The ongoing 11-day Sculpture Workshop, jointly organised by Karnataka Shilpakala Academy and Lalitha Kala Akademi at Kalamandira on Hunsur Road in city, has provided vast experience to the sculptors.
Seven senior sculptors, assisted by an equal number of assistants, who have come from Raichur, Mysuru, Bengaluru, Mandya and Ballari districts, are busy giving final touches to their sculptures, with the camp drawing to a close on Oct. 5.
Tukaram of Sindhanur in Raichur district assisted by Manoj Kumar is sculpting ‘Kalikadevi’ idol, while Manjunath Acharya of Yelahanka assisted by Kumar of Bengaluru is giving final shape to ‘Shiva’ idol, Kalachari of Ballari assisted by Vivek M. Podar of Vijayapura is giving final touches to ‘Kambada Narasimha’ idol and our very own Shyamasundar Bhat of Roopa Nagar in Mysuru, assisted by Krishnappa is in the last leg of sculpting ‘Veerabhadra’ idol.
There are women sculptors too in the camp, exhibiting the skills they have learnt over the years. Gayatri A. Shipli of Chikkalasandra in Bengaluru assisted by Tabu Tabassum ofHospet, is sculpting a folk figure. The other sculptors, taking part include Deepak and Lokesh from Mandya.
The stones for sculpting were procured from Hampapura in H.D. Kote taluk.
The camp also features wood sculpture and carving. G.V. Shivakumar of Bengaluru has carved ‘Ardha Nareeshwara’ idol out of wooden piece, while on M. Chidananda of Girinagar in Bengaluru has carved ‘Shiva’ idol, Vasant Naikar ‘Madanike,’ Sashidhar Acharya ‘Krishna,’ Nagendra S. Kammar ‘Darpana Sundari,’ and Vijay and Shivakumar contemporary art works.
M. Ramamurthy of Bengaluru is the camp Director, while Karnataka Shilpakala Academy Member Dr. Geetanjali Achar of Mysuru is the convenor.
source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / October 04th, 2016
Abortive takeover bids did not prevent the Muslim influences from impacting the Kashmir society. Long before Kashmir’s transition to Islam, the new faith existed and thrived even during the Hindu rule, says Sara Wani
(Manuscripts of the Holy Qur’an calligraphed in 1237 AD on a 25 feet long and 2.5 inch wide scroll paper. Belived to be gifted by Shiekh Hamza Makhdoom (RA) to Khawaja Miram Bazaz, great grand father of Majid and Ashraf Quazi, who displayed it in an exhibition in Srinagar.)
Mohammed bin Qasim packed home never to return and Ghaznavids’ left, as if vowing never to set foot on mountains guarding Kashmir like a wall. Kashmir kingdom was apparently insulated against the changes that swept proper India. Delhi Muslim kings and Turkish Sultans remained too preoccupied with power consolidation to make any advance toward Kashmir.
But for the ideas and influences, high Himalayas were no impregnable. Then, political boundaries did not stop trade, refugees and even fortune hunters. Kashmir knew of Islam much earlier than the two failed conquests.
In his Shah Hamdan of Kashmir, Kashmir’s former Director of Archives, Archeology, Research and Museums, Prof Fida Mohammad Khan Husnain has referred to a legend that then Kashmir ruler Veenditya’s emissaries had trekked through Bahrain and met the prophet of Islam. “This information is further collaborated in a Persian manuscript entitled Anwar-i-Kashmir, where it is informed that the Holy Prophet did depute Abu Hazifa Yamani in about 8 AH (after Hijra) with letters to the Chinese emperor but the above emissary got held up in Kashmir due to a heavy snowfall,” Husnain wrote. “Veenditya, the Raja of Kashmir treated them well.”
While the author offers no detail about the veracity of the manuscript and its writer, he claims that Caliph Umar ibn Khitab had deputed a delegation of five persons to Kashmir in about 21 AH. He offers no reference to substantiate the claim. Extensive research failed to trace the king in Rajatarangini. At that point of time when Islam was getting established in the deserts of Arabia, Kashmir was witnessing transfer of power from Baladitya, the last Gonanda king, to Karkotas whoso rule begun with Durlabhavardhana (627-649). Even the Thang dynasty records in China suggest that the first Muslim delegation comprising 15 Arabs was led by Said Ibn Abi Waqqas. Thabit ibn Qays accompanied him. Dispatched by Caliph Usman, it met Chinese Emperor Yung-Wei in 651.
But the existence of Muslims in Kashmir is well documented after the fall of Sindh. Chachnama author Alafi bin Hamıd al-Kufı, states that Muhammad Alaf, an Arab mercenary who had served Sindh ruler Dahır (712 A D), sought refuge in Kashmir. The then Kashmir ruler Candrapıda, received him well and bestowed on him the territory of Shakalbar. G M Sufi, the author of Kashir: Being A History of Kashmir has quoted Sir Alexander Cunningham locating Shakalbar somewhere around the slat range saying the territory was then under the control of Kashmir king.
After Alafı’s death, his estate was inherited by one Jahm, who, according to al-Kufı, “built many mosques there”.
Writing in the UNESCO publication History of Civilizations of Central Asia (IV), N A Baloch has quoted al-Bırunı recording that Muhammad bin al-Qasim bin Munabbih who took Multan “belonged to the house of Jahm bin Sama al-Shami, who had allegedly settled in Kashmir as far back as 712–14 and whose descendants had reportedly continued to flourish there.”
Baloch says though Kashmir was ruled, from the eighth century onwards, by the local, independent, originally non-Muslim dynasties, the region had “increasing political contacts with the Muslim rulers of Sind and Khurasan.” Kashmir and Kashgar, then, would be the two main trading states through Gilgit.
(Arabic and Sharda inscription on the grave of Seda Khan, next to Ziarat of Bahauddin Sahib, who died in a battle in the reign of Mummad Shah (1484-1537).)
Gaznavids’ returned home from Rajouri as winters set in and failed to wrest Kashmir from Sangramaraja in 1021. “It is, however, possible that some of Mahmud’s soldiers, finding it difficult to cross the mountains towards the plains of India, stayed behind and settled in Kashmir,” historian Abdul Qayoom Rafiqui writes in the UNESCO publication. “It is after these Turkish invasions that Kalhana refers, for the first time, to the presence of Turuskas (Muslim) in Kashmir when describing the reign of Harsa (1089–1111).”
Venetian adventurer Marco Polo is still a widely reliable traveler of that era. He visited Kashmir in 1260. His description of an “idolatrous” Kashmir, then ruled by Laksmanadeva (1273-86) – an “incompetent” ruler “consistently harassed by the Turks and his turbulent nobles”, is brief but interesting.
“They have an astonishing acquaintance with the devilries of enchantment; insomuch that they make their idols to speak,” Polo records in his Travels of Marco Polo. “They can also by their sorceries bring on changes of weather and produce darkness, and do a number of things so extraordinary that no one without seeing them would believe them.”
While terming Kashmir as the “very original source from which Idolatry has spread abroad”, Polo has made the predominant faith clear. But he has made two other observations.
“There are in this country Eremites (after the fashion of those parts), who dwell in seclusion and practise great abstinence in eating and drinking. They observe strict chastity, and keep from all sins forbidden in their law, so that they are regarded by their own folk as very holy persons. They live to a very great age,” goes the first one.
“The people of the province do not kill animals nor spill blood; so if they want to eat meat they get the Saracens who dwell among them to play the butcher,” is the other observation. Saracen is a generic term for Muslims that Christian writers widely used in Europe.
Evidences suggesting Muslim presence in thirteenth century were further corroborated in August 2012 by Qazi brothers – Ashraf and Majid, originally from Khawaja Bazaar. At an exhibition, they displayed full text of the Qur’an calligraphed in 1237 AD on a 25 ft x 2.5 inch scroll paper. “It is part of our heirloom and we had forgotten it on our attic in our old house under the shingled rooftop and nobody touched the two boxes for nearly 150 years,” Ashraf said. “Once we discovered and opened the box, we discovered the treasure.” The rare manuscript, calligraphed by Fatahullah Kashmiri was gifted by Sheikh Hamzah Makhdoom to Khawaja Miram Bazaz, the great grandfather of the Qazis. It carries a certificate of authenticity and transfer with 35 Ulema as witness. Historians did not expect Muslims to be living in Kashmir, then.
Focusing on the ‘court’, Rajatarangini, Kashmir’s oldest historical chronicle skips mentioning social changes in detail. But the first major mention of a social change is during the reign of Lohara dynasty king Harsa (1089-1101). The king says Kalhana, “introduced into the country more elaborate fashions in dress and ornaments and made his courtiers imitate his own taste for extravagance in personal attire.” The ‘new dress code’, an apparent ‘Western Disturbance’ was explained by M A Stein as the “Mohammedan influence”.
This observation is indicative of a social impact though not a religious transformation. But the Kashmir court was never immune to foreign influence. Even Lalitaditya’s had a Turk minister Cankuna. Stein says he was from Badakhshan or its immediately adjoining tracts on the upper Oxus. Besides, Lalitaditya, “as overlord of India”, according to Maharajas’ of India, by Annmorrow Shrishti was “already recruiting regiments from Central Asia.”
Vajraditiya-Bappiyaka, Lalitaditya’s son who ruled Kashmir for seven years, says Kalhana “sold many men to and introduced in the country many Mleccha practice”.
Apparently, Mlecchs were to Hindu scholarship what Saracens were to European writers. A Sanskrit word, Mleccha means “alien in language and manners, uncouth, inferior”. Their presence was felt throughout the reign of Korkotas’, the dynasty that reigned Kashmir between 663 – 855 AD, coinciding with the period when Arab armies were being dispatched to the length and breadth of the world. Even the Bhavaishya Purana, one of the 18 Puranas of ancient Vedic literature dealing with the future, anticipates the rise of prophet of Islam as “the Acharay of Mlecchas”, a desert resident who would be the embodiment of divine qualities. Some Kashmir historians see Ali Kadal as the Mleccha Mar that Rajatarangini refers to.
Husnain is correct in saying that Islam was brought to Kashmir by non-Muslim Rajas. While Karkota king Vajraditya (761– 767) introduced Mleccha practices, Lohara dynasty king Harsa not only employed Turuska commanders but made temple spoliation a state policy. He confiscated idols possessing the valuable metals, they were made of.
A Hindu iconoclast, Harsa was an interesting character. Initially prudent, courageous and lover of art and music, Sufi feels “his mind was rather demented”. Kalhana see him as “a jumble of contraries”, who was bankrupted by extravagances. To manage his kitty, Kalhana says he would loot the temple treasures, especially the metallic idols. An exploitative taxman, he would even levy night soil! Even though famines, bandits and plagues attacked Kashmir, Harsa never exempted his subjects from taxes. Eventually, his nephews led a rebellion, putting his palace afire, roasting his queens alive and slaying his successors. He was perhaps the only Kashmir king who head was sliced after being hunted down and left to be cremated by a wood-dealer “as a naked pauper”.
Stein has explained Harsa differently. “As Kalhana is particular to specify the new metal statues of gods throughout Kashmir which escaped Harsa’s clutches, we cannot doubt the extent and thoroughness of Harsa’s iconoclasm,” Stein writes. “Can the latter have been instigated or encouraged somehow by the steady advance of Mohammadanism in the territories? Kalhana when relating to these shameful confiscations, gives to Harsa the epithet Turuska i.e; Mohammadan, and later makes reference to Turuska captains being employed in his army and enjoying his favor”.
Having little faith in his people and his soldiery, Harsa had raised a new model for his army. Comprising mostly Ekangas, the royal bodyguards and the Tantrins, the reformed trouble-makers, each group of hundred soldiers was placed under a Muslim commander, thus making it impossible for soldiers to run away or hatch plots. This was the beginning of Muslim influence in Kashmiri politics. After Harsa, Bhiksacara (1120-21) is understood to have raised a Muslim cavalry for his personal guard, a task they eventually failed in.
Harsa, however, was one of the series of puppet kings who misruled Kashmir for nearly 500 years after Lalitaditya (724-60) when court rivalry would change kings in Kashmir like turbans. In between came Avantivarman (855-883) who tried to put the house in order. Putting foreign conquests at halt, he devoted his attention to his state focusing on development, welfare, and delivery of services. As his son succeeded him, things were back to square one with class-wars and internecine battles triggering the political instability and reducing the kingdom to its old territorial confines.
By the time Jayasimha (1128-1155) took over, Muslim mercenaries had gained so much popularity that the king and his army chief, according to Kalhana, would go “into the camp with Yavanas (Muslims).”
The gradual decay of the state and the society had led to such deterioration, according to Rajatarangini that when Sahadeva (1300-1 to 1319-20 AD) took over, Kashmir had reduced to a kingdom of “drunkards, gamblers and profligate women”. So when Mongol king Karmasena’s commander Dulcha (Zulchu) invaded Kashmir in 1320, the king fled to Kishtwar. Nobody resisted 70,000-strong invaders, who devastated Kashmir for eight months, selling men to Tartar traders, setting afire dwellings and standing crops. But the entire army perished over Devsar Mountains in south Kashmir while fleeing Kashmir winters with thousands of men and women slaves.
Dulcha destruction literally marked the end of a long chaotic Hindu rule. That changed Kashmir forever.
(This is the second in a four part series on advent of Islam in Kashmir. Read the first partIslam’s Kashmir Story.)
source: http://www.kashmirlife.net / Kashmir Life / Home> Faith History / Tuesday – February 16th, 2016
The Vice President will proceed to Kollam by helicopter to unveil the statue of renowned educationist Dr. M. Sreenivasan at the Sree Narayana College campus.
At a function to be held at the Kanakakkunnu Palace in the evening, the Vice President will formally open the digital library of the P N Panicker Foundation.
Vice President Dr. Hamid Ansari will embark on a three-day visit to Kerala on Monday, where he will attend various programmes in Kollam, Thiruvananthapuram and Ernakulam. Soon after his arrival in the State capital in the afternoon, the Vice President will proceed to Kollam by helicopter to unveil the statue of renowned educationist Dr. M. Sreenivasan at the Sree Narayana College campus.
Later, Ansari will return to the capital city for stay at the Raj Bhavan, where he has two engagements on Tuesday.
In the morning, he will inaugurate the Navathi celebrations of Navajyothi Karunakara Guru at the Santhigiri Ashram.
At a function to be held at the Kanakakkunnu Palace in the evening, the Vice President will formally open the digital library of the P N Panicker Foundation.
The digital library is launched as part of the Foundation’s drive for complete e-literacy. On Wednesday morning, the Vice President will inaugurate the Vidhyadhanam Scheme of the St. Teresa College in Ernakulam, following which he will then return to Delhi.
source: http://www.indianexpress.com / The Indian Express / Home> India> India News / by ANI, New Delhi / August 29th, 2016
Former MP Sebastian Paul presenting the first copy of SiGNS festival book to actor Sajitha Madathil during the inaugural function of SiGNS 2016 in Kochi on Wednesday.— PHOTO: by special arrangement
SiGNS short film and documentary festival opensin city
Kerala Chalachithra Academy Chairman Kamal has said the government was considering setting up, over a period of five years, nearly 200 new cinema halls across villages in the State for screening alternative, parallel, and art house films of note in Malayalam.
“This is something the Minister himself has mentioned, as a means to take good cinema to the interiors. Besides, film societies continue to be relevant in their mission to bring closer to cinema the section of people who are staying aloof,” he said while inaugurating the SiGNS short film and documentary festival organised by the Kerala chapter of the Federation of Film Societies of India (FFSI-K) and Kochi Biennale Foundation here on Wednesday. As part of measures to promote Malabar region, the International Documentary and Short Film Festival of Kerala (IDSFFK), routinely held in Thiruvananthapuram, will be shifted to Kozhikode next year.
Mr. Kamal outlined the course of the film societies movement in the State and said the movement had hit the doldrums in the early 1990s, and the social situation then had created a breed of apolitical, direction-less youth.
“But there was a revival of the movement in the mid-2000s. While the old generation still nurses the hardship they had undergone in the celluloid era, the digital film age averted the need for collectivity, as anyone with a mobile cam can make and watch films.”
source: http:/www.thehindu.com / The Hindu / Home> News> Cities> Kochi / by Special Correspondent / Kochi – September 29th, 2016
Television journalism is one of the most glamorous jobs of new India. Arfa Khanum Sherwani as principal correspondent and news anchor for NDTV India holds one of those glamorous jobs. Her home in New Delhi is an example of simplicity. She used to be in front of her camera, but this time she was the subject of the interview. I asked her about television journalism in India which is barely a decade old.
While Ms. Sherwani is very optimistic about the future of news channels in India, she is also brutally honest in accepting the mistakes made by electronic journalists.
Arfa, originally from UP, is a Chemistry graduate. She did a one year course in journalism from Aligarh Muslim University (AMU) and joined The Pioneer. From there she moved to The Asian Age. Realizing that she is more comfortable in a visual medium, she found herself as a TV reporter and news anchor.
Arfa has won accolades and criticism for her courageous and investigative reporting on Sachar Committee Report, Batla House encounter, and a special on the performance of the Ministry of Minority Affairs.
“News channels in India are in adolescent phase,” Arfa argues and that’s why they seem to be moving from one experiment to another, still trying to find a firm footing. She is critical of the abuse of the term ‘breaking news’ and over reliance on TRP, the rating system used by the Indian TV channels.
Arfa does not hesitate in calling the news dished out by TV channels as ‘infotainment.’ She calls for higher standard and believes that viewers are ready to watch quality journalism if given the opportunity.
She is passionate about the media and believes that she has so much to learn and excited about the opportunity to learn something new every day. She wants to be known as a serious journalist who is a face of authenticity who raises people’s issues and concerns and becomes their voice.
A sign of good journalist, she always keeps a notebook to record her thoughts and a book to keep herself informed of the issues.
As the city is being spruced up for it to sport a bridal look, inside the Palace too, hectic activities have begun to get the elephants ready for the Vijayadashami grand finale. The main attractions on the last day of the festival are the 12 elephants with Arjuna, carrying the Golden Howdah (Ambari), being the cynosure of all eyes.
Special care is taken by the team of Forest Department officials, mahouts and kavadis to ensure that the elephants are fed well and trained so that they can gain enough weight enabling them to stay composed amidst the cheering crowd at the Jumboo Savari. Care is also taken to decorate them with specially designed robes. Their trunks are painted and metal ornaments with hangings are fixed into their tusks.
Among the specialised team is Pasha and Zakaulla, the two mahouts who have retired from service and who are experts in creating the ‘Gaadhi’ or the cushion and ‘Namdha’ or ‘Gouse’, a robe for the elephants. While the ‘Gaadhi’ is tied to the elephant’s back, a ‘Namdha’ covers the elephant skin and looks like a jacket. The ‘Gaadhi’ and ‘Namdha’ are newly made every year.
Explaining the ‘Gaadhi’, Pasha and Zakaulla say that it makes the uneven surface of the elephant plain and look good when the “Namdha” is spread on the elephant. Each ‘Gaadhi’ has a girth of 1.5 ft and the length depends on the size of the elephant.
While Arjuna, the Howdah Elephant’s ‘Gaadhi’ will weigh 500 to 800 kilograms, the ‘Gaadhi’ made for other elephants weigh 250 to 300 kgs. This is because Arjuna has to carry the 750-kg Golden Howdah with the idol of Goddess Chamundeshwari placed inside. The combined weight of the ‘Gaadhi’ and Ambari is around 1,100 to 1,200 kgs.
A special grass that is grown abundantly on lake and river side is used to make the ‘Gaadhi.’ Locally the grass is called ‘Odake Hullu’ that turns soft when dry. The grass is bundled and filled into a soft but sturdy square shaped cloth specially stitched for the purpose. Along with this grass, dry paddy grass is also used to fill the edges.
“The proportion is important to give a soft and sturdy feel,” say the mahouts. Once the grass is filled, the ‘Gaadhi’ is stitched after covering it with jute gunny bags.
“When I was the mahout before 2006, I used to observe people making the ‘Gaadhis’ and ‘Namdhas’ and slowly I learnt the tricks of the trade. I retired in 2006 and since then I am doing this job every year,” says Pasha.
Pasha and Zakaulla have been a part of the festival and have stitched many ‘Gaadhis’ and ‘Namdhas’ for many elephants in the past. The Forest Department officials too have reposed their trust in their skills and summon them every year for the job. While Pasha is the resident of Gandhinagar in Mysuru, Zakaulla is from Gundlupet.
“I have been the mahout for elephants including Radhika, Jayaprakash, Ramani and Chandrika. I retired 10 years ago and I am happy to serve the Naada Habba. I am willing to teach other mahouts on the making of these specialised equipment,” says Zakaulla.
source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / September 26th, 2016
Born into a musically-inclined family in Delhi (his mother is a classical performer and father, a theatre artist), Sameer was exposed to melodies and composition from a young age
Born into a musically-inclined family in Delhi (his mother is a classical performer and father, a theatre artist), Sameer was exposed to melodies and composition from a young age. But it was his uncle who realised that Sameer had a knack for music when, still a tween, he played a tune on the tabla after hearing it just once. This led to tabla lessons.
In college, Sameer swapped the tabla for a guitar “because that was cooler then, and I didn’t want to be called a ‘tabalchi’,” he laughs. Sameer went on to play the bass guitar in a heavy metal band (Every Mother’s Nightmare), playing covers from bands like Metallica, Megadeth and others. His first creation outside his band, though non-commercial, was for a cookery show on Home TV. In August 1999, he got his first taste of composing for ads when Jeevan Singh of the films department at O&M asked him to create a tune for a Duracell ad, the agency was working on.
But Sameer believes that his first big break in ad films was when he composed the score for a Honda City commercial being produced by Kaveri Productions. The production house managed to convince the client to let a fairly new composer work on the ad. “It was something the Japanese don’t do often,” points out Sameer. Kaveri Productions is where he met some of his closest friends and Neha, who would become his wife. Some of his close friends and mentors include Binoy Mitra of Kaveri Productions, Shoojit Sircar and Vinod P Vijay of Red Ice Films, Harsh Dave of Film Farm, Amit Sharma of Chrome Pictures, Ayyappa of Footcandles.
A few years later, he moved to Mumbai with his wife (his brother runs a school in Himachal in memory of their brother Captain Hanif who lost his life in the 1999 Kargil War) and jumped headlong into work. The ad projects he’s enjoyed most include the latest Parle Lite ad with the floating Sumo wrestlers and the ballerina, the Honda City ad and one for Sri Lanka Tourism, where he spent time in the country understanding their music style and applying it to the ad.
Movies weren’t far away. He worked on creating background scores for films like Yahaan, Ek Khiladi Ek Hasina, Bluffmaster, Pyaar ke Side Effects and Aloo Chaat. However, ad films are his first love. Ask him why and he says, “It’s my sanctuary really for many reasons. Firstly, my mind is always in hyper drive, I love doing many things, so ads let me move from one genre of music to another. One day I might be working on an Indian tune, another day a thrash metal sound like one we created for Titan Octane to a medley tune like Parle Lite’s.”
source: http://www.afaqs.com / afaqs! / by Surina Sayal , afaqs! – Mumbai / Home> In Advertising / September 14th, 2009
Eight names have been submitted online for the Padma awards by the Delhi Government.
Of them, according to an Indian Express report seven names have been recommended for Padma Shri, one for Padma Bhushan.
The report claimed that seven names have come from Lieutenant Governor (LG) Najeeb Jung and one has been sent by a committee under the chairmanship of the chief secretary of Delhi. OKHLATIMES.COM independently could not authenticate the claim.
Of the eight names recommended, on the list is Dr Khalid Mahmood, former Jamia Millia Islamia’s Department of Urdu, in the field of Literature and Education. Sources said LG Jung, when he was vice chancellor of Jamia Millia Islamia, used to regularly take classes in Deewan-E-Ghalib.
Dr Mahmood, who even today visits the L-G’s residence once in a week to discuss Deewan-E-Ghalib, told OKHLATIMES.COM that he is not aware of the development. Born in Saronj-Madhya Pradesh on 15th January 1948, Dr Mahmood is a noted Urdu writer and has won several awards for his literary work.
OKHLATIMES.COM had earlier reported quoting Dr Mahmood that Jung is head over heels in love with Ghalib and has a good grasping power. It is my pleasure to discuss the subject with him, he had said then,
It is understood that Jung as an eight-year-old student used to recite ghazals written by Ghalib whenever Maulana Abul Kalam Azad, India’s first Education Minister, used to visit his swanky Daryaganj house in Old Delhi. Grandson of Moulvi Samiullah, a close associate of Syed Ahmed Khan, young Jung, in his later days lost touch with Ghalib. But after coming to Jamia he had renewed his interest in the great poet and writer.
Dr Mahmood used to interact with Jung four days a week for one hour after 5.30 pm.
Jung, son-in-law of Dr Abdul Jalil Faridi, wants to contribute to the development of Urdu in India and Maktaba JMI, Dr Mahmood had claimed then.
source: http://www.okhlatimes.com / Okhla Times / Home> JMI Campus / September 20th, 2016
The ongoing curfew in Kashmir has seen a sharp drop in tourists.
Mohammad Qasim (right), 55, and Khushi Mohammad, 35, have been working as palanquin bearers at Vaishno Devi for decades. They confirm that they have never faced any religious biasness here.
Located at a staggering altitude of 5,200 ft above sea level in the Katra valley in Jammu and Kashmir , is the lofty abode of goddess Vaishno Devi. The 13.5 km stretch to the main bhawan (temple housing the holy shrine) is accessible via various modes of transportation, including ponies, electric vehicles, helicopters and, most popularly, its paalkhis (palanquins), operated by two or four bearers a time.
There are over 5,000 palanquin bearers in the area, out of which around 3,500 are Muslims, often seen chanting “jai mata di” on top of their voices during their steep trek to-and-fro the shrine. “I’ve worked all my life here and have never faced any problem,” says 55-year-old Mohammad Qasim, who has been a palanquin-bearer for the last 32 years. “So what if I’m a Muslim, the goddess protects everybody. I get my food from here, so, this place is my home,” he adds.
The famous Katra market wears a grim, desolate look these days, given the conflict in Kashmir that has brought to halt all forms of functionality. The ongoing curfew in Kashmir has seen a sharp drop in tourists. The shopkeepers and locals depend on the pilgrimage, which sees outsiders in throngs, for their daily livelihood. The last two months have been severe, say some of the locals, pointing at the empty roads. But the palanquin-bearers appear strikingly unperturbed.
Khushi Mohammad, 35, smiles as he recalls the last 20 years of his service at the shrine, facing neither any troubles from his own community for visiting a Hindu pilgrimage, nor from the devotees for being a Muslim at the shrine. “We trek even during our Ramadan fast. People are so nice to us, they wait while we read the namaz during our working hours,” he says.
source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle> Life-Style / by Cheena Kapoor / September 18th, 2016