Category Archives: Arts, Culture & Entertainment

On Women’s Day, a lesson on courage and defiance

Mumbai, MAHARASHTRA :

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Urdu medium Bombay Girls High School on Mohammed Ali Road celebrated womanhood with inspiring stories of women who succeeded against all odds.

They come to their school on Mohammed Ali Road early in the morning from the slums of Wadala and Sewri, and when they return home, some of them must help in household chores like washing the clothes and cooking, before they can finally sit down to study. Sometimes, they have to skip school in order to look after their younger siblings. Playtime is an unknown concept.

Some of them even admitted to not opening their books at all at home. We don’t feel like it, they said. And nobody at home cares enough to try and persuade them. On the contrary, there are some who will have to persuade their parents to allow them to continue studying till Class XII.

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Yet, their aspirations know no bounds. From teaching to fashion designing to becoming a doctor – these are their dreams.

On this International Women’s Day, their hopes got a huge boost when they got to hear the success story of someone just like them at a program at their 50-year-old Urdu medium Bombay Girls High School. They learnt that giving up was not an option from one of their own.

Dr Roshan Jahan, daughter of a vegetable vendor, lost both her legs in a train accident when she was in Std XI. Debarred from getting into a medical college because she was 86 per cent disabled, she approached the Bombay High Court, fought a long-winded legal battle and won the right to study medicine in 2011. Last year, she completed her MBBS with a first class from the renowned GS Medical College attached to KEM hospital.

The young doctor was the special guest at the function.

“Never give up on education,” she told the wide-eyed students, recounting her struggle. “Education alone will make you self-sufficient and take the community forward. Instead of wallowing in selfpity about discrimination, resolve to reach a position in society where no one can discriminate against you.”

The Women’s Day program was organised by Reshma Momin, a former journalist, who now runs the Quresh Nagar Women’s Welfare Society. She too had been a shy, self-effacing teenager, she told the students, but her father had taught her to aim high.

“Never feel you are any less than others just because you are poor and study in an Urdumedium school.”

Earlier, special invitee Dr Indrani Salunkhe gave a talk on menstruation and overcoming the problems that accompanied it. She also spoke to the Class VII- IX girls about the adverse link between menstruation and junk food.

source: http://www.mumbaimirror.indiatimes.com / Mumbai Mirror / Home> Mumbai> Others / by Jyoti Punwani, Mumbai Mirror / March 09th, 2018

Sufi legend Begum Yaman passes away at 52

NEW DELHI :

New Delhi :

Famous sufi singer and daughter of legendary Sitar Maestro (late) Ustad Vilayat Ali Khan, Begum Yaman K. Khan has passed away after multiple organ failure.

Khan was admitted to the Christian Medical College and Hospital, Ludhiana for the treatment of liver failure and breathed her last at 3 a.m.

Her mother Begum Mohnisha Khan has confirmed her sad demise.

The singer’s body will be brought to Delhi and the last rituals will be performed.

Begum Yaman was the granddaughter of Ustad Inayat Khan and daughter of Ustad Vilayat Khan of the Imdadkhani (named after her great-grandfather Imdad Khan) or Etawah Gharana.

Born in Mumbai, Begum Yaman K. Khan had a musical pedigree that goes back seven generations: her grandfather, Ustad Enayat Khan; her great-grandfather, Ustad Imdad Khan; and her great-great-grandfather, Ustad Sahebdad Khan – all leading artists and torchbearers of the Imdadkhani gharana with its roots in Mymensingh (present day Bangladesh).

She has one brother, sitarist Hidayat Khan and one sister, Zila Khan who is a sufi singer.

Begum Yaman used to sing all forms of Indian semi-classical music and was probably the only female singer in India of Sufi style of music in its purest form. She was the recipient of ‘Hasrat Amir Khusrao Award’ by Urdu Press Club International and an award for her excellence and contribution to semi-classical and Sufiana kalam by Balkan-Ji-Bari International.

She had devoted her life to practice, teach music and perform all over India as well as internationally.

source: http://www.newindianexpress.com / The New Indian Express / Home> Nation / b y ANI / April 21st, 2017

Keeping alive a shining legacy

Hyderabad, TELANGANA :

Some of the silver items collected by Riaz Ziaee
Some of the silver items collected by Riaz Ziaee

Meet the Hyderabadi  ‘heritage buff’ trying to preserve precious silverware that belonged to the city’s royalty.

Hyderabad:

Riaz Ziaee, a blue-blooded Hyderabadi, has provided a worthy home to silver antiques that were made around the world for the city’s former royalty and nobles.

The techie-turned-real estate developer has two homes, one in Hyderabad and the other in Toronto, Canada, where he keeps dozens of pieces of original silver artefacts that salute the culture of a bygone era, the “time when people had time”, as he puts it.

A regular visitor to his ancestral home in Hussaini Alam, Riaz (47) spoke to Telangana Today from Toronto about the heritage he is trying to preserve.

Riaz Ziaee
Riaz Ziaee

For Riaz, the collection is a reminder of his roots. “I preserve these pieces, most of which are more than 100 years old, so that I can show my children, relatives and friends how we used to have the luxury of time when we were growing up in Hyderabad,” he said.

According to Riaz, a lot is being missed out due to life in the fast lane these days. “These collections, along with other heritage symbols, were our prized possessions. My ancestors collected antique silver artefacts, especially those pertinent to Hyderabadi culture,” he said.

Some of the items were inherited and many other pieces were collected later by Riaz. “Though several homes in Hyderabad still have such antiques, most are unable to use them due to the sheer lack of time. The importance of such precious aspects of our culture is losing ground with the new generation of Hyderabadis,” he pointed out.

In his exquisite and finely maintained collection are rare items such as kaandaan, which is different from paandaan in that it was used to keep fresh paan in its original heart-like shape.

“I also have an atardaani with pure silver filigree and a tray made in Italy for the Nizams. I collected these items from Hyderabad and from flea markets around the world. We also have silver scrolls, which were used to hold rolls of important documents,” Riaz revealed.

There is a bidri tray which was used for serving nuts and dry fruits to guests, and which has lovely calligraphy on it. There is a gulab pash, which was used to sprinkle rosewater on guests during Eid and other functions. “I still use these items on special occasions and maintain them regularly so that they stay on in our home as a reminder of where we come from and what we have lost,” said Riaz.

source: http://www.telanganatoday.com / Telangana Today / Home> Hyderabad / by  Sharjeel / March 05th, 2018

Ghazal maestra fighting ill-health, penury

Lucknow, UTTAR PRADESH :

Zarina Begum undergoing treatment at a private hospital
Zarina Begum undergoing treatment at a private hospital

Lucknow :

As her handicapped middle-aged son, limps on his crutches up the staircase to the third floor of a private hospital in Lucknow’s River Bank Colony  area, Zarina Begum,  the last living court singer of Awadh, is being administered injections at the intensive care unit (ICU) where she is fighting both penury and ill-health.
Disciple of legendary Ghazal singer Begum Akhtar, 88-year-old Zarina Begum, who was the first recipient of the ‘Begum Akhtar Ghazal Award’ started by UP government in 2015, has been paralytic for the past nine years. It was on the day of Holi, on March 1, that she got extremely unwell, when her family took her first to Civil hospital and later shifted her to the private facility on March 5.

As a case of right side hemiparesis (pertaining to paralysis) she was diagnosed with urinary tract infection, altered sensorium, anaemia, fever, vomiting and weakness, to be looked after in the ICU under conservative treatment. The expenses estimate given by the hospital for her five-day treatment till now is around Rs 1 lakh. And this is not the final bill.

The last living singer of the ‘Baithak’ style of musical rendition, Zarina Begum has no income, a rented home in Aminabad’s Hata Khuda Baksh area and a deluge of medical bills.

“We are extremely worried about the money. How will the expenses be borne? I don’t even have Rs 400 in my pocket,” said her daughter, Rubina.  “My brother Ayub does not have his leg down the knee ever since he lost it to an accident almost 20 years ago. Ammi has been on the bed for the last many years, and can still recall ghazals and couplets,” she added. But it is not just the medical bills that the family is worried about.

Kin seek pension for Zarina Begum
The last government after many perusals had taken up her treatment expenses immediately. But what we also seek is pension for Zarina Begum, a job for Rubina and a battery driven rickshaw that Ayub can drive so that even after hospital treatment, there is some money to feed the mouth and bear regular medical bills,” said Zarina’s son-inlaw Naved.

There is almost a monthly Rs 10,000 expense that the family manages somehow for procuring medicines. “The home, a tin-roofed rented place might soon be sold by the tenant, which could leave us on the roads,” said Naved.

“My own health, as also Rubina’s, has gone down with the continued strain we bear in keeping up with the treatments. I have sent several letters of requests to the state government, but there has been no response on the pension or the battery rickshaw or anything to do with employment,” he said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Lucknow News / by Yusra Hussain / TNN / March 08th, 2018

Fully-clad hijabwearing contestant wins body building competition

Orkkatteri, Kozhikode , KERALA :

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Kochi :
It is rare that a fully-clad hijabwearing contestant wins a body building competition, that too when the fellow contestants could show their fully toned bodies. Majiziya Bhanu, who hails from Orkkatteri in Kozhikode, could do just that as she was able to wow the judges by her fitness despite wearing a body-hugging sportswear and won the gold at a body building event held in Kochi on Sunday evening.

Majiziya Bhanu, a professional weightlifter, was on her way to Kozhikode after attending the contest in Alappuzha, when she heard about the contest in Kochi.“My fiancée encouraged me to attend the event. I had never before taken part in a bodybuilding competition.

So, I sought the help of my weightlifting coach, who sent photos of poses to be displayed on WhatsApp,” said Majizia, a final-year BDS student.“I was quite confident of winning the championship as I found the other women contestants to be chubby,” she added.

Wearing black body-hugging sports pants, full sleeve tight top and a headscarf, Majiziya displayed her physique through the mandatory four postures. Within hours after winning the powerlifting championship in Alappuzha, Majiziya achieved success once again in the bodybuilding championship in Kochi.

“I don’t defy my religion as I cover my body. I am quite confident about attending more powerlifting championships in future. I want to start an academy for powerlifting to facilitate children in my native village to get training in powerlifting,” she said.

Majiziya follows a strict diet and does not eat rice so that she can maintain her weight. Her daily diet includes vegetables, goat milk, dry fruits, chicken and oats.

While girls in her age walk extra miles to make their bodies flimsy, Majiziya prefers to focus on fitness.

She says that she is grateful to her parents for their unequivocal support in allowing her to participate in the weightlifting championship. Her father Abdul Majeed is a businessman in the Middle East while her mother Razia is a homemaker.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Kochi News / by T C Sreemol / TNN / February 27th, 2018

RAAG TAAL GHARANA – The legend of Mian Tansen

Gwalior, MADHYA PRADESH : 

Tansen's tomb in Gwalior | Photo Credit: HINDU PHOTO ARCHIVES
Tansen’s tomb in Gwalior | Photo Credit: HINDU PHOTO ARCHIVES

He created many ragas, could produce any sound and lent a distinct style to Senia gharana

This gharana is made up of the legend of Tansen, the father of Indian classical music. Though Tansen was a vocalist, the gharana also produced sitar maestros. The Senia style of sitar playing started with the legendary Ustad Maseet Sen, who belonged to the sixth generation in the Tansen lineage. ( The pioneer of Maseetkhani style, even today, 100 years later, the Maseetkhan Baj is played by the sitarists of this gharana. These musicians came to be known as the sitarists of Jaipur Senia Gharana. They lay emphasis on the purity of raga and technique. Their style of playing was that of the bin or veena. Ustad Mushtaq Ali Khan, son of Ashiq Ali Khan of Varanasi had the privilege of learning from Ustad Barkhat Ali khan of Jaipur, who went by the title ‘Aftab-e-Sitar’. Pt. Debu Choudhuri was fortunate to learn from ‘Dada Guru’ (Ustad Mushtaq Ali Khan).

On the vocal front, the gharana is referred to as Qawwal Bachcha. Its most well-known exponent of our time is the Lucknow-based Ustad Shamshudeen Khan, popularly called Ustad Gulshan Bharathi (recepient of ‘Yash Bharathi’ award). This style is known as bol bant ki gayaki and bol banav ki gayaki. Short and crisp bol taans are significant features, while the aakar is sparingly used. Many of his disciples have made a mark in films, notable among them being Shashi Suman, music composer of Bajirao Mastani and Harjeet Saxena.

Coming back to Mian Tansen. He was born as Ramatanu and later came to be known as Tanna. There are many legends woven around his life. It is said that he could produce any sound. The story goes that once when the sadhus were crossing a field they heard a lion’s roar and located it to a young boy sitting on a tree. They advised his father to send him to Swami Haridas for training.

However, it is believed that Tansen was born dumb and was taken to the Sufi saint Murshid Mohammed Ghouse Gwaliari. On reaching Gwalior, he visited the Sufi saint and found him in the company of Swami Haridas. The saint blew air into the mouth of the child and Tanna began to speak. When the saint came to know the child was also deaf, he blew air into his ears and he was cured. The Sufi saint then asked Swami Haridas to take him into his fold. Thus began his musical journey (M.A Bakhy).

Titles to Tansen

Tansen was the title given to him by Raja Vikramjit of Gwalior. Tansen was a court musician in the darbar of Raja Ramachandra of Bandavagarh (Rewa).

When Akbar heard of his prodigious talent, he sent a ‘firman’ to the king asking for Tansen and made him one of the Navaratnas in his court. He gave him the title of ‘Mian’. Tansen is also known as the ‘Sangit Samrat’, according to Musical Heritage of India by Lalita Ramakrishna.

Abul Fazl records in his Ain-i-Akbari that Akbar gave Rs 2 lakhs to Tansen for his first performance in the court. He composed many dhrupads on Ganesha, Shiva, Parvati and Rama. He also composed songs on his patrons.

Kalpadruma is a compliation of 300 of his dhrupads that were in Gauhar Bani. Tansen composed in his favourite ragas — Multani, Bhairavi and Todi .

He invented the night raga Darbari Kanhra, morning raga Mian Ki Todi, mid-day raga, Mian ki Sarang, seasonal raga Mian ki Malhar. His descendants and disciples are called Seniyas.

While Tansen graced the court of Akbar, many aspiring singers would practice round the clock and caused a lot of disturbance to him. This came to the notice of Emperor Akbar and he banned one and all from pursuing music. The story goes that a competition was organised between Baiju Bawra, also a disciple of Swami Haridas, and Tansen. The loser was to be executed. The two sang under the magic spell of love and reverence to their Guru. Tansen’s tanpura string broke. Baiju asked Akbar to grant him three wishes — not to execute Tansen, to lift the ban on singers and to set free the people who were innocent.

Another famous story is about theintrigue to bring about Tansen’s end by making him sing Raga Deepak. Tansen, who was known for the purity of his renditions, foresaw his fate, but could not say ‘no’ to the emperor. He had asked all the lamps in the court to be extinguished. As he sang, the lamps lit and the flames engulfed him.

On hearing this, his wife Husseini broke into raga Megh Malhar, beckoned rains and saved Tansen. This was a turning point in the legendary singer’s life and he went back to Sufi saint Hazrat Ghouse Gwaliari. While the Tansen samorah in Gwalior commemorates him as a singer, the yearly Urs has canonised him as a saint.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by Jyoti Nair / March 01st, 2018

Parveez Shaikh is M&C Saatchi’s senior VP and ECD

Bengaluru, KARNATAKA / Mumbai, MAHARASHTRA :

M&C Saatchi India has appointed Parveez Shaikh as their senior vice president and executive creative director.Shaikh is best known for building Contract’s creative reputation during the 11 years that he spent at the agency before he quit, in 2003. He has worked as a creative consultant with a few leading agencies for a few years after that.

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M&C Saatchi India has appointed Parveez Shaikh as their senior vice president and executive creative director.

Shaikh is best known for building Contract’s creative reputation during the 11 years that he spent at the agency before he quit, in 2003.

He has worked as a creative consultant with a few leading agencies for a few years after that.

Shaikh has worked on premium, blue-chip clients such as Philips Audio, Franklin Templeton AMC, Asian Paints, Shoppers’ Stop, ICICI Bank and Cadbury India.

He has won over a hundred national and international awards, including two Cannes Lions and five finalists at the prestigious Cannes Advertising Festival, an entry in the D&AD, the One Show, the New York Festival and the ‘Copywriter of the Year’ award.

He has also featured in the Indian Copy Book as one of the 16 best Indian copywriters of all time. Shaikh will be based in Mumbai.

source: http://www.campaignindia.in / Campaign India / Home> Advertising / by Campaign India Team / May 22nd, 2008

Book on ‘Muslim Vayask Aur Media’ released

Haridwar, UTTARAKHAND :

An alumnus of SMJN post graduate college in Haridwar has written a book “Muslim Vayask aur Media” which dwells of the views of the community members regarding their presentation in the media.

Dhanesh Dwivedi says that in his study, about 80 percent of adult Muslims in parts of Rajasthan, said that they felt as if media is not playing a positive role and at times is totally indifferent to them. This is based on an analysis of data from a 2014 survey conducted by research scholar Dwivedi.

A voracious writer, Dwivedi has worked as technician and interpretor of Russian language in Indian Air Force for almost 10 years. He conducted a survey of 600 Marwar Muslims, from the areas of western Rajasthan including Jodhpur, Jaisalmer, Barmer and Uttarlai in Hindi and his research work got published by Maulana Azad foundation. His questionnaire of 50 points was distributed at various Madrasas and other Islamic institutions where adult Muslims could understand Hindi language.

“On the question if the world looks upon Muslims with a different outlook and whether propaganda was being aimed at defaming Islam, 52 per cent opined that the media was responsible for negative propaganda while 30 per cent said that media was totally indifferent with 18 per cent of the responders terming the media’s attitude as positive,” said Dwivedi.

On the question of whether Muslims were treated as votebanks by political parties, 66 per cent replied in affirmative and 15 per cent in the negative while 19 per cent said that they did not know.  Drawing conclusions from the study, Dwivedi says in his work that the heat is felt by Muslim community members, which is a matter of concern. The electronic media must rethink on how they can create a positive attitude towards the Muslim community members.

He told this correspondent that the adult Muslims he questioned in his study seemed to be much contented with the print media in comparison to the electronic media. Also, the young Muslim generation appears less interested in Urdu language and the print media can come forward to generate their interest in the language in some way, he added.

The secretary of Marwar Muslim Educational and Welfare Society, Mohammad Ateek opined,”In the past four years, the neglect factor towards the Muslim community has increased. The condition has worsened than what Dhanesh Dwivedi has highlighted in his book. It is pure vote bank politics being played with us.

source: http://www.dailypioneer.com / The Pioneer / Home> State Editions> Dehradun / by Radhika Nagrath, Haridwar in Dehradun / Monday – February 05th, 2018

DOWN MEMORY LANE – Revisiting the poet’s hearth

Agra, UTTAR PRADESH / NEW DELHI :

AT HOME Visitors at Ghalib’s Haveli | Photo Credit: Sushil Kumar Verma
AT HOME Visitors at Ghalib’s Haveli | Photo Credit: Sushil Kumar Verma

We know Mirza Ghalib as a Dilliwallah, but the bard had a strong emotional connection with Agra as well

Mirza Ghalib’s death anniversary on 15th February did not evoke the same interest as his birth anniversary two months earlier. Of course, there was a literary festival in Connaught Place and another in India International Centre, one can say the 210th birth anniversary drew greater public attention than probably that of any other Urdu (or Hindi) poet. The haveli he lived in and the Town Hall were the main venues of the functions then, along with the Subz Burj Park in Nizamuddin, now named after him. But nobody thought of holding a function at Kala Mahal in Agra, where Mirza Nausha was born on December 27, 1797 and of which he was so nostalgic because of childhood memories. Just goes to show how possessive Delhiwallahs have become of Ghalib and of Mir Taqi Mir, who was not only born in Agra but also had an affair with his cousin in the vicinity of the Taj. An enraged family then shunted off the Mir to Delhi where he attained great heights before moving to Lucknow at the invitation of the Nawabi Court of Awadh, where his outdated attire provoked him to recite his famous introduction: “Dilli jo ek Shahr tha alam mein intikhab…/Jisko falak ne loot ke bezar kar diya/Hum rehne wale hain usi ujre dayar ke” (I’m a resident of the same looted garden, Delhi, devastated by heaven).

Incidentally, it was the Mir Sahib who had predicted that the boy Ghalib (whose early recitals he had heard) would one day become a big shair. But Yours Truly spent a whole afternoon in and around Ghalib’s haveli last week and wondered at the sudden twist of destiny that has brought it into the limelight again. The area of Ballimaran, of which Gali Qasim Jan is a part, got its name (there are other versions too) from the boatmen who once inhabited it. Thereafter, it saw a sea-change with the high and mighty deciding to build their havelis there. It is after Nawab Mir Qasim Jan, an Iranian nobleman, that the gali is named. Qasim Jan at first lived in Lahore, where he was attached to the court of the Governor, Moin-ul-Mulk, in the 1750s. That was the time when Ghalib’s grandfather also migrated to India from Turkey.

Qasim Jan was an influential man and a great friend of the Governor. But when the latter fell fighting Ahmad Shah Abdali, who had invaded Punjab, Qasim Jan helped Moin-ul-Mulk’s widow, Mughlai Begum, to rule the province in the name of her infant son. He seems to have been particularly close to the begum, who admired his sagacity. But the admiration was mutual for Qasim Jan could not have been immune to the charm of the begum who continued to defy Abdali despite losing her husband.

It was during the reign of Shah Alam that Qasim Jan joined the court at Delhi. He was conferred the title of Nawab, and in order to be close to the Red Fort built his haveli in Ballimaran. After the death of Qasim Jan, his son Nawab Faizullah Beg resided in the haveli. Ghalib also lived in Ahata Kale Sahib for some time after his release from debtors’ prison and that is the time he is said to have remarked that after being an inmate in the “Gora” (white man’s) jail he had moved to Kale’s (black man’s) jail.

Ghalib subsequently moved to the haveli in Qasim Jan Street. But during the First War of Independence of 1857, he lived for some time in Sharif Manzil where Hakim Ajmal Khan’s father used to reside. The reason was that Sharif Manzil was a protected place in those days because its owner was the personal physician of the Maharaja of Patiala, who was on good terms with the British. After the upheaval, Ghalib went back to his house, where his wife Umrao Begum held sway and made it into a virtual mosque.

However, there is still a mosque next to Ghalib’s house. An old bearded man, wearing a brand new sherwani and with a stick in hand, was standing next to it. Asked if Ghalib ever visited the masjid, he shook his head and declared, “I don’t think so, unless when he became old. What else can you expect from a man who wrote: ‘Masjid ke zer say ek ghar bana liya hai/Ek banda-e-qamina hamsaye khuda hai” (I have set up abode in the vicinity of a masjid so a wretch is now God’s neighbour). As one walked away after hearing him, the first “degh” of biryani was being opened by the roadside seller and the smell was too appetising to resist the temptation of tasting it. Ghalib too must have eaten like this sometimes or sent his faithful servant Kallu to buy the stuff.

Before settling down in Gali Mir Qasim Jan, Ghalib lived in the house of his in-laws, where several mushairas were held. Why they were discontinued at the haveli is not known but one reason may have been the opposition of his puritanical wife. So the mushairas the poet attended were generally the ones held at the Red Fort and Haveli Sadr Sadur in Matia Mahal. In Agra, of course, he was too young to take part in poetry recitation and instead flew kites with the son of Raja Chet Singh at Kala Mahal, where some claim that his spectre is still seen on moonlit nights. He, no doubt, missed Kala Mahal and the Redstone Horse at Sikandra, Agra, to which he always sent greetings through his friend Mirza Tafta Secundrabadi. The Ballimaran haveli somehow did not evoke the same nostalgia in him, probably because most of his children died in it in infancy. Wonder if he would have approved of the museum set up there! But at Kala Mahal fateha is still offered for his repose.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture> Down Memory Lane / by R.V. Smith / February 26th, 2018

Hyderabad madrassa empowers girls with course on fatwa

Hyderabad, TELANGANA :

Highlights 

  • Madrassa Jamiatul Mominath in Moghalpura is imparting education to women on a course on fatwa.
  • It is Hyderabad’s first and only institute that trains women to become muftias.
  • Instruction is imparted in the Darul Ifta, or fatwa department
  • __________________________________________________

MadarasaMPOs28feb2018

Hyderabad :

Over a dozen students, all clad in burqas, are in a small classroom.Their teacher, dressed identically, keeps a close watch.Everyone is on the floor while books on Hadith (traditions of the Prophet), commentaries on the Quran and tomes on fatwas line the walls.
This is the Madrassa Jamiatul Mominath in Moghalpura, which is the city’s first and only institute that trains women to become muftias. Instruction is imparted in the Darul Ifta, or fatwa department.

Fatwa is an opinion that Muslims seek on a range of subjects, including marriage, menstruation, divorce, adoption, property issues, and rituals like namaz and roza.Countless madrassas in the country–such as UP’s Darul Uloom Deoband–run training courses, but most of them are for men.

“There are several questions that women hesitate to ask muftis. We thought women would be more comfortable discussing their issues with muftias. That’s why we introduced this one-year course 12 years ago,” said Hafiz Mastan Ali, Jamiatul Mominath’s founder.

Set up in 1991, the madrassa has 2,500 students today , of whom 400 are hostellers. The muftia course began with only five girls, but this year, the department is training 15.So far, the madrassa has produced 318 muftias.

The fatwa department’s head, Nazima Aziz, said making girls muftias is empowerment. “Once an alima (female graduate) completes fazila (post-graduation), she is eligible for the fatwa course.”

Aziz explained that the course is divided into five segments: prayers, women’s personal issues, limitations (what women can and can’t do), property issues and current issues. ” A fatwa is given in the light of Quran commandments and the Prophet’s traditions. Muftis try their best to be neutral while giving judgments on disputes. If someone is not satisfied with the decision, he or she can consult another mufti or muftia,” she said.

The girls share Aziz’s opinion on the importance of their role. A muftia in the making, Suraiya Shakeel Khan wants to help women. “I can guide people on religion.” Khadeeja Fatima feels she would get more respect in the community once she becomes a muftia. Most of them, like Aziz, are in favour of setting up more Darul Iftas for women across the country .

Interestingly, Aziz and her students backed the All India Muslim Personal Law Board (AIMPLB)’s stand on triple talaq. “Talaq in one sitting should be discouraged, but it cannot be banned as that will be tantamount to interference in sharia laws,” said Mohammed Hasnuddin, head of Mominath’s fatwa department for men. “We don’t agree that talaq is a sword dangling over the heads of women. It’s an option to end an oppressive marriage and should be used as last resort.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Hyderabad News / by Mohammed Wajihuddin / TNN / January 09th, 2017