Category Archives: Arts, Culture & Entertainment

Newsmakers Achievers’ Awards: OneIndia special correspondent adjudged ‘best journalist’

Mumbai :

It was a proud moment for OneIndia as our special correspondent Vicky Nanjappa bagged the award of ‘best journalist (digital)’ at the Eighth Edition of Newsmakers Achievers’ Awards. The event was held in Mumbai on May 1. Unlike any, the event this year was dedicated to the acid attack victims. Vicky Nanjappa was recognised for his contribution to the field of journalism in the last 18 years. Achievers from various fields like education, art, science, politics etc were also recognised and awarded on World Labour Day.

While celebrating achievers from various fields, the Newsmakers Achievers’ Awards did its little for those in need. The highlight of the event was the financial assistance provided to children of sex workers apart from contributions to acid attack survivors. “I have undergone eight surgeries and two more will follow. I hope the accused should be awarded stringent punishment. Life is full of obstacles but one should struggle hard to overcome all obstacles,” said Aarti Thakur, a 27-year-old acid attack survivor.

Daultabi Khan, a 34-year-old victim of acid attack said, “I have to undergo huge hardships after the acid attack. I have lost vision in my one eye both my ears are deformed. I will utilise this money for treatment purpose.” Achievers of 2017 During the event, several persons from the media, academic and political sector were honoured including OneIndia’s Vicky Nanjappa for journalism. Pandit Birju Maharaj and Pradeep Welankar were honoured with the Lifetime Achievement Award while Diwakar Raote received the Best Politician Award.

Aasha Warriar was honoured with the Best Spiritual Leader award while Dr Mukesh Batra bagged the best doctor award. Dr Deepak Bhosale received the best Educationist award. Roxy Arora was honoured with the best Author award. Virag Gupta received the best lawyer award. Namrata Thakker was honoured with the Best Social Entrepreneur award.

Deep Haider received the Best Journalist (Editor) award. Rashid Hashmi was felicitated with the Best News Anchor award.

newsmakerawardKF03may2017

Varun Singh received the Best Journalist (Print) award. Anil Nagpal received the Best Photographer award. Nandita Venkatesan was felicitated with Best Writer/Reporter award.

Asha Mamedi bagged the Best Social Worker jury award. Sushant Divgikar was felicitated with Best VJ award. Siddharth Nigan received the Best Child Artist award. Meghna Malik was felicitated with the Best Actress award. Darshan Kumaar received the Best Actor award. Lubna Adams bagged the Best Fashion Choreographer award and Ssumier S. Pasricha received the Best Comedian award. Dolly Parekh was felicitated with Best Fashion Designer award.

Samidha Guru was honoured with the Best Marathi Actress award while Kishor Kadam bagged the Best Marathi Actor award.

“This year award function is special for us as we have tried to make a small difference in the lives of acid attack victims and sex workers daughters’ lives. By lending a helping hand to them we will rebuild their lives,” said Vaidehi Taman, Group Editor of NBC. OneIndia News

source: http://www.oneindia.com / OneIndia / Home> News> India / by Anusha Ravi / Wednesday – May 03rd, 2017

This record holder is not all hot air

Podanoor (Coimbatore), TAMIL NADU :

BaloonsMPOs03may2017

When was the last time you blew a balloon? Probably, when you were a child?

But, for 22-year-old N Sadham Hussain, son of a flower seller from Podanur, inflating balloons is the route to fame.

This engineering graduate has been in the news ever since he blew 500 balloons in a matter of 68 minutes at an event held in the city.

Hussain attempted a record in three categories- most balloons blown in a minute, most balloons blown in three minutes and the fastest time to blow 500 balloons. At the recent event, he managed to inflate 11 balloons in a minute, 29 balloons in 3 minutes and 500 balloons in 68 minutes.

“It all started in 2011 when I started doing a part-time job in balloon decorations. I was in charge of blowing balloons for birthday parties and private events. Later, I came forward to blow balloons at a symposium held at my college. (Dr NGP Institute of Technology) The pace at which I was blowing the balloons impressed a friend of mine, who later suggested that I could put the skill to good use.

That’s when I decided to give the records a shot.

Since then there has been no looking back. I blew 486 balloons in an hour at an event and that was considered a record. It’s been two years I completed my studies but I continue my passion for blowing balloons.”

Sadham now accompanies his brother in installing smart boards in schools. He already has his name etched in the Limca Book of World Records for blowing 486 balloons in one hour and 1,000 balloons in 147 minutes.

So, does he practice blowing balloons on a regular basis? “Not really! Since, I continue my job in balloon decorations and I get the opportunity to practice regularly. The only ritual I have been following from day one is to keep a glass of water and glucose next to me. You lose a lot of moisture when blowing a balloon and it’s imperative that you don’t feel tired while at it. You need a lot of stamina as well.”

However, he adds that blowing balloons is not a cakewalk while attempting a record. “The balloons diameter should be 20 cm after blowing it; you have to tie it up. Many a time I have burst a number of balloons during the process. I get extremely nervous then and lose out on time.

But, I carry on with the attempt as I have to finish inflating the maximum number of balloons at a particular time.”

The electrical engineering graduate aspires to set a world record in blowing balloons. “I want to set a world record and I am working hard towards it,” says Sadham, who is still hunting for a job that will help fulfill his dream.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Coimbatore News / by P. Sangeetha / TNN / April 30th, 2017

Remembering the doyen

Hyderabad, TELANGANA :

Kolkata :

 

SHARING SIMILAR SENSIBITIES Ustad Bade Ghulam Ali Khan
SHARING SIMILAR SENSIBITIES Ustad Bade Ghulam Ali Khan

Seasoned musicians paid melodic tributes to Ustad Bade Ghulam Ali Khan on his 115th birth anniversary in Kolkata.

The Calcutta School of Music, in association with Saambhavi, offered homage to Ustad Bade Ghulam Ali Khan on his 115th birth anniversary (2nd April) at the century-old School’s Sandré Hall. The evening touched the nostalgic chord when Pandit Buddhadev Dasgupta who, despite his ailment, came to share his treasured memories related to Khansaheb with the audience, sobbed like a child while listening to ‘Hari Om Tatsat’, soulfully sung by Nabhodeep Chakraborty, a young torchbearer of Kasur Patiala Gharana who religiously pays melodic tributes to Khansaheb on this day every year and who conceptualised this event.

According to Dasgupta, the erudite sarod maestro who is an ardent admirer and delightful analyst of Khansaheb’s charismatic music, “Among those legendary musicians who spent part of their lives in the city of joy are Ustad Amir Khan and Ustad Bade Ghulam Ali Khan. The styles of both the ustads had the biggest impact on local vocalists and quite a few Bengali musicians, without any direct taaleem have tried to blend their styles with results which often are little short of disastrous.”

Fortunately, Chakraborty, having been trained by Ustads Raza Ali Khan, Mazhar Ali Khan and Jawad Ali Khan, grandson and grand-nephews of Khansaheb, has acquired enviable gharana treasures.

Extraordinary rehearsal

He insists on the ‘Kasur’ prefix. This has a valid reason. ‘Khansaheb hailed from Kasur, a small town 30 kilometers away from Lahore; and the people still remember the superhumanly riyaaz of ‘Kasuri Bade Ghulam’, says Chakraborty. “It was Khansaheb, who modified the original Patiala style which basically thrived on taans. (Khansaheb’s son) Ustad Munawwar Ali Khan went on record while describing the olden, somewhat rough, gayaki, ‘Aisa lagta tha jaise billiyan jhagad rahi hain (it sounded as if cats were fighting)’.”

The evening was based on some select compositions of Ustad Bade Ghulam Ali Khan under the pseudonym ‘Sabrang’. A clutch of Chakrborty’s disciples presented these khayal bandish-s with sincere reverence. Each one focused on a special aspect of their gharana’s salient features. They were ably supported by Timir Baran Chakraborty on tabla.

Among them Sagnik Sen, a child prodigy who possesses ‘Classical Voice of India 2013’ title, stood out for his short but amazingly matured and melodious presentation of two compositions in ragas Bhimpalasi and Multani. The anecdotal history of every gem, displayed during the course of this edifying evening, revealed that Khansaheb believed in ‘Sab din nahi hot ek samaan’ (Multani); that he sang in praise of ‘Dev Maheshwara’ (Bhupali); that he penned a composition in Megh but sans the description of Monsoon and often sang it in Madhmad Sarang.

SagnikSenMPOs30apr2017

In the latter part of the evening, Nabhodeep Chakraborty, accompanied by Amit Chatterjee (tabla) and Keshab Banerjee (harmonium) presented a bandish in Koheri Kalyan, one of the most heard ragas invented by Khansaheb; the others being Andoli ka Sarang, Malini Basant, Hariruddh (named after a river in Afghanistan, this raga blends Dhani and Malkauns).

His selection also included a Malkauns tarana, set to Asul-e-Fakhta tala of five beats that interprets the rhythm of the fluttering wings of a bird (Fakhta). A rare Maand from the unpublished records of Khansaheb was Chakraborty’s last piece but encores led him to ‘Hari Om Tatsat’- one of the unforgettable compositions, immortalised by Khansaheb. The screening of a documentary film on the life and music of Ustad Bade Ghulam Ali Khan topped it all.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by  Meena Banerjee / April 27th, 2017

Female Qazis: Raising the Bar

Mumbai, MAHARASHTRA :

(L-R) Suraiya Shaikh, Khatoon Shaikh and Heena Siddiqui, newly appointed qazis in Mumbai (Photo: Anushree Fadnavis)
(L-R) Suraiya Shaikh, Khatoon Shaikh and Heena Siddiqui, newly appointed qazis in Mumbai (Photo: Anushree Fadnavis)

India’s pioneering female qazis are pushing for a gender-neutral interpretation of Muslim law

IN THE LAST two years that Suraiya Shaikh was preparing herself to become one of India’s first female qazis, she grew close to a young woman in a Muslim neighbourhood in Mumbai’s Khar suburb. Shaikh is a member of the Bharatiya Muslim Mahila Andolan (BMMA), an advocacy group that campaigns for female rights within the community. She came to know the woman—let’s call her Haseena, a teenager then and now 20 years old—through an outreach programme of the group.

Haseena was going through a particularly bad time. She was only just beginning to heal from a severe bout of tuberculosis, which had forced her to discontinue her school education. She spent all her time indoors, her body was getting frailer by the day, and the strong medicines she consumed had left her deaf in one ear. According to Shaikh, who used to visit Haseena at home, the young girl was also in depression.

During these visits, Haseena would convey her anxieties and fears. And Shaikh, in return, would tell Haseena about her life, and her ambition of becoming a qazi, an Islamic judge. The two Muslim women, separated by exactly 25 years in age, were to become close friends.

Several days went by last year without the two getting a chance to meet. But when Haseena suddenly appeared in front of Shaikh next, she had undergone a striking transformation. She looked healthy and had put on some weight. When she would comb her hair, Suraiya says, she would take almost two hours to do just that. But the most remarkable thing about her, Shaikh recalls, was Haseena’s new-found ebullience.

“It was love,” Shaikh now says. “She was in love.”

Haseena had fallen in love, gotten engaged, and was planning to get married by end of 2017. But this marriage, as Shaikh now laughs while recounting the story, is not going to be like any old love marriage. It is neither a simple love marriage, she says, nor an arranged one. “It will be a wrong-number love marriage.”

A young Muslim man in Malad had mis-dialled a phone number and found himself accidentally speaking with Haseena. Drawn by the quality of each other’s voice, the frequency of these ‘wrong number’ calls increased over the next few months until the two were sure they were in love and decided to get engaged.

Haseena has now put a condition to her suitor. When the two get married in December, their wedding will have to be conducted not by a qazi chosen by his family, as has come to be the tradition, but by a female one, Suraiya Shaikh.

“The boy’s family has so far not agreed to the idea of a female qazi. I believe they are saying this is not possible. But the boy has promised he will convince them,” Shaikh says. “And maybe this will be my first nikaah.”

Some days ago, when Haseena learnt that Shaikh had completed her training, she wanted to know when the qazi would need to be intimated for a December wedding. “I told her, ‘Usually you have to register a month in advance, but you had better register by October’,” Shaikh recounts. “These wrong number marriages, I don’t know… Kuchh tehkeekat karna padega (We will have to carry out some investigations).”

The BMMA, which was formed in 2007, although its members have been campaigning for Muslim women’s rights for much longer, pursues its cause in different ways. It files petitions in court, like the one that resulted in women being allowed to enter the sanctum sanctorum of Mumbai’s Haji Ali dargah. It also runs a legal aid centre in Mumbai, Shariah Adalat, for aggrieved Muslim women, which often pits them against qazis and maulanas who interpret Muslim laws unfavourably towards women.

“It’s really atrocious how these qazis go about their job,” says Khatoon Shaikh, the BMMA’s Maharashtra convenor. “Often, they don’t even have proper training. They just grow long beards and open their shops,” adds Heena Siddiqui, a BMMA member. As the women describe it, Islamic judges have several duties to perform, like ensuring that there is no underage marriage, that a wedding has the consent of both the bride and groom, and later, if the husband wants to divorce his wife, the procedure is spaced out over a proper period of time (with a reconciliation attempt), and not done by the man saying one word thrice at a single go. “But the problem with these qazis,… is that a husband will say ‘talaq’ thrice and a male qazi will just listen to the husband’s version of things and finalise a talaqnama, without once listening to the woman or asking witnesses,” Khatoon Shaikh says.

WHEN BMMA MEMBERS learn of such cases, they not only meet both parties and try to reconcile the matter, but also catch hold of the offending qazis. They send notices to them and, if needed, file police complaints. Sometimes the qazis apologise and promise to rectify issues. Sometimes they switch off their phones and refuse to meet them. In one such case some years ago, they began receiving complaints about a Bandra judge known as Musa Qazi who had solemnised marriages where the bride was a minor and finalised divorces without once meeting the wife. “We just went to his office, all of us, and really scared him,” says Siddiqui, “Now he doesn’t do anything like that. In fact, when we need a qazi, we send our people to him now.”

In most cases, however, such relatively easy resolutions aren’t available, and Muslim women languish under unfair rulings as a result. Two years ago, the BMMA released the findings of a two-year-long survey it had conducted among 5,000 Muslim women in 10 Indian states. A majority of the women turned out to be housewives who had been married before the age of 18 and who suffered from domestic abuse. Many of them were divorcees. The survey revealed that most of them wanted the Triple Talaq process of divorce to be abolished, arbitration before a divorce to be made compulsory, and any qazi who gave legitimacy to such a divorce without consulting the woman or stipulating the need for arbitration to be punished.

About three years ago, as the results of the survey began to come in and several cases presented themselves at their Sharia Adalat, members of the BMMA began to wonder: why should they only deploy their methods for fire-fighting? Why couldn’t they attempt to prevent these fires in advance? Noorjehan Safia Niaz, one of the co-founders of the group, was more specific. Why didn’t the group train women to be qazis?

The group set up a centre for Islamic learning and theology, Darul Uloom Niswaan, and prepared a syllabus covering various subjects ranging from the Indian Constitution and jurisprudence to Muslim prayers and laws, as also the history, principles and values of Islam. A total of 30 Muslim women across India were selected to join the training programme. Two years later, 15 of them have qualified as Islamic judges. There have never been women holding these positions in India before, barring a few exceptions like Shabana Ara Begum, whose father, a qazi in West Bengal, helped her become one several years ago. Niaz says she hasn’t come across any such cases elsewhere either in the larger Islamic world. Several of them have been taunted by traditionalists who claim that females cannot be judges. But the BMMA points out that the Qur’an does not bar women from the role. “The problem is not that the Qur’an is unfair towards women. It is the misinterpretation done by qazis and clerics,” Siddiqui says. “A female qazi, we think, will bring a more gender-neutral perspective when she interprets Islamic laws. She will think about the woman before deciding any matter.”

Siddiqui recounts a case she encountered a few years ago, where a husband divorced his newly-wed wife by uttering talaq thrice upon discovering that she wore glasses. “When the family had come to see her before marriage, she hadn’t been wearing the spectacles. But after the marriage, when they found that her eyesight was weak, they claimed they had been cheated,” Siddiqui says. “And can you believe it? The qazi confirmed this talaq without once meeting the girl.”

Safia Akhtar, a 65-year-old former college professor in Bhopal who has also qualified as a qazi, narrates a problem-case she is currently helping resolve. A woman wants to divorce her husband because he has taken another wife. But whichever qazi she has approached so far has forbidden her from divorcing her husband. “We are now fighting the case in court,” says Akhtar.

Among other things, women judges will ensure that for weddings, the address and identity documents of grooms as well as brides are submitted for scrutiny; that sources of income are ascertained; and that both are marrying of their own free will. “These are small basic things, but often no one does them,” Siddiqui says.

As a qazi, Khatoon Shaikh (second from left) often handles cases where women have been divorced and abandoned without any consultation (Photo: Anushree Fadnavis)
As a qazi, Khatoon Shaikh (second from left) often handles cases where women have been divorced and abandoned without any consultation (Photo: Anushree Fadnavis)

We sit on the floor in a tiny two room office in Bandra’s Kherwadi area. There is little here other than wooden stools upon which rest large registers detailing the cases of several women. The walls are covered with colourful posters of messages. ‘Jahaan insaaf nahin, wahan Islam nahin’ says one; where there is no justice, there is no Islam. Another has details of cases dealt with last year: a total of 229, of which a majority concerned Triple Talaq (31) and polygamy (35); the BMMA has managed to resolve 61 of them, a success rate of 38 per cent.

Below these charts, Nirmala, a Hindu woman who volunteers at the organisation, sits with a large register. “Fifty-four new cases already this year, can you believe it?” she asks and raises her arms.

Beside her, seated on the floor are three women. One of them, draped in a burkha, draws open her facial veil to reveal a face not older than 25, perhaps even younger. “She is almost four months pregnant,” says one of her two companions. “But her husband refuses to cooperate.” The woman’s face has no expression and her eyes seem vaguely focused on the thickness of the register.

The young woman, it turns out, was married six months ago to a Muslim man in a Jogeshwari household in the city. But she had to return home just a few months later after she was verbally and physically abused by her in-laws. She wants a divorce, but her husband has refused to grant one. Her doctors have now found that her foetus has an abnormality, a danger to her as well as the foetus if she goes ahead with the pregnancy, but the husband refuses to sign any document permitting an abortion. He was supposed to visit the office today to discuss the issue, but almost an hour later, he has not shown up.

Suraiya Shaikh’s face tightens with rage when the husband says over phone that he can’t come. She threatens to lodge a non- cognisable offence against him if he doesn’t show up in two days. The young woman gazes at the register throughout the conversation. The doctors want to abort the foetus by next week; an abortion after 20 weeks of pregnancy would be illegal. The three thank Shaikh and promise to return a few days later.

All of Saturday passes like this. A few people come with new cases or to inquire after old ones. The weekdays are much busier, where the entire room is crowded with people and their grievances. Khatoon Shaikh is away today, at a police station in Bhiwandi, where a Muslim man has kept both his children but thrown his wife out of his house on the suspicion that she is having an affair with someone. And when there is no one around, Suraiya Shaikh, Siddiqui and Nirmala joke amongst themselves.

The biggest challenge for them, they admit, will be to be accepted as qazis. “We have done all this,” Niaz says. “Now I think the community should come forward and respond.” But the qazis themselves don’t plan on waiting. Several of them have begun to contact their family members and friends to see if there is anyone of marriageable age whose weddings they can formalise.

SURAIYA SHAIKH HAD JOINED the BMMA after the group helped resolve a marital discord between her sister and her husband. Over the years, she has encountered so many cases, from Facebook Triple Talaq posts to divorce notices sent by email and SMS, that she is no longer surprised by them. She has also learnt to keep her temper in check.

But occasionally, anger gets the better of her. Some days ago, while walking out of Bandra Railway Station with her daughter- in-law, she caught sight of a man hitting his wife. She intervened to help the woman hit her husband back. Her daughter-in-law, who is quite conservative and has been suspicious of her mother- in-law’s activism, was shocked. “How could you do that?” she asked Suraiya Shaikh. “You are a qazi now.”

source: http://www.openthemagazine.com / OPEN / Home> Society / by Chendup G. Bhutia   / April 28th, 2017

A true master

Meerut, UTTAR PRADESH / NEW DELHI :

Renowed Tabla Player Hashmat Ali Khan | Photo Credit: S. Subramanium
Renowed Tabla Player Hashmat Ali Khan | Photo Credit: S. Subramanium

 

Musicians remember the genius of tabla maestro Ustad Hashmat Ali Khan

With the passing away of Ustad Hashmat Ali Khan (February 3, 1932-April 22, 2017), Indian classical music has lost not only a great tabla maestro but also a generous teacher. In a world where people are stingy about passing trade secrets, the Khalifa (head) of the Ajrara gharana of tabla used to say, knowledge grows by sharing. In the words of Pandit Suresh Talwalkar, “Ustad Hashmat Ali Khan was a wonderfully warm man, with a great sense of humour and extremely polished courtly manners of a bygone age, and most of all, the finest teacher one could have.”

A 7th generation musician, the Ustad belonged to the family that despite playing a type of tabla so close to the original Delhi gharana of tabla, was able to maintain its distinct “baaj”.Born in Meerut, his grandfather Ustad Mohammed Shafi Khan was one of the navaratnas of the Maharaja of Baroda. When he was about eight, his grandfather took him to Baroda, and that is where he received his taleem. Once India gained independence, the princely states dissolved, the young Hashmat returned to Meerut where his father put him under the tutelage of Ustad Niazu Khan.At a very young age, he started teaching at New Delhi’s Bhartiya Kala Kendra. Part of the greatness of the maestro was his extremely intellectually open mind – he was always analysing the music style of others and was quick to praise. He incorporated many pleasing elements from other styles in his playing, but with a seamlessness that was envied by his fellow musicians. Talwalkar says, “He was able to embellish his playing very well; even though his own gharana Ajrara was so beautiful, yet he was able to add to it. He was also a very good human being, and extremely learned.”

Pandit Kumar Bose evinces his sorrow at the death of the Ustad, whom he describes as “bahut guni, and iss umar mein bhi, itne tayyar… He was a very fun loving and good natured man.” He added, as a tabla exponent he had researched and added to his gharana’s baaj with great finesse, and he hoped “that his son Akram keeps his music alive.”

Cosmopolitan outlook

Khan was also a very well travelled and cosmopolitan man; he had lived abroad in many countries including Russia, Mauritius, Guyana, Fiji and Australia for years, where he had been sent by the ICCR to teach. He has several students there. His wide travels had given him an urbanity not found in many musicians of his generation. One can recall anecdotes he would relate about an older generation of musicians. With an appropriate pause before the punchline, the subtle embellishments to the main story – Khan sahib was indeed extremely entertaining. There was always a compassion even while talking about musical frailties in others.

Indeed, this much loved musician will be missed; yet the legacy he leaves behind with his numerous disciples, including his musical inheritor, Ustad Akram Khan, and his grandsons, will remain.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by Shailaja Khanna / April 24th, 2017

Major Mohammed Ali Shah’s diversity to the fore

UTTAR PRADESH / NEW DELHI :

Mohammed Ali Shah
Mohammed Ali Shah

Theatre actor Major Mohammed Ali Shah turned a motivational speaker for a session ‘Disruppt’ held in Hyderabad

If diverse experiences are what people seek from life, Major Mohammed Ali Shah has had plenty of those. The son of Lt. Gen. Zameer Uddin Shah (vice-chancellor of the Aligarh Muslim University and brother of actor Naseruddin Shah) wanted to be an actor since childhood, dabbled with a lot of career options before he chose the stage.

After a stint with a call centre when the IT boom was on, he was selected for a Short Service Commission posting — he was a young lieutenant deployed at Jammu and Kashmir,LOC — and then he did an executive programme in Marketing at IIM-Calcutta and switched over to a corporate career.

Yet Shah left it all to pursue a career in theatre and films. Now, in his latest avatar, he has turned a motivational speaker, addressing in a session in the city for a platform Disruppt, that seeks to help people overcome issues in their personal and professional lives.

“Surprisingly, Hyderabad was a place where I had tried for acting opportunities several years ago but things didn’t work out. Destiny brings me back to the same place now. The Disruppt session here even had a few people writing handwritten letters to me. That, in times where people don’t take time to send Whatsapp messages. I had suffered a lot of setbacks in life, so if I can contribute to people’s wellbeing by narrating my personal experiences, why not,” says Shah asks.

Amid all the professional churn, there haven’t been any regrets. “In my corporate life, I was paid well, there was no risk or adventure and I was even growing, getting promoted each year. When I looked back at satisfaction, things weren’t falling in place. I quit it one day to pursue my ambitions in the city of dreams, Mumbai. There was initial regret, but I gathered courage soon enough, my parents and my wife stood by me,” Shah states.

This phase also made him a nuanced actor. His army stint was crucial in landing him roles in Haider, Bajrangi Bhaijaan and the Malayalam film titled The Ruffian. Post two unsuccessful attempts to get into NSD (which was once his long-time goal), life came full circle when he worked with Tom Alter and Saif Haider Hasan.

Hasan even went on to produce his theatre series ‘The Major Actor’s Assorted Monologues’ that had shows at Kuwait, UK, Mumbai and Delhi. “Besides, my army stint had me equipped at everything from polo to rock climbing to martial arts and paragliding, mostly the Short Service Commission stint taught me to be a thorough gentleman. If I’m happy about one thing in life, it’s about taking no help from my family, be it from my sister (a social activist), father or uncle,” he says.

He’ll be next seen in Tigmanshu Dhulia’s Yaara (also stars Vidyut Jamwal and Shruti Haasan) and an untitled film where he plays a Punjabi.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Theatre / by Srivathsan Nadadhur / April 29th, 2017

SAUDI ARABIA – Community bids farewell to Indian diplomat

Jeddah , SAUDI ARABIA :

Dr.Irshad Ahmed (seated centre) with leading members of the Indian community in Jeddah at the farewell event
Dr.Irshad Ahmed (seated centre) with leading members of the Indian community in Jeddah at the farewell event
 JEDDAH:
An evening to bid farewell to Dr. Irshad Ahmed, consul for press, information and culture, on completing his four-year term at the Consulate General of India in Jeddah was held recently.
 It was organized by Jeddah-based community welfare organizations from Telangana, including Khak-e-Taiba Trust, Urdu Academy, Deccan NRIs, Noor Education Society, Pain & Palliative Care Trust and Telangana Welfare Foundation.
 Ahmed thanked the Telangana organizations for holding the event in his honor. He spoke about his memorable experiences in the Kingdom and applauded the hospitality of the Hyderabadi community residing in Jeddah.
 “People living in this holy land are very blessed and very proactive when it comes to community welfare,” he said, adding he will miss the Indian community.
Ahmed said he enjoyed his stay in Jeddah and felt very fortunate to be able to help the expats residing here.
The evening commenced with the recitation of the Holy Qur’an by Hafiz Noor, followed by a heart touching naat by Khalid Hussain.
Mirza Qudrath Nawaz Baig, along with senior community members, welcomed Chief Guest Ahmed and lauded the brotherly hand he had extended toward overseas Indians.
The presidents and vice presidents of the Telangana organizations praised Ahmed for his dedication to the Indian community and in organizing various events; specifically pointing out the large-scale mushaira held at the Consulate of India and promotion of the Urdu language in a foreign land.
Ahmed was presented with a plaque of appreciation. Members of the Telangana organizations said they would not say goodbye to Ahmed but would rather say “see you soon.” They said they are looking forward to seeing Ahmed soon in Jeddah on a new assignment.
One of the key hosts of the event, Imran Kausar, gave the audience an overview of the consul and his achievements.
He started his career as an Arabic lecturer in Jamia Millia Islamia in 1995; he later joined the Ministry of External Affairs, Government of India in 2001. His first foreign posting was at the Embassy of Riyadh as third secretary (Information and Culture from 2003 to 2005; then he was transferred to Consulate General of India, Jeddah as consul (Education and Culture) from 2005 to 2008.
He then worked as undersecretary (Gulf) from 2008 to 2012 and was then posted to the Consulate General of India, Jeddah again where he continued his posting as consul (Press, Information & Culture) from 2012.
He will continue his new assignment at the Ministry of External Affairs (headquarters) in New Delhi, India.
Leading members of the community at the event included Shameem Kausar, Siadat Ali Khan, Hasan Bayazeed, Jamal Qadri, Abdul Razzak, Abdul Wahab, Asimuddin Ansari, Aslam Afghani, Asif Daudi, Tahir Ali, Noorul Amin, Majid Saleem, Munawar Khan, Mazharullah Jibran, Sheikh Ibrahim, Rashid Razzak, Saleem Farooqui, Mahmood Misri, Ghazanfar Zaki, Mir Arif Ali, Abdul Rafay and Liaqat Ali Khan.
source: http://www.arabnews.com / Arab News / Home> Saudi Arabia / Wednesday – April 26th, 2017

India’s rabab maestro strikes a chord in Afghanistan

Bugrasi (Bulandshahr), UTTAR PRADESH :

In Afghanistan, he teaches locals the rudiments of playing the lute-shaped musical instrument which is quite akin to the sarod.

Ustad Gulfam Ahmad Khan with Afghan Rabab. (Rajesh Kumar/ HT Photo)
Ustad Gulfam Ahmad Khan with Afghan Rabab. (Rajesh Kumar/ HT Photo)

Music transcends borders and captivates hearts. Going by this maxim, India’s noted rabab exponent Gulfam Ahmad Khan, 61, is a winner all the way, from India to Afghanistan.

Khan, who played the Afghan rabab at Sankatmochan Sangeet Samaroh here late Saturday night and left the audience spellbound, has become India’s ambassador of goodwill of sorts in Afghanistan.

In Afghanistan, he teaches locals the rudiments of playing the lute-shaped musical instrument which is quite akin to the sarod.

Khan, who divides his time between New Delhi and Kabul, has taught 250 Afghan nationals and 50 more are under his tutelage. His skill has earned him enormous respect in Afghanistan where people call him Ustad.

In particular, he wants to popularise the Dhrupadi rabab (Narad veena), an Indian variety of the instrument, across Afghanistan and in other parts of the world.

Khan wishes for Prime Minister Narendra Modi to take the initiative to popularise the Indian rabab.

“Dhrupadi rabab is a completely classical instrument. It produces spiritual tunes. The Afghan rabab is for fast tunes. The Indian rabab needs promotion and preservation. If the centre makes a little effort, it may become a highly popular instrument in Afghanistan,” Khan told HT.

Khan , who is in Varanasi on a four-day tour, will leave for New Delhi on Monday.

Born in Bugrasi, a town in Bulandshahar, he started playing the rabab with his father Ishtiyaque Khan who had mastery over both rabab and sarod. He gave his first performance at the age of nine in Gurudaspur.

After putting in hours of riyaaz (practice), he honed his skills.

A few years later, he performed in Ahmedabad and did not have to look back thereafter.

He took a break for a few years in the late 198os when there were no connoisseurs of the great art. During this period, he played the sarod, only to return to the rabab in the 1990s.

Starting a fresh innings, he gave a few public performances and wrote the popular number ‘Gata jaaye mast kalandar, Allah teri shan, Maula teri shan’, composing the music on the rabab.

The song made him popular across Punjab.

When he visited his daughter and son-in-law in Afghanistan, he played the rabab and impressed the locals there. Many of them insisted on learning to play the rabab from him. He did not refuse.

As his renown reached the Indian embassy in Afghanistan, senior officials invited him to hold classes on the rabab to the Afghan people. Shedding his initial reluctance, he eventually accepted the offer.

He remained in Afghanistan between 2009 and 2014, training many locals. He also learned some local songs.

“Over 250 Afghans learned to play the rabab in my classes. Some of them are professional rabab players. Around 50 Afghans still take tips from me,” he said.

“Performing at the Sankatmochan Hanuman Temple is a spiritual experience. The audience enjoyed my performance. I will keep coming here. Banaras is a great city and its culture is really fabulous,” he told HT.

After putting in hours of riyaaz (practice), he honed his skills.

A few years later, he performed in Ahmedabad and did not have to look back thereafter.

He took a break for a few years in the late 198os when there were no connoisseurs of the great art. During this period, he played the sarod, only to return to the rabab in the 1990s.

Starting a fresh innings, he gave a few public performances and wrote the popular number ‘Gata jaaye mast kalandar, Allah teri shan, Maula teri shan’, composing the music on the rabab.

The song made him popular across Punjab.

When he visited his daughter and son-in-law in Afghanistan, he played the rabab and impressed the locals there. Many of them insisted on learning to play the rabab from him. He did not refuse.

As his renown reached the Indian embassy in Afghanistan, senior officials invited him to hold classes on the rabab to the Afghan people. Shedding his initial reluctance, he eventually accepted the offer.

He remained in Afghanistan between 2009 and 2014, training many locals. He also learned some local songs.

“Over 250 Afghans learned to play the rabab in my classes. Some of them are professional rabab players. Around 50 Afghans still take tips from me,” he said.

“Performing at the Sankatmochan Hanuman Temple is a spiritual experience. The audience enjoyed my performance. I will keep coming here. Banaras is a great city and its culture is really fabulous,” he told HT.

source:  http://www.hindustantimes.com / Hindustan Times / Home> Cities> Lucknow / by Sudhir Kumar, Varanasi, Hindustan Times / April 17th, 2017

Hina Khan seeks blessings at Ajmer Sharif Dargah

Srinagar, JAMMU & KASHMIR / Mumbai, MAHARASHTRA :

HinaKhanMPOs25apr2017

Actress Hina Khan, who is known for her iconic performance of Akshara on the show Yeh Rishta Kya Kehlata Hai, recently visited the Ajmer Sharif Dargah.

She played the character of Akshara, a lady who was very homely and sanskari. Hina was praised for her performance multiple times. She had become the face of Yeh Rishta Kya Kehlata Hai and made the show popular. For more that 8 years, the actress entertained the audience and got immense love in return.

She recently quit the show and is currently on a break. The actress is spending her time with her close friends and is visiting a number of places. She offered prayers at the Ajmer Sharif Dargah and shared the following post on her social media handle.

Hina has also been in the news as there are rumors about her taking up Nach Baliye with rumored beau Rocky Jaiswal.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> TV> News> Hindi / TNN / February 20th, 2017

Aslam Parvez brings to life the time and poetry of Bahadur Shah Zafar in new book

NEW DELHI :

First published in Urdu in 1986, the book highlights the life and poetry of Zafar (1775 to 1862), whose reign marked a crucial period in the Indian history.

Bahadur Shah Zafar’s oil portrait, painted in 1854 by Austrian artist August Schoefft, now in the fort of Lahore.(photo_kraft/Instagram)
Bahadur Shah Zafar’s oil portrait, painted in 1854 by Austrian artist August Schoefft, now in the fort of Lahore.(photo_kraft/Instagram)

A new book brings alive the life and poetry of the last Mughal Emperor Bahadur Shah Zafar as author Aslam Parvez weaves together the strands of the political, the personal, the cultural and the literary aspects of a bygone era.

Publisher Hay House describes The Life and Poetry of Bahadur Shah Zafar as an absorbing, authentic and exemplary chronicle — studded with rare nuggets of information and enthralling anecdotes — of one of the most tragic figures of history who was witness to the end of a glorious dynasty.

First published in Urdu in 1986, this book brings alive the life and poetry of Zafar (1775 to 1862), who presided over a crucial period in Indian history when the country was subjugated and became a colony of the fast-expanding British Empire.

This work is as much about the 1857 Rebellion as it is about Zafar, the reluctant leader of the rebels. The pages also evoke the captivating ambience of a period when formidable poets such as Mirza Ghalib, Sheikh Muhammad Ibrahim Zauq and Momin Khan Momin, apart from Zafar himself, came up with one creative gem after another.

The author also provides a vivid picture of Delhi during the last days of its cultural and literary splendour as the Mughal capital and as a custodian of Urdu literature and poetry.

Finally, he recounts, in a touching manner, how Zafar spent his last days in Rangoon (where he had been exiled by the British) — a lonely and forgotten individual — far away from his beloved Delhi and from the trappings of empire.

source: http://www.hindustantimes.com / Hindustan Times / Home> Books / PTI, New Delhi / April 25th, 2017