Category Archives: Arts, Culture & Entertainment

Scoring music for a noble cause in Kozhikode

Music directors (from left) Jassie Gift, Afzal Yusuf, Rahul Raj, Gopi Sundar, Bijibal, Anil Johnson, and Mejo Joseph at a press conference in Kozhikode on Wednesday. Photo: S. Ramesh Kurup / The Hindu
Music directors (from left) Jassie Gift, Afzal Yusuf, Rahul Raj, Gopi Sundar, Bijibal, Anil Johnson, and Mejo Joseph at a press conference in Kozhikode on Wednesday. Photo: S. Ramesh Kurup / The Hindu

They are performing to raise funds for the Cochin Haneefa Foundation, which helps struggling artists in films. Music directors raising funds for Cochin Haneefa Foundation.

Eight music directors of Malayalam cinema are coming together for high-voltage live shows.

Bijibal, Gopi Sundar, Alphonse, Jassie Gift, Rahul Raj, Afzal Yusuf, Mejo Joseph, and Anil Johnson will kick off the tour at Swapna Nagari here on September 27.

They are performing to raise funds for the Cochin Haneefa Foundation, which helps struggling artists in films. The show, titled Jamgrab, is being organised by the Film Employees Federation of Kerala, the Music Directors Union, and the D Cutz Film Company.

“We are glad that we are beginning the series of shows in Kozhikode,” Mr. Gopi Sundar told presspersons here on Wednesday. “This incidentally is my first ever live show.”

Mr. Rahul Raj said it was great teaming up with fellow composers. “It has been an opportunity for us to know each other,” he said. “I do not think that eight music directors have come together for a show in the country before.”

Leading playback singers will be performing at the show, which will have a sound of 3,00,000 watts.

Film director Shajoon Karyal will direct the show, while Vinod Vijayan and Seven Arts Mohan are the producers.

After Kozhikode, the show will travel to the UAE for a performance in Sharjah on December 19. The ticket sales were inaugurated earlier in the day in Thrissur by actor Mammootty.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kozhikode / by Special Correspondent / Kozhikode – August 21st, 2014

 

Pitching in Their Mite for Haneefa

To keep alive the memories of actor Cochin Haneefa, the Cochin Haneefa Foundation is organising a major cricket tournament – Cochin  Haneefa Cup. The Cochin Haneefa Memorial Tournament, which will be a cinema cricket championship, will be held at TCC cricket ground, Tripunithura.

The championship which will begin on April 12 will continue till April 23. The game will be played in the Twenty20 format on a knock-out basis. About 16 teams representing various strata of the film fraternity including directors, music directors, editors, production controllers, dancers, make up artists, production boys, singers, press clubs and different media organisations are expected to take part in the tournament.

The champions will get an ever-rolling trophy along with cash award of `1,00,000 while the runners up will get trophy and `50,000. Those who become the second runners up will get `25,000 and trophy. In addition to this there are awards for Man of the Match, Man of the Series, Best Batsman, Best bowler and best catch.

Actor Mammootty will be the chief guest at the prize distribution ceremony. The inauguration on April 12 will be attended by Fefka president Sibi Malayil, Fefka directors union president Kaml, All India Film Employees Confederation general secretary B Unnikrishnan, Malayalam Cine Technicians Association (MACTA) general secretaries Siddique and G S Vijayan, writers union general secretary A K Sajan, Renji Panikar and Tambi Kannanthanam.

The Cochin Haneefa Foundation was formed by the friends and family members of the actor, as part of an attempt to keep the memories of  Cochin Haneefa alive, said Foundation officials Fasil Mohammed, V C Noushad, Vinod Vijayan and Collins Leophin at a press conference in Kochi.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Kochi / by Express News Service – Kochi / April 07th, 2014

Mangalore: Searching For History

Sultan Battery
Sultan Battery

Bangalore :

The aircraft  lands on a  narrow piece of land that leads straight to a valley. And that valley was where an ill-fated aircraft had crashed a few years ago.  That is all I could think of during my descent into Mangalore. I held onto to the sides of the chair and hoped that I would live. It was a smooth landing and for once I was grateful for that sharp brake. Once out of the airport, I caught a cab and headed out to the hotel.

But I wasn’t ready for what was coming next. On steep roads, swirling down the hill was  like going down a softie curl. And then my first glimpse of the glimmering city. It looked beautiful.. laid out in front of me like a carpet of twinkling lights. I passed by a group of people – a large family with adults and children. I wondered what they were doing so far from the city at 9.30 pm, and then I saw a  plane in the distance. It made sense. With heads lifted and upturned faces, they watched the flight come closer and got their fix of the day.

And that got me thinking about Mangalore. In my first 30 minutes here, I had moved from extreme fear to delight to warm-fuzziness. It had a small-town quality that  made me wish for more.

Historically Mangalore is grand, Tipu Sultan had been here. It has had an important place in history. But what had happened to it now? Was it just another mid-sized city, now? I didn’t associate it with the grandeur of a big city or a city that had dynasties fighting for it. I associated Mangalore with crime and communal tensions, and that was all I knew about it. But surely Mangalore is much more than that.

The next morning, with just four hours before I made my way to Kasargode, the actual destination of the holiday, plans had to be remade. Maps were scrutinised and the reception lady thoroughly grilled. The plan was  finalised- the day would include Sultan Battery, the College Chapel, the Mangaladevi temple and a stop at Ideal Cafe since everyone was raving about it.

The driver of my car was not from Mangalore. He had no clue where Sultan Battery was.  He tried asking local people who didn’t seem to be very clear either, but were aggravated that  I did not know how to pronounce the word ‘battery.’

Then Google Maps came to the rescue. On the way, Mangalore refused to let me get surly by tempting me with vistas of green spaces and simple but beautiful houses.

Sultan Battery is situated on a bend along a river as it snakes through to the sea. It seemed to have a very strategic position, overlooking both sides of the river. Built by Tipu Sultan, this was a watch-tower to see if anyone was crossing the river and coming over with dark intentions.

Built with black basalt rocks, with viewing holes lining the entire wall, the structure seemed almost too simple in today’s complex understanding of war and defence. But then you put on the perspective of more than 200 years ago, and it seems that the location was indeed perfect for the purpose.

With every dynasty’s uprise, there is growth and also destruction of legacies. Legend has it that the rocks used to build this watchtower could have come from places of worship though no one knows for sure.

There were a few ships next to the river and we decided to go and take a look. It was a ship-building yard. It took them three months of hard work to make just one ship and then she took off, to prove herself worthy of the toil.

I watched the imposing Vajralaxmi enter the water for the first time in awe. Though there were some other ships  too that looked gorgeous. Funnily these ships looked battle weary even though they were all brand new. These were meant to serve as fishing trawlers and were not built to be gleaming and swanky.

I left Sultan Battery and  made my way to the College Chapel. Again, no one knew where it was, and even Google seemed flummoxed this time.

It took me around 20 minutes to find a person  who could give me directions. Important note to self: don’t call a chapel just a ‘chapel’, when it’s called ‘College Chapel’.

I got to go on a lovely personal tour courtesy the person-in-charge. The entire place is painted beautifully, and when I say entire… I mean every inch! What looks like marble at first glance is not, it’s art. What seems like a painting on a curtain and hanging on the wall, is also a painting.  The  illusions go on and on.

It was time for lunch and stomachs were grumbling all around. And so the next destination was Ideal Cafe! The food was okay, nothing exceptional but it was definitely the coolest restaurant in Mangalore and everyone with some time to spare seemed to be there.

The filter coffee that everyone praised was not that great. It had a rough, burnt taste with some of the coffee residue at the base. They say that’s how Turkish coffee tastes, so there might be some who like it.

But if you are someone with a sweet tooth, skip a meal to just have  ice-cream at Ideal Café. It was simply fabulous.

The last stop in Mangalore was the Mangaladevi temple. This is the temple that Mangalore is named after, so it had to be seen. A large temple, it was quiet and peaceful all the more as it was shut for the afternoon. We weren’t allowed inside as the Gods were sleeping and so we were asked not to disturb them.

Mangalore was quaint. A neat and clean city that still seems enveloped in the past and happily so, given the rapidly changing face of every city in the country. I wouldn’t say it surprised me, but it didn’t disappoint. It was small, roads were relatively peaceful and the streets were still lined with houses exuding old-world charm.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Mangalore / by Bhavani Blogs / August 21st, 2014

Original manuscript of Urdu poet Ghalib’s work found

Papers were presumed destroyed 50 years ago

Mirza Ghalib / Image Credit: Supplied
Mirza Ghalib / Image Credit: Supplied

New Delhi:

In a thrilling discovery for lovers of Urdu poetry, the original manuscript of famous poet Mirza Ghalib’s verses has miraculously survived after being reported missing and presumed destroyed almost 50 years ago.

Penned in 1821 by Mirza Asadullah Khan Ghalib, the original manuscript — Nuskha-e-Hameediya — survived after being reported missing during the 1940s’ India — Pakistan division.

Commissioned by Nawab Faujdar Mohammad Khan and penned by calligrapher Hafiz Mueenuddin, the manuscript features some of the most authentic and beautiful Urdu poetry ever written.

After years of believing that the manuscript was missing and accepting doctored and amended versions of this work as ‘authentic’, Urdu poetry lovers can finally see the genius of Ghalib as it was originally intended.

The discovery of the original manuscript has sparked celebrations in the creative community, especially the researchers on the works of Mirza Ghailb, many of whom are thrilled that the doctored and amended texts will not go down in history as the definitive poems.

The manuscript was the first of the nine known manuscripts of the ‘Divans of Ghalib’, commissioned when Ghalib was just 24 years of age. Accounts from scholars and publishers say the original manuscript contained almost 1,800 verses, nearly twice the number of verses that were published in the “authorised” version in 1941. While writing, Ghalib did not find the omitted verses fit for publication, but true poetry lovers were ever keen to read the missing text.

In 1969, Professor Hamid Ahmad Khan wrote that he examined the manuscript in 1938, but did not keep extensive notes on his thoughts regarding the omitted piece, later going on to publish a ‘corrected’ version of the poems.

By the time the corrected version of the poems had been released, the actual manuscript had disappeared, presumed missing or possibly destroyed during the India — Pakistan division back in 1947. With no original text as evidence, readers had to accept that Professor Khan’s version as authentic.

Husaini Arts online art gallery and museum takes the credit for the find.

“This is indeed an incredible find and we are extremely thrilled that we now get to read the original manuscript, which is almost 200 years old. Urdu poetry lovers everywhere will be rejoicing at this news that the original text can now be added to the canon of work Mirza Ghalib worked on. The original Nuskha-e-Hameediya is about to be brought to light, and all those who love Urdu poetry are about to see the true, authentic text that Ghalib first intended to be read by the elite in the 19th century,” a Husaini Arts spokesperson told Gulf News.

Ghalib, born Mirza Asadullah Baig Khan on December 27, 1797, was the pre-eminent Indian Urdu and Persian poet during the last years of the Mughal empire. He used pen-names of Ghalib and Asad. During his lifetime, the Mughals were eclipsed and displaced by the British and finally deposed following the defeat of the Indian rebellion of 1857, events that he wrote of.

Most notably, he wrote several ghazals during his lifetime, which have since been interpreted and sung in many different ways by different people. Ghalib, the last great poet of the Mughal era, is considered to be one of the most popular and influential poets of the Urdu language. Today Ghalib remains popular not only in India and Pakistan but also among diaspora communities around the world.

source: http://www.gulfnews.com / Gulf News / Home> News> World> India / by Karuna Madan, Correspondent / August 18th, 2014

CM condoles demise of journalist Vazeeruddin

KCRTelanagana19aug2014
Hyderabad :

Chief Minister K Chandrashekar Rao expressed condolences on the death of veteran journalist Mohammad Vazeeruddin.

In a message, the Chief Minister described him as a senior and highly accomplished journalist. He said in his journalistic career of more than five decades, late Vazeeruddin worked for several newspapers and impressed many readers with his valuable contribution. (INN)

source: http://www.siasat.com / The Siasat Daily / Home> Hyderabad / Tuesday – August 19th, 2014

Former MLC Yusuf Qureshi passes away

QureshiMPos19aug2014

 Hyderabad :

Former MLC and senior Congress leader Yusuf Qureshi passed away here on Friday. He was 71.

Born on August 23, 1943, in a business family, Yusuf Qureshi joined the Congress the Congress party in 1969. He served as the Chairman of AP State Minorities Commission for three years from March 27, 2006. He was an Executive Member of APCC since 2001 till date. He also served as the General Secretary of APCC during 1982-84.

Yusuf Qureshi was member of AP Legislative Council from 1982-85 and was made the chairman of AP State Wakf Board during 1994-97. He extensive toured different countries including UK, USA, Afghanistan, Russia and Turkey. He was considered to be close to the Nehru-Gandhi family.

His wife Dr Saleha Qureshi is a distinguished Gynacologist and former Commissioner of Medical Services, Govt of AP. His son Imtiaz Qureshi is an entrepreneur and daughter Dr Seema, is a general physician practising in the USA.

Qureshi sahab was chairman minorities commission when Mecca masjid bomb blast took place and he was appointed by the most powerful chief minister Dr Ys Rajeshakar Reddy and he inquired and gave an antiGovt and anti police report which proved the more than 200 Muslims youths were held illegally by police and torcherd .

For the first time in Indian history Muslims youths were given compensation by governement and all this credit goes to Mr Qureshi in fact his report was instrumental in getting and now no Muslim boys are held illegally by police any more .

Prominent personalities visited the house to pay their last respects. (INN)

source: http://www.siasat.com / The Siasat Daily / Home> Hyderabad / Friday – August 15th, 2014

Twinning Tale Delivers More Wonders

Mallappuram :

Less than a week ago, gynaecologist Laila Beegum supervised the birthing of a set of identical twins to a couple from Kodinhi village, now known globally for the high number of multiple births. The twin babies born on August 7 this year took the total number of such deliveries witnessed by her to 452.

Though the total number of twins in the village has now crossed 500, the mystery behind the phenomenon is yet to be unravelled.

Located close to Tirurangadi town in Malappuram district, Kodinhi village, with its high twinning rate, garnered global media attention around six years ago. At Kodinhi, twins account for 42 per 1,000 live births while the global average of twinning is reportedly around six per 1,000.

Brazil’s Candido Godoi and Nigeria’s Igbo-Ora have witnessed similar birth phenomenon. Attempts by several scientists and organisations to find the secret behind the high twinning rate have failed to bear fruit.

Recently, Dr N K Sribiju, public health consultant, Taluk Hospital, Tirurangadi, approached the state government seeking permission to conduct a genetic study on the local populace.

“Surely, there would be a scientific reason behind the birth of a huge number of twins in such a small area. But, the secret can be revealed only through a detailed genetic and environment study. We are awaiting permission from the ethical committee of the Rajiv Gandhi Centre for Biotechnology at Thiruvananthapuram for the same,” said Dr Sribiju.

Significantly, more than 90 per cent of the couples from Kodinhi who reported twin births conceived normally. “Hence, IVF treatment cannot be considered as a reason for the high rate of twinning in Kodinhi,” Dr Biju said.

Dr Laila, who runs Laila’s Hospital, Chemmad, said multiple births are not just being reported by persons born and brought up here.

“Many women who came to Kodinhi after marrying someone here have also experienced twin birth. So, it could be due to some mysterious element of nature.

“Earlier, we conducted a water test but the results were not conclusive,” Dr Laila added.

Twins and Kins Association (TAKA) of Kodinhi believes that their village has the most density of twins in the world and is planning to approach officials of the Guinness Book to claim a record.

Get-together

“There are families having three pairs of twins and triplets at home. A 90-year-old man here is the eldest among the twins who are alive,” said Bhaskaran Pullani, president, Twins and Kins Association, which is planning to organise a get-together of all Kodinhi twins.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Kerala / by Santosh Christy / August 17th, 2014

Muslims’ role in Indian Independence and development of country remarkable

peer shabbir flagMPOs16aug2014

Hyderabad :

Addressing the youth on the occasion of Independence Day Celebration, Maulana Peer Syed Shabbir Naqshbandi Iftekhari, president All India Religious Leaders Association said that history bears witness that Muslims played remarkable role in Indian Independence and development of country. Even today they pledge to sacrifice everything for their beloved country.

Maulana Peer Syed Shabbir Naqshbandi Iftekhari was addressing flag hoisting ceremony at schools run by Sultan ul Uloom Educational Society. He spoke on Muslims role in freedom struggle.

Siasat news

source: http://www.siasat.com / The Siasat Daily / Home> Hyderabad / Saturday, August 16th, 2014

Disappearing trades: Gatekeepers of celluloid era fade out

Phasing out of film projectors has altered cinema-going experience of the younger generation. (Above) The projector room at Batcha theatre (formerly Minerva theatre) in Broadway. Photo: M. Vedhan / The Hindu
Phasing out of film projectors has altered cinema-going experience of the younger generation. (Above) The projector room at Batcha theatre (formerly Minerva theatre) in Broadway. Photo: M. Vedhan / The Hindu

As digital projectors slowly replace traditional, analog ones, film projectionists have become obsolete

There was a time when a film projectionist could make or break the fortune of a cinema theatre.

While the hallowed grounds of projection rooms were where celluloid film rolls whirred into action, bringing to the screens movie magic, the projectionist was the gatekeeper who ensured the show went on without a hitch.

But not anymore.

As digital projectors continue to replace the traditional, analog ones in most theatres across the world, film projectionists have simply been made obsolete.

The few, remaining ones in the city, such as 63-year-old P.S. Mohamad Mohideen Khan who has been projecting images for the past 44 years, feel the death of film projection will diminish the awe and magic of cinema.

Mr. Khan, who now works at the second-tier Srinivasa theatre in West Mambalam, developed an interest in the projected image as a child. He says, “As a young boy, I used to pass light through the film and project the image on to a screen.”

He then went on to work at several theatres, most of which, he says, have been turned into ‘car sheds or garages’.

The phasing-out of film projectors altered the cinema-going experience of the younger generation.

“The big bulky projectors could kindle the curiosity of the audience when they entered a cinema hall. Visiting the so-called projector room was a part of the movie-going experience. It is not there anymore,” says Mr. Khan.

He says it was no easy job: a projectionist had to be alert all the time and it involved hard labour.

“It was a tough job, no doubt about that. One had to monitor how the images were projected on the screen all the time. If the carbon arc burnt too close to the film, it could make the images on the screen dark,” he says.

These days, Mr. Khan operates both digital projectors and the analog, British-made Westrex that uses a Zenon bulb.

What does he think of the future of cinema projection? “Where should it go further? It has already come down to pushing a button to play the film,” he says.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Udhav Nag / August 13th, 2014