Kashmir’s Amir-e-Kabir Days

JAMMU & KASHMIR :

The period between 1371 and 1405, during the initial days of the Shahmiri Sultanate, was extremely crucial in Kashmir’s transition to Islam. It witnessed the arrival of Amir-e-Kabir, his son and their 1000-odd followers who joined a more than 200-year old campaign for Islam in a Hindu state. How these 33 years changed Kashmir forever is one of the fascinating stories of Kashmir’s quantum jump in faith and mobility, reports Masood Hussain

Khanqah Moula. KL Image: Bilal Bahadur
Khanqah Moula. KL Image: Bilal Bahadur

Noble of nobles, commander of Persia;
whose hand is the architect of the nations;
Ghazali himself learned the lesson of Allah is He;
and drew meditation and thought from his stock;
Guide he of that emerald land, counsellor of princes, dervishes, and Salatin;
A king ocean-munificent, to that vale, he gave sciences, crafts, education, religion;
That man created a miniature Iran, with rare and heart-ravishing arts,
With one glance, he unravels a hundred knots
rise, and let his arrow transfix your heart.”

Allama Iqbal on Shah-e-Hamadan in Javid Nama

Involving the reign of four Sultans, the history of Islam in Kashmir had a vital three decades that went into shaping the society as it is known today. This period begins with Shah-e-Hamadan visiting Kashmir in 1371, and concludes with the emigration of his son Mir Mohammed Hamadani from Kashmir in 1405. This period also witnessed the emergence of Sheikh Noorruddin Noorani, Kashmir’s bearer saint, and Lal Ded, one of Kashmir’s most popular woman ascetics, whose campaign against idolatry is unprecedented in Kashmir history.

This period falls in the first phase of Kashmir Sultanate that Shahmir built in 1339 over the ruins of a Hindu empire. The Sultanate lasted around 191 years till 1530. Muslim rule was actually established by Ladakhi prince Rinchan, who effortlessly took over a headless, mourning Kashmir in 1320 after Dulchu wrecked the Vale. Three years later, a Hindu king succeeded him for five years but the administration was controlled by Shahmir family, who eventually founded the Sultanate.

What makes this period distinct is that faith started interrupting the power politics at a time when Kashmir was still a Hindu majority state with Muslim chunks in army and administration. Mir Syed Ali Hamadani and his son Mir Mohammad Hamadani were the two major players behind these interventions. This was perhaps because Shah-e-Hamadan, the most respected Islamic scholar of his time, came from Hamadan’s ruling family. His father was the city governor.

Even though the number of visits Amir-e-Kabir made to Kashmir has divided historians, it is generally believed that he came for four months in September 1372 and then left for Mecca. He then returned in 1379 to stay for almost two and a half years. His last visit to Kashmir was in 1383 and he stayed for almost a year.

Near Khanqah-e-Moala British colourist William Carpenter Junior (1818-1899) has drawn this picture during one of his three visits to Kashmir. the most Known was in 1853.
Near Khanqah-e-Moala British colourist William Carpenter Junior (1818-1899) has drawn this picture during one of his three visits to Kashmir. the most Known was in 1853.

“The most credible sources of the particular era talk of only one visit of the Amir,” Prof M Ashraf Wani, the author of Islam in Kashmir. “There is, however, a dispute over the duration of the visit between 80 days and six months.”

Historians perceive his last visit as the most consequential one since he led 700 people from Hamadan to Kashmir who eventually began working as missionaries and preachers, after settling in the valley. More than faith, they spearheaded a socio-cultural transformation of Kashmir.

Amir’s Migration

Amir-e-Kabir belonged to Alawi Sayyids who were facing problems due to Timur’s Iran takeover. Timur disliked the Sayyids who knew that circumstances may force them to migrate. In anticipation of his visit, Amir sent his cousins to Kashmir to explore if it was hospitable for missionary work, and possibly migration. The first cousin was Sayyid Tajuddin, who came in the reign of Sultan Shahabuddin (1354-73). The king built a Khanqah for him in Shahabuddin Pora in Srinagar and, according to historians, assigned revenues from Nagam village for the hospice’s maintenance. The Sultan visited him frequently. On his insistence, Tajuddin opened a  few Darsgahs where Hadith and Fiqah were taught.

Later, Tajuddin invited his brother, Syed Hussain Simnani, who had already migrated to Delhi, to Kashmir along with his family and they settled in Kulgam. On his hand, Salat Sanz, Sheikh Noooruddin Noorani’s father converted to Islam. Syed Tajuddin is buried in Awantipore.

Amir followed his cousins to Kashmir. It was September 1372 and Shihabuddin was ruling Kashmir. But the Sultan was out, probably on an expedition against king of Ohind (now Attock Khurd), and Qutubuddin, in-charge ruler, writes Muhib-ul Hasan in his Kashmir Under the Sultans, went out with his chief officials and received the Amir with great warmth and respect, and brought him and his followers to the city. He started living in Alauddin Pora where a Suffa, a raised floor, was built for his prayers, which the Sultan would usually attend.

After staying in Kashmir for four months, the Amir left, and, according to G M D Sufi, the author of Kashir – Being a History of Kashmir, he visited the battleground and brought reconciliation between the two Muslim rulers.

It was his next visit in 1379 when Sultan Qutubuddin personally received him. Amir stayed for two and a half years, the longest of his three sojourns in Kashmir.

This lithograph drawn by James Duffield Harding (1798-1863) was an English landscape painter somewhere in 1847, shortly after Kashmir was sold under Treaty of Amritsar.
This lithograph drawn by James Duffield Harding (1798-1863) was an English landscape painter somewhere in 1847, shortly after Kashmir was sold under Treaty of Amritsar.

Then, kings were Muslims but the majority of the subjects were Hindus. Beliefs had changed but the customs and the traditions of the neo-converts were rooted in Hindu culture. Qutubuddin would wear the typical Hindu elite dress; perform a yagna to avert a famine, go to the Alaudin Pora temple every morning along with Muslims and had two sisters in his harem. Amir intervened. The Sultan divorced the older of the two sisters he had married, remarried the younger one in Islamic tradition, and started using the Muslim nobles dress.

Limited Intervention

A great scholar, Amir-e-Kabir would write in Persian and Arabic on a variety of subjects. He has authored nearly 170 books in his life. The manuscripts of around 20 of his Rasails are preserved in Oriental Research Department, Srinagar, according to Mohammad Hayat, who has extensively worked on Hamadani’s religious thought as part of his doctorate.

Historians have specially mentioned his Zakhirat-ul-Malook, a collection of his thoughts about routine life, politics, governance and the statecraft. Amir’s idea of Muslim rulers was that they should not be pleasing-all, dishonest, haughty rulers who would appoint cruel tax collectors or draw peoples’ attention by force and ignore ulema. He wanted them to be just and benevolent rulers who would address the needs of the Muslims before offering prayers, follow the Caliphs in dress and food, are polite with subjects, have a strong sense of good and bad, keep promises, and respect elders.

The Amir put the subjects into Muslims and Kafirs and gave the Muslim subjects 20 rights. Listed by Darakhshan Abdullah in Religious Policy of the Sultans of Kashmir (1320-1586), the Amir disliked the Muslim ruler listening trivial things against Muslim subjects or unnecessarily peeping into their faults. He wanted the ruler to pardon smaller offenders, avoid entering into Muslim homes without permission, not treat a wicked and civilised at par, encourage the rich to send poor on Haj on their behalf, take care of the poor, set up robber-free roads, lay bridges, build mosques, appoint Imam’s and pay them for their services, and implement lawful and prevent unlawful.

The book included a set of 20 rules about how the Sultan should handle zimins. Invoking an agreement of the Caliph Omar bin Khatab, the Amir wanted the Muslim ruler must disallow non-Muslims construction and repairing of temples, living near Muslims, burying their dead in Muslim graveyards, mourning loudly over a death, imitating Muslim dress, taking Muslim names, riding any house with saddles and bridles, putting swords, arrows and bows, exhibiting their rituals to Muslims, or using signet rings. Hindus, according to this doctrine, required a distinct dress, could not take a Muslim slave, or disrespect Muslims.

Not Delinked From Politics

“One of the significant contributions of Hamadani was, despite being a Sufi, he did not set himself aloof from politics or the government,” Mohammad Iqbal Rather writes in his doctoral thesis A Study of Islamic Political Thought of Mir Syed Ali Hamadani (1314-84). “He, apart from writing on political affairs of state, personally established contacts and wrote letters to the rulers of Kashmir for enlightening them with Islamic teachings and Shariah rulings, particularly regarding state affairs.”

Sultan Qutubuddin would routinely attend his sermons in Srinagar. Still, he received a letter from the Amir, possibly from Pakhli. “If the tempters lead the unbelievers towards evil, it is not surprising. What is surprising is that Muslims are running away from the true path in spite of God’s warning,” the Persian letter translated by A Q Rafiqui in his Letters of Mir Syed Ali Hamadani, reads. “Out of sheer love, I advice you that the worldly glamour is like a fast wind and the worldly favour is like an unfulfilled dream; He alone is wise who neither gets fascinated by dreams, not feels proud of any notion but learns a lesson from the experiences of bygone people, believing firmly in the axiom that ‘one who does not learn the examples of others, himself becomes an example for others’”.

“Hamadani, uniquely opines that a just ruler must be accompanied by a ‘Sufi reformer’ who would keep a check on the rulers,” writes Rather. “He suggests that the Sufi reformer should assist the ruler to keep the society free from injustice and rebellion and should always guide him in implementing the laws of Shariah. At the same time, Hamadani lays stress on the economic autonomy of the Ulama so that they may not work under the influence of the ruler and dictate the laws according to the wishes and whims of the rulers.”

“Anxious not to antagonise his non-Muslim subjects, Qutubuddin did not follow every advice of the Sayyid, but he held him in great reverence, and visited him every day,” Muhibul Hassan writes. “Sayyid Ali gave him a cap, which, out of respect, the Sultan always wore under his crown.” The Amir has not accepted any monetary help or royal gifts and is recorded to have earned his livelihood by making Kullah caps, one of which he had gifted to the king. He had stayed in a Saraie and not the palace. In his Sufism in Kashmir (14th to 16th Century), historian Dr Abdul Qayoom Rifiqui concludes: “Sayyid Ali’s political thought was altogether theoretical and had no bearing upon actual practice.”

Facilitating Faith

Sultans had the power at the core of their priorities. So they disagreed with the preachers on many counts. But they never stopped facilitating the preachers in spreading Islam. Many think that the thousand-odd Sayyids came as a sort of state-supported intervention in the spread of Islam in Kashmir that, till then, was organic. Every single migrant-preacher deployed on ground by the Amir was extended some sort of support by the Sultanate in Srinagar. Various Khanqahs were set-up and revenues from specific villages were assigned to their upkeep.

Some of the most prominent of the Amir’s followers were Sayyid Kamaluddin, the preacher whom Sultanate retained for guidance when the Amir decided to leave Kashmir. There was Sayyid Muhammad Kazim, aka Sayyid Qazi, Amir’s librarian (Lethpora), Sayyid Kabir Baihaqi (Srinagar), Sayyid Muhammad Balkhi aka Pir Haji Mohammad Qari, the scholar who would teach the royal family, lived and is buried in the Khanqah that history knows as Langherhat (Srinagar), Sayyid Mohammad Qureshi and Syed Abdullah, who were stationed in Vijayesvara (now Bejbehara), Sayyid Fakhruddin and Sayyid Rukunuddin (Avantipore).

An inside view of Khanqah Moula. KL Image: Bilal Bahadur
An inside view of Khanqah Moula. KL Image: Bilal Bahadur

The Sayyids’ entry came at a time when the ground had slipped away from Hinduism, and the situation was ripe for a change. Lal Ded, Kashmir’s most known acetic was Amir’s contemporary. She is recorded to have met his cousin in Kulgam.

“Men were intolerant, depraved and vicious, and women were no better than they could make of them,” Dr R K Parmu writes in A History of Muslim Rule in Kashmir (1320-1819) explaining how Lal Ded’s poetry ripped the society apart. “The people were generally made to believe in occultism, in magic, in stocks and stones, in springs, in rivers, in fact, in all the primitive forms of worship.” Parmu has written that the ascetic openly preached against this kind of worship. “The stone in the temple, she says, is no better than a millstone or the stone in a pavement,” Parmu wrote. “The idol is but a lump of stone and the temple the house of this lump.”

The rebellion within the caste-ridden society opened the doors for Islam.

“She preached harmony between Hindu Vedantism and Sufism,” Fehmida Wani writes in her excellent study The Search for Shared History of Mankind: A Case Study of the Technological and Cultural Transmission from Persia and Central Asia to Kashmir. “It benefited in the process of conversion.”

Sayyid Impact

With the state apparatus supportive and the society willing to change, how the immigrant Sayyids used the situation for Islam’s spread is something that historian may have to find answers for. So far, the narratives that have emerged in the last more than 600 years revolve more around ‘miracles’ and legends of the privileged preachers.

Islam, it needs to be mentioned, existed in Kashmir more than 200 years before the Ladakhi prince converted at the hand of Hazrat Sayyid Sharfuddin Abdur Rahman, the Bulbul Shah, in 1320. However, what was visible was that converts were rooted in the culture they had come from. That is perhaps why Tarikhi Kashmir insists that the Amir “cleaned the mirrors of the hearts of the converts of Kashmir from the rust of darkness by showing them the right path.”

Written by Sayyid Ali in 1579, historians see Tarikh-i Kashmir as the first Persian chronicle that details the migrations of the father and son along with 1000-odd murids who contributed in Islamising Kashmir culture.

Amir’s followers and disciples had come from the cradle of Muslim civilisation. Men of letters, they came with improved crafts and a sense of politics and history. Amir himself was a master Sozan Kar, a poet, an impressive prose writer and thinker. With access to the ruling structure, having some sort of economic tools in hand and logical explanations to the issues of faith, Sayyids obviously had an impact on the ground. They changed the culture forever.

The Aurad

Prof Mohammad Ishaq Khan, however, sees the situation differently. “It seems that Sayyid Ali’s stay in Kashmir was brief, not extending beyond one year. During this period, he remained the royal guest and, as such, his activities remained mainly confined to royal circles. He imparted lessons to the Sultan on God’s commands about the good works and evil,” Khan assesses in his magnum opus Kashmir’s Transition to Islam. “Besides engaging in some missionary activities in Alauddinpura and around the capital, he does not seem to have established any mass contacts. One wonders how, in view of the language barrier, a Sufi scholar like Sayyid Ali, would have made the esoteric as well as the exoteric version of Islam, as given by him in a plethora of works, intelligible to the Kashmiri masses.”

Syed Hassan Mantaqi shrine, Awantipora. KL Image: Bilal Bahadur
Syed Hassan Mantaqi shrine, Awantipora. KL Image: Bilal Bahadur

Khan, however, sees Hamadani’s major contribution in the Aurad-i-Fatḥiyyah. A grand mix of prayers, the praises for God, excerpts from the Quran, this Aurad has been an essential morning recitation in mosques for nearly 700 years now. It was Amir’s response to the pleas of neo-converts that the temple rings disrupt their morning prayers and they need something for loud joint recitation, something they had been doing for ages as Hindus. Khan sees it as “local influence” and “assimilation of the local mode of worship in the Islam of Kashmiris”.

“Islam, in no small measure, owes its success to his remarkable role which was distinguished by his tolerance towards the Kashmiris’ penchant for singing hymns aloud in temples,” Khan wrote. “The sight of a small number of people professing faith in Islam and simultaneously going to temples must have caused a great deal of concern to Sayyid Ali. But it goes to his credit that instead of taking a narrow view of the religious situation in Kashmir, he showed an acute discernment and a keen practical sense in grasping the essential elements of popular Kashmiri religious culture and ethos, and gave creative expression to these in enjoining his followers in the Valley to recite Aurad-i Fathiyya aloud in a chorus in mosques”

As the neo-converts chanted the Aurad, even the Hindu court historian Srivara was impressed: “It was here that the yavanas (Muslims) chanted mantras and looked graceful like the thousand lotuses with humming bees.”

But Ashraf insists that Amir’s contribution was in laying the foundations for the institutions of Islam in Kashmir. “Islam was spreading gradually before him and took a long time after him as well,” Ashraf said. “But the institutions of faith in Sufi systems were set up by him and his disciples.”

Departure

“After Sayyid had been for about a year in the Valley, he decided to leave,” Hassan writes about Amir’s eventual departure in 1383. “The sultan tried to persuade him to postpone his departure, but Sayyid refused, and departed with some of his followers, leaving behind Moulana Mohammad Bulkhi commonly called Mir Haji Mohammad, at the request of the sultan, to give him guidance in matters relating to the Sharia.”

People offering prayers outside Khanqah Moula. KL Image by Bilal Bahadur
People offering prayers outside Khanqah Moula. KL Image by Bilal Bahadur

Did the Amir leave because he was unhappy with the Sultan, who would still go to the temple and meet the Brahmins. “As chronicler Sayyid Ali (Tarikhi Kashmir) points out “a large majority of his subjects were kafir and most of his officials were polytheists” so for maintaining a cordial relation, he considered it necessary to follow such a policy,” writes Darakhshan. “It was on this ground that Qutubuddin did not follow every advice of Sayyid Ali regarding state matters. Dissatisfied with Sultan’s response to his directives, Sayyid Ali decided to leave Kashmir. He left via Baramulla with the intention of performing the pilgrimage.” Another contemporary history, Baharistan-e-Shahi also points out that Sultan could not oblige the Amir by implementing the Shariah.

Ishaq Khan, however, says that his departure was not the outcome of the alleged conflict with the Sultan. Amir had written favourably to the king, even after his departure. “Notwithstanding Sayyid Ali’s emphasis on following the Sharia, he seems to have allowed practical wisdom and expediency to guide him in his attitude towards the Sultan’s non-Muslim subjects in Kashmir rather than the model he had chosen in his general work for a Muslim Sultan to follow,” writes Khan. He continued writing letters to the Sultan. In one, he praised a devote Brahmin. “In another letter sent to the Sultan from Pakhli, Sayyid Ali urged him to leave no stone unturned in popularizing the Sharia, but only within the possible limits.”

But, at the same time, it was also a fact that Amir’s letter indicated the spread of Islam in Kashmir was still a work in progress. “Our souls can never live in peace and tranquillity even if all (our) ambitions get fulfilled,” the Amir wrote to Muhammad Khawarazim, who he had left in Kashmir. “But it is really surprising that how can one ever live peacefully in the land of infidels or feel contended where the wicked flourish and are provided support!”

(This is first of the three-part series on the socio-economic impact of the immigration of more than 1000 preachers and professionals that Amir-e-Kabir Mir Syed Ali Hamadani led to Kashmir during the initial years of the Kashmir Sultanate.)

source: http://www.kashmirlife.net / Kashmir Life / Home> Cover Story> Faith / by Masood Hussain / May 22nd, 2019

Azharuddin elected president of Hyderabad Cricket Association

Hyderabad, TELANGANA :

Former India captain Mohammad Azharuddin was on Friday elected President of the Hyderabad Cricket Association (HCA). | Photo Credit: V.V. Subrahmanyam
Former India captain Mohammad Azharuddin was on Friday elected President of the Hyderabad Cricket Association (HCA). | Photo Credit: V.V. Subrahmanyam

The stylish batsman of yesteryears polled 173 votes while his opponent Prakash Chand Jain got 73 votes.

Former India captain Mohammad Azharuddin was not only elected president of Hyderabad Cricket  Association on Friday but also led his team to a clean sweep in the elections held at the Rajiv Gandhi Stadium in Hyderabad on Friday.

Azhar polled 147 votes compared to his nearest rival Prakash Chand Jain’s 73.

A delighted Azhar, in a chat with The Hindu, said: “I sincerely thank all those who supported me and also my panel members in this election. They have done their job and the onus is on us to implement each and every promise we made before the election.”

“My top priority is to improve cricket and the welfare of the players. As a player I am aware what exactly the players look for from the Association and I promise them that I will not disappoint them,” Azhar said.

“Yes, this huge win is a big responsibility on me and I make it clear that I will take everyone with me, as the intention of the majority of the members is to revive the old glory of Hyderabad cricket,” he said.

“I promise that we will not be confined to mere promising but will deliver the goods. You will all see the change in how the HCA will be run in the coming days. I have always believed that a cricket association has to be run in a professional manner and not like a personal fiefdom of a few. I assure everyone that a new phase of cricket administration will be ushered in in HCA,” Azhar concluded.

The HCA office-bearers:

President: Mohd. Azharuddin; Vice-president: K. John Manoj; Secretary: R. Vijayanand; Joint-secretary: Naresh Sharma; Treasurer: Surinder Kumar Agarwal; Councillor: P. Anuradha.

source: http://www.thehindu.com / The Hindu / Home> Sport> Cricket / by Special Correspondent / Hyderabad – September 27th, 2019

Deccan’s heritage on display

Kalaburagi (formerly Gulbarga), KARNATAKA :

Ayaz01MPOs27sept2019

From coins to paper currency, books, radio, telephone, gramophone and old cameras, one can find a wide variety of antiquities at Ayaz Art Gallery in Kalaburagi. Detailed information about each item exhibited here makes this collection a heritage enthusiasts’ favourite. The credit for developing this intriguing collection goes to Mohammed Ayazuddin Patel, who is a photographer by profession.

After the completion of his education, Patel worked abroad for six years. In the meantime, he developed an interest in Deccan’s heritage. As a professional photographer, he has extensively documented the region’s ruined monuments.

Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.
Collection of coins and currency at Ayaz Art Gallery in Kalaburagi.

Patel has collected the antiquities from various places, urban and rural. There are instances of him finding value in an item that others would discard as scrap. Apart from objects, he also has a good collection of rare books published during the British and Nizam rule. Some of them are printed at Oxford Press.

Coins and currency form a major part of the collection. The coins from Satavahana, Rashtrakuta, Chalukya, Hoysala, Nagas, Gandhara, Khilji, Lodhi, Tughluq, Mughals, Bahmani, Wadiyar, Kalachuri, Tipu, Qutb Shahi, Nizam Shahi, Adil Shahi, Barid Shahi,  Imad Shahi, Malwa, Kashmiri, British, and present coins and notes of Indian government are available with him.

Being an artist, he has exhibited the collection aesthetically, with all the details like the currency name, country, capital of country and country’s population on display. Presently, he is having about 275 countries currency notes in his collection which can be treated as the largest collection in Karnataka.

Many research scholars visit his art gallery to get information about the region’s history and heritage.

He has travelled to 26 countries to present the cultural beauty of the Hyderabad Karnataka region. While returning, he picks each country’s flag. Such flags are displayed neatly at the gallery.

Apart from this, he has exhibited his work of digital art, attended seminars, art camps and got honours for the same. Some of the unique pieces found in the gallery include an old lantern used in the ship; an ink bottle of 1855 AD used for fountain pens ; metal locks from Bahmani to Nizam period and terracotta plates and bowls of Nizam period.

Property and other agreement bonds written in Arabic, Parsi, Halegannada, Sanskrit and other languages find a place in his collection. The stamp papers of Jodhpur State and Bikaner State, Jaora State under the of Iftikhar Ali Khan Bahadur, Bhopal and Burma Government both, British India, Travancore and Dewas State, Rajgarh State, Government of Madras, Government of Mysore and Indian non judicial paper are in his collection.

After practicing photography for many years, he started digital art using his photos that portray the heritage of Hyderabad Karnataka.

Mohammed Ayazuddin Patel
Mohammed Ayazuddin Patel

He acknowledges the support extended by his parents. His mother used to collect coins and antiquities as a hobby. And his father, Mohammed Khaja Naveed Patel, was a Munsi and was an expert of history. “Kalaburagi has a rich history and heritage.  It is everyone’s responsibility to collect and preserve these objects,” Ayazuddin says.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Rehaman Patel / August 17th, 2019

All eyes on antiques here

Kalladka (Dakshina Kannada), KARNATAKA :

Yasar01MPOs27sept2019

After his dream to become a kabaddi player was crushed by his ill-health, Yasar Kalladka turned to another area of interest. Collecting antiques. The man from Kalladka, in Dakshina Kannada, began this journey in 2003.

Yasar02MPOs27sept2019

It has been a great one so far, he says. In his museum is a massive collection of rare coins, notes, agrarian equipment etc. A series of currency notes from different countries that carry their ministers’ and freedom fighters’ faces are arranged in order of their date of birth.

Currency notes of more than 200 countries that carry images of iconic buildings, birds, animals are also in the museum.

A Karnataka map studded with 879 coins of 50 and 25 paise value, and an India map studded with 1,020 coins draws many visitors.

There’s an album that identifies on currency notes the dates of birth of presidents and prime ministers of India. Yasar has spent seven years to make a 50-feet-long chain using 999 10-rupee notes.

RBI-issued coins that mark important occassions can be seen in Yasar’s museum. The currencies issued by China, made of bamboo during the second world war; coins from dynasties like Maurya, Mughal, Pallava, Keladi, Chola, Kadamba, Chalukya, Hoysala,  Nizam, The East India Company etc, and medals of soldiers are now owned by him. Signatures of Gandhi, Lata Mangeshkar and Kapoor families are also found in his collection. In his newspaper clippings collections, the focus is on the deaths of personalities like Indira Gandhi, Rajiv Gandhi, Nehru etc. Road maps, tissues of different countries, perfumes and one-inch holy books also find a place in his museum.

Yasar03MPOs27sept2019

For Yasar, his main source of information are the contacts he has built over the years.

His collection has grown when relocating families have given him antique materials. Once, a woman from England visited his museum and gave him an uncut currency sheet of 30 dollars from her collection.

His networking on social media also fetches him clues to source for his collection.

Sample this, a board he found in a junkyard turned out to be a piece of evidence to prove that the Panemangalore bridge was built by the British in the year 1914, that it has now crossed more than 100 years. “Young people need to understand the value  of the collections,” says Yasar.

He has bagged many awards for his passion including the Aryabhata Award for his collection of coins and currencies.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Deepa Kamila / September 14th, 2019

Ahmad Abbas: The man who gave us Amitabh Bachchan

Panipat, HARYANA / Mumbai, MAHARASHTRA :

Mr. Khwaja Ahmad Abbas, well-known film critic, script writer and producer. | Photo Credit: THE HINDU ARCHIVES
Mr. Khwaja Ahmad Abbas, well-known film critic, script writer and producer. | Photo Credit: THE HINDU ARCHIVES

On the occasion of writer-filmmaker Khwaja Ahmad Abbas’s 102nd birth anniversary that fell earlier this week, some reflections on his first movie Dharti Ke Lal, a film that was not available for public viewing until about a year back…

The name Khwaja Ahmad Abbas, whose 102nd birth anniversary passed by this week with nary a mention of him in mainstream media, rings a bell in the mind of an average cinephile primarily for two reasons. The first is as the story/screenplay writer for Raj Kapoor’s cinema; and the second is as the filmmaker who introduced the star of the millennium, Amitabh Bachchan, to Hindi films. His directorial output, comprising 14 feature films and numerous short films and documentaries, is either ignored or overlooked.

This year is special for someone who wants to get introduced to Abbas’s cinema — heavily influenced by the art of Soviet filmmakers like Sergei Eisenstein and Vsevolod Pudovkin — as it marks seven decades since his first film, Dharti Ke Lal (Sons of the Soil) was released. It was a unique experiment by the Indian People’s Theatre Association (IPTA), co-founded by Abbas, at film-making and an early example of Indian film industry’s tryst with social realism. This was the realism of the kind that would be seen later in the films of Satyajit Ray, Bimal Roy and Mrinal Sen.

The tale of a peasant family’s struggles during the British-authored Bengal famine of 1943 during World War-II, the film was a combined adaptation of three literary works — Bijon Bhattacharya’s Bengali play Nabanna; a Hindustani play Antim Abhilasha; and Krishan Chander’s short story Annadata.

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Dharti Ke Lal can also be considered a part of an Abbas trilogy (emphasis mine) of 1946. The three films — the other two being Dr. Kotnis Ki Amar Kahani and Neecha Nagar, both written by him — presented three different ways in which he expressed the idealism of a common man in pre-Independence India. Dr. Kotnis Ki Amar Kahani, a biopic on Dr. Dwarkanath Kotnis, was based on Abbas’s story, And One Did Not Come Back. It showed a young doctor, inspired by Pandit Jawaharlal Nehru’s call to serve the wounded Chinese during the Sino-Japanese War, staking his career to serve the dispossessed masses in a distant country. This was a primer into Abbas’s early-day internationalism.

Neecha Nagar by Chetan Anand, about a nonviolent rebellion by residents from a decrepit shantytown, shows an educated youngster Balraj (Rafiq Tanwar) motivating and organising the masses to speak up against Sarkar (Rafi Peer), the municipality head. Abbas’s desire to lift the urban subaltern to a state of peaceful revolution found expression through the screenplay of the movie.

https://www.youtube.com/watch?v=VLv5Nb4M534&feature=player_embedded

Neecha Nagar – Part 1 of 10 – Cannes Awarded Indian Classical Movie 

source: http://www.youtube.com

Dharti Ke Lal, with a young peasant Niranjan (played by Balraj Sahni) in the lead role, was much more explicit than Neecha Nagar in advocating for independence and self-rule. It is set in Ameenpur, a village in pre-Partition Bengal, is slowly coming to grips with India’s struggle for independence. Through references to Saare Jahan Se Achcha, with Ravi Shankar’s music playing in the background, Abbas introduces a nationalist tenor into the film.

The first half, where the family of Samaddar, the village pradhan (head) and his son, Niranjan, tries to live a happy, agrarian life within their means, is an early-day attempt at realistically portraying the village life. This is celluloid portrayal of the kind of society people got introduced to through Munshi Premchand’s novels like Godan and short stories like Panch Parameshwar. Tropes like the affinity of the villagers toward their land and the affection they show toward their cattle and cow are straight out of a Premchand short story.

The second half, where Samaddar’s family is forced to migrate to Calcutta is Abbas’s attempt to see the city through the prism of a humble peasant. The scarcity created by the famine; the apathy of the rich in the city; and the simmering Hindu-Muslim animosity combine to create absolute misery in the lives of the economic migrants. They further encounter indifference as they are forced to beg. Finally, following the end of famine, they are forced to return to their village where they mobilise themselves into a group and practise saajhe ki kheti (collective farming).

Coming back to the Abbas trilogy part, while Dr. Kotnis Ki Amar Kahaani and Neecha Nagar were inspired by Nehru’s vision of an enlightened urban India, Dharti Ke Lal seeks to emphasise Gandhian ethos of seeking comfort in the village life.

In terms of aesthetic merits, Dharti Ke Lal ranks equal to the likes of Do Bigha Zameen made in the next decade. The affection with which the camera views the villagers as it takes their close-ups makes the characters and their situations relatable. Just notice the sense of wonder on the faces of the family members in the 10th minute as they welcome the clouds, emphasising the love-hate relationship a farmer enjoys with the monsoons. The poignancy of the moment is accentuated by an alaap, with a flute playing in the background. This surely reminded me of joy in the face of villagers of Champaren in Lagaan as they anticipate the rains on seeing the clouds, expressed through the ghanan-ghanan song.

source: http://www.youtube.com

In a radio interview quoted in an audio tribute, Abbas expressed a sense of pride when he says that Dharti Ke Lal is the only film that was ‘socialist’ when it comes to the production process. He says none of the members was paid less than Rs.200 or more than Rs.400. His socialist ideals and life-long belief in upliftment of the downtrodden — his commitment to idealism made journalist Vinod Mehta compare him to historian Eric Hobsbawm — kept informing his writing and his film-making.

source: http://www.youtube.com

His production company, named ‘Naya Sansaar’ (A New World) was his way of voicing his message of empowerment as he made films like Shahar Aur Sapna, Do Boond Paani and Saat Hindustani. Most of them were commercial disasters and some of them look didactic from a 2016 viewpoint. However, if there is one film that has remained relevant, both in terms of its art and its content, it is Dharti Ke Lal.

source: http://www.thehindu.com / The Hindu / Home> Cinema / by Hari Narayan / June 11th, 2016

How this vlogger travels the world, free of cost

Utraula, UTTAR PRADESH / Charummoodu, KERALA :

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While most of us here find it difficult to save money for an annual vacation tour, vlogger Jinsha Basheer is earning money for every trip she takes. The crossroad of her life was her decision to publish photographs and videos of her own journeys online. When her posts on Facebook crossed 8000  likes, Jinsha was assured. Vlogging is more remunerative than the job of an engineer.”

Jinsha Basheer, who grew up in village of Charummoodu near Thiruvalla has only 11 months of experience in vlogging.  But this 28-year-old has more following than those who had been dabbling on Facebook Facebook for over 10 years. Jinsha became a vlogger by chance soon after landing a job with an IT  firm after completing her engineering. The story goes like this:

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Jinsha and Faisal when refuelling at a petrol bunk near Adoor, happened to witness an altercation involving one of the petrol bunk employees and a biker. The biker claimed that he was given less petrol for the money he had paid. The employee argued that every customer should check the counter to ascertain the quantity of petrol received.

Faisal, deciding to get to the bottom of the issue, enquired with another employee of the petrol bunk who revealed a big secret: Fill petrol for 5 or 10 rupees more than the required quantity.  For example, fill petrol for 110, 220, or 1015 rupees. In such cases petrol will be filled as per the exact amount. He talked about those petrol bunks which manipulated the software and delivered less quantity of petrol for the money paid. To make this event public, Jinsha recorded a video and posted it in Facebook with an advice to fill petrol for 5 or 10 rupees more  than the usual exact amounts like 100, 200, 1000 etc. Their Facebook page, which till then had only Jinsha and Faisal as members, received 5000 likes within a day.

A reply to trolls

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Jinsha was born in Utraula in Uttar Pradesh to Basheer, a military man and Barisha, a nurse, as the  youngest of the three sisters. When she was 8 years old, the family resettled in Charummoodu.  Jinsha loved travelling since her childhood. During her studies, she travelled to Mysore and Madurai. Taj Mahal, Agra and Qutub Minar remained her dream destinations. On the first weekend of getting married to Faisal, they travelled to Vagamon and her passion for travelling was rekindled.

While she was working in an IT firm owned by Faisal (which was also a period of many journeys), she  got an offer for taking up a job of a teacher in Qatar. The school management asked her to send a video depicting a simulation of her teaching the pupils. By the time the school management intimated her of their satisfaction of her teaching video, the ‘petrol bunk’ video had become  ‘viral’ in the Facebook. Jinsha decided to focus on volgging instead of taking up the teaching assignment in Qatar. Faisal, too, supported that decision. The first vlog.trip was made from Masinagudi to Ooty via the Kallatti pass. Another vlog on a journey through the Bandipur forests followed. These videos highlighting the beauty of the forests, too, became viral.

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Attempts were made by some elements to hurl abuses at Jinsha and her father through adverse and offensive comments. Jinsha was appalled but decided not to quit. But both Basheer and Faisal supported her cause. “If you bow down now, it will be akin to accepting total surrender.”

Jinsha took a screenshot of the Facebook page of the person who was vitriolic on her which also had that person’s photograph and posted it on her own Facebook page. Within minutes, the children and nephews/nieces of the person apologized. Soon after that, the Facebook page of the person disappeared.

Making money for and from travelling

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One of the first international vlogs Jinsha Basheer did was in Singapore. Dubai and Thailand followed.  The followers were introduced to the facts that in Singapore, a bottle of water costs Rs 350 and that in Thailand, one could take selfies with tigers, all through her vlogs.

“Rains round the year, gentle sunshine, towering buildings, beautiful landscape…Singapore is a place that must be visited at least once in a lifetime. At the same time, Dubai is a place of Guinness Book of world records. There is a village in Dubai with a rivulet and farming. This village is known as Al Barari Farm.” More than one lakh likes were received for this vlog alone.

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“Thailand is a country of individual freedom. The issue is how that freedom is utilized. There is a zoo housing 200 tigers in Thailand. In the elephant rearing centre, one could play with the elephant calves. Photos can be captured with one riding a crocodile in a lake of about 1000 crocodiles.” These facts were included in Jinsha’s vlog on Thailand.

‘Mariner of the Seas,’ a royal Caribbean cruise liner which berthed in Kochi was visited with special permission. “The vlog relating to this visit to the ship with an interior bigger than the LuLu Mall got instant popularity,” Jinsha explained how she started getting remuneration from Facebook.

The vlogging technique

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Jinsha and Faisal discovered ‘The Earth Lounge’ in Kochi international airport while on their way to Dubai. They entered the lounge to avoid the boredom of waiting for their flight. Two hours in there costs Rs 2000. But if you are holding Visa Platinum, Master Card etc it will cost only Rs 2. With that unlimited food and drinks, bathing area, relaxing area etc are made available to you.  ‘The Earth Lounge’ which the airport runs with the promotion of banks, was immediately videoed by Jinsha. Similar videos with little known facts were released on Jinsha’s Facebook page.  Likes and comments started piling up on such posts. Remuneration flowed from Facebook and You Tube.

“Tour operators approach us. They invite us to film the package tours they conduct. The tour and accommodation facilities would be arranged by the operator. The vlog that is made on the tour should reflect the services provided by the tour operators. The tour operator which took us on their package tour to Thailand saw more number of tourists opting for its services. The income comes through the Facebook posts. If 1000 readers read it, some small amount will come in the account.  You Tube is the best paymaster. If there are 1000 subscribers and 4000 minutes of viewing, an account for transferring remuneration can be created. The more the number of viewers, more is the remuneration. Jinsha explains after going through the statistics after turning a professional vlogger she has 87,000 followers on You Tube.

Offers for international tours are waiting her attention. There is some indecision on where to fly next among the options available. Faisal loves Switzerland. Jinsha has decided that as soon as her Dubai trip is over, she would fly out to Europe.

source: http://www.travel.manoramaonline.com / OnManorama / Home> Travel> Celebrity Travel / by Baiju Govind / May 16th, 2019

This Bengaluru Ola cab driver’s heartwarming gesture is going viral on the internet

Bengaluru, KARNATAKA :

When it comes to taking cab rides, there have always been many bad experiences for the commuters compared to the good ones.

Bengaluru Ola cabbie Khateeb UR Rahman (Photo | Facebook and PTI)
Bengaluru Ola cabbie Khateeb UR Rahman (Photo | Facebook and PTI)

When it comes to taking cab rides, there have always been many bad experiences for the commuters compared to the good ones.

Two of the dominant cab aggregators Uber and Ola are no different as they have also been in the wrong side of the news in the past.

But this time around it was an Ola cab driver who is in the news for all the good reasons. On September 17th, a Bengaluru based man took to Facebook and shared a heartwarming story of an Ola cab driver.

The commuter, Sayuj Ravindran, said that the cab driver returned valuables and gadgets worth Rs 2.5 lakh to him after he had left them behind in the cab.

He wrote, “Returning after my cousins wedding, I took an Ola cab (with my family) from KR Puram railway station to home at around 3:30 am. Halfway down, the car tyre got punctured. The driver requested me to book another cab since it will take some time for him to replace the tyre. I got another one in 10 mins and I was about to reach home when I got a call from the first cab driver informing that I left a handbag in the car. I then realized it was my laptop bag which also had some valuables in it. He said he will wait for me right there. I took my car from home and rushed back. He was kind enough to come a little further towards my home. We met at the Marathahalli bridge and he gave me the laptop bag.”

Sayuj also mentioned that the cabbie refused to take money from him as a favour.

“Meet Mr Khateeb UR Rahman, who returned my bag (with stuff worth Rs 2.5 lakhs approx). He refused to take any money from me in return of the favour and got back into his cab. But I did manage to slip in the money to his jacket pocket forcefully. Please reward this gentleman for what he has done, ” he said.

The post had gone viral with over 10,000 people liking the post and over 2,600 people sharing it.

The RT Nagar Old office (SGP Group), who came across the heartwarming act of the Khateeb UR Rahman rewarded him with a cheque of Rs 25,000.

This heartwarming gesture once again proves to be an example of how one will be rewarded according to his/her act.

source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Online Desk / September 25th, 2019

From cooking tips to charity: Meet the ‘vlogger family’ from Malappuram

Mallapuram, KERALA :

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Vlogging or video-blogging is nothing new in this modern age of technology. But there is an interesting vlogger family worth knowing about. Let’s meet four women from a family in Malappuram, who have established their paths in successful vlogging – Shamseera, Femina, Sabeena and Shabna.

Moyin KP and Khadeeja EC belong to the village of Munduparamb in Malappuram. They have four children – a daughter and three sons. Their daughter Shabna and the three daughters-in-law are into vlogging now. It all began with Shamseera, their eldest daughter-in-law. She grew up in Kerala and Qatar and lived with her husband and kids in Dubai where she too worked for a while. But when they moved to Saudi Arabia in 2014, she found it so different from the places she had been till then – it was hard to go out alone, she couldn’t work as job opportunities were very less for foreign women back then.

Her only solace then lay in her cooking experiments, reading and crafts etc. She even joined her kids’ school as an art teacher but soon realised that ‘teaching itself was art I (she) lacked’. In between, she was also watching videos on YouTube, which gradually brought her to the idea of starting a channel of her own. Shamseera began a YouTube channel in 2016 but had to drop it due to some technical issues. She then began another one in 2017 and uploaded the videos of the previous one in it and thus started the journey again. Since then, she hasn’t turned back from her ‘Momtastic’ channel. (https://m.youtube.com/channel/UCL-LW86fWpQejgKbsoWrQqw#menu). She now has 2.98 lakh subscribers from different parts of the world.

 

Shamseera Sherin and family
Shamseera Sherin and family

The other three were inspired by Shamseera. Shabna Hasker was the second to enter the field. She began her channel ‘Taste Tours’ (https://www.youtube.com/channel/UCwXXEk9v87KS57cFkpoTgIQ) in May 2018, and soon Sabeena Shemin joined with ‘Sabeena’s Spice Diary’ (https://www.youtube.com/channel/UChiazvVDnNGssDgqshIKGAA) in June 2018. And now, Femina couldn’t stay back. She joined the YouTube journey along with her husband Shajin in October 2018 – ‘Femina & Shajin’ (https://www.youtube.com/channel/UCzfIuOwn17TYHnt9NygsWKg) The topics they have selected are all similar – cooking, cleaning, organizing, gardening, crafts, travel, daily house chores etc. Shamseera chose English as the medium for her vlogs, though she has done one in English, Malayalam and Hindi together. Sabeena and Femina began in English and switched to Malayalam owing to the request of viewers. Shabna uses only Malayalam in her videos.

Femina Shejin and family
Femina Shejin and family

All the four ladies manage their YouTube channels along with taking care of their respective families and running their houses. Shamseera, a graduate in commerce, lives in Riyadh with husband and two kids. Femina, an MBA graduate, is in Calicut with her husband and two kids. Sabeena, a Statistical Investigator on leave from government service, lives with husband and a kid in Sharjah. Shabna, a graduate in commerce, lives in Malappuram with husband, three kids and parents-in-law. Speaking to TwoCircles.Net, they said that they wished to upload videos twice or thrice a week in a fixed time but were not able to do so always. Shamseera, Femina and Sabeena shoot their videos and do the related works when their kids are away in school, while Shabna has her youngest child always with her at home and so has to do her works at night after the kids go to sleep. All mentioned the support of their families. Shabna’s channel has more than 1.5 lakh subscribers, while Sabeena’s has 1.01 lakh and Femina’s more than 31,000.

Shabna Hasker and family
Shabna Hasker and family

Shabna now has a cookbook to her credit – ‘Janapriya Ruchikal’ by leading publisher DC Books, expected to be released soon. It was her husband Dr Hasker who suggested the idea and pushed her into writing it when she was reluctant. Shamseera has even starred in an advertisement for the famous Lulu Supermarket.

When asked how they managed their private life and public vlog with the camera inside their homes, all four said they were extremely particular that their vlogging shouldn’t affect their private lives. Shabna said, “We do capture our daily life at home but only for a short time. For example, we capture the first few moments of having food and then turn it off. So we have our time too.” Femina owes the lag between her videos to the priority she has kept.

shabna hasker
shabna hasker

While the other three vlog on their own, Femina does it along with her husband. “It is good. We can spend some more time together,” she said. In addition to the usual topics dealt with by all, they also do comedy videos along with their kids. However, there are times when Femina has to do the vlogs alone as Shajin gets busy with work. The daughter of an Army Major, Femina was born in Kerala and grew up in different parts of the country. After completing her graduation in Commerce, she did MBA in HR and worked for a while when they were in Dubai and back in Kerala. Now she is also running a home décor-related business online.

Sabeena Shemin and family
Sabeena Shemin and family

They also try to keep regular contact with their viewers–replying to messages on social media and trying to do videos on request. “Editing and uploading a video is a big task. My eyes get tired, my energy levels fall. But once I publish a video, the comments from my loving viewers are just enough to make my battery level go 100% in a few seconds,” said Shamseera. She recalled an experience she had last month on a trip to Kochi when a lady rode 6-7 kilometers on a scooter with two kids just to meet her.

So, how has YouTube affected their lives? Shamseera confesses she was reserved and shy earlier, but vlogging has made her a more confident person. Life has become busier and more hectic, but now that they are used to it, Femina says it is a beautiful mix. The women are doing their bit for charity too, the latest being during the floods in Kerala. Life has changed for all the four – getting recognized is indeed a matter, but it makes them more responsible too.

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source: http://www.twocircles.net / TwoCircles.net / Home> TCN Positive> Indian Muslim> Lead Story> Women / by Najiya O – TwoCircles.net / September 16th, 2019

Jannat Mari is Shah Rukh Khan’s brainchild: Bilal Siddiqi on ‘Bard of Blood’

Mumbai, MAHARASHTRA :

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Ahead of its release this Friday, Bard of Blood writers Bilal Siddiqi and Mayank Tewari discuss the challenges involved in adapting a book into a seven-episode TV format

In 2015, at the book launch of The Bard of Blood, author Bilal Siddiqi and novelist, Hussain Zaidi, made jokes on Emraan Hashmi as to how he is the right candidate to essay RAW agent Kabir Anand, without considering the eventuality that would transpire four years later. Bilal agrees that he did not put an image to the character while writing, and that the casting of Emraan Hashmi happened organically. “When you have a star like Emraan on board, it will obviously elevate the viewership of the show. He embodied the character and brought in lots of nuances to Kabir Anand,” says Bilal Siddiqi, who has written the screenplay of Bard of Blood along with writer Mayank Tewari, known for writing Newton and The Accidental Prime Minister.

Inside the writer’s world

The biggest selling point of The Bard of Blood was Bilal’s age (he was 20) — too young to be dealing with guns, agents and weapons of mass destruction (read: third world politics). But his fascination for the espionage genre stems from his mentor Hussain Zaidi, with whom he assisted in books like Byculla to BangkokMumbai Avengers and My Name Is Abu Salem. Bilal wrote a brief outline of Kabir Singh, the protagonist of The Bard of Blood, and says he never had the intention to make it into a novel. “He [Zaidi] liked whatever I had written and sent it to my publisher. They called me one day, asking to finish the book so that they can take a call. I somehow managed to fulfil my dream of writing,” he says.

He was “subconsciously influenced” by Zaidi, who had one advice for him: ‘Make it visceral and graphic’. That he did when he sat with Mayank Tewari in the writer’s room, having discussions back and forth on how to better the book. “Bilal was very proactive in saying, ‘let us use this material as a springboard to take it to the next level’. Since it was written five years back, we had to spend more time on the screenplay to make it relevant and real,” says Mayank Tewari, adding that the duo has taken the “best chunk from the book”.

Unlike The Accidental Prime Minister, which was non-fiction, the challenge for Mayank was to construct scenes that drives the characters throughout the season, in a satisfying way for the audience. “The one good advantage is that, all characters were sharply etched out. There were some really good lines in the book, which we have retained,” he adds. Mayank did have heated exchanges with Bilal on how to interpret Balochistan. He quips, “But that’s what makes the collaboration rewarding, right? Disagreements lead to fruitful agreements. And everything was in the spirit of making a good show.”

Writing a novel has its own perks. For instance, Bilal had the luxury to use The Bard of Blood as a device to get into the character’s psyche, exploring his inner voice and go overboard with the descriptions — a counter to the film format, where you need to show these things on screen rather than tell. He admits that they had to tone down the details, adding, “Screenplay is like a manual for filmmakers to shoot. So, it is a different ball game and Mayank has given some valuable inputs.”

Bilal acknowledges the timely suggestions of Shah Rukh Khan, who has produced it along with Netflix. In fact, Jannat Mari, the character played by Kirti Kulhari, is Shah Rukh Khan’s brainchild and was not there in the book. “He [SRK] saw the pitch before it went to Netflix. The series has several characters that were not part of the book. In that sense, you can say that Bard of Blood is the best version of my book.”

(The writer was in Mandawa at the invitation of Netflix)

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Srivatsan S / September 24th, 2019