Category Archives: Arts, Culture & Entertainment

Umrao Jaan lyricist no more

Aligarh, UTTAR PRADESH :

Shahryar
Shahryar

Acclaimed lyricist Shahryar of Umraao Jaan fame, 75, died of  lung cancer last night at Aligarh in Uttar Pradesh.

Born at Aonla Bareilly, Uttar Pradesh, he belonged to a Muslim Rajput family. Shahryar retired as chairman of the Urdu Department at the Aligarh Muslim University. Later, he used to co-edit the literary magazine Sher-o-Hikmat.

Originally christened Akhlaq Mohammed Khan, he was recognised for his lyrics in Muzaffar Ali’s films like Gaman (1978), Umrao Jaan (1981) and Anjuman (1986).

His last lyrics were for Mira Nair’s critically acclaimed The Namesake (2006). In 1987, he was rewarded with the Sahitya Akademi Award in Urdu for Khwab Ka Dar Band Hai (1987). He was the fourth Urdu writer to win the Jnanpith Award in 2008.
In memoriam
I knew him since 1966. He was family to me. The news of his death came as a great shock to me. He was one of the greatest modern poets. He was my inspiration. I used his poetry in all my films. I met him last when he received the Jnanpith Award. It was two and a half months back. He was undergoing chemotherapy at that time. Actually, I was planning to go to Aligarh to meet him. However, it never materialised.

Shahryar’s death is not only a loss to me but to the world of poetry. He was an extremely well mannered person, particularly sensitive to social issues. As for his work, his maximum contribution was in Umraao Jaan. But you cannot rule out the value that he added to Anjuman and Gaman. It’s an irreparable loss. I will miss him.

I was shocked at the news. Shahryar had done some great work and wrote some outstanding songs in his film career, especially in Umrao Jaan. The songs were immortal. He understood the soul of the movies. Ek se ek gaane likhe the. He received an honorary doctorate, few years back. He also got the Jnanpith award and he deserved these awards. Bahut bade shayar hai hamare mulukh ke.

source:  http://www.timesofindia.indiatimes.com / The Times of India / News> Entertainment> Hindu> Bollywood News / Mumbai Mirror / February 14th, 2012

An interview with Sahar, founder of “Chamak Patti”

NEW DELHI :

SaharMPOs07sept2017

Hi Sahar, thanks for taking the time to chat with SIW. Tell us a little bit about yourself and your work.

Sahar : I’ve been in business of television news for almost 15 years. Having done everything from reporting, writing and producing shows, I have settled into being a news anchor for mainstream political news and specializing in arts journalism. I am currently the Afternoon News face for News X. Apart from that, I have launched by own design brand for home decor and jewelry called Chamak Patti. This includes furniture, home ware and jewelry. More recently, I launched Asia’s first web channel on the arts, called Hunar TV. This includes catchy, peppy yet in-depth dialogues with artists from visual arts, music, theatre, dance, writing, etc. I have been invited by LimeRoad to be part of their style council to help create new looks for their customers.

What inspired you to get into this profession?

Sahar : In both the businesses that I run, the biggest inspiration has been the world of art. In Chamak Patti, I myself design and make the products. But these products are works of art. Since they’re personally executed, each piece is unique, like a collector’s item, not repeated for any second client. For Hunar TV, the main thrust for creating video capsules is to ensure people from outside the art world are introduced to this magnificent world of artists’ studio and their thought process.

What is your USP?

Sahar : In both my businesses, it is my twin understanding of news and art. I am aware how the real relates to the transcendent. It is this very understanding that helps me figure how design and art fits into our needs, our lives.

How someone can start the same business as yours in terms of investment, material procurement, production, and marketing etc?

Sahar : For Chamak Patti, I started on a very small scale and invested my own money. Today the sale of products takes care of more investment. From my personal experience, the simpler the formula, the less complicated the business. Material procurement has to be done after a lot of research on what your raw product is and where to get it best from. Marketing is relatively easier today. I trust social media and my own large data base of contacts.

For Hunar TV, investment was larger because there was expensive equipment to be bought and a team of experts to maintain. I strongly depend on sponsorship funds for each of the video capsules we create.  Marketing has been strong on social media and by strategic partnerships with well established names.

Any challenge you are facing in your profession and how you overcome that?

Sahar : The biggest challenge has always been to ensure that funds keep coming in for the next big step to be taken. You gradually learn how to overcome it. There’s never one single formula on how to overcome a challenge. Every formula that you can think of is put to test and you eventually realize which formula works when and how! But in your mind, it’s more important to ensure you take all the criticism and warnings in your stride, it’s important to willingly take the plunge and have the grit to make it happen.

What are your plans for the future?

Sahar : Team expansion for both my businesses is the future plan. Having Chamak Patti products available outside India by logistically making the current structure stronger. For Hunar TV, I would like to create more interesting video capsules on a daily basis and have it shared more frequently.

How you manage your personal and professional life?

Sahar : More than time management, what works better for me is task management. I am a brilliant multi-tasker and manage to slip in and out of my professional and personal engagements with great ease. I often take my toddler to client meetings and shoots. And I often have important con-calls while taking care of my child at home. But most importantly, it’s impossible to balance this without a helpful mother and a supportive husband. My family is my pillar of support. I would achieve very little without them.

What are your favorite books that you would recommend SIW family?

Sahar : I’m afraid I get very little time to read!! I will soon be recommending a self-authored book to be read! Ha!!

What advice would you give to young women readers of SIW who want to follow a similar career path as you?

Sahar : Believe in yourself because only you know yourself best. There are plenty voices out there to scare you from taking a bold step that could be different or experimental. It’s important to take the plunge for a career you believe in. And it also helps to have your family understand why you need to do what you want to do! If not, go ahead nevertheless…

All images are property of “Chamak Patti” and required permissions have been taken to publish it on www.smartindianwomen.com website.

source: http://www.smartindianwomen.com / 2015

Restoration of Humayun Mahal to begin soon

Chennai, TAMIL NADU :

HumayunMahalMPOs31aug2017

Estimate to be presented in 2 weeks

The Public Works Department (PWD) has set the ball rolling for the restoration of the historic Humayun Mahal on the Chepauk palace complex. It is set to submit a detailed estimate of the work necessary to renovate the structure in a fortnight.

After the successful restoration of Kalas Mahal, which will house the National Green Tribunal, Southern bench, from September 2, the PWD is now focussing on renovating the structure located next to it. This is the first structure that the new Building Centre and Conservation Division, formed by the PWD, will restore.

Constructed in 1770, the single-storey structure was once the residence of the Nawab of Arcot. Spread over 66,000 sq. ft., the building also has a connecting corridor to Kalas Mahal. Officials said nearly 50% of the roof has collapsed and needs to be rebuilt. “The estimate we will present will have details on the type of special materials needed, their availability and the special rates for renovating heritage structures,” an official said.

Unlike the other buildings, separate rates have to be arrived at for sourcing special construction material, such as limestone and flooring tiles. “We also need to collate data on places, such as Karaikudi and Virudhunagar, where these materials would be available. Once the estimate is prepared, we will be able to arrive at a uniform rate for the restoration of heritage structures,” the official said.

Based on the work taken up in Kalas Mahal four years ago, the renovation of Humayun Mahal is likely to cost at least ₹35 crore. The dilapidated structure once hosted various government offices, including those of the Agriculture Department, Social Welfare Department and the Directorate of Tamil Development.

Removing rubble

One of the main challenges is to remove the heaps of paper and rubble inside. Besides suffering the impact of the fire that ravaged Kalas Mahal in 2012, a portion of Humayun Mahal was affected due to a roof collapse and a minor fire in 2014. The search for funding is also delaying the project. Once the tie-up for funds is finalised, restoration work can begin in two months, the official added.

Meanwhile, the PWD is coordinating with various government departments to collate data on heritage buildings across the State.

source:  http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / bu K. Lakshmi / Chennai – August 30th, 2017

A souvenir from Bidar for the Prime Minister

Bidar, KARNATAKA :

The souvenir that Prime Minister Narendra Modi carried back from Belagavi on Sunday was a statuette of valiant queen Channamma of Kittur made by the Bidri artisans of Bidar.

The queen who fought the British in 1824, 33 years before the first war of Indian independence, was born in a village in Belagavi district. But her stunning image in silver inlay on a black surface, was made using the soil of Bidar fort, 500 km away.

M.A. Rauf with the statuette of Kittur Channamma , one of which was presented to the PM Narendra Modi in Belgavai on Sunday. Photo: Gopichand T.
M.A. Rauf with the statuette of Kittur Channamma , one of which was presented to the PM Narendra Modi in Belgavai on Sunday. Photo: Gopichand T.

A team of six artisans led by Mohammad Abdul Rauf, national award winning craftsman, have been chiseling out 140 images of the queen for nearly 100 days now. They have spent hours working in the 100 square feet work shed doing jobs like starting from melting copper and zinc to form an alloy, create a master shield, prepare its copies, etch drawings on them, hammer silver into the slits and treat it with the soil from the Bidar fort, to give it a permanent black colour.

Though the artisans work in an assembly line method, each statuette takes three to four days to be completed. Mr. Rauf has sold the images to a Bengaluru-based jeweler for around Rs. 3,000 a piece. He does not know at what cost the souvenirs have been supplied to the KLE society whose centenary celebrations Mr. Modi attended.

Sadly, Mr. Rauf did not know that one of the souvenirs was meant to be given to the Prime Minister, till some one told him in the morning.

The artisan, who can read Urdu, said that the newspapers he read had not covered the event. “My friend told me a Kannada paper had carried the picture of the PM receiving the souvenir and since he had seen me working on it, he identified it. We are very happy that the Bidri artifact will find a place in the Prime Minister’s office,” he said.

“When Mr. Modi addressed a campaign meeting in Bidar in 2014, he had said he would address the problems of Bidri artisans if elected to power. We hope he remembers his promise,” Ashok Ram, another Bidri artisan who works with Mr. Rauf, said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Bidar – November 14th, 2016

Director Sabbir Khan talks about the influence that superstar Vinod Khanna had on his life

Mumbai, MAHARASHTRA :

SabbirKhanMPOs26aug2017

The recent untimely death of the legendary actor Vinod Khanna left everyone speechless. The late actor had a major influence of many lives. One such person on whom the late actor Vinod Khanna had left an everlasting impact was the film maker Sabbir Khan. In a heartfelt tribute to the late Vinod Khanna, Sabbir Khan opens up like never before to speak about the eternal influence which he had on his life. Read on in his own words:

“I must’ve been six or seven when I first realised that Vinod Khanna was an important part of my life. During my boarding school vacations, when I used to come back to Mumbai, my father (lyricist Noor Dewasi who wrote ‘Aao Huzoor Tumko’ from Kismat) would take me to film shoots where he always made sure I met Vinod Uncle. I call him that because that’s what my father asked me to address him as and that’s what I’ve called him in all the time I knew him.

By the time, I was around eight or nine, I began to understand everything. Vinod Uncle was this huge superstar and you understood that in the way people would stare at him in awe and in the way they treat him. Even at that young age, I realised that he had this aura, a strong glow around him and yet, I observed how polite and courteous he was to everyone.

This big superstar was always making me feel special whenever I visited him. I always had a front row seat watching him shoot and production hands fussed around me offering me soft drinks and chocolates. Lunch breaks were these big spreads in his room and as I nibbled through my food, I recognised other actors and filmmakers who came to meet him.

Vinod uncle always asked me about school and if I was happy. He was soft-spoken, and I was extremely shy, given the time I spent on a movie set with a superstar. It was only after constant prodding by my father to reply that I managed to mumble a few sentences like ‘school is good but the food is bad’. He would laugh and then give me some pointers on how I could make it interesting.

These memories and experiences were the foundations of my wanting to be a filmmaker later on in life. I am one today and there is no joy bigger than being on set writing for, shooting and creating films. But all of this could only be possible because of Vinod Uncle… I am who I am because of him.

I am unsure of how it all started… I have faint memories of my father’s conversations, but I believe it all began during a film shoot, where my father wrote songs for a film Vinod Uncle was starring in, where they became friends.

It was an unusual friendship between a superstar and a struggling songwriter, but I recall that Vinod Uncle was extremely fond of Urdu poetry and my father often mentioned that he was a far more profound man than his image revealed. Vinod Uncle insisted my father accompany him on outdoors and shoots, which he wasn’t part of and somewhere there, the friendship grew stronger.

Dad had no clue how he would handle a child alone. For months, he struggled to cope until he met Vinod Uncle, who he shared his troubles with. I was told that Uncle made one trunk call to someone in Deolali and said, ‘I am sending this boy. Make sure he gets into Barnes.’ Barnes High School is British-era boarding school in Deolali. It’s the same school Vinod Uncle went to. He reassured my father not to worry about my education and to get his life back on track. My father voiced nervously that he could never afford all this. Vinod Uncle just smiled and said, ‘You leave all that to me.’ I was packed off to boarding school and that became my life for 11 years from kindergarten to the 10th grade. It was an extremely expensive school, but every single thing about it was taken care of, by Vinod Uncle.

And then, one fine day, I came home from my vacations, looking forward to meeting Vinod Uncle, and dad said he was gone! Gone where, when, why? I was as confused as the rest of the country was. My father tried explaining it. All I remember was that he had left everything and gone off to America. My father taught me to be thankful for whatever he had done for us and was making arrangements to pull me out of school. I was devastated as I had just started fitting in, and coming to terms with boarding life and forming a community.

Then Pramod Khanna, Vinod Uncle’s brother called my father to see him. We made our way to his house somewhere near Gowalia Tank, I think. My father assumed it would be a kind request to wind up given the situation, but my father was really surprised when he was told that Vinod Uncle had given specific instructions before he left that no matter what, I had to be in school and finish my education and how everything I needed was to be taken care of.

I remember the ride back home from Pramod Uncle’s house, my dad was crying. He kept saying I was probably destiny’s child and that I must take life seriously and make something of it, that people don’t get these opportunities in life. I went through the remaining years of my school like any other kid, but secretly there was a void, a vacuum that I could not understand. So many questions plagued me like so they did others. ‘Where did Vinod Uncle go and why? How could a superstar who had everything just disappear and disconnect from it all? I went through the rest of my years at school wondering where Vinod Uncle went. I always hoped that when the vacations came around, dad would give me a surprise that he’s back but that never happened.

A couple of years turned to five and that was a really long time. Everyone lost hope. From the film magazines I managed to read, even the industry had moved on. Not me.

Vinod Uncle became a permanent part of my prayers and I am now certain knowing the man and his good deeds, that he was a part of many people’s prayers. It was now almost seven years… I was keeping track. I had entered the 10th grade feeling all grown up and had come down for my summer vacations when dad said Vinod Uncle was back, I couldn’t believe it and couldn’t stop grinning. I was so happy, but I sensed dad was nervous.

Within minutes of meeting him, everything seemed normal. Of course, my father was in tears, but Vinod Uncle hugged him and laughed. He hugged me and like he had never gone anywhere began inquiring about school and stuff. I couldn’t believe I was actually seeing him. He laughed when my father complained about silly things like I was being distracted by girls. “What did you expect?” he laughed. There were hordes of people wanting to meet him, wanting to make films with him and I could sense Vinod Uncle was swamped, but he still made it a point to spend enough time with me and walk me to the door. He whispered to me by the elevator, ‘Listen, pay a little attention. It’s your final year’.

I passed with good numbers, but I had no clue what I wanted to do post-school, this happens a lot with boarding school students but my father had made up his mind that my further education would not be with any help from Vinod Uncle. I remember very clearly two friends having an argument about my further education, Vinod Uncle insisting that he wanted to continue with whatever I needed while dad said he was good enough to do it now and that he felt extremely indebted to him. I remember the conversation ended with a happy drink.

I enrolled in National College Bandra. I was so naïve, I took Arts in college because I wanted to be an artiste. I wanted to write books, wanted to paint, do anything that would make me an artiste. What I was secretly suppressing was that I wanted to be a filmmaker. Being a single parent, my father had taken me to almost every recording studio and movie set during my vacations. Laxmikant Pyarelal, Anand Bakshi, Raj Khosla, Mahesh Bhatt had left lasting impressions on my mind. I was in complete awe of the movie industry, especially the man who stood behind the camera and told everyone what to do. Seven cinema halls surrounded me and I was always at the movies instead of being at college. Films filled up my entire system. I was living and breathing films.

“Heated arguments ended with he taking me to Vinod Uncle to put some sense in me. I dreaded this meeting, I was so scared that if Vinod Uncle didn’t understand me or side me I was done because I knew I had to listen to him. My dad laid out the entire conversation. All mention of film was as if talking about a leper. ‘Can you imagine? After all this education he wants to become a filmmaker. Why don’t you put some sense in him?’ Vinod Uncle took me away to another room, and we had a heart-to-heart. He very gently explained how tough the industry was, how some make it and some don’t (like my father). How my father was right in thinking the way he did. I think I said something like, ‘I cannot do anything else in life’. Vinod Uncle came out and told dad let him do what he wants and if it’s a mistake let him make his own mistakes and learn. Dad was a little confused but Vinod Uncle put his huge arms around him and made some joke to lighten things up. I swear I wanted to do cartwheels. While leaving, Uncle asked me if he wanted me to speak to some director and I said cockily, ‘No, I got this’.

My days as an assistant director spanned eight years and that is a long story. We had to give up our home. The place we lived in, went in for redevelopment, Dad wasn’t keeping well and was advised bed-rest. I was shuttling between all this and my passion on set.

Things changed after my father passed away in 2000. My meetings with Uncle withered away as dad was the glue that bound us together. I was all alone, no family, no house. I could have easily cracked, but I didn’t. I felt extremely confident and I think it was because of my education and my passion for cinema. I thought I understood cinema and how to make films. From the outside, it looked like rocket science, but I thought I’d cracked it.

I had a few stray meetings with Vinod Uncle and they were few and far between. He was once again a-sought-after star while I was a struggling assistant director but it was sheer joy to know Uncle was shooting in the same studio as me and I’d go to meet him and we would have our little talks. I would always tell him things I was discovering in cinema in awe and he would laugh.

I remember he was shooting for Wanted and I was in the same studio looking for a location to do the photo-shoot for my first film as a director. The news wasn’t out yet. It was all hush-hush. I got to know he was there and I went to meet him to give him the news. He hugged me and it was the longest, sweetest hug. He made me feel I’d made him proud. For me, that hug meant everything.

My becoming a filmmaker is a long story, I was completely consumed by it, and I was going through its highs and lows, simultaneously starting my own family. Vinod Uncle had joined politics and spent a lot of time in Gurdaspur. There was a drift, a disconnect. And then, out of the blue, I was shooting and a picture of his from the hospital came out.

I was shocked, I felt like someone had punched me in the gut. I didn’t believe it, I thought it was morphed, a dirty joke. Clarifications followed from the family and I was relieved. Of course, he was fine. How could anything happen to him? In my eyes, he was no less than Superman.

I just wanted to finish my shoot and go see him. Unfortunately, that could never happen, Vinod Uncle passed away. I don’t want to believe it. I can’t come to terms with it. But in my heart I know its true.

I don’t know how I feel exactly, there’s a sense of loss I cannot explain. It feels like I lost my father. My angel. Trying to thank him for everything would mean so little.

What could it actually mean? A man going out of his way to do something for his friend and child… that’s so selfless. But it’s very important that I let as many people know what a great human being Vinod Uncle was. Whatever I am, whoever I am today, is because of him. I owe him everything. And even though the line is from a movie, Vinod Uncle makes me want to be a better person.”

source: http://www.bollywoodhungamma.com / Bollywood Hungama / Home> Bollywood Hungama News Network / May 10th, 2017

Empowering The Underprivileged Through Crocheting: Zehra Picturewalla’s Story

GUJARAT / Mumbai, MAHARASHTRA :

They say it only takes a vision and the will to act on that vision to make a difference in this world. And this is precisely what Zehra Picturewala, a young determined girl from a conservative Muslim family of Mumbai, aims to do.

Zehra, who originally hails from Gujarat, graduated from Nirmala Niketan with a degree in Textiles and Fashion Technology. Although Zehra had always dreamed of being a doctor, she knew that she had the heart of a designer. For her family, the next step for a 22 year old graduate girl was to get married and start a family. However, Zehra put her foot down and informed them of her passion and desire to do something more. It took a lot for young Zehra to convince her father that launching a business with a social undertone is what she truly wanted. Her efforts worked, he’s been her support ever since.

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Zehra Picturewala runs a company called ‘ZnSkills’, which teaches underprivileged women and children the skill of crocheting and creating products. The company then sells these products and collects the revenue, which they then pay to the women and children who made them. So in a sense, her company is promoting indigenous handicrafts in a modern market and thus empowering the women and children from the underprivileged classes thereby bettering their position in society.

The idea for ‘ZnSkills’ came to her on a summer break during her graduation. Two of Zehra’s classmates started classes which offered livelihood skills, and these classes soon became a rampant success. The students who came down to attend these classes picked up these skills effortlessly and soon more started pooling in. The success of these classes led Zehra to believe that a professional initiative should be drawn around this theme which would help these students build their capabilities.

As soon as she completed her finals, she tried her hands at setting up several skills, out of which crocheting worked the best. Her cousin ordered a set of crocheted products for her, and Zehra began experimenting with the set. Her amateur hands soon turned professional, and people started clamouring to buy her work. She was thus compelled to search for artisans to herald in production on a large scale. An acquaintance gave her the idea of teaching these skills to the differently-disabled, and told her about an institute for the visual and hearing impaired children.

Zehra thus decided to teach these children, most of whom were girls, the necessary skills which they picked up even faster because of their enthusiasm. These students have now carried forth to produce the best pieces.

After this initial success, Zehra then turned her attention to the women living in unfavourable conditions in the remote areas of the city and brought them into her employ. Zehra attributes the success of ‘ZnSkills’ to these women.

Zehra confesses that her journey to becoming a successful entrepreneur wasn’t an easy one. Like many startup founders before her, she had a challenging time searching for investors, and she had the added challenge of doing this alone. “Training people, sourcing out products, designing as per demand, maintaining accounts, meeting potential investors, maintaining relations and struggling for buyers is hard, but it’s all worth my dream,” recalls Zehra.

To place focus on the company’s social angle, Zehra soon decided to tie up with some NGOs around the state – a good decision as it turned out, because in this way, she was able to meet people who were in need and who would be willing to work for a living. These people are provided with free training using free material, and once they worked for her company, the sales flew up and paved the way for the advent of a very successful business.

“The main problem that the women in the rural areas of our country face is the fact that they aren’t allowed to leave home to receive a proper education or employment.  So, I decided to make the production happen from individual houses.” On how this plan works, she says, “we collect ID proofs of the people we train and then decide a venue where every week, everyone accumulates to collect the material and make the products.”

Currently, over seventy artisans are working and contributing to the company. Zehra’s focus is on the growth of the company, mostly targeting new mothers.

On being asked what the idea behind her company is, she says, “When we patronize handmade products, we empower the weakest section of our society, a journey to let people know that women can move mountains if they wish.”

When asked her opinion on entrepreneurship in India she says, “Today’s entrepreneurs may be more into marketing and less in manufacturing, but I would advise them to import less and export more.”

source: http://www.yourstory.com / YourStory.com / Home> StartUp / by Sanjana Ray / September 11th, 2016

Had it not been for Muslims, we would have died: Saints injured in Utkal Express derailment

UTTAR PRADESH :

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Meerut :

“I remember my head bumping into the seat in front of me, throwing me at least two feet forward. I was in pain and could her screams from all directions. Honestly, if it hadn’t been for Muslims in the area who rushed to the spot and pulled us out of the train’s coach, we might not have survived,” said Bhagwan Das Maharaj, a saint with a saffron cloth tied around his neck. He was travelling with six other ascetics who had boarded the Utkal Express from Morana in Madhya Pradesh and were going to Haridwar to take a holy dip in Ganga.

“They brought us water, khaats and arranged for a private doctor for us. We will never forget this gesture,” he added. Three saints from the group were injured and were rushed to Lala Lajpat Rai Memorial (LLRM) Medical College in Meerut for treatment.

“We believe in God and we saw his power soon after the accident. There are times when people politicize Hindu-Muslim ties, but there has always been love between the two communities,” said Morni Das, another saint.

Soon after 14 coaches of Haridwar-bound Kalinga Utkal Express derailed near Khatauli in Muzaffarnagar, government and private hospitals in Meerut were put on alert and emergency wards were set up for the accident victims. “There were many women and children in our coach. All of us were chit-chatting and suddenly our coach overturned. Initially, we didn’t realize what had happened,” said another saint Hakim Das.

Dr Raj Kumar Chaudhary, Meerut’s chief medical officer, said, “As many as 23 people have been taken to different hospitals in Meerut and are being given treatment. Also, 26 government ambulances and 26 private ambulances were rushed to the accident site to take the victims to hospitals.”

Till the time this report was filed, 23 people were admitted to different hospitals and many more were coming in. PL Sharma district hospital and LLRM Medical College also launched their helpline numbers: +919410609434 and 0121-2604977 respectively.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Meerut News / by Ishita Bhatia, TNN / August 19th, 2017

The magic of Suraiya

PUNJAB / Mumbai (MAHARASHTRA) :

When Nawab F K Sherwani’s daughter got married, his friend the Chawalwala Nawab invited Suraiya to sing, and despite fever, one could make it to the wedding of Farhana Begum, holding on to mother’s hand. That was in the 1940s, when one was fortunate to hear the legendary singer in her prime and also see the courtesans dance the night away. That function is a fading memory now but not the screening of Anmol Ghadi, held two years later in Jaipur in a predominantly Muslim locality by Danyal Sahib. He put up the screen against the City mohalla wall, and it being a summer evening, people spread their cots to hear and see Suraiya, along with Noor Jahan, the senior of the two reigning screen beauties.

Suraiya had become a magical name by then and everybody was talking about her golden voice that could sway not only the music-loving rajas and nawabs but also the hoi polloi. “Iski zaban mein mithas hai (There’s sweetness in her voice),” commented 80-year-old Keti Baba, the ex-gardener of a nawab’s compound. Jajja Bua agreed with him as she munched her favourite bida ofpaanunder the neem tree, where she sat on a stringed cot, near the beautiful dulhan, Bilqis, while Khaleda Behn spoke or a fanciful musical duet between Saighal and Munawar Sultana. Each scene of the film drew remarks galore, and sometimes when the scenes got hetic.

Master Sahib tried to interpret them to those who kept getting puzzled by the sequence of events. Munni Bua found it difficult to control her son Karim who, like any mischievous schoolboy, kept fidgeting with his mother’s sari or tried to pull his sister’s hair. He, however, began to concentrate on the film when the fighting scene commenced. In those days films did not have “dhishum-dhishum” stuff. Here was a fight with a knife until the Pehalwan sprang up and wrested it from the villain’s hand. When the film ended people picked up their cots and went home, but they kept talking about Suraiya and Noor Jahan for a week after that, with comments on Suraiya’s dominating Nani.

More than 50 years later one had a chance to see the legendary actress again, when she came to receive the Sahitya Akademi award in 1998. That was a glimpse of a much mellowed Suraiya. But she still looked pretty though approaching 70. The wrinkles were hidden under a lavishly rouged face, the hair had been dyed, except for a straying grey one here and there, but the almond eyes were still sparkling and full of life. She conversed in a low voice and declined to sing, saying she had left “mosiqui years ago”.

Someone mentioned Dev Anand but she ignored the comment, and preferred to change the topic by remarking that it was getting late and she had to go back, the reference probably being to her Marine Drive residence, where she led the life of a recluse. What an evening of old memories it was!

Nawab Faiyaz Khan was long dead, so also his eldest daughter and her husband, S K Sherwani. The Chawalwala Nawab did not die a natural death: he had shot his begum in a fit of anger in the 1950s and was hanged on the clinching evidence of his only son.

Suraiya did not speak much about Noor Jahan (nor of Lata Mangeshkar) but from the little she said it was evident that she held her in high esteem. They were both from undivided Punjab ~ Noor Jahan from Kasur (which was to become such an issue during the Indo-Pak war of 1972) and Suraiyu from Lahore, where her uncle Zahoor, the ace villain or the silver screen in the 1930s and 40s was able to win her parents’ approval to become a child actor.

Although Suraiya did not speak about Dev Anand that December day, one still remembers the Latka (limerick): “Chhayi bahar hai / Jiya beqarar hai / Aaja mere Dev Anand,Suraiya bemar hai”. And when one reminisces of Suraiya can Noor Jahan be forgotten? When she came to India in 1980s, 35 years after leaving for Pakistan along with her husband Shauqat Hussain, one had a chance to see her at close quarters. Her name was later linked with cricketer Nazar Mohammad and then General Yahya Khan in a big scandal.

The glamour-girl of yesteryear, despite her many engagements in Delhi, found the time to visit the dargah of Hazrat Qutubuddin Bakhtiar Kaki and the shrine of Hazrat Nizamuddin Aulia. Tradition has it that one should visit Hazrat Qutubuddin’s mazar first and other shrines afterwards. Even Khwaja Moinuddin Chishti had ordained that the devotee must first pay respects to Qutub Sahib and then come to his dargah.

So Noor Jahan, accompanied by her pretty daughter, Hina and her husband, Haroon Butt, went to this mazar first. At Nizamuddin’s Dargah Noor Jahan offered a chadar and stood praying with palms open for blessings amid the aroma of joss-sticks. Perhaps the Malika-e-Tarannum prayed that her voice remain ever redolent. Or she sought the saint’s benediction on Hina and her husband ~ health, wealth and happiness. As per tradition, the actress left for Ajmer on a Friday to seek the blessings of the greatest Muslim saint of the East, without a visit to whose shrine no trip to India is complete for the true devotee.

Noor Jahan’s golden voice still resounds in the mind “in jocund or in pensive mood” ~ “Awaaj de kahan hai”, interspersed with Suraiya’s “Nuqta chin hain ghame-e-dil”, which brought out the very soul of Ghalib on her honeyed tongue. Suraiya’s last visit to Jaipur was at the initiative of music composer Naushad, who belonged to this city before making it big in Bombay. At his behest, she was the guest of the niece of the novelist lsmat Chughtai and spent a whole day at her house.

Among those who attended an evening of songs by her was Khalil Mian of Bagh Chaurniwala, a great lover of music and a friend of Nawab Faiyaz Khan. As the trees swayed in the breeze blowing from the hills surrounding the city, Suraiya too swayed in rhythm ~ and the audience with her. When she departed by the night train many of her admirers wondered whether they would hear the legend sing again in a live performance. Her death years later naturally left Jaipur sadder. That Dev Anand couldn’t marry Suraiya because of opposition by her Nani is one of tragedies of filmdom, which finds a parallel in the case or Dilip Kumar and Madhubala, whose father was opposed to their wedding proposal.

Nevertheless, Dev continued to have a soft corner for his old flame and when her favourite actor Gregory Peck made a brief stopover in Bombay, he took him to her house. It was near midnight and Suraiya was fast asleep. He woke her up to give her probably the biggest surprise of her life. Dev had eventually married Kalpana Kartik and Dilip for Sara Banu as the next best thing in their lives. But the way their marriages lasted shows that the same would have been the case had Suraiya and Madhubala become their respective wives.

Even after Suraiya passed away, a red rose was always found on her grave in the Mumbai kabristan. It was a tribute by the lover of her youthful days. All this comes to mind when one relaxes before the TV in the evening for a sundowner while one of Ghalib’s ghazals is being sung. It reminds one of Suraiya’s faultless rendition of the poet’s master-piece, “Nukta chin hain,gham-e-dil/Baath bane na bane”.

In the life of the actress the “Baath” that did not materialize was the affair with her heart throb Dev Anand of the romantic Gregory Peck type hairpuff! So that long past evening with Suraiya still extends up to now.

source: http://www.thestatesman.com / The Statesman / Home> Features / by RV Smith / New Delhi / August 25th, 2017

When Ustad Rashid Khan mesmerised Hyderabad

KOLKATA, WEST BENGAL :

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The moment the scion of the Rampur-Seheswan gharana Ustad Rashid Khan stepped on stage, it felt like magic was infused at Rock Heights on Saturday evening.

The maestro of Hindustani classical music began the performance with the aalap of raag Yaman. Exploring every note of the intricate ragas, his sonorous rich timbre, lulled the audience into a musical bliss. The slow elaboration of vilambit khayal, the relaxed vistaars, passionate flourishes, and masterful taankaris defined the prowess of the Ustad. The second rendition, a composition in the beautiful ratrikalin raag Desh, enthralled the audience with meends rom madhyam to rishabh via gandhar that defines the raag.

Rashid then swung into the poignant Yaad Piya Ki Aaye, the famous thumri by Ustad Bade Ghulam Ali Khan piece much to the delight of the rasikas present there.

“Will he sing Aayoge Jab Tum Saajna? I will be so heart-broken if he does not sing the song,” whispered a member of the audience. So when he concluded his concert with his famous Bollywood number, the crowd broke into a thundering applause.

When we caught up with the singer backstage to ask him if he had deliberately saved the song for the last, he said, “It’s good that people like it. The song is actually a thumri. Achhi baat hai ki usmein maine kuch aalag kiya hai. There are many thumris as good as Aaoge Jab Tum Sajna, if they are incorporated in films, they will become as popular as this score.”

The exponent of the Rampur-Sahaswan gharana, who is a father to Suha, Shaona and Armaan is proud about the fact that his daughters will carry forward his legacy .

“Girls in our family never sang in public. But when they decided to become singers and pursue a career in singing, I gave them my whole-hearted support. Zamana change ho raha hai. I believe in their happiness more than tradition. I wanted them to live their dreams,” he says, signing off.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Hyderabad News / by Papri Paul / January 11th, 2017

Sahitya Academy Award winner Ameer writes on Urdu poetry

NEW DELHI :

Urdu poetry has always been very special, writes Ameer Imaam.

Though all the poetries of world are special in a way for poetry is the mother of the fine arts, but despite that Urdu poetry has some features that make it unique among the world literature.

We find a glittering galaxy of literary personalities in Persian and English literature too and the names like Wordsworth Keats, Hafiz and Urfi are the never ending traditions and stand as the ever lasting impressions on the world literature but I couldn’t come across the any name of these languages, make me correct if I am wrong, that can be mentioned as the poet of present age. By this day, to the best of my knowledge, English poetry is synonymous with the literary stalwarts like Wordsworth Keats etc. Same is true with Persian poetry but this is not the case with Urdu. There was a time when Urdu poetry was meant to be Ghalib, Zauq, Anees etc. There is a time when Urdu poetry is meant to be Iftiqar Arif, Saqi Fatuqi, Jon Alia, Itfan Siddiqui and Farhat Ehsas. The urdu poetry is growing and has not been exhausted by it’s literary immortals, but these legends seem paving the way for the upcoming generations .

This walk of literature has another unique feature that is Mushira, a gathering where poets are supposed to recite their poetries for the audience. In these gathering, the poetry gets connected with every soul, who is present there in a different way. But this very speciality of mushaira gives birth to a problem. Some poets start coming with some extra efforts to maintain this connection. Most of the time these extra efforts appear a desperate attempt to camouflage the week ness of the works that turn mushaira into a sort of political rally and hooliganism.

Mushaira had not been like it since ever. All the big guns of literature of classical era shot to fame through mushairas and in those days it was the only bridge between a poet and the masses. There was a time when the reader was a listener first. So what we’re the circumstances that drove mushaira to this slogan raising, face making and,,,”the raised up hands should be there to the last row if you really appreciate it” sort of begging. To answer this question is not easy but it is not tough as well. This question too is standing in the que of the questions that have been demanding their answers since partition. The Exodus that was not of the people but was of the culture as well. The feudalism breathed it’s last and gave way to the industrialization.

Despite various demerits, feudalism was not the demerits only and was with some shiny patches like the dark ones of industrialization. Feudalism was stagnation, old fashioned, obsolete but a system of values and it could be anything but business. Industrialization was a flow, modernity, need of the hour but a business and it could be everything but a system of values and commitment.

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The industrialization established the new monies of society and it changed not only the political but cultural scenario as well. He who pays the piper calls the tunes and with the new class of payers came a new class of pipers. The mushaira became a business and business is about making quick money only. Mushaira took a turn in that direction and the pipers were about not only making quick money but quick fame too. The post independent era was dotted with a series of communal riots and mushaira of that time exploited the situation quickly and became a wailing wall for a particular community. Though it kept masquerading so but it was no more an intellectual venture. It turned to be sensational and poetry, if it was poetry, based upon double meaning jokes, got a way to the podium. This melee left the pure literary poets like Mohd Alvi, Zeb Ghori and Musawwir Sabzwari far behind and they all we’re shrunk and cocoon to some journals and the collections of their poetry. They braved the boastful declaration of Bashiir Badr with silence when the later announced

Kaaghaz me dab ke mar gaye keedey kitab ke
Dewana bin parhey likhey mashhuur ho gaya

The book worms met a bookish, crushed between the paper death,
While a careless wanderer shot to fame without exploring the books.

Partition divided the Indian Urdu poetry into two sections. The one was for the audience and the other was for the readers.

But like every thing this mushaira too reached it’s saturation point and a new mushaira started itself stretching up to it’s height. A mushira that was different from the mushaira of last thirty to forty years.

Rekhta came as a whiff of fresh air. But there were some individual attempts too. The mushaira that has annually been organized by Tariq Faizi under the banner of Urdu Press Club falls into this category. It provides a platform to the poets who are known enough and the poets who are ascending the ladder of fame step by step. In this mushaira both the sections are supposed to come with quality poetry and they do. Javed Akhtar can compose Dard e disco for Shahrukh Khan but here he appears as the true grandson of legendary Muztar Khairabadi with his couplet

Woh shakl pighli to har shai me ghul gayi jaise
Ajeeb baat hui hai use bhulaney me.

Having melted down that face has mingled with everything here,,
Strange is the process of forgetting him.

Shariq Kaifi belongs to the city where once an ear ring was lost. He is a critically acclaimed poet and his collection of poetry, apney tamashey ka ticket, should be taken as an addition to the Urdu nazm but both the mushaira and the discussed poet had long been alluding to each other for in traditional mushairas there was no space for him or he couldn’t see any scope for his poetry there. Such a pleasant surprise it was to find him on the podium of Dubai Mushaira after his appearance in Jashn e rekhta. Two other invites were Kashif Husain Ghaiir and Zulfiqar Adil from Pakistan whom I happened to meet first in the Mushaira of Pakistan Arts Council Karachi. Kashif bhai, quite an introvert person, gave me his collection of poetry and what a fine poetry it was. The same was true with Zulfiqar Adil, another accomplished poet from the same land. Besides being an exceptional poet kashif bhai proved himself exception in another way for he appeared one of the few poets who could listen the poetry of others without reciting a single couplet of him. One of his couplet goes on like,,

Ham aise log zyada jia nahi kartey
Hamarey baad hamara zamana aata hai.

The people like us are bound to early death,
Our age dawns after our departures.

The couplet shows the agony of these cornered poets. We should be happy that he ,with his contemporaries, is witnessing his age dawning through his own eyes.

Once someone asked me about the challenges of young generation. I replied that being young in the literature is the biggest challenge before the young generation. The vultures hover upon the dead bodies, and if you are alive, you have to be a toothless, grey haired, or bald headed poet to win some recognition here. But the air is blowing in a changed direction and I am happy that it is going to prove me wrong soon. Vipul Kumar got a chance to be on the stage with the great stalwarts like Sahar Ansari. The young Turks like Abhishek Shukla and Muiid Rashidi too were introduced to the literary world on the same podium before.

The pure literary poets like Azhar Faragh, Anwar Shauur, Liaqat Ali Asim .Irfan Izhar .Ambreen Haseeb Amber and Farhat Ehsas have not only been invited here time to time but have been applauded as well.

Yes we are living in a changing world. Congratulations Tariq!

(The writer is Sahitya Academy Award winner)

source: http://www.okhlatimes.com / Okhla Times / Home> Local / by Okhla Times / August 01st, 2017