Category Archives: Arts, Culture & Entertainment

Tansen lives! Ghulam Mustafa Khan

Hailing from the senia tradition of Tansen, Ustaad Ghulam Mustafa Khan is that gem that Hindi filmdom can still boast off. Rubina P. Banerjee salutes the maestro whose journey started at the age of 8 and continues even today at 82!

Coke Studio recently witnessed the magic meandering of the golden voice of Ghulam Mustafa Khan Sa’ab as he sang Rahman’s composition ‘Aao balma…’. The studio rebounded with the sonorous depths of Khan Sa’ab’s voice while Prasanna, on the Carnatic guitar, kept pace with his vocal dexterity. At 82, the Padmabhushan awardee is keeping in tune with the times while keeping alive the tradition of the Rampur Sahaswan Gharana.

What can one ask an Ustaad, who started singing at 8 and is still going strong at 82! All my questions seemed banal when it came to his art but one has to start somewhere so we started at the very beginning with his first concert…

“My journey into music had started with the music inherent in my family. At the time, every city had a Victoria Garden and it was the custom that on Janmashtami, the first public performance of those interested in music be performed as a debut. Ali Maqsood Sa’ab, who was the Chairman of the Municipality, organised the Janmashtami function every year and asked me to perform. I was only 8 then and it was the January of 1950 but my performance was much appreciated and people lauded me for my courage to perform at this tender age in front of such a well-informed audience!”

If he performed so well at 8, at what age did he start learning music?

My question brings a smile to his lips…

“I started learning to sing before I had even started talking! My father used to hold me on his chest and teach me sa re ga… even as I was starting to lisp my first words. After a point, I began saying sa re ga… before any other word. My mother was the daughter of the great Inayat Hussain Khan and music was the legacy of my family. Our seniya traditions go back to the times of Tansen and my great great grandfather Ustaad Qutubuddin Khan Sa’ab was the court musician of the Nawab of Oudh, Wajid Ali Shah. My father, Ustaad Waaris Hussain Khan was my first guru. Both my parents wanted me to be a singer.

I started so young that I could remember the tune but not the words! After my father I was trained by Ustaad Fida Hussain Khan who was the court singer at the Baroda royal durbar. And then I learnt with none other than the great Nissar Hussain Khan Sa’ab himself. I never had to find a guru outside my family as there were so many eminent musicians in my family itself.”

Does he look back on his childhood with laughter?

“I have only one complaint with my childhood – that my parents never allowed me to play. Studies and riyaaz; that’s all I did! My father had told all the elders in my family that if I stepped out they should discipline me and make sure I was back inside. Even my mother, who loved me immensely, would complain to my father and ensure I got a sound beating when I played truant. So I have no idea what it is to play and never learnt any sport. I only play with my tanpura.”

When did he realise that he could also sing well?

“You know you are good if the people who are in this field praise you, as they minutely observe and know your strengths and weaknesses. I was indeed very lucky as my brother, Hafeez Ahmed Khan became a producer for All India Radio and I came over to Mumbai. He had organised a programme with all the great performers of the time and I had the privilege of singing with Ustaad Bade Ghulam Ali Khan Sa’ab for four hours at a stretch!

“At the end of the performance, Ustaadji asked me how I managed this deep sonorous voice when my frame was so thin! – and he blessed me. It was a wonderful moment for me.”

The path of music which he embarked on now saw him perform for Dr. Rajendra Prasad (former President of India) in 1952. He was named Junior Tansen in the Haridas Sangeet Sabha in 1969 and awarded the Ustaad Haafiz Ali Khan and Ustaad Chand Khan awards. He performed in India and abroad in the presence of the Queen and Lady Diana and was awarded the Padmashri in 1991, the Sangeet Natak Academy Award (2003) and the Padmabhushan in 2006.

How did he then find his way into the Hindi film world?

“The first film I sang for was in Marathi, ‘Chand Pretticha’. I was here from 1957 and started singing playback for Marathi and Gujarati films but if you ask me if I know the languages, I don’t. At a function, a lady came up to me and said, ‘Khan Sa’ab, aap ga rahi thi, main sun raha tha,’ Yeh mujhe ek aurat keh rahi thi!” His laughter fills the room.

Getting back to films, he says he started with Mrinal Sen’s ‘Bhuvan Shome’ and sang ‘Sajanaa kahe nahi aaye…’  for ‘Badnaam Basti’ under the same music director, Pandit Vijay Raghav Rao. It was Muzaffar Ali’s ‘Umrao Jaan’ that saw him sing the immortal ‘Jhoola kinne dala…’ and ‘Pratham dhar dhyan…’ under Khayyam’s music direction. The ambience of the kotha and the plight of the little Umrao as she is sold into the life of a courtesan, are made all the more poignant by the soulful rendition of the song by Khan Sa’ab.

His connection to Hindi filmdom doesn’t end there. From the late ’50s, he has been a guru to Asha Bhosle, Manna Dey, Geeta Dutt and today, Hariharan, Shaan and Sonu Nigam are among his students. “They have all given me a lot of love and respect and brought me fame as a teacher,” says the Ustaad. On their part, his shagirds acknowledge that their singing skills have been greatly enhanced by their guru.

The most satisfying part of his life is perhaps knowing that he has done his best to keep alive the tradition of the Rampur Sahaswan Gharana; a gharana known for vocal dexterity. His four sons Ghulam Murtaza, Ghulam Qadir, Ghulam Rabbani and Ghulam Hasan Khan are singers as well and have been trained by him.

Today they are professional singers in their own right and have sung for the renowned Rahman in films like ‘Fiza’, ‘Meenakshi’ and ‘Saathiya’. Rahman himself is a student of Khan Sa’ab’s and says he has a lot to learn from his guru. The mellifluous Ustaad Rashid Khan is his nephew as well as his shagird.

However, it is his grandsons who make him proud. Little Faiz and Shoaib have received taalim from the great Ustaad that is their grandfather. Watching Rahman’s song ‘Soz o salaam…’, I see Khan Sa’ab’s eyes light up as Faiz sings the verse flawlessly. His eyes wander wistfully as if seeing in his grandson, his own 8-year-old avatar, performing at his first concert in Victoria Gardens!

source: http://www.freepressjournal.in / The Free Press Journal / Home> Entertainmen / by FPJ Bureau / February 16th, 2014

Actress Gauhar Khan All Set to Make Her Hollywood Debut

Gauhar is all set to make her hollywood debut with a song in the big budget film 'Solar Eclipse-Depth Of Darkness' | (File/IANS)
Gauhar is all set to make her hollywood debut with a song in the big budget film ‘Solar Eclipse-Depth Of Darkness’ | (File/IANS)

Popular model and actress Gauhar Khan seems to be following the footsteps of Priyanka Chopra and Deepika Padukone.

After PeeCee and Deepu, now Gauhar is all set to make her Hollywood debut with a song in the big budget film ‘Solar Eclipse-Depth Of Darkness’ which is based on Indian independence and set in Violent India, post partition.

According to the reports in Times of India, ‘Chand Bibi’ will be seen in Mujra sequence which is choreographed by none other than Saroj Khan, making it more special for her.

In an interview with the leading newspaper, she said, “After seeing me dance on ‘Jhalak Dikhhla Jaa’, Sarojji had said that she wished I was her daughter. I’m thrilled that she is choreographing this song.”

Talking about her fitness, “My fitness is keeping me super excited. I do crazy weight training and I’m very happy with the shape I’m in. Of course, in the mujra I’ll be all covered up!” she added.

source:  http://www.newindianexpress.com  / The New Indian Express / Home> Entertainment> Hindi / by Online Desk / March 03rd, 2016

Tribute to Tabla Maestro Brings Stalwarts to Bengaluru

Hyderabad, TELANGANA :

UstadShaikDawoodMPOs28feb2016

Bengaluru :

A musical evening on February 27 marks the birth centenary of one the world’s most renowned tabla players – Ustad Shaik Dawood Khan.

This event, at the Palace Grounds, is organised by the Tabla Nawaz Ustad Shaik Dawood Trust.

Shaik Dawood Khan (1916-1992) is regarded as one of the greatest tabla maestros of his time, and was the torch bearer of the Farrukhabad, Ajrada, Lucknow, Punjab and Delhi styles.

As part of the centenary celebrations, the trust has organised concerts across the country. In December 2015, a two-day festival took place in Hyderabad. A second season began in Hyderabad on January 7 and 8, 2016.

The Bengaluru event is the third in the series.

Varied Journey

Ustad Shaik Dawood Khan is known as the ‘Thirakwa of Hyderabad’. Between 1926 and 1990, he accompanied hundreds of vocalists and instrumentalists, with equal respect and admiration, irrespective of their age or rank.

Shaik Dawood Khan was born on December 16, 1916. He was attracted to music from a very tender age, and his father Shaik Hashim took him to his neighbour Ameer Qawwal (a performing artist) from whom Shaik Dawood gained knowledge in singing and playing the tabla.

When he was nine, he became a formal disciple of Ustad Khasim Saheb of Sholapur, who had attained fame in the region as a tabla accompanist. During eight years under him, Shaik Dawood Khan emerged as a musician in his own right. Subsequently, he learnt from Ustad Alladia Khan, a Hyderabadi tabla nawaz, as also from Ustad Mohmmed Khan, Ustad Chote Khan and Ustad Jahangir Khan.

At the age of 46, when the whole music world was at his feet, Shaik Dawood Khan had the humility to become a disciple of Ustad Mahboob Khan Mirajkar.

Shaik Dawood Khan had accompanied almost all the greats of his time – Ustad Abdul Kareem Khan, Ustad Fayyaz Khan, Ustad Bade Ghulam Ali Khan, Ustad Vilayat Khan, Ustad Abdul Haleem Jaffer Khan, Ustad Ali Akbar Khan, Pandit Ravi Shankar and illustrious women  vocalists such as Roshan Ara Begum, Girija Devi, Begum Akhtar, and Gangubai Hangal. In fact, Shaik Dawood had the unique distinction of having accompanied four generations of artistes.

Decorations

Shaik Dawood Khan was honoured with the Hindu-Muslim Unity Front Award in 1975. In February 1992, he was presented the Sangeet Natak Akademy Award. He was a star attraction on Deccan Radio run by the Nizam, which subsequently became All India Radio, Hyderabad.

At Palace Grounds

The musical evening on Saturday begins with a tabla homage by Sarfaraz Ahmed, grandson of Ustad Shaik Dawood, followed by a tabla ensemble featuring Ustad Shabbir Nisar (son of the ustad) and Abhman Kaushal (USA), Uday Kumar, Mihir Kallianpur and Roopak Kallurkar.

This will be followed by vocal music by Vidushi Arati Ankalikar-Tikekar. The grand finale is a sitar session with Ustad Shahid Parvez accompanied on the tabla by Pandit Anindo Chatterjee.

5.30 pm, Palace Grounds, Gate 4. Entry free.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / February 27th, 2016

Award for Frontline journalist

Vikhar Ahmed Sayeed.
Vikhar Ahmed Sayeed.

Bangalore, KARNATAKA :

Frontline’s reporter in Bengaluru, Vikhar Ahmed Sayeed, has been awarded the Nasheman Award in Journalism for his contribution to journalism.

The award has been instituted in the memory of the late founder of Nasheman, Usman Asad.

The award was given at a special function that marked 55 years of the publication of “The Nasheman Weekly”, an Urdu news weekly published in Bengaluru that has a pan-Indian presence.

The jury for the selection consisted of Rizwan Asad, Editor of “The Nasheman Weekly”, and senior journalists of the newspaper.

The award was given by Karnataka’s Minister for Infrastructure, Development and Hajj, Roshan Baig, and Deputy Chairman of the State Planning Board, C.M. Ibrahim, at a function at the Press Club of Bengaluru on January 27.

source: http://www.frontline.in / Frontline / Home> The Nation> Media / Print editin: March 04th, 2016

This Man Wants to Make Mysuru’s Ring Road Cooler

Mysuru, KARNATAKA :

Hyder Ali Khan of Kalyangiri in Mysuru
Hyder Ali Khan of Kalyangiri in Mysuru

Mysuru :

Thandi Sadak in Haldwani, Uttarakahand, is famous for lush green trees and pleasant breeze.

Here, a man is on a mission  to make the Ring Road as city’s Thandi Sadak.

It started with one Honge tree sapling at Idagh Maidan 16 years ago.

Now for Hyder Ali Khan of Kalyangiri, life’s sole aim is to plant maximum saplings.  Khan has already created green canopy in several schools and public parks by planting nearly 2,500 saplings and is knocking at the doors of the government for help to increase green cover in the city. He plans to plant the saplings of certain selected trees on the  stretch of the Ring Road beginning from the Mysuru-Bengaluru intersection.

In the initial stage, he wants to plant 925 saplings in the one-km stretch. He approached MUDA officials seeking support for his mission.

“A green canopy can be created on the highway which benefits motorists immensely. If I get permission from the government, I intend to plant wild Almond Trees (Kaddabadami) along the one-km stretch of the Ring Road. It takes four years to complete the project. If we can do this, Mysuru will become a role model for other cities and towns in the country,” he said.

“I had worked as fitter for 27 years. One day, when I got exhausted while riding my bike, I sat beneath a roadside tree and felt immensely relaxed and rejuvenated. It was then I decided to plant trees. Nothing gives me more satisfaction than planting trees,” he said.

He planted 313 saplings of Honge tree at the famous Idagh Maidan in the city, thereby creating a green canopy. Today 15,000 people can sit under the shade of the trees at the Maidan.

He has created such green pandals in several schools too.

“The Thandi Sadak of yesteryears had introduced in Mysuru by  Wadiyars; a portion of which can still be seen inside zoo. We can convert the entire city into a green canopy and make the district more tourist-friendly, if we plant more trees,” he said.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by K. Rathna / February 26th, 2016

K.K. Muhammed – Digger of truth

kkMuhammedMPOs27feb2016

KERALA :

LAST year, a young journalist friend, Rajeev Mangottil, invited me to speak at the Onam Day celebrations at Jamia Millia Islamia. The name of this venerable institution is derived from the Urdu language in which Jamia means ‘university’ and Millia means ‘national’. That is where I first met the youthful-looking K.K. Muhammed, Director of the Archaeological Survey of India (ASI).

Rajeev whispered into my ears that Muhammed would soon be retiring and his story on him was scheduled to appear in the Malayala Manorama supplement. Since the Malayalam daily is fond of showcasing every Malayali as an achiever of sorts, I was not greatly impressed.

One reason why I underestimated him was that I have a poor opinion of the ASI. Just last fortnight a friend from Punjab SMSed to say that he had visited Nangal and seen the glass case which commemorates Chinese leader Chou en Lai’s visit and the discussions he had with Prime Minister Jawaharlal Nehru while formulating Panchsheel or the five principles of peaceful co-existence. I had visited the place a couple of times and was shocked by the fashionable sofa in the glass case. I checked and found that the two leaders had used caned, wooden chairs, which the officials concerned did not find impressive enough to be showcased.

In contrast, I saw at Potsdam, near Berlin, the large table and the chairs used by Stalin, Churchill and other victors of the Second World War, while deciding to divide Berlin into four zones and to constitute the United Nations, preserved in the same manner in which they were used, attracting thousands of tourists every year. But the first time I visited Shimla, I was unable to see the table and the chairs used by Indira Gandhi and Z.A. Bhutto for finalizing what is known as the Simla Agreement because no official had any clue about their existence.

Muhammed preferred to speak after J. Gopikrishnan, the ‘Pioneer’ reporter who unearthed the Spectrum scam, and I had our say. He spoke extempore and quoting the Vedas and the Upanishads, he took the listeners on a conducted tour of ancient Kerala, where the persecuted Jews found asylum and Semitic religious ideas flourished and enriched the native cultural practices and traditions. It was apparent that he had an excellent command of Sanskrit, the language of the gods. No, he did not say anything about the ASI or the work he had been doing.

He gave me his visiting card, which said that he lived in the Red Fort. He certainly could not have found a better place to live in than the fort the Mughals had built and from which they ruled the country. No other monument has witnessed history as the Red Fort from the ramparts of which the Prime Minister addresses the nation on Independence Day. It would not be an exaggeration to say that Muhammed breathes history and archaeology, rather than air.

So when I received an invitation for his lecture on the ancient churches of Goa at the Kerala Club, I could not resist the temptation to attend. What makes Muhammed stand out as an archaeologist is the passion he has for archaeology. We have all studied about Akbar the Great and Din-i Ilahi, the divine faith, he propounded by incorporating the best from Islam, Hinduism, Christianity, Buddhism, Jainism and Zoroastrianism.

It was at Ibadat Khana, the House of Worship, that the Emperor used to hold discussions with religious scholars. Miniature paintings that depict Akbar meeting Christian theologians exist. But where exactly was Ibadat Khana?

Mohammed studied the painting thoroughly and believed that it could be excavated at a particular spot in Fatehpur Sikri. He was in his late twenties and could not, therefore, convince his seniors, who all had a different belief. But he started excavating on the spot and found that the dome, the antechamber, the different layers and the gate depicted in the painting matched his excavation. It was a great archaeological discovery for which then Prime Minister Indira Gandhi congratulated him. What’s more, he also discovered a Christian chapel and a bazar in the same area.

Ask Muhammed and he will tell you that restoration of the 1300-year-old Bateshwar temple in Madhya Pradesh as the high-water mark of his career. He found hundreds of temples in a state of ruin, devastated as they were by an earthquake. Restoring them was a challenging task. Nobody seemed to be bothered. He had heard that dacoits would occasionally drop in to worship at the Hanuman temple there.

One day while returning to his workplace, he found a person smoking beedi in the temple. Muhammed rebuked him for smoking in a sacred place, little knowing that he was none else but dacoit Nirbhay Singh Gujjar! Fortunately, the dacoit did not pull his trigger and he left only after he was told by Muhammed that he belonged to the Gujjar-Pratihara dynasty that had once ruled the region.

He found that he could not carry on his work without the cooperation of the MP government, which was disinterested. Then he hit upon the idea of writing a letter to the then Rashtriya Swayamsevak Sangh (National Volunteer Corps) Sarsanghachalak, V.S. Sudarshan, telling him that though the BJP ruled the state, its government was not at all interested in restoring the ancient temples.

The RSS chief took up the matter with the Chief Minister, who ensured that he received the full support of the state government. He also had to contend with the mining mafia, which took a dim view of the restoration work. Finally, he was able to restore about 80 temples while the work is still going on.

I recently saw a documentary telecast by Asianet on the Bateshwar temple complex, which has started attracting tourists. Restoring a temple from the ruins is not an easy job. One should have a great knowledge of the art of temple construction. On TV, I heard Muhammed explain to the viewers how he came to the conclusion that a statue of Nandi could only have been at that particular spot. Rome was not built in a day. Nor had he learnt archaeology in a day.

Muhammed is modest when he says, “I have always been inspired by the Upanishads”. He knows important texts like Manasara Shilpa Shastra and Mayamata Vastu Shastra by heart. He is unabashed when he says: “I must have been a Namboodiri Brahmin in my previous birth”. I would have certainly believed him, if I had not heard his lecture on the ancient churches of Goa, where he was posted for about six years. He showed slides of various churches before and after restoration. That any ASI official could have done.

What no non-Christian could have done with such finesse was give a graphic account of the religious traditions and practices of Christians. He showed the picture of a temple, which gave Vasco da Gama the impression of a church. He went on to explain how the builders of churches in Goa liberally followed the motifs and styles used in Hindu temples and architecture.

For instance, lotus enjoys a pride of place in Hinduism. Vishnu’s feet are always qualified as the “lotus feet”. But in Christianity, no such importance is given to the lotus, which is like any other flower. Yet, he found that many of the churches in Goa sported lotus paintings and motifs.

There were many other features from Hindu temple architecture that were freely adopted by church builders. In temples, leftover water was always allowed to flow through a pipe the mouth of which resembled a crocodile’s. He showed with slides how the idea had been freely incorporated in church construction also. Of course, Muhammed had an explanation for it. The artisans who built churches came from the same class, which built temples in the area.

I was not surprised by Muhammed’s statement because a Malayalam journal had recently published a photo feature on one Govindan Gopalakrishnan, who specializes in mosque construction despite never having studied at a school of architecture, and never having seen the Taj Mahal, let alone the Jama Masjid in Delhi. He has so far built 88 mosques, including the magnificent Palayam mosque in Thiruvananthapuram and the strikingly beautiful ones along the highways in the state. Gopalakrishnan, who is a practicing Hindu, considers mosque construction as his “karma”.

Mohammed’s knowledge of church architecture was as splendid as his knowledge of the life and work of St. Francis Xavier, whose mortal remains are preserved in a church in Goa. When he spoke about him, I felt there was a devout Catholic in him.

And when he explained the various Stations of the Cross that he helped preserve in a church, and recited a line from the Bible “Elahi Elahi Lama Sabachthani” (My God, my God, why have you forsaken me?), I could see that he was overwhelmed by the enormity of emotions. I would not be surprised if he claimed that he was a bishop in his previous birth.

You and I may brand him as a Muslim or a Hindu or a Christian but Muhammed is a professional archaeologist, who ensures that wherever excavation is carried out, the local children and youth are involved in it so that when they grow up they will not leave vandal-like imprints of “Pappu loves Pappy” on the monuments they visit. In his case, wrong perceptions turned out to be far too costly.

When the post of Vice-Chancellor of Calicut University fell vacant, many knowledgeable people suggested Muhammed’s name but some thought that he was too close to the Sangh Parivar to be trusted with such a job. Instead, a person of lesser merit was chosen. Muhammed would not, however, be bothered for he knew that “an archaeologist is one whose career lies in the ruins”.

It was just the other day that historian M.G.S. Narayanan lamented that in Kerala, the Archaeology Department was headed by people who could not spell the word “archaeology” and would ask whether Alexander Fleming and Alexander Cunningham were the same.

For Muhammed, work is worship and it does not matter that he has not been adequately recognized for his contributions. However, he has many anecdotes to recount. Like the one of the time when he took President Barack Obama and his wife Michelle round the Humayun tomb and answered their questions.

Muhammed has in a recent interview expressed his distress over the low priority archaeology enjoys in the country. When he was in charge of the ASI’s work in Northern India, his budget was a puny Rs 6 crore. How many people know that it took 20,000 workers and artisans 16 years to construct the Taj in 1647-48 at a cost of Rs 50 lakh? This, when it is India’s tourism showpiece and the foremost Indian monument that spurs the international visitor to visit the country!

Do they know that parts of the Taj had fallen into disrepair? It was Lord Curzon, who ordered a comprehensive restoration project, which was completed in 1908. If anything, it shows how restoration is important for any historical site. Instead, we are good at spreading myths. One such myth is that Shah Jahan ordered the amputation of the hands of the architect of Taj Mahal in order to ensure that nobody made such a magnificent monument again. Another such myth is that the Emperor started building his own tomb on the other side of the Yamuna in black marble. Excavations across the river revealed no foundations.

Thus archaeology has its use in not only proving historical facts but also in exposing falsehoods. Muhammed showed how he transplanted a temple brick by brick using a numbering process. At the end of the project, not a single brick had become surplus. In retrospect, the most enduring image from the lecture was a gate, which he restored without spending a single penny from the state exchequer. Instead, he involved the local youth in the preservation work. They were only too happy to join him in his noble endeavor.

In all his pursuits, one thought that has guided Muhammed is “Om Lokah Samastah Sukhino Bhavantu”! (May all the people be happy!). What a pity that in a country where all and sundry are given Padma awards, a person like K.K. Muhammed has not been given such a recognition because to some, he is a Muslim and to some others, a Hindu. Rather like the poet Kabir over whose body the two communities fought only to find that he had transported himself to the realm of the sacred and the holy. K.K. Muhammed’s scholarship belongs to none, because it belongs to all.

The writer can be reached at ajphilip@gmail.com
Courtesy: Indian Currents

source: http://www.heraldofindia.com / The Herald of India / Home> Article / by A.J. Pinto / 2012

Stroke of the Healing Tree

Vadodara, GUJARAT :

K K Muhammed | photographs by Albin Mathew
K K Muhammed | photographs by Albin Mathew

Trees are essential for life and have always occupied an important place in myths, folklores and religions. K K Muhammed, a Vadodara-based artist, has used this aspect as the base for a series of works during his first-ever exhibition which was held recently in Kochi.

His paintings depict the malignancy of various maladies prevalent in our society, and the way they have crippled us. Be it discrimination against women, domestic violence, male domination or the exploitation of environment for human need, the artist has used trees as a spokesperson to highlight the issue.

“Every person has a close contact with trees,” says Muhammed. “Many of us have been influenced by the positive aura of trees, even without being aware of it. Hence, those who see these paintings will be able to identify the inner truth that I am trying to convey,” he says.

In two paintings, a log of wood occupies prime position. While the log represents consumerism in one work, it represents opulence of the rulers of the past and the present in another. “Consumerism has become a bane,” says Muhammed. “People today try to find out ways to get things done without effort. The ‘lesser the hard work the better it is’ has become the motto of this generation.”

Nothing has changed much, believes Muhammed. “The rulers of yore and the present are the same lot. Opulence binds them together. The log of wood in the picture cries out against the greed of the rulers which should be satisfied at any cost,” says the artist. These paintings also highlight male dominance and try to depict how men have hold the reins of the society while relegating women to do menial tasks.

Paintings by Muhammed put on display at the exhibition
Paintings by Muhammed put on display at the exhibition
 

A tree stands alone in one of the paintings in sepia. At one glance, a person cannot notice, but when one looks closely, various images peek out of the stem and branches. Hidden among the leaves and bark are the images of men and women along with various implements that we use in daily life. A thorn can be seen piercing a leaf, which again, highlights the brutal nature of man. Mainly, how he doesn’t flinch from trampling and back-stabbing others to reach his goal. Muhammed has also done a set of paintings on burnt wood. “I wanted to show that the nature is both the creator and destroyer,” he says. “The tender buds and flowers sprouting from the dead wood show the continuity of life. It also shows that nature is forgiving.”A painting, which highlights the hardships of women, catches the eye. The picture depicts how a woman looks after every single need of her family. The tender nature of the gender has been brought up to light through the image of a pregnant woman sitting with a rabbit on her lap.

“Men are self-oriented by nature and they do not hesitate to slander even their mothers for their own gain. They are afflicted by a grave malady called narcissism,” says Muhammed. The artist has depicted his belief in one of his paintings which is based on the story of young Narcissus, a Greek mythological character.

The artist is critical to the great importance that society gives to men. He points out this aspect in another painting which portrays various day-to-day affairs that we come across, things like the railings of a fence, the various objects that are used in the household and also symbols of religious importance.

Muhammed has received many awards, including the Bombay Arts Award and Kerala Lalithakala Akademi award, among others. He has done nine solo shows so far and been a part of more than 45 group shows. A postgraduate from Kala Bhavan, Visva Bharati at Santiniketan, the artist is planning to indulge in his other love, sculpting. “I will be exhibiting my works in a year or so,” says Muhammed.

source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Anu C.Kuruvilla / February 20th, 2016

Rare books, methodically sorted

Haziq and Mohi Rare Book Suppliers at Mubarak Chowk near Charminar is all set for a massive overhaul.-Photo: Mohammed Yousuf
Haziq and Mohi Rare Book Suppliers at Mubarak Chowk near Charminar is all set for a massive overhaul.-Photo: Mohammed Yousuf

After his death, siblings of Ahmed Bin Mohammed Bafanna, owner of Haziq and Mohi Rare Book Suppliers, start digitising and categorising the inventory.

Hyderabad, TELANGANA :

our months after 67-year-old Ahmed Bin Mohammed Bafanna breathed his last leaving behind a treasure trove in terms of literature, his four-decade-old shop which sells rare books is all set to be brought back to life. While it will take time to return things to full functionality, it is nevertheless something that book lovers have been waiting for.

And if you were one of those people wondering about the future of Haziq and Mohi Rare Book Suppliers, then there is good news. Mr. Ahmed’s five siblings have now begun sorting and rearranging the range of books in the shop subject wise, and they also plan to digitise the entire collection. “We started work in December, and have categorised more than 10,000 books so far,” said Khaled Bafanna, the youngest of the siblings.

The work to categorise all the books in Haziq and Mohi will take at least six months more, given that nobody in the family except Mr. Ahmed had any idea of which book is where.

“He had everything on his mind. We have started separating them under categories like Islamic literature and history. It will make things easier, as we would know how to find things. And we don’t even know the total number of books that are here,” explained Khaled. After Mr. Ahmed’s sudden demise, there was fear among his customers that his store would be shut down. Perhaps the fact that the store was closed for about 40 days after his death may have prompted that idea. For instance, a researcher from the US who was in Hyderabad last December went back disappointed, as the store was closed. The shop is a place where any literature lover could get lost in. Filled with books everywhere, there is just enough space for one person to walk through it, literally. A second person would have to either go outside to give way, or turn sideways to let another person pass. And the books also perhaps live up to the store’s name, as all of them inside are titles that would pique anyone’s curiosity.

For example, some of the books on display there are Aazadi (in Urdu), Women in Delhi Sultanate by Lokesh Chandra Nand, Timardaari (in Urdu) and another one titled Hyderabad Gazetteer by A. Khan. “Once my son’s exams are over, I will also create an email ID for the shop, so that our customers can reach us easily,” said Khaled, who is helped by his brothers to run the shop. And without Mr. Ahmed, how do they fix the cost of the books they sell? “We fix the price based on the date of the books, i.e. how old they are. And also, in case we cannot get another print of a particular book, we will only make Photostat copies of the original and give it, to preserve the copy we have,” he said, sitting where his eldest brother once sat in front of the shop on a small stool. Khaled and his brothers will also be relying on the same book sellers who would inform whenever a rare book would be available in the market for them to purchase. Mr. Ahmed is survived by his five brothers Ali, Abdallah, Salem, Osman and Khaled, all of whom maintain the store together. The shop is open from 12 noon to 7 p.m., and customers can contact Mr. Khaled on 93940 21930.

Some of the books are Aazadi, and Women in Delhi Sultanate by Lokesh Chandra Nand

 source: http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad / by Yunus Y. Lasania / February 22nd, 2016

The Three Musketeers of Swachh Bharat Abhiyan in city

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by M.L. Krishnaswami

Mysuru, KARNATAKA :

Prime Minister Narendra Modi has exhorted citizens to give a boost to promoting physical cleanliness of the towns and villages of the country and has directed his Ministries concerned to declare a few cities of the land as clean cities and giving them appropriate rankings. Thus our own city ‘Mysuru’ has been adjudged the Cleanest City in the tier-2 category. This has generated a high level of civic consciousness among the City Corporation and the Citizens.

The successive Mayors, Corporators and the Commissioners of MCC have to be complimented for this award. But the ultimate responsibility for the success of this hazardous task greatly rests on the shoulders of the grassroot workers in the lowest rung of the whole set-up. In this article, with due apologies to the higher ones in the hierarchy, I am inclined to highlight this important segment. Where I live, this job is meticulously done by three youngsters, the garbage collectors, who come early every morning shouting ‘Kasa, Kasa’ on the streets to awaken the householders to bring the garbage bin or tub to their doorsteps to be collected by the above youngsters and dumped into the carting autos. I have somehow befriended these boys in my own way and my wife even gives them a cup of hot-tea, a welcome drink in the early winter morning. Now, a brief about the boys:

1) The auto driver is named Farhan, obviously a Muslim boy of a score of years in age, who says he has studied upto PUC and due to family problems has taken up this part-time job (from 5 am to 2 pm) to save a portion of his earnings to enable him take up and study for B.Com next year. He has plans to pursue higher education upto M.Com or MBA. What a brilliant idea for future plans to this very handsome and affable young boy.

2) Rangaswamy is the important member of this trio and has studied upto High School. He is married and has two kids pursuing school education. He has carved out higher education for his kids more so because he was denied an opportunity to pursue his studies further.

3) Varadaraju is the third boy who collects the street and household garbage and carries them upto the auto and hands it over to Rangaswamy to put them into the inner auto space. He also has some formal education.

The job of the above three youngsters is to assiduously scan the about one-and-a-half to two-square-kilometres of the area allotted to them for garbage collection and transport it to the nearest lorry assigned to the area for carrying it forward to the dumping yard for treatment and final disposal.

In this hazardous task, I guess Mysuru City must be collecting and disposing off hundreds of tonnes of dry street and household garbage every day. Proper planning for final disposal of the garbage thus collected on a daily basis must be a challenging task for the City Corporation authorities who should be complimented for the same. The next higher-ups like Health Inspectors and others involved in these monotonous and highly necessary daily activities should be complimented for a good job done for the ultimate well-being of the city. Proper planning and execution are the hallmarks of this stupendous task in continuing to maintain the health of the citizens.

In the above context, I would prefer to call the three youngsters as the “Foot Soldiers of the Swachh Bharat Abhiyan.”

Decades ago many extensions of the then Mysore did not have Underground Drainage (UGD) networks and my memory goes back to the Vontikoppal area which was one of them. My father’s uncle lived there. It was an area inhabited by college professors including Kuvempu. Hand collection and hand carting of domestic sewage was in vogue and thus came the idea of a conservancy lane in between the parallel rows of houses facing the main road. The collection and carting of this ignominious domestic garbage was done by members of a particular community, nicknamed scavengers. What a shame and black mark on the society? It is good for the society that this system has been abolished in most of the cities and towns. It is an improvement in social conduct that people belonging to all communities have joined the brigade of the ‘Swachh Bharat Abhiyan.’ The doors of this Abhiyan should open up and welcome youngsters from all communities in the country into its fold. Time is not far off for this to happen.

In olden days, when I was a boy, fairly big houses in the city would be having a reserved space in the compound corner called ‘Thippe’ and all dry and kitchen garbage would be dumped into it and cleaned almost every week, by municipal workers. This was a very good and welcome step in maintaining the health of the household members. This, however, is absent these days.

Now, in a lighter vein this ‘Thippe’ was also used to make fun of a lady member of the household who begets twenty- one children by a single husband. A small function would be arranged to commemorate this great event by asking her to sit on a carpet spread on this ‘Thippe’ and perform a small ‘Arathi,’ a mark of a mini-religious function to celebrate the event by inviting relatives and neighbours!! My father’s maternal uncle’s wife had this distinction (!) and she was nick-named ‘Papachi’ and whatever it meant I do not know. She bore twenty-one children to her husband !

Old order changeth yielding

Place to new

And God fulfils Himself

In many ways

The present generation of husband and wife normally have one child, if at all, and many forego the joy of parenthood and the reason they offer is “we want to enjoy life fully without obligations or hindrances.” Nobody will remain young for ever and when they get old, they regret their earlier decision, but it would be too late in the day.

e-mail: mlkswami@yahoo.in

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Thursday – February 25th, 2016

Karnataka Urdu Academy Chairperson passes away

Bengaluru , KARNATAKA :

Dr. Fauzia Choudhry collapsed while speaking at a programme in Kannada Bhavan, Bengaluru

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Mysuru :

Dr. Fauzia Choudhry (52), Chairperson of Karnataka Urdu Academy, passed away yesterday in Bengaluru following a heart attack.

She leaves behind her husband, three daughters and a host of relatives and friends.

Dr. Fauzia Choudhry, who collapsed while delivering the presidential address at a programme held at the Urdu Library in Kannada Bhavan, was rushed to St. Martha’s Heart Centre, where she was declared brought dead.

Namaz-e-Janaza will be held today after Zohar at Masjid-e-Khadria, followed by the burial at Khudus Saheb Makhan in Bengaluru.

Condoled: MLA Tanveer Sait, Secretary of Mysore District Relief Committee Mohammed Mumtaz Ahmed and others have condoled her death.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Thursday  – February 25th, 2016