Category Archives: Arts, Culture & Entertainment

Shaheer Khan pays tribute to well-known Urdu author Hamida Salim, who once taught at Jamia

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Eminent Urdu writer Hamida Salim passed away on Sunday, August 16th at the age of 93 at her house in Delhi. She was laid to rest at Jamia Millia Islamia graveyard on Monday. She is survived by her husband Abu Salim, son Irfan Salim who lives San Francisco Bay area, and daughter Sumbul Salim.

Born in 1922 in a Zamindar family of Rudauli in Barabanki district of Uttar Pradesh, she did her B.A. from I.T. College, Lucknow, and M.A. in Economics from the Aligarh Muslim University in 1947. She took her diploma and Masters in Economics from the University of London. She taught both in the Women’s College and Economics Department at Aligarh Muslim University in the early 1960s before moving to Delhi where she taught at Jamia Millia Islamia.

Hamida Salim’s death (Hamida Aapa as we used to call her) has come as shock toliterary world in general and Aligarh fraternity in particular.

My interactions with Hamid Apa began about 10 years ago during one of her annual summer visits to the Bay area to see her son, Irfan Salim. After our first meeting, she called me on her subsequent summer visits and left a message in her very sweet voice, “Shaheer Mian Mai Bay Area May AaGai Hun. AapSay Aur Humaira Say Mulaqat Kub Hogi”.

We tried to visit her couple of times at her son’s house, depending on her availability, on every visit. During our last meeting some 3 years ago she mentioned that she may not come back here due to their old age and poor health (hers as well as Salim Sahab). She always appreciated that her son will make sure that his parents travel in comfort by business class with a stopover in Europe for several days but still the long journey to San Francisco was too much for them at this age.

It’s hard to explain our feeling every time when we met her. Amazing human being, she was more than just Majaz’s sister. Highly sophisticated and extremely hospitable and very loving person. We enjoyed every minute of her company and always learned something new about the Aligarh, Lucknow and of course Rudauli (her home town and birth place) of her days. It was an honor to be with her. Our conversations will always includeAsrarul Haq Majaz (renowned Urdu Poet), SafiaAkhtar (Urdu litterateur, wife of Jan Nisar Akhtar and Javed Akhtar’s mother) and Ansar Harvani (veteran freedom fighter, parliamentarian and Congressman). She had an amazing memory.

Her autobiography “Shorish-e-Dauran” (Troubulent Times) published in 1995 covers her Aligarh days. Her second book “Ham Saath The”(We were Together) consists of her write-ups about her siblings, and has not received the attention it deserves as noted by Naved Masood Sahab. Several people whose opinion is respected in Urdu world feel that Hamida Apa’s article on Majaz, titles “Jaggan Bhaia” is possibility the best tribute from a sister to her brother they have seen. Majaz was known within the family as Jaggan because he would go to sleep very late. Her other two books, “Hardam Rawan Hai Zindagi” (Life is constantly on the move) and “Parchhaiyon Ke Ujale” (Lights of Shadows) are novels. I am privileged to have all four book sighed by her. She gave us the latter two as gift. According to published reports she was working on two other books ‘Ab aur Tab’ (Now and Then, collection of short stories and a few articles, will compare the times gone by with the present) and ‘Beeti Huee Yaaden’ (Remembrance of the Things Past, Memoir).

Over the years I convinced her to write articles for our Aligarh Magazine. Despite her old age and poor health she agreed to my request. At the end she will say, “Shaheer Mian Aap Ki Zid Nay Majboor Kar Dia LikhNay Kay Liye”. I also requested her to read one of her articles on Majaz, that she wrote at my request, for video recording.

She was an accomplished author in her own right, had her own identity and enjoyed her own place in Urdu literature but for us, the Aligarians, who are so passionate about ‘Tarana-e-Aligarh’ and our love for Majaz; she was our link to Majaz and source of firsthand information about his life and work. That link is broken and gone forever. We will miss you Hamida Apa.

(Shaheer Khan is founder an co-moderator of AMUNetwork, a prominent mailing list of AMU alumni.)

source: http://www.okhlatimes.com / Okhla Times / Home> JMI / by Shaheer Khan / OT – August 23rd, 2015

Shaikh Al Shareef, who belongs to family of Prophet, visits AMU

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Shaikh Al Shareef Mustafa Fouad Shafaee, who belongs to the family of the Prophet of Islam, Hazrat Mohammad Mustafa (Peace Be Upon Him) recently, visited Aligarh Muslim University’s Maulana Azad Library to see the collection of rare manuscripts and books.

During his visit, he expressed happiness over the availability of the rare documents relating to the pre 18th century particularly on the history of Islam and the cities of Makkah and of Medina.

The visitor’s family has been holding the key of the Tomb of the Prophet (Peace Be Upon Him) for the last 14 centuries.

Shaikh Al Shareef belongs to the 41st generation of the Prophet and he has arrived in India to see the culture of the country. He had mentioned that he was interested to visit AMU and the Taj Mahal in Agra.

The AMU Librarian, Dr Amjad Ali accompanied Shaikh Al Shareef to the Manuscripts Division where he spent an hour consulting the documents relating to the geography, geology and history of Arab specially the cities of Makkah and Madina.

Shaikh Al Shareef had a look on Futuhat-e-Makkiah of Ibne Arabi and expressed joy over the method of scanning and preservation of the Islamic heritage. He added that he has visited libraries of some Islamic countries including Egypt and Turkey but could not see such a well-maintained rich collection, displayed for the visitors.

While praying for peace and prosperity of India, Shaikh Al Shareef added that this is the land where Hazarat Adam descended from Heaven and from where the human race spread all over the world. During his visit to the Manuscripts Division, the Shaikh added “I love India” and promised the Librarian, Dr. Amjad Ali to visit the Library again for a longer time.

Photo from AMU official

source: http://www.okhlatimes.com / Okhla Times / Home> Despatches / by OTNS – AMU / OT – August 23rd, 2015

Art From Terra Incognita

Mansoor Ali Makrani, the 37-year-old artist, recieved top CIMA award for his work – ‘Anatomy of an Unknown Chair’.

Kolkata  :

Awards don’t make a man or woman but they just may make an artist. Especially if the painter, sculptor or photographer lives beyond the metros – in villages and small towns of the country. So Kolkata’s Centre for International Modern Art, best known as CIMA, instituted nine CIMA awards for visual artists. About 2000 people competed, of which 159 were short-listed. The works are on display at four galleries across the city – at CIMA, Studio 21, Academy of Fine Arts and Ramdulari – and are drawing huge crowds.
The top CIMA award went to the ‘Anatomy of an Unknown Chair’. An old chair, taken apart, its parts put together in a random order and framed. The 37-year-old artist, Mansoor Ali Makrani, was born to a farmer-turned-truck-mechanic in Gujarat’s Wachesar village. He now lives in Delhi. “What if I ask the chair, what are the stories that you hold, what are the conversations that you have recorded? So, it was in a way animating the object. A dead object which could be animated, it could speak and unfold histories and stories in the truer forms which we don’t know of,” he said, trying to explain his work.

Tarpaulin, a work by 29-year-old Pitambar Khan’s, got the jury award. He still lives where he always has, Samudrabad, a village in Bengal’s Howrah district, about three hours by bus from Kolkata. On a piece of blue tarpaulin, he has painted a staircase and a gift-wrapped heart. For him the tarpaulin is something everyone uses at one or another point of time in one’s life.

Pitambar’s father was a carpenter and his father’s work was his first brush with art. “My father was a carpenter. When I was in school, I used to see him make wood reliefs. In a temple, once he made Hindu goddesses in wood relief based on stories. It influenced my drawing and my father encouraged me,” he said.
There is a wide range of work on display at four galleries across Kolkata, from towns including Nasik, Surat, Rajkot, Gaziabad, Mednipur to Chenganacherry. That was the idea: to give these artists a platform.
Rakhi Sarkar, director of CIMA said, “In the course of my several years of being in this art world, I felt deeply disturbed that art was being dominated by the metropolitan cities. But outside of that, somehow Indian artists never really got a platform.”
The jury included artist like Jogen Chowdhury and G Ravindra Reddy, author Amit Choudhuri, filmmaker Shoojit Sirkar, actor-collector Victor Banerjee and photographer Dayanita Singh. They are all glad to be part of an effort to give little known artists — all strapped for money and studio space – some much needed attention. Each piece of work was hotly debated. Even on the winner they agreed to disagree though the majority won.
Dayanita Singh, photographer and jury member said, “A lot of the artists have gone too far put too much over laden the work. And if one could learn from Hindustani music how to hold back or from Michael Ondachi how to restrain oneself. How to edit, I think that one word has come out clearly to me that the one word I would take back is lack of restraint.”
Jogen Chowdhury, artist and jury member added that, “It is not always necessary to be retrained. Then you cannot sometimes, some artist cannot grow. Even you see Picasso, He is not restrained at all.”
The CIMA award winner received a trophy, Rs. five lakh and a promise to hold a solo show at CIMA within two years, while the Jury Award winners received a trophy and Rs. two lakh. It was a mammoth exercise that CIMA worked on for months. So mammoth that CIMA has decided the awards will be given once in two years instead of annually. After all, art is still not instant, especially art from terra incognita.
source: http://www.ndtv.com / NDTV / Home> Kolkata>  Section / by Monideepa Banerjee / March 28th, 2015

Young in age, big in achievement

Winners of the first edition of Siddha and Camellia Group present ABP Ananda’s Sera Bangali, Kalker Sera Ajke, 2015, at GD Birla Sabhagar on Thursday

(From left) Artist Pitambar Khan, International Junior Science Olympiad winner Debaditya Pramanik, shooter Ayonika Paul, actor Riddhi Sen, writer Ritika Nath and singer Lagnajita Chakraborty. The award salutes talented young Bengalis in the field of science, art and culture. Picture by Pradip Sanyal
(From left) Artist Pitambar Khan, International Junior Science Olympiad winner Debaditya Pramanik, shooter Ayonika Paul, actor Riddhi Sen, writer Ritika Nath and singer Lagnajita Chakraborty. The award salutes talented young Bengalis in the field of science, art and culture. Picture by Pradip Sanyal

source: http://www.telegraphindia.com / The Telegraph, Calcutta,India / Front Page> Calcutta> Story / Friday – August 21st, 2015

Ambur and the art of biryani

In the kitchen of Star Briyani, Ambur. Photo: R. Ragu / The HIndu
In the kitchen of Star Briyani, Ambur. Photo: R. Ragu / The HIndu

The writer spends a day tasting the town’s staple dish to find out what makes it so appealing.

There was once a man who loved biryani so much that he braved the rain to eat it under the leaky roof of an eatery. Another ate it for lunch every single day for 15 years. He continued the ritual even after he became old and toothless, except that he had it plain, without the meat. Stories of such biryani fanatics are common in Ambur, a town some 180km from Chennai. Here, people eat biryani for breakfast.

What’s so special about Ambur’s biriyani?

We walk into Star Briyani, one of the town’s well-known and oldest establishments to find out. It’s 11 a.m. and customers are already walking out after a meal. Brothers Muneer Ahmed and Anees Ahmed run the business now, that has branches across Ambur, Bangalore, and Chennai.

Brothers Anees and Muneer of Star Briyani Photo: R. Ragu / The Hindu
Brothers Anees and Muneer of Star Briyani Photo: R. Ragu / The Hindu

It all started with Hasin Baig, their great-grandfather, who is said to have cooked in the kitchens of the Arcot Nawabs. He brought what was once the food of the royals to the common man by opening a restaurant in his hometown, Ambur. Hasin’s son Khursheed then took over the business, which was then taken over by his son Nazeer Ahmed. In all, the family nurtures a 110-year-old biryani heritage. “At Khursheed Hotel that thatha ran in the 1900s, biryani was ready as early as 7 a.m.,” says Anees, who manages the Chennai wing of restaurants.

A view of Khurseed Hotel at Ambur. Photo: R. Ragu / The Hindu
A view of Khurseed Hotel at Ambur. Photo: R. Ragu / The Hindu

He recalls how his ancestors used a short and thin rice variety called ‘surdas’ and country chicken. “We’ve replaced the rice with its closest match — seeraga samba, which we source from West Bengal,” he explains. Ambur purists will scoff at any other rice variety, even if it’s the slender basmati.

At the kitchen of Star’s branch that’s located on the Chennai-Bangalore highway, biryani masters Krishnan and Irfan are preparing mutton biryani. Cooked in gigantic containers over wood-fired stoves, the crucial aspect behind the biryani’s consistency is the ‘dum’ — a procedure where it’s removed from fire and covered with a lid over which hot coals are placed. The recipe consists of the usual ingredients that goes into biryani — onions, tomatoes, spices such as cardamom, cloves, and cinnamon, ginger and garlic paste (ground separately to incorporate each ingredient’s flavour), red chilli paste, salt, rice (par boiled) and meat.

As an over-powering aroma engulfs us, a mild whiff of sambar comes our way. “Oh, that’s our lunch,” Irfan informs us.

Khursheed is still present inside the main bazaar of the town, where it was originally started, and is now taken care of by Anees’ cousins. In a narrow lane where tring-tringing tricycles, autos, scooters, load men lugging heavy sacks on their shoulders and pedestrians jostle for space, the clang of the steelkarandi against the soot-smeared container, announces the birth of a fresh batch of biryani to the neighbourhood.

We follow the sound into Khursheed, a hole-in-the-wall eatery that can house not more than eight at a time. The biryani here is priced at Rs. 45 and is made of basmati rice unlike a typical Ambur biryani. This is probably to cut cost — the outlet mostly caters to the hard-working labourer who cannot afford the more expensive varieties. Ambur has plenty of such restaurants that serve biryani for less than Rs. 100.

Anees recalls how his grandfather’s friendly demeanour was responsible for him securing a loyal customer-base. “He would stand at the entrance and greet people he knew with ‘enna machan, rumba naala kanom?’ (long time no see?) and they would instantly step in for a plate.”

At Star’s bazaar outlet, a plate of mutton biryani costs Rs. 150. It’s peak hour at lunch time and biryani is getting sold out fresh off the wood-fired stove. The atmosphere here is rather informal — many of the diners are regulars who nod at each other as they polish off a greasy dish of pepper chicken. Back in the kitchen, Faizal is ladling a gigantic container of brinjal curry on the stove, while Kalim, the chicken 65 expert, is carrying a fresh batch of the dish that gleams like rubies, to the serving counter.

Then, our first plate of Ambur biryani is served — orangish-pink in colour, the rice is mildly spiced, the meat, a tad spicier and cooked to perfection. M. Rahman, a 75-year-old ex-councillor, a regular, sits with us to eat. “So, what…” we begin when he cuts us short. “Don’t ever talk when eating biryani. It distracts you.”

Just then, Anees’ father Nazeer comes into the restaurant, assisted to his seat by his son. Over 70 years old, he recently suffered a stroke. Although he has lost his speech, the man insists that he sit at the counter for at least two hours every day, amidst the steam of the biryani he dearly loves. It occurs to us then, the reason behind the success of Ambur biryani. True, it tastes good; but what makes it special are the people of the town. Their passion for biryani — that’s the secret ingredient.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society / by Akila Kannadasa / Chennai – August 20th, 2015

States’ Monumental Revenue Rise as Taj Mahal Stays on Top

New Delhi  :

The alluring romance of famous monuments seems to be getting a little jaded with lesser-known ones tucked away in mofussil India garnering increased interest by domestic and foreign tourists. While the iconic Taj Mahal continues to maintain its top position in earnings through entry fees, smaller monuments in states witnessed a spike in revenue. The  Palace of Tipu Sultan in Bengaluru almost doubled its revenue with Rs 22 lakhs last fiscal.

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Last year, the Taj Mahal lost nearly Rs 60 lakh in revenues earned through entry tickets. In the 2014-15 fiscal, the ‘monument of love’ earned Rs 21.78 crore, while in 2012-13, its revenue was Rs 24.58 crore and Rs 22.40 crore in 2013-14.

Lesser known monuments such as, the Charminar in Hyderabad and Golconda Fort saw a surge in revenues this year; Rs 91 lakh in 2014-15 over Rs 84 lakh in 2013-14, and Rs 1 crore, up from Rs 92 lakh in the previous fiscal respectively.

Taj Mahal apart, some other big attractions showed a downward revenue trend. Revenues from UNESCO monument Red Fort dropped by Rs 10 lakh to earn Rs 5.9 crore, while the newly restored Humayun Tomb earned nearly Rs 70 lakh during 2014-15.

In Delhi, Jantar Mantar made Rs 23 lakh in the last fiscal, a drop of Rs 5 lakh. The Khajuraho Temples lost Rs 20 lakh to earn Rs 2 crore in 2014-15 and Ajanta and Ellora also saw a drop of Rs 2 lakh each.

According to the latest Ministry of Culture figures, many of the 116 ticketed monuments under the jurisdiction of the Archaeological Survey of India (ASI) were helping fill government coffers. In 2013-14, the ASI earned Rs 96.85 crore from monuments, which dropped to Rs 93.38 crore in 2014-15. Ironically, the money does not to go to the cash-starved ASI’s kitty but to the national treasury. Its battle to get the money for conservation of monuments has come to naught.

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The excavated remains in Nalanda in Bihar and Rani-ki-Vav (queen’s step well) in Patan, Gujarat, increased their revenues by over Rs 6 lakh each. Rani-ki-Vav was given a Unesco World Heritage Site status this year.

Other monuments that showed increase in revenues, though marginally, include the Rock-cut Hindu Temple at Undavalli and Buddhist Monuments at Guntuplli, both in Andhra Pradesh; Ahom Raja’s Palace at Sibsagar and Ranghar Pavilion at Bisnhudol, both in Assam;  ruins of Vikramshila, that was established by King Dharmapala (783 to 820) after a supposed decline in the quality of scholarship at Nalanda, and Sher Shah Suri’s Tomb in Bihar. On the other hand, the famed remains of Pataliputra in Patna showed a downward trend in ticket earnings.

The other significant monuments with increased entry tickets earnings are Sheikh Chilli (Haryana), Kangra Fort (Himachal Pradesh), Badami Caves and Gol Gumbaz in Karnataka, and Mandu monuments and Sanchi (Madhya Pradesh).

In Maharashtra, Ajanta and Ellora’s losses in revenue were gains for Aurangabad, Elephanta , Karla and Buddhist Kanheri Caves. In Delhi, Purana Qila, (which dates back to the days of the Mahabharata), Safdarjung Tomb and Tughlaqabad earned more this year while earnings from Red Fort and Humayun’s Tomb dipped. In Tamil Nadu, except for the Rock Cut Jain Temple in Sittannavassal, ticketed monuments like forts in Gingee and Dindigul had lesser earnings in 2014-15.

Interestingly, the Taj Mahal, Agra Fort and Qutub Minar collectively contributed over 45 per cent of the revenues through entry fee for ASI-run monuments The 17-century marble tomb with its intricate inlay work built by Mughal emperor Shah Jahan has been earning over Rs 20 crore every year through entry fees. Its revenue collections saw a drop in the last three years even though footfalls have been increasing. In 2012-13, Taj Mahal earned Rs 24.58 crore, Rs 22.40 crore in 2013-14 and Rs 21.78 crore in 2014-15.

“There has been no decrease in the number of total tourist footfalls in the past two years. In 2014, 60,72,501 domestic and foreign tourists visited Taj Mahal, against 58,35,342 in 2013,” culture minister Mahesh Sharma said.

Ironically, it isn’t just the Taj Mahal whose revenues have dropped. Revenue from the Khajuraho temples fell by Rs 20 lakh to Rs 2 crore in 2014-15, and Ajanta and Ellora also saw a drop of Rs 2 lakh each.

Indians and those from SAARC and BIMSTEC countries pay between Rs 5-10 while foreigners have to pony up between Rs 100 to Rs 500, depending on the monument.

On the other hand, funds spent on the upkeep of the Taj has been rising. The ASI spent Rs 12.04 crore in 2012-13, Rs 13.73 crore next year and Rs 16.24 crore in 2014-15.  Agra Fort, built by the Mughals in neighbourhood of the Taj earned Rs 10.58 crore in the last fiscal, while Qutub Minar grossed Rs 10.29 crore through ticket sales, a marginal increase over the previous year.

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source: http://www.newindianexpress.com / The New Indian Express / The Sunday Standard / by Pratul Sharma  / August 02nd, 2015

A Space for Missile Man at the Country’s Oldest Mosque

Cheraman Juma Masjid
Cheraman Juma Masjid

Kochi  :

As a mark of tribute to the memory of the legendary man who took the pride of the country to the world and beyond, India’s first mosque, Cheraman Juma Masjid, will dedicate a portion of its Islamic Heritage Museum to A P J Abdul Kalam.

“The Islamic museum sheds light on the composite culture that existed in the God’s Own Country during the medieval period and showcases the relics of the rich past. In honour of the former President, it will be equipped with the digital collections of his visit to the legendary mosque and the town along with other documents,” said Faisal E B, administrative officer of the mosque. “We would also hold a meeting of various stakeholders this week to chalk out a plan to this effect,” he added.

It was hardly a decade ago when Kalam visited Cheraman Juma Masjid, considered to be the oldest mosque in the country, situated at the ancient port town of Kodungallur in Thrissur. The illustrious son of the country who visited the legendary 1400-year-old mosque on July 29 in 2005, wrote on the guest book, “I pray in the ancient mosque for the peace and prosperity of the country.”

The mosque committee is renovating the ancient monument under Muzaris Heritage Project of the state government. It is being renovated in tune with the style of Kerala architecture that existed during the times of the Cherman Perumal, the last of the Chera kings who ruled Kerala with Kodungalloor as their capital. The mosque is believed to have been constructed in 629 AD by Malik Bin Dinar, a contemporary of king Cheraman Perumal. “We would set aside a space for the former President in the renovated mosque, which already carries a plaque of his visit. The museum in the mosque would soon be expanded to include digital collection of the Muslim culture in Kerala. It will also carry the relics of the visit of the Missile Man to the mosque,” said Dr Mohammed Syed, president of the mosque committee.

The committee is already in the process of collecting audio-video footages of the Muslim culture in Kerala, which include the traditional art forms of the community, the artifacts associated with their daily life and other such memorials.

“The digitalised museum will be a top choice for global tourists and we are in the process renovating it in tune with world standards,” said a member of the mosque authority.

source: http://www.newindianexpress.com / The New Indian Express / The Sunday Standard / by Dhinesh Kallungal / August 02nd, 2015

Read Kalalm’s verse, lend a hand

Students of Nochad HSS school plan to sell 5,000 copies of A.P.J Abdul Kalam’s books and raise money to help fellow students.— Photo: S. Ramesh Kurup
Students of Nochad HSS school plan to sell 5,000 copies of A.P.J Abdul Kalam’s books and raise money to help fellow students.— Photo: S. Ramesh Kurup

Students to sell APJ’s books to raise money for charity

A group of 150 students of the Nochad Higher Secondary School here have embarked on a journey to pay tribute to the former president of the country, A.P.J. Abdul Kalam. Flagged off by the district collector N. Prasanth at the Collectorate premises here, the group envisages selling as many as 5,000 copies of 13 select titles of Kalam in and around the city. The sum collected as donations during the trip and the profit from selling the books will be donated for building houses to deserving students from the school.

The students, who started their journey in two buses and other vehicles from the Civil Station, stopped at different points in the city and dispersed in small groups to sell the books. Receptions have been arranged under the aegis of traders’ forum and institutions at important centres such as shopping malls, hospitals and public places.

“We have already sold around 2,000 copies of the books on day 1,” said K.M. Nazeer, one of the coordinators of the journey. Agnichirakukal, Jwalikkunna Manassukal and Asadyatayile Sadhyata are the books in most demand, he said. The team that stop at different points for selling the books also performed different cultural programmes to attract the attention of the public to their charitable cause. “Some medical institutions in the city donated even Rs. 10,000 for a book considering the cause,” said Mr. Nazeer. Organisations such as the Malabar Auto Club, a collective of auto rickshaw drivers in the region also accorded a warm reception for the journey.

Many institutions and traders forum according to him provided small refreshments for the students on their way in additions to the donation. The team had been given receptions at 10 select points in the city on the first day of the journey, which will conclude at Perambra on Sunday.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kozhikode / by Jabir Mushthar / Kozhikode – August 21st, 2015

Inspired girls make a mark at Times NIE Quizomania

Bengaluru :

“No clues, No clues,” came the fervent pleas from a crowd of 1,200 students from 200 schools, as they competed for a place in the finals of the Times NIE Quizomania 2015-16. It was held jointly with the State Bank of India at The Cathedral High School, Bengaluru, on Thursday.

The excitement and tension was palpable from the word go, as quizmaster Giri ‘Pickbrain’ Balasubramanium took them through 20 questions in the preliminary round, before 12 schools made it to the semifinals. Presidency School, RT Nagar, walked away with the winning trophy.

They also got an impromptu cash prize of Rs 10,116, from Vijaya Kumar, general manager-network II of SBI, St Mark’s Road.

From Viv Richards starting his cricketing career from K Chinnaswamy Stadium to RBI governor Raghuram Rajan starring in the Oscar-winning documentary ‘Inside Job’, to Fauntelroy being Donald Duck’s middle name, the students had answers to almost all the questions.

Chief general manager of SBI Rajni Mishra said: “Some of the questions bowled me over; the children know so much today. I am often asked where I see India going economically, and today I can say that India is going to be No 1 in the world soon. We will have brilliant scientists, entrepreneurs and leaders,” she said.

Isabella Simon, principal of The Cathedral High School, said quizzing is a fun way to learn and gather information. CEO of Greycaps India Pvt. Ltd Giri Balasubramanium said he was delighted to see so many girls taking to quizzing. “Girls opening up to a mind sport like quizzing is a fantastic new trend. The comfort level the youngsters have with all the information around them is also amazing,” he said.

The winners, Aymen Maqsood and Bavadharini Manohar attributed their success to the 40-minute quiz they have in school every day, and reading the newspaper. The prizes to the winners were sponsored by Vedantu.com. General manager-network I, YV Ramana Murthy was among those who gave away the prizes.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Bengaluru / by Santrupti Rajankar, TNN / August 21st, 2015

5,000 of Kaifi Azmi’s books now in AMU library

Aligarh : 

A group of mostly librarians went from Aligarh Muslim University to Mijwan village in Azamgarh district recently to take possession of the 5,000 books from Urdu poet Kaifi Azmi’s collection that were being donated to the university by actor Shabana Azmi, the poet’s daughter.

What the group was stumped by was the mint condition of the books. There was little work to be done, the group said, as the books were all neatly covered and stocked in an almairah. The spines of the books were sturdy, the authors and titles all neatly marked.

Kaifi Azmi was born to a landed family in Mijwan village in January 1919. By the time he died in 2002, he was renowned as a poet, communist and member of the Progressive Writers’ Movement. Donating a collection of 5,000 books from her father’s library to the university, his daughterShabana Azmi said, “People who had come to collect the books were surprised at the upkeep of his personal library. They were astounded that someone hailing from such a small place like Mijwan could have such a vast and neatly maintained collection of books.”

Maulana Azad Library at AMU has received donations from at least 50 people so far. “Kaifi sahab’s personal library was so unique, it is hard to find a personal library so well maintained,” Amjad Ali of the Maulana Azad Library.

On Wednesday, the university released a catalogue of the books acquired from the Kaifi Azmicollection. The university also held a symposium titled, ‘Life in Creative Pursuits’ organized in collaboration with the Sahitya Academy.

In the collection were books of Urdu poetry and literature, books in Persian, Urdu periodicals, accounts of history and books authored at the peak of the Progressive Writers’ Movement that could prove to have significant research value. Among the Urdu periodicals are issues of Khuda Bakhsh, Naqoosh, Nigar and Shair.

Speaking of her father, Shabana Azmi said she always remembered him as someone who marched to his own drum. She admitted to being a little ashamed of him as a child: “He didn’t go to ‘office’ or wear the normal trousers and shirt like other ‘respectable’ fathers. He wore his cotton kurta-pyjama 24 hours of the day, he spoke no English. Worse, I didn’t call him ‘Daddy’ like other children. He was ‘Abba’! I learned quickly to avoid referring to him in front of my school friends. I lied that he did ‘business’. Imagine letting my school friends know he was a poet. What on earth did that mean? A euphemism for someone who did no work?”

The renowned actress remembered that when it was time for her to seek admission to school, her parents Kaifi and Shaukat sent other people to ‘represent’ them as her parents, so she could more easily be accepted as a student in an English-medium school. It was only with media reports that her school friends realised that she was actually poet Kaifi Azmi’s daughter, the thespian recounted.

Shabana Azmi’s husband, lyricist Javed Akhtar, said, “Kaifi spoke for the masses. He fought, through his writing, against injustice. His work has never been more relevant than now, when one thinks of the hardships people experience. He wrote about the downtrodden after living with them. He wrote of women’s rights. That did not mean he had different standards for the women in his own home. That is why he had a daughter like Shabana Azmi.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Agra / by Eram Agha, TNN / August 20th, 2015