Category Archives: Arts, Culture & Entertainment

A generous teacher

Meerut, UTTAR PRADESH / Baroda, GUJARAT / NEW DELHI :

Perfection pursuitUstad Hashmat Ali Khan
Perfection pursuitUstad Hashmat Ali Khan

Tabla exponent Ustad Hashmat Ali Khan, passed away recently

The sudden demise of Ustad Hashmat Ali Khan, a renowned tabla exponent and a revered Guru of Ajrada Baaj, came as a shock to the music fraternity.Ajrada Baaj is one of the six main schools of tabla playing. Ajrada Gharana is known for or what is the specific ‘Nikas’ of the Bols in this style. The Aalap like Peshkar, the varied Quayedas of his Gharana, the Rela, Fard, Gat, Paran, where all three of them joined the demonstration together.

Many a times, Hashmat Ali Khan, would share his childhood memories of the Baroda Darbar, where his grandfather Ustad Shafi Khan was a ‘Mulazim’ as a musician like Aftab-e-Mausiqi Ustad Faiyaz Khan, the legendary vocalist of the Agra Gharana, Ustad Nisar Hussain Khan and Kanthe Maharaj. The ICCR had sent him to Gayana to teach the art of tabla and propagate Hindustani music there. He had joined the Bharatiya Kala Kendra, as a faculty member, way back in 1972. He remembered how Ustad Hafiz Ali Khan encouraged him to join this institution when Naina Devi interviewed him. As a thanks giving gesture, he used to go to his place after dinner, to make young Amjad (Ustad Amjad Ali Khan) practice sarod with his tabla Sangat.

Ustad Hashmat Ali Khan established the Tabla Academy of Ajrada Gharana in 2008 and trained a number of students including his own grandsons Zuheb, Zaheen and Zargham.

Remembering father

Ustad Akram Khan remembers him fondly. “We all had dinner and watched cricket together discussing the game. He was fond of cricket. He was so affectionate as a father but equally strict as a teacher. A strict disciplinarian, he would make us do regular riyaz at least for 4-5 hours a day. He took it upon himself to spread the Ajrada Baaj at home and abroad. He conceived the Peshkar and kayda, as a raga. As one does Badhat in raga sequentially (silsilewar) Rishabh, Gandhar, similarly in peshkar or kayda. Like in a raga, you cannot use swaras other than those prescribed for the raga.

“Unhone is Khazane ko baantne mein koi kanjoosi nahin barti”. He was not a miser in spreading the treasures of his Gharana. I only hope that the next generation takes benefit of all that he has bequeathed so generously!”

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by Manjari Sinha / May 26th, 2017

Javed Ali makes Lucknowites swoon to his music

NEW DELHI :

Lucknow :

Javed Ali makes Lucknowites swoon to his music | Events Movie News - Times of India
Javed Ali makes Lucknowites swoon to his music | Events Movie News – Times of India

The who’s who of the city was seen at the Javed Ali  concert organised by the Times Group on Sunday evening in Gomti Nagar.
People started coming in well before the event was to start and soon the venue was packed to capacity with a lot of people also standing. The ‘Jashn-E-Bahaara’ singer too played to the crowd singing one hit after another.
Javed performed for almost three hours at the show and sang some of his popular numbers including ‘Kun Faya Kun’, ‘Arziyaan’, ‘Tu Jo Mila’, ‘Channa Mereya’, ‘Ishaqzaade’, ‘Galat Baat Hai’ and ‘Kajra Re’ while people hummed and sang with him. His rendition of ‘Nagada Nagada’ had the youngsters and the young at heart dance with delight right in front of the stage.

People danced as Javed sang Nagada Nagada (BCCL/ Vishnu Jaiswal)
People danced as Javed sang Nagada Nagada (BCCL/ Vishnu Jaiswal)

Politician Rita Bahuguna Joshi was spotted tapping her feet to the music as was former Lucknow DM Raj Shekhar who was spotted enjoying the show along with his wife Preeti. We also spotted Charit and Smita Mathur along with Sameer and Nehi Agarwal and Sarvesh and Lalita Goel.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Lucknow News / TNN / by Adnaan Rizvi / May 25th, 2017

Zafar Agha appointed Editor-in-Chief of Qaumi Awaz

NEW DELHI :

The Congress-run Associated Journals Ltd, a company founded by Pandit Jawaharlal Nehru, on Wednesday announced its plan to resume publication of Urdu newspaper Qaumi Awaz with veteran journalist Zafar Agha named as its Editor-in-Chief.

Qaumi Awaz, one of the pioneers of post-Independence Urdu journalism, had temporarily suspended publication in 2008.

“The company has appointed veteran journalist Zafar Agha as Editor-in-Chief for its Urdu newspaper Qaumi Awaz and the digital property with immediate effect. He will be responsible for building and leading the team of Qaumi Awaz and its digital and related assets,” said a Congressstatement.

Associated Journals had launched the beta version of its English website — www.nationalheraldindia.com — last year and named Neelabh Mishra as its Editor-in-Chief for its Hindi and English newspapers.

–IANS

sid/vd/vt

(This story has not been edited by Business Standard staff and is auto-generated from a syndicated feed.)

source: http://www.business-standard.com / Business Standard / Home> News-IANS / New Delhi / May 24th, 2017

Anas Rashid turns singer on TV show

Malerkotla, PUNJAB :

Anas Rashid, who plays Sooraj Rathi in “Diya Aur Baati Hum”, recently lent his voice for a sad version of the show’s title track.

TV actor Anas Rashid, who plays Sooraj Rathi in “Diya Aur Baati Hum”, recently lent his voice for a sad version of the show’s title track.
TV actor Anas Rashid, who plays Sooraj Rathi in “Diya Aur Baati Hum”, recently lent his voice for a sad version of the show’s title track.

TV actor Anas Rashid, who plays Sooraj Rathi in “Diya Aur Baati Hum”, recently lent his voice for a sad version of the show’s title track.

The 35-year-old actor said though it was not easy for him, he thoroughly enjoyed it.

“Singing isn’t an easy thing to do. There’s a lot that goes into it. However, I did make sure my effort didn’t go into vain and I sang from my heart.

“The title track is very touching and is exactly what Sooraj is going through on the show. The whole sequence fits the bill completely,” Rashid said in a statement.

“Diya Aur Baati Hum” sees Deepika Singh in the female lead role, Sandhya Rathi.

source: http://www.newindianexpress.com / The New Indian Express / Home> Entertainment> Television / by PTI / October 01st, 2015

Experts suggest how you can make the right career choices

Bengaluru , KARNATAKA :

Bengaluru :

The two-day Times UniverCity (TU) will commence on Saturday at St Joseph’s Boys’ High School. The event is specially designed to help students explore different career options after pre-university.

TOI speaks to two of the speakers, Danish Sait and Saad Khan, about role models, advice they’d like to give the youth and the importance of bringing people from different backgrounds to a common platform.

Danish Sait

Focus on learning, not on earning

On role models: Mentors play a bigger role than role models. Role models may influence you with trends and goals. A mentor will help you build a foundation for the launch pad; they aren’t the destination, they’re travel agents.

Advice: I read this quote many years ago: `You get what you work for, not what you wish for’. Patience, persistence, perseverance are three important words. Focus on learning, and not on earning. Know your weaknesses. There is no absolute route to succeed. Build relationships, don’t be impulsive, don’t be shy to ask, have fun.

Views on the event: It’s an excellent initiative, great way to bridge the future with the present. There’s abundant information available on the internet. Unfortunately, we don’t spend enough time to pick the skills we need in the real world. This should help fix that in a tiny manner.

Saad Khan

Understand importance of hard work
On role models: Role models can inspire you to work towards your passion, but you shouldn’t lose focus from yourself and just become a follower. If someone inspires you, it should be about their work and not who they are as people.

Advice: My humble advice to all young people is to first understand the importance of hard work.Most people working with me are young and it’s rare to see a consistent drive.Fatigue and confusion set in early while they pursue their first job and it almost seems that they want things to happen fast. We are all so used to Google answers on our fingertips that working hard to find a solution is beyond us now. A quote on my school notice board has always been with me that Success comes before work only in a dictionary.

Views on the event: It is a fabulous initiative. Students know a lot about what is going on in the world today via social media. What I feel they can learn is to deal with situations and problems in the real world, professionally and personally and Times UniverCity is a wonderful platform for the same.

source:  http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Bangalore News / TNN / May 20th, 2017

Life after violence

xxxxxxxxxx

BookMPOs21may2017

An oral history of marginalised Muslim women’s narratives

How does violence, communal or otherwise, impact ordinary people? What happens after the conflict, when the spotlight shifts elsewhere? How do victims pick up the pieces? Now direct all these questions at marginalised groups, especially poorer women, who anyways live in areas of darkness. What could have been their experience? Between 2006 and 2009 — after some of the worst communal clashes our country had seen — a scholar and a film-maker/researcher decided to investigate. Working with local researchers and activists in Mumbai, Hyderabad, and several cities of Gujarat, they began gathering stories from women survivors of collective violence.

K. Lalita and Deepa Dhanraj’s account is deeply disturbing, and this book of oral history is an important one on the narratives of marginalised Muslim women. As they write in the introduction, Lalita and Dhanraj documented life histories of 75 Muslim women survivors of communal violence, and present the stories of 19 of them divided into four thematic sections: I Began to See the World for What it is, Loss and Trauma, Negotiating Survival and Livelihood, and Claiming Accountability, Seeking Justice. Without going into issues like Muslim personal law, Islam, politics or the question of Muslim identity, the writers draw out experiences of violence these women had, “whether instigated or abetted by the state, communal, sexual, domestic or structural….”

For many of these women, “rupture manifested as complete displacement — physical, economic, domestic and emotional” — and they still live in a state of anguish, the experience too much to bear. For others “the loss of vatan (homeland)” is also the “loss of … community,” the loss of a sense of belonging to your birthplace. Add to this impoverishment, loss of income and identity — we hear of a woman in Mumbai who tells us her husband, a carpenter, lost his tools during a riot. Unable to invest in a new set, he became unemployed and depressed, and never recovered.

The stories of ordinary lives — their pain at losing their joy — stay with you. Just like Nobel Prize-winning writer Svetlana Alexievich’s oral history of the demise of communism, Second-Hand Time, where she recorded the voices of men and women rarely given an opportunity to speak. They didn’t speak of lofty ideals or politics, but of their daily lives, their joy and pain.

www.thehindu.com / The Hindu / Home> Books> Reviews / by Sudipta Datta / May 21st, 2017

Mohammad Nazim re-entry in Saath Nibhaana Saathiya works magic

Malerkotla, PUNJAB / Mumbai, MAHARASHTRA :

MohammedNazimMPOs16may2017

Mohammed Nazim charmed his fans by portraying the lead character of
Ahem Modi in Saath Nibhaana Saathiya for six long years and gathered a legion of fans in the process. It was because his following that the actor was asked to return merely three months after he quit the show.

When asked whether it was the fans love which wad responsible for his re-entry, Nazim agrees and says, “Yes my fan following is huge because of my character Ahem. It’s because of my fans that I am back in the show. I got to know that they had stopped watching the show after I quit,”.

Well, now the admirers of Nazim have a lot to look forward to as his new avatar in the show is quite interesting.

Reveals Nazim, “My character is quite special on the show. He is a young guy called Jaggi who is a stylish tapori. He’s a Punjabi guy who is very mischievous and just full of life.”

Ahem, is quite casual about making the re-entry, and refuses to get emotional about returning to the show. He says, “Why would I miss the show? It was going on and people were watching the show. I was busy with shooting for my movie Big Daddy. We’ve wrapped shooting for that and its being edited.”

Nazim re-entry has increased the TRP too of the show.
Well, we hope Nazim has a great innings in this new avatar as well.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> TV> News> Hindi / TNN / September 09th, 2016

Country’s last water men fight the tide of history

NEW DELHI :

Keeping on: Shakeel Ahmad carries a goat hide flagon filled with water in Delhi / AFP
Keeping on: Shakeel Ahmad carries a goat hide flagon filled with water in Delhi / AFP

Bhishtis have been supplying water from their swollen canteens since the Mughal era

Shakeel Ahmad wanders the cramped alleyways of Old Delhi offering water from a goat hide canteen slung over his shoulder, a centuries-old service welcomed by thirsty vendors toiling under the baking sun.

Mr. Ahmad is one of last Bhishtis, a community of water carriers fading into history after generations of quenching thirsts in Delhi’s old quarter.

Bhishtis have been supplying businesses, pilgrims and passersby with swigs from their swollen canteens since the Mughals ruled India, an era before piped water sounded the death knell for their trade.

“I spent my childhood doing this. My ancestors too spent theirs,” Mr. Ahmad said, at the footsteps of Jama Masjid, a towering mosque built at the height of the Mughal empire.

Sense of an ending

“Now I am the last. I’m not sure if my children, if the next generation, will do this or not.”

For centuries, Bhishtis have sourced water from an underground basin deep beneath the warrens and Mughal-era monuments of Old Delhi — a bustling quarter hidden away from the modern Indian capital that grew up around it.

Inside a small Sufi shrine, Mr. Ahmad — like countless Bhishtis before him — draws water from a deep well, filling his large goat skin canteen known as a mashaq to the very brim.

“The water in this well hasn’t stopped since it was dug,” said Mr. Ahmad, gesturing to the murky depths of the pit below.

“It dried up just once when construction began on the Delhi metro… But then it just came back on its own.”

It is back-breaking work hauling a full mashaq around the crowded, cobbled streets in the blistering Indian summer, where daytime temperatures regularly exceed 40 degree Celsius.

A full canteen carries roughly 30 litres — enough to earn a Bhishti a mere ₹30, a pittance for the hard labour involved. “My children will find it difficult to do this job. I am the last (of my family),” he said.

Cheaper alternatives

The advent of piped water, and cheap bottled options, has decimated their business, but there’s still a handful calling out for Mr. Ahmad as he treads the lanes with his dripping flagon.

Old shopkeepers, parched in the midday sun, cup their hands for a mouthful of water, while street vendors have him fill cooling units and drink buckets to ward off the worst of the heat.

Problems with the piped water supply — not an unusual occurrence in the creaky old neighbourhood — is a godsend for Mr. Ahmad, even if a nuisance for everyone else.

“When they have their regular supply, no one bothers to call,” Mr. Ahmad said.

Of the bygone era

Business may not be booming but tourists and pilgrims still do double take when they see the elderly Bhishti in his white Muslim tunic and prayer cap carting his water skin, a flashback to a bygone era.

“Many people are amazed to see that this profession still exists… that something from the time of the kings still exists. They are surprised and happy to see us,” he said.

source: http://www.thehindu.com / The Hindu / Home> Sci-Tech> Environment / by Agence-France Presse / New  Delhi – May 11th, 2017

The colourful chapter of a Muslim Yakshagana artiste

KARNATAKA :

YakshaganaMPOs12may2017

Yaskhagana, the popular Hindu dance form from Karnataka’s Dakshina Kannada district, has been used as a backdrop in many Kannada films. But Ismail Mudashedde’s upcoming film, Banna Bannanda Badukku, will not only revolve around the dance-form, but also have a Muslim protagonist.

The film is the director’s take on the recent onslaught on Muslim artistes performing traditionally Hindu artforms in certain parts of the district.

The film stars actor Raviraj Shetty who will essay the role of a Muslim Yakshagana dancer.

“Banna Bannada Baduku is based on the real-life story of a Muslim artiste who was hounded by fundamentalists for performing the art. I was very impressed with the script when Ismail narrated it to me. I am happy to be part of the project,” Shetty told Bangalore Mirror.

Yakshagana enjoys huge popularity in the coastal belt of Karnataka and people of all communities are known to watch it even though the stories performed are mostly from Hindu epics.

Ismail, who has also written the screenplay and dialogues for the film, says it was challenging as the story was very intriguing. “This movie will remind people of the communal violence in Mangaluru and make people question if artistes should be harassed and victimised simply for performing an artform. I hope the film gives the audience a new perspective and they enjoy it,” Ismail said.

Besides Shetty, actors Anitha, Sagar, Riya Meghana, Ramesh Bhat, Satyajith and Honnavalli Krishna have pivotal roles in the film.

Real-life Yakshagana stars like Balipa Narayan and Patla Satish Shetty will be seen in guest roles.

Former Mangaluru mayor Sashidhar Hegde will also be part of the film.

source: http://www.bangaloremirror.indiatimes.com / Bangalore Mirror / Home> Entertainment> South Masala / by Nischith N , Bangalore Mirror Bureau / May 12th, 2017

Latest crop at Mango Man’s nursery christened ‘Yogi’

Lucknow, UTTAR PRADESH :

HajiKalimullahMPOs07may2017

Lucknow :

Yogi  mango is latest product from the laboratory of UP’s Mango Man. Three years after Haji Kalimullah  christened a mango after PM Narendra Modi he has now named another after UP chief minister Yogi Adityanath. The 74-year old Padmashri recipient, Haji Kalimullah is excited about the new variety in his orchard in Malihabad, about 30kms from Lucknow.

It’s the first time the variety named by him has not been developed by the man himself, rather, has grown naturally in his orchard. In all likelihood, it appears to be a cross of another naturally developed variety, ‘Karela’ and Dussehri.

“The Yogi mango is slender, elongated and beautiful and you won’t stop marvelling when you see it,” said Kalimullah. But the hybrid’s parent is not know even to him. “Some people visited my orchard recently and while they were looking around they asked about these four five different-looking mangoes on a tree. I said the variety might have developed naturally and they suggested to name it after Yogiji and I did,” he said.

This time, however, Kalimullah has named the variety a little earlier than usual. On all other occasions on which he developed a new variety, he waited for the fruit to ripen to know its taste and smell.
“I am still not sure how this mango is going to taste as it is green and the same can be said about how it would smell. But I hope it will taste good as it is a hybrid of Dussehri,” he said, adding that it will take about a month for the fruit to ripen.

Meanwhile, the tree bearing Modi mango has some fruits on it this year too. “Modi mango is exceptional in taste and very nice to look at,” said Kalimullah. It’s a hybrid of Kolkata’s Husn-e-Aara and Lucknow’s Dussehri. No wonder, the fruit has acquired distinct streaks of crimson like Husn-e-ara and elongation of Dussehri.

Kalimullah’s technique is different when it comes to developing a new variety. “I cross flowers, develop a fruit and then sow its seeds because every seed is different and that is how the best variety develops,” he said.

It’s anything but easy. About 99% experiments have gone waste. The few that survived brought the man recognition. He has named the hybrid of Khasul Khaas and Chausa weighing up to 1 kg after Sachin Tendulkar. He has also named one variety named after Aishwarya.

source:  http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Lucknow News / TNN / May 07th, 2017