Category Archives: Arts, Culture & Entertainment

Shams Tabrez Qasmi is Felicitated with Amar Shaheed Molvi Baqar Award 2021

Arts, Culture & Entertainment, Community Involvement / Social Issues, Freedom Fighters (under research project), Leaders, Martyrs of the Nation, World Opinion, , , , , , , , , , , , , , , , , , , , , , ,

NEW DELHI :

Shams Tabrez Qasmi, the CEO and the chief editor of Millattimes, has been honoured with “Amar Shaheed Molvi Baqar Award 2021”.

The award is in the memory of the martyr and celebrated Urdu journalist Molvi Muhammad Baqar (1780-1857). The award was conferred upon him on 16th September 2021 in a programme held at the premises of the Press Club of India (PCI), 1 Raisina Road, Near Kirshi Bhawan, New Delhi-1 in the presence of the office bearers of the PCI and a good number of the journalists.

The award was presented to Mr. Qasmi in the recognition and appreciation of his commitment, dedication and continuous efforts in the field of journalism.

Millattimes, from its day one, had been covering the issues ignored by the mainstream media, specially the issues of the minority communities and the other weaker sections of the society.

The Award was sponsored by Media 24×7 and Abdul Sattar Memorial Educational Society.

The programme, wherein the award was presented, was held from the Press Club of India (PCI) to commemorate the 164th death anniversary of the Martyr of the first War of Independence 1857 and the famous Urdu journalist Maulvi Muhammad Baqar.

It was addressed by a galaxy of journalists like Mr. Jai Shankar Gupta, Member of Press Club of India, Satish Jacob, former BBC journalist, Meem Afzal, ex-MP, Ismail Zafar Khan, SK Pande, Arvind Kumar Singh, Qurban Ali, Maroof Raza, Masoom Moradabadi and others, besides chief guest Prof. Azra Mosavi, a direct descendant of Maulvi Muhammad Baqar’s grand family from AMU, Aligarh.

The Press Club of India resolved in its meeting held on 6th September 2021, in the presence of its President, Mr. Umakant Lakhera, Secretary General Mr. Vinay Kumar and other members, like Mr. A. U. Asif, Press Club of India’s executive member, to commemorate the death anniversary of the Martyr of the first War of Independence 1857 and the famous Urdu journalist Maulvi Muhammad Baqar.

It was also decided that an award after his name will be presented to two journalists every year along with an amount of 21,000-00 Indian Rupees.

According to the resolution, this programme was held on 16th September 2021 and two dynamic, youth, budding and promising journalists: Maulvi Shams Tabrez Qasmi, a Darul Uloom Deoband Alumnus and the Chief Editor of Millattimes and Swati Mathur, a JNU Alumnus and a reporter with The Times of India were felicitated with the award named after him.

The Press Club of India (PCI), as stated at its website, is basically a meeting point for the journalists. The idea to set up the Press Club of India was first conceived by eminent journalist and editor Mr Durga Das in the early 1930s. When he had visited London as the editor of the Associated Press of India, he had chance to visit the London Press Club as well. It became a motivator for him to replicate the model in Delhi.

Eventually the Press Club of India was founded on December 20, 1957 and incorporated as a company on March 10, 1958. Mr Durga  Dass, the then Editor of The Hindustan Times was elected its first president and Mr D R Mankekar, a veteran journalist, became the first secretary general of the Club.

Now, it is an important and oldest body of the Indian journalists which is run by the elected President, Secretary general and members.

Moulvi Muhammad Baqar, a scholar, a journalist and an Indian independence activist, was born in 1780 in Delhi. He received his basic education from his father. For further studies, he got admission in Delhi College. Following his graduation, he was appointed as a teacher in Delhi College in 1828. He served as a teacher for six years.

Along with being one of the best editors, he was a successful reporter as well.

He launched a weekly newspaper namely “Dehli Urdu Akhbar” in 1835. It survived for almost 21 years and proved to be a milestone in the field of the Urdu Journalism. With the help of this weekly, he played a significant role in social issues. The weekly brought political awakening in masses and united them against the tyrant British rulers.

It is a fact that Maulavi Muhammad Baqar always advocated for the unity among the Muslims and Hindus as he thought that it is necessary to get rid of British rule.

He was arrested on 14th September 1857 for revolt. On 16th September 1857, he was tied to the mouth of a cannon. Then he was fired mercilessly by Major William SR Hudson.

Thus he became the first journalist to be executed following rebellion in 1857 by the then tyrant British government ruling over India.

Mr. Qasmi, who was felicitated with Amar Shaheed Molvi Baqar Award, is fond of learning, reading and writing from his early age. He has penned more than one thousand articles and essays on religious, social and political issues. He is one amongst the few journalist of the new generation taken seriously in India. He is known as a courageous, bold and fearless journalist.

Being a student in the DUD, he wrote columns for Weekly “Aalmi Sahara” and Daily “Azizul Hind”. It was an honour for him that on 6th December 2014, Dr. Aziz Burney published his article on Babri Masjid in his daily newspaper Azizul Hind as editorial.

When he reached capital city Delhi, he started his career as the editor of known New Agency: “INS”. In 2015, he was offered to write a column for the daily newspaper “Khabren”, New Delhi.

Mr. Qasmi launched a News Portal namely “Millattimes.com” in January 2016.

Officially it was inaugurated by Maulana Sayyid Muhammad Rabey Hasani Nadavi, President: All India Muslim Personal Law Board in Mumbai. Currently it is most read and visited Urdu news portal from India. Along with Urdu language, Millat Times is also providing its services in English and Hindi languages. Its YouTube Channel is also available, where the ignored issues by mainstream media are discussed.

He has interviewed several towering personalities like Mr. Iqbal Ahmad Ansari, ex-Chief Justice of Patna High Court and General Zamiruddin Shah, ex-VC of Aligarh Muslim University to let the viewers know their lives, services and views on several topics.

The area of his main interest is issues of Indian Muslims, current affairs of the Muslim World and the Middle East.

On this auspicious occasion, I congratulate Mr. Qasmi from the bottom of my heart! Congratulations! I hope Millattimes, as a media house, will continue offering its services and covering the issues, under Mr. Qasmi’s able leadership, which are commonly ignored by the mainstream media houses. ****

Email: qasmikhursheed@yahoo.co.in

source: http://www.millattimes.com / Millat Times / Home> Opinion / by Khursheed Alam Dawood Qasmi / Millat Times Staff / September 19th, 2021

From creators to bloggers, these Bohra women are taking social media by storm

Arts, Culture & Entertainment, Business & Economy, Events, Exhibitions, Conferences (wef. Nov 18th, 2021), NRI's / PIO's, Sports, Women/Girls(since May26-2021), , , , , , , , , , ,

Mumbai / Indore/ Neemuch, INDIA / KUWAIT :

A bunch of Bohra women harness the power of social media to ace their careers, clad in their colourful traditional wear

The rida is the traditional attire of the women of the Dawoodi Bohra community, a sub-sect of the Shiite Muslims.

After an adrenaline-charged skydive from 15,000 feet in the USA, everyone around Arwa Merchant was in awe, not because of her daring performance, but for her insistence on doing so in the rida. She wrote about this in a blog post for Dawoodi Bohra Women’s Association for Religious Freedom in October 2019. 

The rida is the traditional attire of the women of the Dawoodi Bohra community, a sub-sect of the Shiite Muslims. The two-piece dress is distinguishable from other forms of the hijab by its bright colours, decorative patterns and lace. With their roots in Gujarat, the members of this peace-loving trading community follow the teachings of their spiritual leader Syedna Mufaddal Saifuddin. Although embedded in a tradition dating back to more than 1,400 years, this two million-strong Dawoodi Bohras in India have never been shy to embrace the latest technologies. They even have celebrated festivals like Eid and Shab-E-Baraat online due to the pandemic.

Not one to fall behind, the women of the community have taken social media platforms by storm. From content creators to food bloggers to creating clothing brands, they have managed to expand their careers online, but without giving up their rida.

Mariya Kanchwala, 31
Makeup artist and beauty influencer, Indore
Instagram: 28,000 followers
Kanchwala has carved a niche for herself in the glamour industry by showcasing her makeup skills while wearing her rida. After a brief stint as a public relations executive for a fashion brand, she turned her full attention to makeup. She started posting on Instagram in 2017 as a food blogger, but 2020 made her realise her passion for makeup and she began posting beauty looks on Instagram. In the past year, she has started working on beauty and looks projects for weddings and shoots for makeup.

Rashida Jawadwala, 20
Content creator, Neemuch, Madhya Pradesh
Instagram: 32,700 followers
Known online as GirlInRida, Jawadwala started posting comic content on Instagram while pursuing her degree in Computer Engineering from Indore in September 2020. And the follower count went up to 32,000 in a year. Jawadwala has brand deals from companies such as VLCC, Urban Clap and Dresscode. Also, offers came her way for anchoring TV and stage shows, but she declined them to focus on her studies.

Arwa Zakir, 25
Fitness expert, GoFit Studio, Salmiya, Kuwait
Instagram: 4,200 followers
Also known as GoFit Arwa on Instagram and YouTube, Zakir is a certified trainer from the American College of Sports Medicine and owns the GoFit Studio fitness centre in Salmiya, Kuwait, where she trains people of all ages and genders. Her parents are originally from Sagwara, Rajasthan, and until she turned 16 she never paid heed to her health and was an obese child. Today, she posts content around health and workouts on Instagram. Even though some people initially mocked Zakir for posting content in the rida, she never let negativity come in the way of her passion. Zakir believes that social media is the best place for small business owners to grow and for creative people to showcase their talent. 

Rabab J Ghadiali, 35
Founder, Rabab Life Coaching and Counselling, Mumbai
Instagram: 19,000 followers 
LinkedIn: 5,000 followers
YouTube: 700 subscribers 
(over 10,000 views)

Winner of the 2019 Women Icon of the Year Award in the field of coaching and the Best Life Coach of the Year Award, Ghadiali conducts workshops and seminars on motivation, personality development, life skills, etc—both online and offline—along with personal therapy sessions. Born in Tanzania, but working in Mumbai for the past 17 years, she has a master’s in Counselling Psychology along with a Life Coaching Certification from the International Learning Centre, Manchester, the UK. Ghadiali started posting videos and content on Instagram and Linkedin in 2015 when she found a lot of misinformation being circulated about mental health. It helped her grow from 2,000 to 19,000 followers on Instagram, which helped her garner many clients as well.

source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Zainab MM / December 12th, 2021

Bike Restored In City Impresses M.S. Dhoni

Amazing Feats, Arts, Culture & Entertainment, Business & Economy, Karnataka (under research project), Transport, , , , , ,

Mysuru, KARNATAKA :

Rare RD 350 HT added to cricket legend’s large collection.

Mysore/Mysuru:

Former Indian cricket captain M.S. Dhoni has a large collection of cars and bikes at his Ranchi home. The latest addition is a Yamaha RD 350 HT bike built by restoration expert from Mysuru Syed Jadeer Husnain. The mean machine was delivered to Dhoni last month.

This competition green-coloured bike may be the 34th or 35th RD 350 bike Dhoni has, Syed said. The all-new paint looks fantastic with white contrast that gives it a rich tone.

A resident of Manti at Belavatha in Mysuru, Syed restores RD 350 bikes. In fact, he restored one gold-coloured RD 350 for himself and he took both the bikes to Ranchi to show his craftsmanship. “Now, the gold RD 350 carries Dhoni’s autograph on the fuel tank which makes it a priceless bike in my own collection,” Syed told SOM.

 “I am a fan of Yamaha RD-350 and I try to make the best of that bike to find true pleasure. By profession I am a building construction contractor but I love to live my dream,” Syed said.

Picture shows an ecstatic Dhoni at his Ranchi farm house after riding the gold coloured RD 350 HT

Chance to meet Dhoni

On how he met Dhoni, Syed said that a close friend of his, who was in touch with Dhoni’s friend, shared the contact. “I had a restored RD 350 HT bike then which was the 19th bike that was rolled out in India and one of the best projects we had completed. My friend told me to contact Dhoni and get the bike included in his collection since it was a collector’s item. But it did not materialise,” he revealed.

After upgrading the next bike to the 1973 model as per US specification with minute detailing such as colour, seat shape and installation of disc brakes, Syed sent the photos of the competition green bike to Dhoni’s friend, who in turn showed it to Dhoni.

“Dhoni liked the photos and wished to see the vehicle in his farm house at Ranchi. This particular RD 350 was my own project bike which was built to US specification which is entirely different from the Indian Rajdoot specifications. After the project was successfully completed, we discussed it with Dhoni’s friend and the meeting with the legend happened,” Syed explained.

Painstaking process

On the restoration process, Syed said that he and his team first checked the bike for broken, damaged and worn out parts before replacing them. “The spare parts are restored before disassembling the bike so that it can be easily painted and fixed without any problems. Then the bike was disassembled and was divided to different teams for mechanical works, engine overhauling, painting and chrome-plating. New parts were sourced from different parts of India,” he explained.

“Everything was done to make the bike a perfect beast and was assembled. This bike was restored in six months but the process of collecting spares started six months ago,” Syed said.

Syed has different teams to work on his projects. “I try to make the best bike and people who work with me on my projects are all specialists. We specialise in two-stroke engines like Yamaha RX series, Suzuki Shogun and Shaolin,” Syed said.

After the message that Dhoni wanted to see the bike, Syed and his team had the challenge of covering the bikes with packing materials to prevent scratches while being transported in a train. He, along with his wife’s younger brother and a mechanic, boarded a train to Ranchi in November. 

A dream come true

“Dhoni is a fantastic gentleman who spared his time to look at our creations. I got goose bumps when he came in front of me. When we started discussing, I fumbled for words and I admired his passion and interest. He showed me his huge collection. For me it was like a dream come true to meet him in person,” Syed said.

Later, Dhoni took the bikes for a spin. “His eyebrows rose after the rides said it all,” revealed Syed. Dhoni later autographed the gold-coloured RD 350 tank. The cricketer also signed a few posters and posed with Syed for photos.

Yamaha RD 350 was one of the most powerful two-wheelers in the late 1980s and also India’s first performance-oriented bike. It had a 347 cc two-stroke twin cylinder engine that was de-tuned for the Indian markets to produce lesser power of about 30.5 bhp on the High Torque (HT) version and 27 bhp on the Low Torque (LT) version.

‘Race Derived’

The RD 350 from Japan was introduced in the Indian markets under the name Yamaha Rajdoot RD 350 by the Escorts Group from 1983 to 1989. Despite the common notion, RD stands for ‘Race Derived’ and not Rajdoot. It was given the name ‘Rapid Death’ because of the frequent fatal accidents because of its power.

The RD could go 0-100 in about 7 seconds and reached a top speed of around 160 kmph in the top gear. It had a price tag of Rs. 18,000 when it was launched in 1983 and Rs. 30,000 by the time it discontinued, which was expensive then.  A well maintained RD 350 bike will now cost between Rs. 2 lakh to Rs. 2.5 lakh, if at all it is available.

source: http://www.starofmysore.com / Star of Mysore / Home> News> Top Stories / December 12th, 2021

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

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DELHI :

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

The largest engraved emerald gemstone in the world – The Mogul Mughal Emerald, weighing 217.80 carats.

This emerald tablet dates back to the year 1695. It belonged to the Mughal Emperor Aurangzeb who reigned between 1658-1707 and is adorned with the names of the Fourteen Infallible Guides: the Prophet Muhammad, Fatima al-Zahra and the Twelve Imams of Ahl al-Bayt ending with “wal-Mahdi al-Qaim.”

The gem is on display as part of the Al Thani Collection at the Museum of Islamic Art, Doha, Qatar, after it was acquired from Christie’s for $2.2 Million USD.

Emperor Aurangzeb’s 217.80 carat Shia amulet is world’s largest engraved emerald

The translation of the inscription reads: ‘O Merciful One, O Compassionate One, O God. God bless Muhammad and ‘Ali and Fatima and al-Husayn, and al-Hasan and ‘Ali, and Muhammad and Ja’far, and Musa and ‘Ali, and Muhammad and ‘Ali and al-Hasan and the Steadfast [al-Qaim] al-Mahdi.

source: http://www.therahnuma.com / The Rahnuma Daily / Home / August 19th, 2021

Editor of Rahnuma-e-Deccan Syed Viqar Uddin passes away

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Hyderabad, TELANGANA :

He was the Chairman of Indo Arab League and tirelessly worked for the Palestinian cause

pix: therahnuma.com

Hyderabad:

The Editor of Urdu Daily Rahnuma-e-Deccan Syed Viqar Uddin Qadri passed away on Thursday night after a prolonged illness. He was 82 years old.

For a few months, Qadri was under treatment in a private hospital. Yesterday, after Maghrib he suffered a massive cardiac arrest and passed away at 11:30 p.m.

Qadri was the Chairman of the Indo-Arab League and tirelessly worked for the Palestinian cause. He was a reputed journalist with integrity and was very popular among his friends, peers, and relatives.

He had close personal relations with the former Iraq President Saddam Hussein, the ex Palestinian Authority President Yasser Arafat, and the current Palestinian Authority President Mohammad Abbas.

He organized many meetings under the banner of Indo Arab League which were attended by the Palestinian President Yasser Arafat and Indian Prime Minister Indira Gandhi and other prominent world personalities.

Qadri was awarded the “Star of Jerusalem” the highest Palestinian civil award. He was the first and only Indian to receive this award.

He was also awarded the highest civilian award “Sahibul Jllallah” by Morocco King Mohammed IV. His older brother Syed Lateefuddin played a key role in uniting different Muslim groups in Hyderabad. Lateefuddin had passed away in the 1970s.

Qadri was also close to the ex AP Chief Minister N T Rama Rao and has served as Chairman of the Minority Financial Corporation. He is survived by his two sisters.

His funeral prayer will be held in Mecca Masjid after the Friday prayer. His body will be put to rest in his ancestral graveyard at Hazrat Musa Qadri Dargah at Purana pul.

source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Mohammed Hussain Ahmed / December 10th, 2021

Aalim Akhtar and Bilal Tanweer jointly awarded the Jawad Memorial Prize for Urdu-English translation

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Women/Girls(since May26-2021)

NEW DELHI :

The Jawad Memorial Prize for Urdu-English translation was instituted to honour the literary legacy of poet and scholar Ali Jawad Zaidi (1916-2004).

Bilal Tanweer (left) and Aalim Akhtar (right)

This year’s Jawad Memorial Prize for Urdu-English translation has been given jointly to Aalim Akhtar’s translation of Hari Bol, written by Zakia Mashhadi, and Bilal Tanweer’s translation of Parasite (Keera), written by Bilal Hasan Minto.

The Jawad Memorial Prize for Urdu-English translation was instituted to honour the literary legacy of poet and scholar Ali Jawad Zaidi (1916-2004). People from across the world can apply with an unpublished translation into English of an (already published) Urdu short story or essay. All submissions are judged blind.

While there are no runner-ups, the jury — comprising authors M Asaduddin and Aakar Patel — had commendations for two translations. Nazia Akhtar’s translation of Chhottam Jaan, written by Zeenath Sajida, and Fathima M’s translation of Shadows (Saaye), written by Khalid Jawed.

In its comments, the jury called Akhtar’s translation of Hari Bol “lucid and accessible”. It remarked that the language was direct and the translation was close to the original text. “Mashhadi’s Hari Bol depicts life lived at a most basic level. The story examines the complexity of human relationships with an unsentimental, even pitiless gaze,” the jury noted.

Tanweer’s translation of Parasite was applauded by the jury for drawing both major characters with great skill, panache, and a clinical eye for detail. “The translation is free-flowing, an elegant rendering from the original,” it said. The jury mentioned that Manto’s Parasite is an unusual and enjoyable story, bordering on surreal. “It draws its strength from the portrayal of characters, which include a tapeworm,” it added.

Akhtar is a PhD scholar at the Center for English Studies, Jawaharlal Nehru University (JNU), New Delhi. After pursuing a Bachelors’ degree at Delhi University’s Kirorimal College and a Masters’ degree at JNU, Akhtar has taught undergraduate students at JNU and at Zakir Hussain Delhi College, DU. As part of the translation studies course at his current centre, Aalim has translated over 25 micro-fictions by Manto, a play, Anarkali by Imtiaz Ali Taj, and some nazms by Jaun Elia. He has also reviewed Srikant Verma’s Relapse: A Novel, translated by Krishna Baldev Vaid, for The Book Review (Sept 2020).

Tanweer’s novel The Scatter Here Is Too Great won the Shakti Bhatt First Book Prize and was shortlisted for the DSC Prize for South Asian Literature, and the Chautauqua Prize (US). The novel was also translated into French (Editions Stock) and German (Carl Hanser Verlag). His translation of Muhammad Khalid Akhtar’s novel and stories, Love in Chakiwara and Other Misadventures, received the PEN Translation Fund Grant.

source: http://www.indianexpress.com / The Indian Express / Home> Books & Literature / by Aditya Vaddepalli / December 05th, 2021

Prestige Group Co-Founder Rezwan Razack Conferred With Honorary Doctorate By GD Goenka University

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Business & Economy, Education, Karnataka (under research project), Leaders, World Opinion, , , , , , , , , , , , , ,

Bengaluru, KARNATAKA :

Numismatists and real estate mogul Rezwan Razack was conferred an honorary doctorate on Tuesday by GD Goenka University.

The honorary doctorate was conferred on him during a special convocation attended by Chancellor of the GD Goenka University Renu Goenka, Pro-Chancellor Nipun Goenka, Vice-Chancellor Prof. Dr Tabrez Ahmad, Chairman of M3M group Basant Bansal, and Registrar of the university Dr Dhirendra Singh Parihar. Prof. Dr Tabrez Ahmad, Vice-Chancellor of the GD Goenka University, praised Razack for his contribution to numismatic studies and research.

Rezwan Razack is Co-Founder and Joint MD of Bangalore-based Prestige Group and is hailed as the largest collector of Indian currency. He is also the founder of South India’s first currency museum in Bengaluru, one of the largest and most authentic collections of Indian paper money and coins. He is co-author of the Revised Standard Reference Guide to Indian Paper Money.

After receiving the honorary doctorate from the GD Goenka University Razack said it was an honour for him. A graduate of prestigious St. Joseph College Razack is also the current chairman of the International Bank Notes Society-India Banknote Collectors’ Chapter.

source: http://www.thecognate.com / The Cognate / Home> Business / by The Cognate News Desk / November 25th, 2021

Kolkata : Women entrepreneurs showcase their business models at Minorities Business Summit

Amazing Feats, Arts, Culture & Entertainment, Business & Economy, Community Involvement / Social Issues, Education, Events, Exhibitions, Conferences (wef. Nov 18th, 2021), Leaders, Women/Girls(since May26-2021), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kolkata, WEST BENGAL :

Kolkata:

The 10th All India Minorities Business Summit and National Brand Awards for 2021, an initiative from Mumbai-based Maeeshat Media  was organised at Kala Mandir, Kolkata and attended by hundreds of business leaders, delegates, entrepreneurs, social workers from across the country.

The summit provided a great opportunity for the participants from minority communities to come together on one platform to exchange their ideas, opinions, and strategies to drive up business activities both at the personal and community level.

As many as 15 women entrepreneurs working in different fields marked their presence at the event and got the opportunity to showcase their business models to a larger audience in a special segment called “Women Entrepreneurs Showcase 2021.”

Several issues afflicting women entrepreneurship came to the fore due to talks given by women attendees. The biggest obstacle for them is society’s attitude of discounting women’s ability to work beyond the household chores, let alone set up a business.

According to them, people fail to understand that if they are allowed to lead aspirational lives within the boundaries of Islamic laws, not only a family but also the community will benefit at large.

They stressed that with the world changing at a startling pace, minority communities must loosen the shackles on women, letting them pursue their entrepreneurial goals in a more free and welcoming environment.

“During the last two decades, women’s entrepreneurship has been recognized as a vital source of economic growth. Today women have made their existence felt in society by occupying prominent positions in the economy,” Sania Sami, Research Scholar, IISWBM and founder of Indian Institute of Research said.

All the entrepreneur women were high on praise for Maeeshat’s initiative to bring them together and recognise their entrepreneurial skills and hard work.

Maeeshat Media’s Director and group Editor expressed his gratitude and satisfaction over women entrepreneurs gracing the momentous occasion.

He said Maeeshat is committed to connecting minority women entrepreneurs across the country, showcasing their skills, and giving them expert advice so that they are enabled to leap forward in their businesses.

Such summits are annually organised by Maeeshat Media since 2010. This year’s event gave special focus on ensuring the participation of women entrepreneurs.

Here is the list of women entrepreneur attendees at 10th All India Business Summit 2021, Kolkata:

Name                            Entrepreneurial Business/Venture

Shumaila Khalid               Juwi’s Elegant Fashion, Kolkata

Aalima Rahman                Little Stars School, Kolkata

Nageena Eram                 Eram’s Academy, Kolkata

Zareen Khan      ALINA SCOOTY TRAINING CENTER, Kolkata

Saba Hamid        AKASH PAINTS & CHEMICAL WORKS, Kolkata

Afrin Golam       She Fitness Ladies Gym, Kolkata

Arshia Ahmed   Arshia’s Kitchen, Kolkata

Tanzeem Rahman            Adn Interiors–feel the garden of Eden, Kolkata

Saima Bakhtiyar/Anjum Wasim Al Nikah Matrimonial, Kolkata

Jahan Ara            Interiors Designer, Kolkata

Saiqa Azam         Sabia’s Creation, Kolkata

Sabina Yasmin   Velvet Touch, A Boutique of Choice

Miss Tasmiya Ansari       Anees Defence Institute, Pune

Mrs Sania Sami Indian Institute of Research, Kolkata

source: http://www.mulimmirror.com / Muslim Mirror / Home> Economy / by Muslim Mirror Staff / November 24th, 2021

Masters of the Musnud

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BENGAL :

The story of what used to be Bengal’s highest seat of power and of some who braved the ascent

SOVEREIGN STONE : The throne of the Subedars of Bengal (in the foreground) at Victoria Memorial Hall in Calcutta / Paromita Sen

In the circular throne room of Hazarduari, or the palace of a thousand doors, in Murshidabad sits a solid silver chair on a marble platform whose fretwork shows signs of having once been gilded. That intricately carved chair, shaded by an intricately worked silver umbrella, used to be the seat of the nawabs of Bengal.

The maroon velvet cushioned throne, no bigger than a dining chair, might make one wonder how comfortable Siraj ud-Daulah would have been seated on it — after all, it is believed he was nearly seven-feet tall. It most definitely could not have been shared by two as was the black stone throne of Bengal.

In 1766, Robert Clive shared the black stone throne with Najm ud Dowla, second son of Mir Jafar. The East India Company had been granted the dewani of Subah Bangla by the then Mughal emperor. “Clive, as a representative of the company, sat on the throne because he had the right to collect revenue, while the Nawab had the right to dispense justice,” explains Santanu Biswas, amateur historian and Murshidabad resident.   

Should you wonder into the Durbar Hall of Calcutta’s Victoria Memorial, you will find a low black table. You might be tempted to put your feet up on it — it is that inconspicuous. But that is it — the erstwhile musnud or throne of Subah Bangla. The throne that was once Shah Shuja’s, son of Shah Jahan; Murshid Quli Khan’s, after whom Murshidabad is named; Alivardi Khan’s, who stopped the Bargi attacks; Siraj ud-Daulah’s, the last independent Nawab of Bengal; the infamous Mir Jafar’s and Clive’s.

The throne is not round but 16-sided; each facet has a simple design inscribed and one of them bears a Persian inscription that declares it was made by “humblest of slaves, Khwajah Nazar of Bokhara” in Munger, Bihar, on November 11, 1641.

How did someone from Bukhara in Uzbekistan end up in Munger? Says Jayanta Sengupta, secretary and curator of Victoria Memorial Hall, “The Mughals were originally from that region. A lot of people came with them. Some kept the place of their origin as part of their name even after having lived in India for generations. It had prestige value.” So, Nazar may never have seen Bukhara. 

Back to the musnud. The 18-inch-high platform, six-feet in diameter and sitting on four fat legs, is carved from a single block of black slate from the Kharkpur or Kharagpur Hills. A framed write-up at the memorial states that the throne must have belonged to Sultan Shuja and had originally been kept at Rajmahal (in what is now Jharkhand) before being moved to Dhaka and then Murshidabad (by Murshid Quli Khan) as the capital of Subah Bangla changed. 

In Murshidabad too, the throne often changed residence. Mir Jafar, for instance, was enthroned in his palace in Mansurganj, on the western bank of the Bhagirathi, while Clive was enthroned in Motijheel Palace on the eastern bank. It seemed to be the practice for the throne to be moved to wherever the Nawab resided.

The throne is an austere structure. “In India it was always a takht or platform,” says Urvi Mukhopadhyay, associate professor at West Bengal State University. The chair-like throne is a European concept and came later. According to Mukhopadhyay, who is a medieval history expert, the king would always kneel on the throne as it was rude to display his feet.

The throne itself was not made of valuable material, its value derived from the post of the man who sat on it. Says Mukhopadhyay, “It was usually made of stone. You can still see Shah Jahan’s marble throne at the Red Fort, though guides are likely to tell you that it is a platform on which the throne was placed.” There was also a beautifully-embroidered chandoya or canopy over the throne and a richly embroidered screen behind it. The musnud of Murshidabad had four holes in four corners through which the poles that held the canopy were set.

The only readily-available photograph of the black stone musnud shows it in its unadorned state on the terrace before the Moti Mahal of Murshidabad’s Mubarak Manzil. This area was once called Findallbagh after the Briton who developed it. 

Mubarak Ali Khan II, better known as Humayun Jah, was the great great grandson of Mir Jafar and the man who built Hazarduari. He bought Findallbagh in 1830 and built the Moti Mahal and the pleasure garden around it that he named Mubarak Manzil. He gave the throne of the Nawab Nazims of Bengal pride of place, but he held court in Hazarduari, on the silver throne that is called the chair of judgement of Humayun Jah.

In The Musnud of Murshidabad (1905), Purna Chandra Majumdar writes, “Drops of reddish liquid issue from certain parts of the stone which when dried up leaves stains, perhaps due to the presence of iron. These are, however, popularly regarded as tears which have flowed ever since the Subadars of Bengal handed the dewani over to the East India Company.”

At the height of their power the nawabs of Bengal sat on a simple platform of black stone, but when they turned puppets of the British their chair of power was solid silver. Perhaps there is a lesson in there somewhere. 

source: http://www.telegraphindia.com / The Telegraph Online / Home> Culture / by Paromita Sen / November 28th, 2021

Lakshmibai, Hazrat and the Revolt of 1857

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Freedom Fighters (under research project), Leaders, Women/Girls(since May26-2021), World Opinion

Faizabad, UTTAR PRADESH / Kathmandu, NEPAL :

Two women, one war. What sets them apart? Professor Lakshmi Subramanian explores Rudrangshu Mukherjee’s ‘A Begum and A Rani’.

The focus of this work, as evident in the title, is two women who fought the same war in 1857 but who never met, whose lives were strangely similar and yet were recalled very differently. Why this was so, what made for a particular telling of their afterlives and how in course of the retrospective retelling, one became a legend and the other a mere trace, forms the core of Rudrangshu Mukherjee’s narrative.

It departs from his earlier work on the Revolt of 1857, where he placed emphasis initially on the diverse structural elements that made up the popular uprising in Awadh and subsequently on explaining the violence that characterised the actions of both the insurgents and their suppressors. Here, in contrast, Mukherjee prefers to focus on the individual as the actor of history and on the politics that animated the reconstruction of individual lives. He does so with elegance, ever attentive to the dictates of Clio, in unravelling the complexity of the context in which the two protagonists found themselves as they were sucked into the vortex of real politics and popular expectations.

(A Begum and A Rani was published by Penguin Allen Lane in July 2021. Buy it here.)

The first two chapters of the book give the reader a taste of the Revolt in its early stages, when a series of military mutinies collapsed into agrarian rebellion, bringing myriad elements into the fray, ranging from the aggrieved taluqdar to the oppressed peasant, from the disenfranchised ruler to the urban dweller. Amidst the clamour of the rebels for a return to Mughal rule and for an end to the unholy power of the hated firang, emerged a slow political front to embark on campaigns against the British forces and coordinate military activity. 

Two parallel centres of authority

In Lucknow, the discarded wife of Wajid Ali Shah found herself at the epicentre of protest, whereas in Jhansi, Lakshmibai was urged by the rebels to take up their cause. While the latter was found in active combat, Hazrat seems to have attended to the day-to-day requirements of the troops, making sure that they were provisioned and supported. Hazrat seems to have also been pitted against one of the most charismatic leaders, Maulvi Amir Ali, who insisted on Hazrat becoming his disciple — which Hazrat herself resisted. 

That these two individuals represented two parallel centres of authority is clear but what this implied in terms of differing conceptions of freedom is not readily apparent. However, in the analysis of the ishtahars or proclamations that were issued, Mukherjee makes the important point that religion was the integral and unifying idiom in the Mutiny.

The Afterlife

It is in the chapter titled Afterlife that the book really comes into its own. Here, Mukherjee tracks the moments in the emergence of a nationalist historical consciousness in Maharashtra, Bengal, and subsequently in North India, in which the status of the martyr queen gained traction. Analysing poetry, local memories, eulogies and early historical work on the Rani of Jhansi, Mukherjee tracks the making of a very particular historical memory and its amnesiac other, thereby engaging with the complex relationship between myth and history. 

He suggests that these categories were not necessarily oppositional. Rather, both were exercises in remembering and forgetting and reconstructing. It is to his credit as a practitioner of history that he reconstructs as well as he does the lives of two women — one of whom was subsequently pushed on to the centre-stage while the other was relegated to the margins.


Lakshmi Subramanian is professor of History in BITS Pilani, Goa. She is the author of several works on music and nationalism as well as on India’s maritime history. Her latest book is Singing Gandhi’s India: Music and Sonic Nationalism. When she is not steeped in teaching and research, she likes to travel to the hills.

source: http://www.telegraphindia.com / The Telegraph, Online / Home> My Kolkata / by Lakshmi Subramanian / December 03rd, 2021