all the Mysore wars fought between 1760 and 1799.

After Tipu was finally dismembered by the British under the command of General Arthur Wellesley, the future Duke of Wellington, the images of Tipu Sultan as well as Srirangapatnam proliferated in Britain. No other Indian ruler, against whom the British fought and won, captured the imagination of the average Britisher at home, as much as that of Tipu Sultan. There were tales of mythical proportions in circulation about his valour, reckless energy and merciless acts of tortures meted to the captured British soldiers. It is said that British housewives used to threaten their weeping babies with the ‘arrival of Tipu’ to silence them

The images of Tipu Sultan and his capital, Srirangapatnam became subjects for paintings and art sketches throughout Britain. When Ker Porter’s Panorama a single large painting of Tipu Sultan was displayed in Edinburgh, there was euphoria among the Scots to have a glimpse of it. The celebrated British painters J.M.W. Turner and J.S. Cotman painted scenes of Srirangapatnam and other places in Mysore besides the portraits of Tipu. Sir David Willkie, the famous painter of the day was commissioned by the widow of Sir David Baird, and his poignant painting Discovering the body of Tipu Sahib on 4 May, 1799, was exhibited in 1838 in the Royal Academy of Arts in London. The Scottish General David Baird had spent several years in Srirangapatnam as a prisoner of Tipu before avenging in the final assault on Tipu.

Alexander Allen an artist of great repute travelled to India to personally see the hill forts in Mysore kingdom before he produced captivating sketches. William Darnell and Beckford also produced several sketches that survive even today. Holmes’ Select Views of Mysore, and Hunter’s Picturesque Scenery in the Kingdom of Mysore also evoked great enthusiasm in Britain. The Mysore wars offered exciting subjects and artists who never even visited India responded to the popular appeal of the Tiger of Mysore. As a result of such prolific paintings, the image of Tipu was so much etched in the collective memory of the Britishers that decades later, when Raja Ram Mohan Roy visited England, he had to confront hostile crowds as he was mistaken to be a descendant of Tipu Sultan. The head gear he wore was similar to the huge turban Tipu wore.

Returning soldiers of Scotland provided Sir Walter Scott with anecdotes for his novels on India. Several dramas and stage plays depicting Tipu and his fall were written and enacted at the Royal Corbug theatre in Edinburgh. Events at Srirangapatnam also appear in the writings of the novelists like Charles Dickens, Wilkes Collins and Jules Verne.

The remnants of Tipu Sultan’s dismantled throne, his numerous swords, daggers, bejewelled sword-belts, hukkas, ivory caskets, and several other artefacts were displayed in Glasgow and Edinburgh besides London.

Tiger in Museum:

In 1999, National Museum of Scotland, Edinburgh, as a part of the bi-centennial celebrations of Tipu’s death, held a special exhibition and decided to make Tipu’s Toy Tiger as a special exhibit along with several other Tipu’s memorabilia. But as the antique Toy Tiger was advised by exerts not to be moved from Victoria & Albert museum, fearing damage in the transit, a replica of it was made for the occasion.

The Toy Tiger is an awesome life size wooden toy seen devouring a European in military uniform. This impressive toy has cast a spell over generations of admirers since 1808 when it was first displayed in the Indian section of Kensington Museum now called Victoria & Albert Museum. The Toy in its body has a mechanical pipe organ hidden and by turning a handle, creates wailing shrieks and a loud roar. The design of this Toy Tiger is said to have been inspired by the death of the son of the Scottish General, Sir Hector Munro, a bête Notre of Tipu Sultan.

Tipu’s Memories at Edinburgh Castle:

The most significant of Tipu’s memories lay at the imposing castle in Edinburgh, Scotland’s capital. This historical castle, perched on a hillock with a commanding site, is a national symbol of Scotland. Inside the castle is located National War Museum’in which the ‘the Battle Honors” of the Scottish Regiments are displayed. Here are seen numerous ornamental swords belonging to the several prominent Scottish Generals who saw action in the Mysore wars. Swords presented to Generals as souvenirs and medals are also on display What is surprising is the words, ‘Carnatic’, ‘Mysore’, and ‘Srirangapatnam’ carved in stone, are seen on the wall of this Museum indicating the importance the Scots bestowed on their combats during the wars against Tipu.

At the Edinburgh International Festival (EIF), held annually in August with several programmes of music, theatre, opera and dance, Tipu’s memories also come alive . The closing ceremony of the EIF held at the Castle is marked by spectacular display of fireworks. The scene is suddenly shrouded in darkness and bellowing smoke as rockets and explosives presents dramatic images of a big hill-fort under siege. This is an imitation of the Mysore wars when Scottish soldiers in India were familiar with such sights when deadly fires were showered on them from the impregnable forts like Nandidurg, Savandurg and Ootradurg in Tipu’s kingdom. It is said that four tons of explosives are used that evening for the celebration of such fireworks. Tipu Sultan, the ‘Tiger of Mysore’ must have died two centuries ago, but his enduring legend continues to be celebrated in far away Scotland with genuine nostalgia.

source: http://www.thehindu.com / The Hindu / Home> Friday Review / by K.S.S. Seshan / Hyderabad – March 17th, 2016

Over 100 Missiles of Tipu Sultan found in a shivamogga well

Mysuru, KARNATAKA :

Surprise find came when well was being desilted

It is one of the most sensational archaeological discoveries in Karnataka. Over a 100 war rockets from the 18th Century were found recently during the desilting of an open well in Shivamogga. The rockets used by the Mysore kingdom, during the Anglo-Mysore Wars, especially in the last two of them during the reign of Tipu Sultan, are considered the most-advanced of their age. Only five known specimens of the rockets were known to be in existence till now; three in the Government Museum in Bengaluru and two in the Royal Armoury, Woolwich, UK.

The rockets discovered were being studied outside of public glare for a few months now. When Bangalore Mirror asked Shejeshwara Nayak – the assistant director and curator of the Government Museum, Shivappa Nayaka Palace in Shivamogga (where some of these rockets are now being kept for display) – he said: “When they were discovered a couple of months ago, these were thought to be some kind of shells. Dr HM Siddhanagoudar [historian] has identified them as rockets.”
“Rockets have been used in battles for 700 years. But it was only in Mysore, under Hyder Ali, that iron casings were first used. Before that, rockets had wooden or paper casings. The iron casings drastically improved their efficiency and range. Mysore rockets were the most advanced ones during the second half of the 18th Century,” said Nayak.

Hyder Ali’s father Fath Muhammad worked for the Nawab of Carnatic before moving on to work for the Mysore Kingdom. Under the Nawab, he handled a rocket corps. Back then, these rockets were used for signalling during battles, not as weapons. Hyder became the first to use rockets with iron casing, and that’s how they became deadly battlefield weapons.

After the fall of Tipu Sultan in 1799, hundreds of rockets of various kinds fell into the hands of the British. The Congreve rockets developed by the British in 1804 (and later used against the armies of Napoleon) were based on the Mysore rockets.

TipuSultan02MPOs19apr2018

THE INITIAL FINDING

The rockets discovered in Shivamogga are likely to be put up for public display in March-April this year. However, how the discovery was made is not being revealed by authorities. The rockets are said to have been found in a well in Nagara of Hosanagara taluk, 60 km from Shivamogga, in a farm belonging to one Nagaraja Rao.

The rockets were basically metal cylinders that were filled with gunpowder and then strapped to a bamboo pole, sometimes up to 30 feet long. Mysore rockets had the highest range of around 1 km. During Tipu’s time, more changes were made to these rockets. From a few hundreds, the ‘cushoons’ – or regiments handling rockets – reached a high of 5,000 men during his time. During the battles of the III and the IV Anglo-Mysore Wars, the rocket cushoons had a terrifying impact on the British forces, as recounted in several accounts of the period.

The area where these rockets were found was part of the Keladi Kingdom, one of the bigger principalities in Karnataka and was annexed to the Mysore Kingdom in 1763 by Hyder Ali. His successor, Tipu Sultan built a mint and an armoury at Nagara. Thus, these rockets are from between 1763 and 1799.

Nidhin George Olikara, a historian with specialisation in Tipu’s era, said: “These rockets were found sometime ago but were identified as rockets recently. Nagara in Shivamogga district earlier was home to an armoury and mint during Tipu Sultan’s rule. The work of researchers is now over and scientists should step in to find out what kind of iron has been used to make rockets.”

2006AP2869

THE REMAINS

The newly discovered rockets are actually the iron casings. Those are the only part of the rocket that could have survived being buried for 200 years. The other parts, such as the bamboo pole and straps, are long gone. Like the records of that age which mention Mysore rockets of various sizes, the Shivamogga rockets are also found in various sizes. Most of the rockets are 7-8 inch long. A few of them are longer. The circumferences are 1, 2 or 3 inches.

source: http://www.bangaloremirror.indiatimes.com / Bangalore Mirror / Home> Bangalore> Cover Story / by Bangalore Mirror Bureau / by S. Shyam Prasad & Gururaj B R / January 20th, 2018

Why legends of Tipu Sultan live on in Calcutta

Kolkata, WEST BENGAL :

TipuMosqueKOLKATA08Mpos08nov2017

Tipu Sultan, the `Tiger of Mysore’, born Fateh Ali Sahab Tipu in 1750 at a place now part of Bengaluru, was never in Calcutta. But our city has two masjids in his name as descendants of his descendants live in our city. Last year, the government of Karnataka decided that November 10 will be annually celebrated as  Tipu Sultan Jayanti. This attracted foolish objections from those who never learned from history but want to rewrite it and rip up the country’s social fabric. As Stephen Hawking succinctly puts it, “We spend a great deal of time studying history , which, let’s face it, is mostly the history of stupidity.”Tipu Sultan, the powerful ruler in south India during the 18th century , when the British themselves were taking over India in their empire-building frenzy , was a formidable opponent to their imperialistic ambitions.Unfortunately , he died on the battle field in 1799, one of the first Indian rulers to do that. However, he had also signed a treaty with the British seven years earlier by which he ceded half his kingdom and unable to pay the colonists some `300 lakh, had to accept his two minor sons being exiled to Calcutta.Although they were returned to their family two years later, a `mutiny’ in 1806 resulted in the entire family and entourage of about 300 people literally being shipped off to Calcutta. This included Tipu’s 11th son, Prince Ghulam Mohammed Anwar Shah. Ghulam Mohammed is remembered today , if at all, by the name of the road that skirts around the Royal Calcutta Golf Club (RCGC) and arrives at the Golf Green area.

The family was settled in hutments on marshy tracts of land in Russapugla, the area which now houses Tollygunge Club and RCGC, initially liv ing in penurious conditions.However, Ghulam Mohammed Shah was enterprising. He scrounged and saved the stipend he received from the British and built up his finances through judicious investments, later acquiring the lands they were settled in and setting up the Prince Golam Mohammed Trust in 1872. He built the famous Tipu Sultan Shahi Masjid located at the junction of Dharmatala Street and Chowringhee in honour of his father in 1832. A decade later he built the twin of that mosque in Tollygunge at the crossing of Prince Anwar Shah and Deshpran Sasmal Roads. The Trust started by him is considered to be one of the richest Muslim trusts in the country , their revenues earned mostly from the ownership of multiple properties stretching from south to central Calcutta. It is said the land on which the Lower Circular Road Christian cemetery is located was acquired from Tipu Sultan’s son in 1840.That explains the small mosque in an enclosed area at the rear of the cemetery .

It is fun to extrapolate that despite the political and social conflicts raging in the nation at that time, the Tipu Sultan Shahi Masjid, one of the lesser known heritage attractions of Calcutta, along with the Sacred Heart Church, a short walk down Dharmatala Street, as its contemporary neighbour, are rather obvious examples of this city’s plurality and cosmopolitan nature.Tollygunge, not yet known as Tollygunge, would be called that after Colonel William Tolly dredged the Gobindapur Creek in 1773 and reconnected Calcutta Port with the Matla and Bidyadhari rivers. He was also permitted to levy a tax on ships plying to and from today’s Bangladesh and built a market there, a ganj. The area was thereafter known as Tollygunge. In due course, Prince Ghulam became the owner of almost all the land.

The first hole of  Tolly Club’s golf links is named after Tipu Sultan and for someone who never even set foot in this city, his legacy here is quite something to wonder at. George Orwell said, “The most effective way to destroy people is to deny and obliterate their own understanding of their history .” Rewriting the history of a country to fit a particular political mould is an attempt to do exactly that and it shall fail because those doing so are in denial. Tipu Sultan was many things to many people. He was probably what many monarchs were at that time, benevolent and violent, fighting valiant battles to retain his lands and his people, harsh and despotic, heroic and innovative, patriotic and tyrannical, and a whole lot more. He, nevertheless, will be a significant character in our history, if for no other reason but that he was where he was, when he was.

One of the ways someone like Tipu Sultan will live on in history is because of music.He featured in folk songs of the period as he did in English ballads of the time. The English songs were of course all derogatory and cursed the Indians in various ways, while being full of self-praise and odes to British military valour.Perhaps there is still time for someone to do what Francis James Child did in the 1800s, collecting Scottish and English ballads and transcribing them to text and notation. The wealth of folk music in India would give us, what could only be an amazing take on the history of our country .

— PATRICK SL GHOSE

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Kolkata News / by Patrick SL Ghose / TNN / November 06th, 2017