Category Archives: Arts, Culture & Entertainment

How a 71-year-old Muslim villager’s “hoarding” of everyday objects won a coveted spot at the V&A Museum in London

Arts, Culture & Entertainment, Events, Exhibitions, Conferences (wef. Nov 18th, 2021), Museums, Libraries (wef. April 16th, 2022), Travel & Tourism, Women/Girls(since May26-2021), World Opinion, , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kelepara Village (near Hoogly), WEST BENGAL :

Ohida Khandekar’s Dream Your Museum, an installation and film about her uncle’s collection won the V&A’s Jameel Prize for contemporary art and design inspired by Islamic traditions.

Selim Khandakar with his grand-niece and the trunks housing his collection. | Photo Credit: Anand Kumar Ekboty

Selim Khandakar, 71, has always dreamt of making a museum in his village for the 12,000-plus objects he has collected over 50 years. A small portion of that collection has now reached one of the best museums in the world — the Victoria & Albert Museum (V&A) in London — thanks to his artist niece, Ohida Khandakar. 

Ohida, 31, has turned her uncle’s lifelong obsession into an installation and film — Dream Your Museum — which won the V&A’s prestigious Jameel Prize for contemporary art and design inspired by Islamic traditions. The work is not just a tribute to what seems to be her uncle’s calling; it also challenges colonial museum structures and asks whether ordinary, personal objects deserve a place in museums. Can museums be flexible and inclusive spaces, showcasing the narratives of minority communities and customs? Are private collections the exclusive privilege of the rich?

The installation and film, ‘Dream Your Museum’, at the Victoria & Albert Museum (V&A) in London.

Selim worked as a doctor’s compounder in Kolkata and started collecting random objects from the year 1970. A stamp exhibition piqued his interest first, prompting him to start collecting them. He also came across an exhibition of vintage objects from Mallik Bari, one of Kolkata’s heritage homes. “It was a record of what objects were used in the ancient times and how lives were led,” Selim tells me over a Zoom call from his home in Kelepara, a village near Hooghly, West Bengal. “It inspired me to start collecting whatever felt like a record of the common person’s life and times. From bus tickets to stamps to refills of pens, I wouldn’t throw anything away.” 

An assortment of rare and mundane items makes up Selim’s collection. Old clocks, inscribed ceramics, vintage records and music players, letters dating back to Partition, perfume bottles, crystal rocks, hand fans, stamps, handbills, ink pots, cameras, train tickets, receipts, even matriculation answer sheets from the 70s!

Selim Khandakar surrounded by the objects he has collected over the years. | Photo Credit: Anand Kumar Ekboty

Gramophones to baby clothes

Much of Selim’s collection is housed in tin trunks and scattered across his home in Kelepara. It sometimes becomes a ‘travelling museum’ for people in the village to explore and interact with the objects as Selim takes them around. There is curiosity, awe, some ridicule, some laughter, and from those who understand history and record keeping, even encouragement.

Ohida’s film captures Selim walking through village fields with his trunk, stopping by the river to rinse some crystal stones, and holding them up to the sun. “Where did you find these, nanu?” asks Maria, his grand-niece, who appears in the film. “In the graveyard,” Selim replies.

Selim Khandakar walking through village fields with his trunk. | Photo Credit: Anand Kumar Ekboty

Ohida, who studied art at the Government College of Art & Craft, Kolkata, and Jamia Millia Islamia, New Delhi, says it is sometimes hard to understand what keeps her uncle going. Is it hoarding, as his exasperated family has often believed? She and Selim don’t think so. Instead, he thinks his collection, much like Dream Your Museum, is about storytelling. “Collecting is my way of showing people from my village a glimpse of things from around the world,” Selim notes. “Like rare coins dating back to the Mughal period or vintage perfume bottles from around the world. Often people here do not get a chance to go to cities to see such things. That’s what has always kept me going.”

Selim Khandakar’s house that was destroyed after a cyclone.. | Photo Credit: Anand Kumar Ekboty

Once displayed in his modest mud house, now destroyed after a cyclone, Selim’s possessions came close to being discarded by his family until Ohida decided to document it digitally. She reacquainted herself with both her uncle and his collection when stuck at home during the pandemic. To her artist’s eye, it is a compelling one, given its range — from gramophones to baby clothes from the 80s. “It even has a bunch of fingernails [Selim’s own] in a box. It reminds me of Marcel Duchamp’s Dadaist Fountain exhibit [1917], where he displayed an upside-down urinal. Such objects challenge conventional notions of what belongs in a museum. These items, including a broken plate passed down through generations, show the power of storytelling through objects.”

Selim laughs when asked about the fingernails. “I had once visited an exhibition where I saw art made with fingernails and thought I would do the same with mine. It made me curious, so I kept them.”

What makes a museum?

Curiosity has been the driving force behind Selim’s obsession and this is what Ohida celebrates in her work. Maria accompanies Selim throughout the film, asking him curious questions about the objects in his collection, an attempt to peek into his mind. Ohida started filming Dream Your Museum as an entry for the 2022 Berlin Biennale, where it was received well, eventually landing her the V&A award.

Filmmaker Ohida Khandakar

Growing up in Kelepara, Ohida hadn’t stepped inside a museum until she came to study art in Kolkata. “I had achieved my dream of studying art and moving beyond a village where many women still had no voice and were married off early. It made me wonder — was there a limit to our dreams? Was there a limit to the dreams of my uncle, a rural, aged Muslim man?”

With the funds from the award, Ohida is now hoping to create a museum for her uncle’s collection and a cultural space in the village. “We need accessible museums that work as alternative spaces for the narratives of rural minority communities; as safe spaces for women without opportunities; to engage those who might not typically visit traditional museums due to a lack of knowledge, distance or financial constraints.”

In Dream Your Museum, her camera gently films Selim among his collections in his crumbling ancestral home. He expresses frustration at having no permanent place even after 50 years to showcase his prized collection. “I’ll now make a museum on the moon,” he declares.

The writer is a freelance journalist and the co-author of ‘Rethink Ageing’ (2022).

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Reshmi Chakraborty / April 20th, 2025

K V Rabiya, who fought the odds to become an icon of Kerala’s literacy mission, dies at 59

Amazing Feats, Arts, Culture & Entertainment, Bharat Ratna, Padma Vibhushan, Padma Bhushan, Padma Shri Award (since January 01st, 2024), Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Education, Women/Girls(since May26-2021), , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tirurangadi (Malappuram District), KERALA :

In 2000, Rabiya was diagnosed with cancer, which she later overcame, after which she returned to social work.

In 2022, she was honoured with the Padma Shri for social work. (File Photo)

K V Rabiya, known for her prominent role in Kerala’s adult literacy programme, died at her home in Malappuram on Sunday. She was 59.

A native of Vellikakkad in Malappuram district, Rabiya fought against heavy odds and personal tragedies, right from childhood, to work relentlessly for the betterment of the differently abled and inspired thousands of women to enter the world of letters.

In 2022, she was honoured with Padma Shri for social work.

While still a school student, Rabiya contracted polio at the age of 12, which would eventually leave her paraplegic. Despite this, she completed her schooling and joined a college. However, she could not complete the degree course.

Rabiya then turned to books, reading everything from science to literature. Wheelchair-bound by then, Rabiya also started taking tuition classes for local children at a nominal fee.

It was by chance that Rabiya became a part of Kerala’s literacy movement, which began in the late 1980s. A college degree was a must for a literacy instructor. However, an instructor, who could not continue with the programme, sought Rabiya’s help. This marked the birth of a social worker and the beginning of her legacy.

She started teaching literacy classes in June 1990, and local elderly women and housewives were her students. She worked to convince women from orthodox families about the importance of education, and told them inspiring stories of world leaders and social reformers to get them interested in her classes.

When her number of students started swelling, Rabiya became a full-time literacy instructor. Later, she also established a library for women and became instrumental in the development of her locality, which did not have basic facilities such as roads and electricity, telephone, and water connections.

She eventually launched a voluntary organisation named Chalanam (movement), which also spearheaded literary programmes.

Her intervention was not limited to literacy alone. She started six schools for children with special needs and trained and empowered more than 250 women through a small-scale manufacturing unit. She was also at the forefront of the movement to create awareness against dowry and superstition. In later years, she was also actively involved in the e-literacy programme, Akshaya, in Malappuram.

In 2000, Rabiya was diagnosed with cancer, which she later overcame, after which she returned to social work.

In her autobiography, Swapnangalkku Chirakukalundu (Dreams Have Wings), Rabiya told the story of her inspiring life and how she chased her dreams. She also authored four other books, including the memoir, Mouna Nombarangal (Silent Pains). A documentary was also made on her life, titled Rabiya Moves.

She received several honours, including the Kannagi Devi Stree Shakti Puraskar, instituted by the Child Welfare Department of the Union government, in 2000. She also won the Youth Volunteer against Poverty award, jointly instituted by the Union Youth Affairs Ministry and the United Nations Development Programme.

source: http://www.indianexpress.com / The Indian Express / Home> India / by Shaju Philip, Thiruvananthapuram / May 05th, 2025

Into the oldest library of Ahmedabad: Hazrat Pir Mohammad Shah Library

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Bijapur (Karnataka) / Ahmedabad, GUJARAT :

With over 4,000 manuscripts and 25,000 books, Hazrat Pir Mohammad Shah Library is a sanctuary of knowledge and wisdom.

Stepping into the Hazrat Pir Mohammad Shah Library, the oldest library of the city, feels like entering a secret realm concealed within the narrow lanes of Pankora Naka, Ahmedabad. This hidden sanctuary of wisdom resides within the majestic tomb-shrine complex dedicated to the esteemed Pir Muhammad Shah.

The library’s journey commenced over 250 years ago when Pir Mohammad Shah and his devoted disciples gathered a humble collection of 300 manuscripts. Now, this literary haven proudly safeguards an expansive repertoire of over 4,000 manuscripts, establishing its position as such largest collection in Western India. Moreover, it boasts an impressive assortment of over 25,000 books.

About Mohammad Shah

Let us delve deeper into the enigmatic figure of Mohammad Shah, the driving force behind the library. Born in Bijapur in 1688 AD, he embarked on a transformative journey to Mecca, where he immersed himself in the teachings of practical Sufism.

Eventually, he settled in Ahmedabad in 1711, where he would offer his daily prayers in the Jama Masjid and rest in the humble hut of a benevolent elderly woman. It is in this very location that the awe-inspiring mausoleum-mosque-library complex now stands.

A treasure trove of manuscripts and books

During his lifetime, Pir Muhammad Shah, along with his devoted disciples, amassed a treasure trove of manuscripts and books, encompassing a wealth of academic and spiritual wisdom. This invaluable collection finds its residence in the esteemed “kutubkhana”. The Pir himself was a gifted bilingual poet, penning abundant verses in Persian and Dakhani.

Today, the library stands as a testament to its illustrious past, harboring more than 4,000 manuscripts—the largest collection in Western India, alongside a rich trove of over 25,000 books. Its extensive catalog covers diverse subjects such as spirituality, Quran Knowledge, music, literature, history, geography, language, astronomy, astrology, agriculture, and more.

Within its hallowed halls, one can explore literature in Urdu, Gujarati, Arabi, Parsi, Hindi, and English. The library features a special chamber dedicated to ancient manuscripts, some dating back 800 years, as well as a display of Hazrat Pir Mohammad Shah’s personal belongings, carefully encased in glass to ensure their preservation.

Translations of sacred texts and unique manuscripts

The library’s treasures extend beyond its own collection, offering translations of sacred texts such as the Bible, Rigveda, and Geeta. Visitors are also privileged to behold unique manuscripts, including a handwritten Quran by the illustrious Mughal Emperor Aurangzeb.

This historic repository not only embodies a wealth of knowledge, wisdom, and heritage but also exudes an aura of serenity and tranquility. Explore the mosque, wander through the tranquil courtyard, lose yourself in the pages of ancient tomes, marvel at rare manuscripts, and surrender to the enchantment of bygone era. A captivating journey back in time awaits within these hallowed walls.

source: http://www.knocksense.com / Knock Sense / Home> Ahmedabad / by Zeal Jani / June 27th, 2023

Kalimi’s contributions to Gujarat’s history recounted

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Ahmedabad, GUJARAT :

Ahmedabad :

The World Heritage City of Ahmedabad saw many revered men who silently documented the various tales the city’s monuments, structures and literature had to tell. 

One such relentless pursuit was that of publisher, author and a keen student of the medieval history of Gujarat, Shahed Kalimi, who not just ran the nearly-century old Kalim Book Depot but also spent 20 years of voluntary service to set up the library at Sarkhej Roza.

A little over a month after he passed, Kalimi’s contributions to Ahmedabad’s heritage were remembered by academicians, renowned historians and heritage enthusiasts at a remembrance meeting organised in the city on Sunday.

Kalimi was the sole force behind revamping the library at one of the ASI-protected monuments of the Heritage City of Ahmedabad, Sarkhej Roza.

AS Saiyed, President of the Sarkhej Roza Committee, narrated Kalimi’s two decades of voluntary contribution at the Sarkhej Roza and lauded him for his dedication and perseverance. “Kalimi was instrumental in reviving the library at the Sarkhej Roza and setting up a publishing department at the Roza through which many books were translated and published under the aegis of the Sarkhej Roza Committee,” Saiyed said.

During his lifetime, Kalimi had translated nearly 50 books from Urdu, Persian and Arabic, into Gujarati, in a bid to bring forth the little pieces of history about Gujarat to the people here.

In fact, two of his last books – A Bird’s Eye View of Sarkhej Roza and Yaad-e-Ayyam, were released during the remembrance meet.

“Kalimi’s sole aim was to bring forth anecdotes of Gujarat’s history to the state. Being an ardent reader of history himself, he translated many books written about Gujarat and its history, Persian and Arabic to Gujarati. He has translated close to 50 works by now about various aspects of Ahmedabad and Gujarat which the state would have otherwise lost,” said Professor MH Bombaywala, curator and founder, Peer Mohammad Shah Library, one of the oldest in Ahmedabad who was present at the meeting.

Being an ardent enthusiast of medieval history of Gujarat, Kalimi turned his place of work – the Kalim Book Depot – around by diligently sourcing, procuring, even translating if needed to make history books available to people here.

Students of History and even architecture and design often frequented his book store, which was once upon a time, a fulcrum for intellectuals to gather and discuss new, radical ideas through expressions of poetry and Shayari.

The Kalim Book Depot will be a century old in 2026 and till date is known for rare books. “We have retailed the Urdu versions of Ramayana, Mahabharata and the Bhagavad Gita to people. Father used to procure a series of Urdu books from warehouses of libraries, book exhibitions, flea markets including the Gujari Bazar and wherever he travelled and patiently sorted them, to find the right kind of books for history students and later translate them,” said Mushir Kalimi, Shahed’s son.

“Father’s interest was not in the business but instead in letting the younger generation read and delve into the history about Gujarat to the people of Gujarat by translating works of authors from Persian, Arabic and Urdu languages. Therefore, if he realised someone’s interest in books, he would gift them a second book for free besides the ones they’ve bought,” said Mushir.

Kalimi was working on one of his last books just before he passed — Makbaras and Masjids of Ahmedabad. Mushir along with members of the Sarkhej Roza Committee are working towards publishing the book which will soon be out.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News> Ahmedabad News / by Niyati Parikh / TNN / March 28th, 2022

One who speaks through art

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Hanipora Village (Pulwama District), JAMMU & KASHMIR :

Hearing and speech-impaired, hardships of life never robbed this Pulwama man of his passion for art as he sculpted his way to new heights, Fayaz Wani narrates.

29-year-old Suhail Mohammad Khan / Photo | Special arrangement

Jammu :

The popular saying “where there is will, there is a way” rings true for 29-year-old Suhail Mohammad Khan, a resident of Hanipora village in Jammu & Kashmir’s Pulwama district, who has overcome his deafness and inability to speak through his art. Versatile as he is, he has mastered several different forms of art.

His hard work, determination and never-say-die attitude have made him a source of inspiration for others. An architectural designer, painter, sculptor and sketch artist, Suhail wears many hats. But his path to success has been anything but easy.

Suhail lost his ability to hear and speak when he was just a child. However, that did not diminish his passion for drawing and painting. He always enjoyed rustling up sketches and paintings of his friends. As years passed, he began to explore other forms of art, including sculpture, printmaking and cake designing, instead of confining himself to one specific genre.

After passing out of school, Suhail joined the Institute of Music and Fine Arts at University of Kashmir. His talent and passion soon earned him admiration from his peers and the artistic community.

Describing his journey as an artist, a friend of Suhail beams with pride, saying, “He is an all-rounder who can create anything in art. For him, nothing is impossible. Suhail literally speaks through his art. He does painting, sculpture, videography and photography. His work is realistic and based on creativity. Although he is deaf and dumb, his work is very realistic.”

Ask this friend if Suhail, who communicates through sign language, faces any difficulty in his everyday life because of his inability to hear or speak, and pat comes his reply: “He doesn’t need to speak or introduce himself to anybody. He speaks through his works. His art does all the talking. We must appreciate the courage and passion he has displayed in the face of adversity. After all, he is living proof that nothing is impossible and that anything can be conquered by sheer persistence.”

Contrary to the popular belief that a disability can seal one’s fate, Suhail remains way ahead of many people who are not even differently abled. He did India proud in the International Snow Sculpture Contest held in January this year in Colorado, US. Only 12 teams from the world participated in the contest. Suhail and his team toiled for four days in freezing temperatures ranging from -25 °C to -35°C to craft their sculpture.

Titled ‘Mind in Meditation’, Team India’s masterpiece stood out for its elegance and precision. India secured third position in the competition.

source: http://www.newindianexpress.com / The New Indian Express / Home> The Sunday Standard / by Fayaz Wani / April 20th, 2025

Rampur Royals were patrons of art, literature and cuisine

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Rampur, UTTAR PRADESH :

The Rampur Nawabi family with former Prime Minister Dr. Manmohan Singh

In December 2021, I came across a report in a newspaper that said, “After almost 50 years of legal battle, the Rampur District Court has ruled in the Rampur Nawab family’s property dispute. The property will now be divided among 16 legal heirs. Raza Ali Khan, the last Nawab of Rampur, died in 1966. After a long legal battle, the court has announced the division of his property worth Rs 2,664 crore.”

The Nawab family of Rampur with its glorious history is still important played in Rampur and its surrounding districts. While the family ruled the state for a long time, its members joined the institutions of independent India like Parliament and legislative Assembly. Former Members of Parliament Mickey Mian and Noor Begum belong to the family. Many members of this Royal family have played an important role not only in politics but also in promoting the culture, patronizing poets, writers, musicians, and other creative artists.

Khandaan

The Nawabi family of Rampur State

Before the independence, India was dotted with small states and one of them happened to be the state of Rampur, located in today’s state of Uttar Pradesh. It was founded by Nawab Ali Mohammad Khan, a Pushtun leader on 7 October 1774. There have been 11 Nawabs in the state including Nawab Faizullah Khan, Nawab Hafiz Rehmat Khan Barish, Nawab Muhammad Ali Khan, Nawab Ghulam Muhammad Khan, Nawab Ahmad Ali Khan, Nawab Muhammad Saeed Khan, Nawab Yusuf Ali Khan, Nawab Club Ali Khan. Nawab Muhammad Mushtaq Ali Khan, Nawab Hamid Ali Khan.

Raza Ali Khan was the last Nawab of Rampur. Rampur was one of the important States of the British in India as its rulers were plaint and supported the Raj even during the 1857 revolt. It was a 15 cannons gun salute State and its rulers owned a lot of wealth.

Before the independence, the Nawabs of Rampur used to have their own railway station with two special coaches always in readiness in the service of the Royal family. Whenever the Nawab family had to travel by train to Delhi, Lucknow, or elsewhere, they would board their coach and that was added to the passenger train. During the tenure of the ninth Nawab, Hamid Ali Khan the railway line was laid in the district. At that time, he had built a separate railway station for his use. It was close to the main railway station.

The Royal Coach full of Luxuries and modern appliance

Interestingly the two railway coaches that have immense historic and antique value today are among the assets sought to be distributed among the progeny of the Raza Ali Khan. These were originally valued at Rs. 117.42 million. However, due to almost no maintenance, the price was halved.

Interestingly, these coaches had so many modern conveniences that even the heads of the state today can’t dream of. The coaches were equipped with 33mm and 16mm cinema projectors, cameras, imported radio transistors, and tape recorders. These provided all the luxuries like Bedding, chair, carburetor pillow, seat, silverware, glass, whiskey, beer bottles, English crockery, large cigarette and cigar box, silver footstep, eagle, silver canteen set, silver hooka, silver bed, sword, and various kinds of guns, etc.

The Nawab family’s properties include 1073 acres of land, mansions, palaces like Khas Bagh, Kothi Benazir, Lakhi Bagh, Kanda, and Nawab Railway Station, and immovable assets like arms, jewelry, etc. The valuables include silverware like six silver beds, 20 silver pandans, six khasdans, and 20 cigar boxes, and four hookas. Former Member of Parliament Begum Nurbano says that when she came to Khas Bagh in 1956 as a bride she slept on a silver bed. Khas Bagh was India’s first air-conditioned palace.

Khas Bagh Palace was the first air-conditioned palace in India.

Khas Bagh Palace, Rampur

The state of Rampur was not only a political state but also a great patron of education, art, and culture. Nawab Yusuf Ali Khan was a friend of knowledge and also gave scholarships to scholars and students. He made Mirza Ghalib his consultant on literary matters and he became a student of Ghalib. He used to send a reasonable amount of money to Mirza as a stipend. In addition, hundreds of poets, including Mirzadagh Dehlavi, were patronized by the Nawabs of Rampur.

The Library

The Nawab of Rampur was a friend of knowledge. The symbol of his friendliness of knowledge is Raza Library which was once the largest library in India and it is still very important today. Thousands of rare books and manuscripts in Urdu, Persian and Turkish languages ​​are available here.

The Nawab of Rampur was also an epicurean. He had a whole army of cooks and chefs. These chefs would spend the whole day preparing high-quality food and experimenting with new flavors. Elders were invited to the Nawabi Dastkhwan. After the dissolution of the state, it became difficult for the Nawab to continue the Dasthar Khan.

The Nawabs of Rampur patronized traditional music at their court. Mehboob Khan was one of the greatest thinkers of the royal court of Rampur state. This tradition was followed by his sons Inayat Hussain Khan and Inayat’s brother-in-law Haider Khan and Mushtaq Hussain. It was here that the Rampur-Sahswan family of Indian classical music was born. Sahswan is in the present Badaun district.

One of the Palaces of rampur Nawab family

After independence, the Nawab family took an active part in politics and Major Nawab Syed Zulfiqar Ali Khan Bahadur was the first from the family to be elected to the Lok Sabha. He was known as Mickey Mian. He was the second son of Nawab Sir Syed Raza Ali Khan Bahadur. In 1984 and 1989, he was elected to the Rampur Lok Sabha seat on a Congress ticket. It is also interesting to note that Mickey Mian represented Rampur in Lok Sabha for a long time but never spoke in the House.

After Mickey Mian, his wife Begum Noor Bano served as Member of Parliament in the 11th and 13th Lok Sabha. She was elected from Rampur on a Congress party ticket. Begum Noor Bano alias Mehtab Zamani Begum was born to Nawab Aminuddin Ahmed Khan who was the last ruling Nawab of Loharo (Bhiwani-Haryana). She was educated at Maharani Gayatri Devi Girls Public School, Jaipur.

She joined the All India Congress Committee in 1992 and was elected to the Lok Sabha in 1996. In the next election, she lost to BJP’s Mukhtar Abbas Naqvi. An aficionado of music and dance, Noor Banu is the patron of the Devi Foundation and the Rampur family. Bano is interested in historical and cultural Persian and Arabic books and research on environment and forest protection. She enjoys reading, painting, gardening, and music and is a member of several sports clubs across the country.

Micky Mian and Noor Bano with their children

Micky Mian and Begum Noor Bano have three children. One of them is Nawabzada Syed Muhammad Kazim Ali Khan Bahadur. He was elected MLA several times and is also a Congress candidate in the current Assembly elections. His son Nawabzada Syed Haider Ali Khan Bahadur is also contesting the Assembly elections 2022.

In the current elections in Uttar Pradesh, the reputation and honour of the Royal family is also at stake. Samajwadi Party veteran Azam Khan, who has been elected an MLA from Rampur city nine times is contesting from inside the jail against his traditional rival from the Royal family Mohammad Kazim Ali Khan. Kazim Khan popularly known by his nickname of Navid Miyan is contesting as a candidate of Congress Party and is hoping to defeat the ‘tainted’ Azam Khan.

Besides, Azam Khan’s son Abdullah Azam is contesting from the Suar constituency where he is pitted against Naveed Mian’s son Hamza Mian.

The Nawab of Rampur

Azam Khan has dominated the politics of Rampur for 42 years. He has also held ministerial positions in the Samajwadi government four times. He has also been Leader of the Opposition and Member of Rajya Sabha. On the other hand, the Nawab family has also a great influence on Rampur. Naveed Mian Sawar has been MLA four times from the Tanda seat. Once he was also elected to Legislative Assembly from Bilaspur and was a minister too.

His father Nawab Zulfiqar Ali Khan alias Miki Mian has been a Member of Parliament five times and his mother Begum Noor Bano has been a Member of Parliament twice. Both the Congress and the SP have given tickets to the members of the Rampur Royal family. This time, Congress has given tickets to former MLA Naveed Mian as well as his son Haider Ali Khan alias Hamza Mian.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / by Ghaus Siwani / February 04th, 2022

Dakhni Urdu rapper Pasha Bhai’s quest for selfhood in Bengaluru

Arts, Culture & Entertainment, Karnataka (under research project), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Bengaluru, KARNATAKA :

Pasha Bhai’s journey from the Muslim ghetto of Neelasandra to the posh clubs of Bengaluru is as much a story about his art as about Dakhni Urdu, the language he consciously chooses to rap in, making it both a quest for selfhood and for his mother tongue’s history.

Pasha Bhai and members of Clan Bokka Phod performing at Bowring Club on May 7.

Bowring Institute, one of Bengaluru’s oldest social clubs, is pulsing with energy. Raftaar, a sensation in the Hindi and Punjabi rap scene, is the marquee act. Warming up the audience before he comes on is a bunch of Bengaluru-based rappers with funky monikers such as MC Truth, Ray, and Quake. Third in line is Pasha Bhai and his Clan Bokka Phod (CBP). On the evening of May 7, Bowring

When his turn comes, Pasha Bhai bounds onto the stage with his trademark energy. His hair cropped short and wearing a loose, full-sleeved T-shirt with baggy trousers that hang low on his waist, he opens with ‘Eid ka Chand’ (The Moon of Eid), one of his popular songs. A rousing cheer goes up from the audience, which is familiar with this number that has garnered more than 45,000 views on YouTube.

When Pasha Bhai sings the lines: “ ” (I’m my father’s spoilt brat/ My heart is like wax, but I have the courage of steel), some of his fans hum along. Pasha raps in street-Dakhni, and he raps at warp speed, which means that many in the crowd cannot grasp the lyrics but they are bound up in the frenzied covenant between singer and audience, which is part of the frantic mood of a rap concert. Even his band’s name is a Dakhni phrase for ‘ball-breakers’. Ladila Bawa Ka, Bigda Huwa Beta/ Moum Ka Dil, Par Jigra Loha Mera

Pasha follows up the first song with a few more popular solo numbers such as ‘Haraanya’n’ and ‘Kumbhakarana’. Then he is joined by his gang, the infamous Ball-Breakers, and they rap to ‘Khuda Gawah’.

Pasha screams ‘I love you Bangalore!’ before getting off the stage after his set. T-shirt soaked in sweat, he chugs down a bottle of water as fans walk up to him to take selfies. While the 23-year-old rapper has performed in several spaces in Bengaluru, being part of the opening act for Raftaar has added to the growing reputation of this savvy singer.
There are some distinct reasons for Pasha Bhai’s success. First, his originality as a lyricist and his intuitive ability to vocalise in Dakhni; second, his moorings in a marginalised social and economic Muslim stratum in Bengaluru that resonates with the ethos of the early Black rappers who emerged from the ghettos of American cities; and third, his conscious use of Dakhni, his mother tongue, which some linguistic scholars argue is a language on its own but which is often dismissed as a dialect of Urdu.

Spoken mainly by Muslims in Karnataka, Telangana, Andhra Pradesh and parts of Tamil Nadu, Dakhni, translated as ‘Deccani’, traces its provenance to the reigns of the Bahmani and Deccan Sultanates between the 14th and 17th centuries whose territories sprawled across the Deccan plateau from the Arabian Sea to the Bay of Bengal. In certain parts of Hyderabad and Bengaluru and across urban centres in south India (except Kerala), Dakhni continues to be the lingua franca of a wide section of the non-Muslim population as well.

Says Bengaluru-based Arjun Sharma a.k.a Quake, the rapper who curated the event: “Pasha Bhai is one of the best thinkers/ writers out there. He’s talking sense and he’s talking reality. People should start understanding Dakhni to listen to him; that’s the only way our language will grow and get recognition. He is the only person representing Dakhni now.”

Pasha Bhai, whose non-rapping name is Mohammed Affan Pasha, has a simple studio, christened ‘Dakhnistan’, on the fourth floor of a nondescript building in the largely Muslim ghetto of Neelasandra in central Bengaluru. To get there, one has to negotiate a maze of narrow, meandering roads dotted with meat stalls, tiny mosques, and food kiosks. Minimally furnished, the most interesting thing in the dingy hangout is a carrom board around which Syed, Demixx, Nimbu Da, Marwan, Shoaib and Maddy of the CBP gang has gathered.

Pasha was born in 1998 and grew up in Neelasandra. “We are the children of rowdies,” he said, referring not to his father, who was an auto-driver and passed away when Pasha was still in school, but to the grimy milieu of violence that engulfed him and his clan members growing up in Neelasandra. Pasha always had an ear for music and as a high schooler he began to listen to American and Indian rappers such as Eminem, 50 Cent, Yo Yo Honey Singh, Raftaar, IKKA and Machas with Attitude.

The Hindi rappers were a tremendous influence on him. Among his greatest inspirations was Mumbai’s Naezy because he “is also a Muslim from the ghettoes of Mumbai”. Pasha began rapping in Hindi at the same time, and the 2019 film about a rapper also had an impact on his nascent career. At this time, Pasha was doing “chhatri kaaman” (petty jobs) for easy money. Having failed in Class 12 and with a floundering love affair to boot, Pasha began working in a garment factory as a helper. His mother worked there too. It took a year of hard work before he realised the importance of education and enrolled himself in evening college. Gully Boy

Amid this tumult, Pasha’s cachet as a rapper was soaring, as he continued to rap in Hindi and began fledgling attempts at rapping in Dakhni. For Pasha, the hip hop and rap culture was alluring because the genre “does not ask you to be anyone but to be real and true to yourself”. Pasha adds that there were “no restrictions while rapping and there is no structure to the music”. Connoisseurs of rap will disagree with this assessment, but Pasha’s confidence only reiterates the intuitiveness with which he has grasped the technicalities of the medium. Pasha says rap gave him the freedom to become a musician without learning music.

He also started a cypher (a gathering of rappers making music extemporaneously) called ‘Wanandaf’ (a shortening of ‘one and a half’) in 2019, the name inspired by the refrain of Bengaluru auto-drivers demanding an inflated fare. Held weekly in open spaces such as Cubbon Park and Lalbagh, Wanandaf attracted budding rappers, hip hop artists, beat boxers and graffiti artists before the pandemic stepped in. Part of why Pasha began Wanandaf was to democratise hip hop in India.

“Hip hop is owned by marginalised African Americans, but when it came to India it was acquired by the elite. It was a closed group of artists and I couldn’t enter its exclusive space. When we’d go to rap concerts wearing slippers, we weren’t allowed in. It made me hate the culture of rap music,” Pasha said. But by 2019, Pasha had surmounted these class barriers and become a respected member of a network of fellow rappers who appreciated him for his ingenuity, which led to creative collaborations and caught the attention of aficionados. Counting singles and collaborations, Pasha has made almost 30 songs so far. He was also a sought-after act during the anti-CAA (Citizenship [Amendment] Act) protests in Bengaluru.

Pasha is India’s first rapper in Dakhni, and this was not accidental. When he “did not find a representation of his language in the rap industry”, he consciously chose to rap in Dakhni and the exercise has turned into a quest to know more about his mother tongue. “As a child I would proudly speak Dakhni even though it was mocked and patronisingly referred to as ‘Broken Urdu’. I was ignorant that the dialect had a name, unaware of its origins, history or associations. Like others around me, I grew up calling it ‘Bangalori Urdu’. As I researched further, I realised that Dakhni has always been under threat of being erased, misnamed or compelled to become a ‘dialect’ of a larger language and cultural group. The legacy of Dakhni poets and artists has been one fraught with constant struggle to keep Dakhni-ness alive.”

Hyderabad-based journalist and researcher Yunus Lasania argues that it is wrong to describe Dakhni as ‘Urdu’ or ‘Hyderabad Hindi’. “Dakhni (or Deccani) is usually mistaken to be a ‘dialect’ of Urdu, especially among northern Urdu speakers. Both Dakhni and Urdu have roots in Dehalvi (also known as ‘Old Urdu’), which existed in Delhi for around a century before it reached the Deccan in the 14th century through the conquests of Mohammed Tughlaq. Dakhni is a mix of Persian, Old Urdu (Dehalvi), Kannada, Marathi and Telugu. It was created when Dehalvi mixed with the three aforementioned languages,” he said.

Karthik Malli, an independent researcher and writer working on south Indian language histories, said, “Dakhni has, in all likeliness, been part of Bengaluru’s social landscape for many centuries now. Numerous Sufi shrines in Chickpet dating back to the 1700s catered to local Dakhni-speaking Muslims. Tipu Sultan [who was born in Devanahalli on the outskirts of modern Bengaluru] was a Dakhni speaker as well, and even commissioned literary works in the Classical Dakhni register cultivated earlier in Bijapur and Golkonda.”

Malli added, “Despite Dakhni’s presence and history in the city, it has seldom found any serious artistic expression. Digital media is helping change that by giving voice to artists like actor and comedian Danish Sait who utilises Dakhni to great effect in his highly popular comedic skits. Sarah Fazal, an RJ, also makes Dakhni skits on Instagram. There are also a number of social media meme pages that utilise Bangalore Dakhni, directly addressing a large local audience that uses the language in everyday life.” Pasha’s name must be added to this short list as someone who is furthering Dakhni in popular culture through rap.

India Foundation for the Arts (IFA) has awarded Pasha a grant for his project titled “ ”, which seeks to “keep Dakhni language and culture alive through the art practice of rap and hip hop”. Said Sumana Chandrashekar of IFA, “With the privileging of certain cultures to the exclusion of many others, there is always the danger of losing sight of the rich multi-textured nature of experiences, narratives, people and languages that collectively form the fabric of this city. From this point of view, IFA is delighted to implement a project with Pasha to explore and engage with Dakhni expressions in Bengaluru’s popular culture. What is special about this project is that it embraces and embodies Pasha’s deeply personal lived experiences with Dakhni and moves on to excavate the deep cultural bond that this language has with the city. For us, the project is not just a celebration of Dakhni as a language but also a reaffirmation of the many cultures, histories and languages that make our city ” Apnich Bol, Dakhnich Bolnamma Bengaluru.

With his rising popularity and the support of respectable patrons such as IFA, Pasha has made the leap from Neelasandra to exclusive music spaces in the city. Looking at his talent and verve, his journey so far seems like the first chapter of a long book. This cocky segment in the collaborative rap piece ‘56’ illustrates his persona and talent more clearly:Pasha bhi aako hin dekho sabbi jane khamush rhao,Gunna ginne scene ni scene huit’ long uthao,Tada dek’ tadpatin kisse to b uska taaluk rhaoChillar’an ku baazu b ni rakhte, chalo baazuk’ jao.

(Pasha bhai has arrived, everybody pipe down!

A scene breaking out, brandish your swords, strictly

no guns

You’re going to get it good – doesn’t matter who you

know,

Now move, you’re loose change, not worth my time,

now go!)

—Translated by Sahar Adil

Street smart

First rapper in Dakhni

source: http://www.frontline.thehindu.com / The Hindu / Home> Lead Story> Cover Story : Pasha Bhai / by Vikhar Ahmed Sayeed / May 17th, 2022

Two VB Journalists among 21 honored with Kasaragod Kannada Journalist’s Association awards

Arts, Culture & Entertainment, Karnataka (under research project), , , , , , , , , ,

Kasargod, KERALA :

Satyavati, Ismail

Mangaluru: 

The Kasaragod District Kannada Journalists’ Welfare Association has announced the recipients of its annual Endowment Fund Awards. This year, 21 journalists have been selected for recognition, including Vartha Bharathi Mangaluru Bureau’s senior reporter Satyavati, and Kodagu special correspondent Kandakere Ismail Kodagu.

The award ceremony will take place on May 3 at the Seethangoli Alliance Hall in Kasaragod district. Each endowment award comprises a cash prize, an award certificate, and a memento.

The names of the awardees according to a press release issued by the association are as follows,

Satyavati will be honoured with the Lawyer Muhammad Ibrahim Pare Memorial Award, while Kandakere Ismail Kodagu will receive the Mogarodi Gopalakrishna Melanta Endowment Award. Srinivasa Jokatte from Mumbai, who will receive the Brahmakya Edneer Sri Keshavananda Bharathi Swamiji Memorial Award, and Ganesh Kasaragodu, who will be awarded the Journalist Ravi Belagere Memorial Endowment Award.

Srinivasa Nayak Indaje will be awarded with the Avva Trust Hubballi Endowment, Mallikarjuna Reddy Gondi of Belagavi with Retired senior IAS officer Dr. C. Somashekara Endowment, N. Ravikumar with Hawva Hasan Foundation Kudkoli Endowment, Nagaraja Y. Koppala with Non-resident businessman and art patron Joseph Mathias Dubai Endowment, Iswara Alevoor from Mumbai with KVR Tagore Memorial Award, and Muhammad Ansar Inoli with Freedom Fighter and Former Minister Bhimanna Khandre Endowment.

Others receiving awards include C.J. Puneeth of Mysuru (Economist Sudhir Kumar Shetty Enmakaje Endowment), Venu Vinod of Mangaluru (Somanna Bevinamarad Endowment), Maulana Saab Bidar (Kuluru Kanyana Sadashiva Shetty Endowment), Steven Rego of Mangaluru (Mahabaleshwar Bhat Edakkana Endowment), and KG Nagalakshmi Bai of Bengaluru (Sivashankar Nekraje Endowment).

Also recognized are Iqbal Kuthar (James Mendonsa Endowment), Rama Ajekar (Ashraf Shah Manthur Endowment), Ganesh Kasaragod (KWJ State Committee Endowment), Bhaskar K. Kasaragod (KWJ State Committee Endowment), Ajith Swarga (KWJ Endowment), and Mattikere Jayaram of Mandya, who will be awarded the K.K. Shetty Kuttikar Endowment.

The Kasaragod District Kannada Journalists’ Welfare Association, active for over two decades, works in collaboration with pro-Kannada organizations to promote and preserve Kannada language, culture, and art. The association also acts as a cultural bridge between Kannada and Malayalam-speaking journalists.

The May 3 ceremony will be chaired by the reception committee head K.K. Shetty Kuttikar.

The event will be graced by dignitaries including Karnataka Legislative Council Speaker Basavaraj Horatti, Agriculture Minister Chaluvaraya Swamy, Forest Minister Eshwara Khandre, Karnataka Border Area Development Authority Chairman Somanna Bevinamarada, Chief Minister’s Media Advisor K.V. Prabhakar, Karnataka Working Journalists’ Association President Shivananda Tagadoor, and Kasaragod District Kannada Development Authority President Ravi Naikap, read an official statement.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karavali / by Vartha Bharati / April 22nd, 2025

Sarkhej Roza: A cultural and architectural gem, an oasis of calm

Amazing Feats, Arts, Culture & Entertainment, Royal Families, PreIndependence -Descendants (wef. Jan 02nd,2022), Travel & Tourism, World Opinion, , , , , , , , , , , , , , , , , , , , , ,

Ahmedabad, GUJARAT :

Built in the 15th century, Sarkhej Roza on the outskirts of Ahmedabad holds many different worlds within its vast expanse.

The site comprises a mosque, tombs as well as mausoleums, palaces, pavilions, and noble houses (Express/Bhupendra Rana)

As the sun begins setting behind the domes, the rays filter through the stone filigree splashing a gold hue in the vast compound. The devout makes their way to the vast mosque for the evening prayers; in another corner, a seeker sits in the enclosure housing a tomb, lost in a world of her own. Under the baradari, a weary traveller takes a nap; at the dried-up reservoir beyond the mosque, children play a game of cricket.

Built in the 15th century, Sarkhej Roza on the outskirts of Ahmedabad holds many different worlds within its vast expanse. The monument complex stands as a testament to Gujarat’s rich cultural and architectural heritage.

The site comprises a mosque, tombs of sheikhs, sultans, and the royal family, as well as mausoleums, palaces, pavilions, and noble houses. At its heart lies the famous Ahmed-Sar Tank, a man-made lake excavated in the 15th century by Sultan Mehmud Begada, the great-grandson of Sultan Ahmed Shah, who founded Ahmedabad in 1411.

A protected monument, Sarkhej Roza falls under the Archaeological Survey of India (ASI) and the Sarkhej Roza Committee. Built in a village of indigo dyers and weavers, the monument, said to have been built by Ahmed Shah’s successor and son, Muhammad Shah II, became the repose of the mid-15th century Saint Shaikh Ahmad Ganj Baksh Khattu, one of the four Ahmads who laid the foundation of Ahmedabad in 1411 AD. Following his death in 1446 AD, Sultan Muhammad Shah II commissioned an exquisite tomb and mosque in his memory, which were later completed by his son and successor, Sultan Qutbuddin Ahmad Shah II, between 1451 and 1458 AD. Over time, Sarkhej Roza became a favoured retreat for Gujarat’s sultans and eventually evolved into a Sufi town with the addition of palaces, gardens, pavilions, royal tombs, grand gateways, and a vast artificial lake spanning 17 acres.

Historians and architectural experts consider Sarkhej Roza a unique and unparalleled collection of historical buildings. Its Indo-Saracenic architecture seamlessly blends elements of Hindu, Jain, and Islamic design, creating a masterpiece.

Among the mausoleums of Agra and Gujarat, Sarkhej Roza is believed to be the largest architectural complex of its kind. The site holds deep spiritual significance for both Hindus and Muslims, attracting visitors from all walks of life.

The intricate jali work on the outer and inner walls showcases beautiful geometric patterns, while the exquisite craftsmanship in brass, silver, and enamel enhances its aesthetic appeal. Sultan Mahmud Begada, known for his bravery and vision, decorated the structure in such a way that many believe it contributed to Ahmedabad’s recognition as a Unesco World Heritage City, although it is some 10 km from the walled city that got the tag in 2017.

Beyond its architectural splendour, Sarkhej Roza is home to priceless historical artefacts, including coins from the Sultanate period of Gujarat. The monument also houses incomplete yet beautifully handwritten copies of the Quran, a manuscript of Hidaya, and a printed Quran with Persian and Urdu translations. Additionally, an old handwritten copy of the Quran, completed in 1649 in the elegant Naskh script, remains one of the site’s treasured possessions.

Over the years, Sarkhej Roza has hosted several prominent events and dignitaries. On World Heritage Day (November 18, 2010), the complex welcomed Prime Minister Narendra Modi, who was then Gujarat chief minister.

Last month, during a Sufi event in New Delhi, PM Modi recalled how he had restored Sarkhej Roza when he was the Gujarat CM. “When I was the CM, a lot of work was done on its (Sarkhej Roza) restoration and very few people would know that there was a time when Krishna Utsav was celebrated with great pomp and show in Sarkhej Roza…,” Modi said.

Other notable visitors include the Iran embassy’s Khawaja Piri (August 8, 2006), Bollywood legend Amitabh Bachchan (January 26, 2014), and poet-lyricist Javed Akhtar (December 2, 2010).

A few scenes of Shah Rukh Khan-starrer Raees (2016) were also shot here.

Subamiya Akberali Kadri, a retired national union leader in the banking industry, has been visiting the dargah at Sarkhej Roza since 1974. He said, “Over the years, I have actively participated in various events. One memorable occasion was when a Sufi disciple from the Rumi Sufi Academy in San Francisco performed a Sufi dance. That day, I delivered a speech on Sufism.”

During the holy month of Ramzan, Sarkhej Roza transforms into a vibrant hub of community gathering with people assembling here for evening prayers and iftar, sharing meals as a gesture of unity and harmony.

Bhavna Ramrakhiani, founder of Sarkhej Roza Crafts and Saanjhi Virasat, a community promoting diversity and heritage, said, “People are not permitted to live inside the monument except during the last 10 days of Ramzan when devotees stay inside the mosque for prayers.”

On other days, Sarkhej Roza remains a favoured destination for school trips, vacations, picnics, and family outings – and an occasional seeker looking for solace.

source: http://www.indianexpress.com / The Indian Express / Home> News> India / by Sande Gona (an intern with The Indian Express, Ahmedabad / with inputs from ENS, New Delhi / Ahmedabad, April 19th, 2025.

Saifi Sironji: A versatile litterateur

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Pigrani Kheda Village (Sironj – Vidisha District) , MADHYA PRADESH :

Saifi Sironji has been actively vibrant in the literary horizon of Urdu literature for last umpteen years. In the fields of criticism, research, journalism and poetry Saifi Sironji’s dedicated services are worth to be noted. Saifi Sironji was born in 1953 in Pigrani Mahu Kheda village of Sironj MP.

He has spent his entire childhood in his native village and was much attracted towards Bollywood movies right from his early childhood. His forefathers were from Gadhi clan who actually occupied higher ranks in the army of King Mahmud Ghori.

People of Gadhi clan (Rajputs) had reverted to Islam after losing the battle against Prithvi Raj Chouhan. Bravery, hard work and hospitality is the hallmark of Gadhi clan. People of Gadhi clan were almost illiterate and mostly were associated with rearing of cattle.

At the age of six Saifi Sironji’s grandfather sent him to a Madrassa to memorize the glorious Quran. After memorising some Parahs (juzz/ chapters) of holy Quran, he left the Madrasa only to waste time in watching movies and listening to songs. His passion of listening to songs compelled him to work in a Bidi manufacturing factory where the sound of Radio always pleased him.

This Bidi manufacturing unit belonged to famous poet Dilkash Sagri. In this unit, regular literary and poetic events were held in which prominent poets and litterateurs from all over India would participate. Maximum participants among the audience were unlettered but still they remembered hundreds of poetic couplets.

He too used to read the magazine and journals of Urdu which were meant for Dilkash Sagri viz Kitaab, Shabkhoon, Subah Adab and Shaayir. After going through these books of literature, Saifi Sironji also developed an interest in poetry thus went ahead to compose poetic couplets. Once an all India naatiya mushaira was organised which he too attended and it was his maiden participation in a literary event.

In Bidi manufacturing unit, apart from traditional job he would read some novels of Naseem Hijazi eg, Akhri Maurka Akhri Chatan, Dastani Mujahid, Yousuf Bin Tashkin, Shaheen and Aur Talwar Toot Gayi etc during literary functions. In Bidi manufacturing unit once he thoroughly read Sadiq Sarhandi’s famous novel Aftabi Alam.

He was so impressed by this masterpiece that he composed a 70 lined poem depicting the life of companions of Prophet Muhammad (SAW). Later on he composed some naats which were recited during Milad-un-Nabi during 1970s. With this his poetic items started getting published and in Jarayim for years his Ghazals and Naats were regularly published.

The experience of novel reading during literary events helped him in composing stories also and in high-impact Urdu magazines like Roshni Adab, Filmi Sitare, Tamir, Khatooni Mashriq his stories were given due recognition. When a treasure of books accumulated at his home, he opened a book shop near Nishat Talkies where apart from books, newspapers and magazines too were sold. At his shop then poets assembled all day and night prominent among them were Ismail Zabihi, Talib Irfani, Zia Asadi and Dr Shahid Mir who would recite their poetic items. Saifi would recite five ghazals each day as he was much passionate.

During the times Saifi received his education most of his Gadhi counterparts were almost illiterate and would keep themselves attached to religious literature only. That is why nowadays we see hundreds of Hufaz among the Gadhi clan. Saifi’s real name is Ramzani because he is born on 13th of Ramzan and Saifi is his pen name.

His literary items are presently being published in national and international dailies, weeklies and high-impact Urdu magzines and journals viz Awraq, Makalma, Nigaar, Badban, Kagzi Parahan, Adab Latif, Tashkil, Sadaa, Parwaz,Chaharsu, Takhliq, Roshnayi, Safir Urdu, Nadaib, Jung, Jadid Adab, Hamara Adab Sahil, Suraj etc.

In hundreds of Indian Urdu dailies his writings get featured. In 1969 his first writing got published and till date his creative items are continuously being published in popular dailies, weeklies and monthlies on regular basis. His first poetry collection Roshan Alaw was published in 1985 through the financial aid of MP Urdu academy.

So far Saifi Sironji has published 75 books of different genres. Among them Saifi Sironji Shakhsiyat aur Fun was immensely hailed by the literary world. It is a 500 page compilation in which the author has mentioned the factual and real events of his life. He has left no room for the fabricated and fake information in the book.

Which is the main reason behind the success and popularity of this book alongside the comprehensive language used by Saifi. Saifi Sironji has also written a masterpiece travelogue Sironj se London Tak which was widely hailed by the literary world. About this travelogue famous critic of Pakistan Anwar Sadeed has said “this travelogue is so beautifully written that it has been read by 50 litterateurs and the travelogue is still a travel”.

Writers from Canada and London liked it profoundly. These two books of saifi Sironji were hugely loved by the readers. He has written editorials about Afsana, Novel, Urdu nazm and ghazal for about four years in Intisab Alami which later were published as a collection. Contemporary scholars get benefitted from his writings after they go through them. Although he has written umpteen books on criticism and research but he lacks an interest in research.

While writing regular editorials in Intisab Alami, people themselves have labelled him as a researcher and critic and his poetry has got somehow wrapped. Initially, he has written a good number of short stories also and two of his collections viz Hum Reh Gaye Akele and Ye Zindagi Ke Malei have already seen the light of the day.

When asked about who impressed you most, Saifi Sironji replies “Except Dr Gopichand Narang none has been able to impress me most”. It is through Gopichand Narang’s writings and speeches that Saifi Sironji has reached the level of apex. That is why Saifi Sironji has issued special numbers on Gopichand Narang in both Intisab Alami and Alami Zuban besides composing two books which were recieved with love by the literary world. Saifi Sironji has deep affection with Urdu and infact he doesn’t has a strong hold on any other language. Let’s see his one couplet… Pehli kitab jis ne na dekhi tamam umar, Qudrat Khuda ki sahibi adrak ho gaya.

Saifi Sironji’s dedicated services for Urdu can be accessed from his twin magazines Intisab Alami and Alami Zuban which are regularly published from Sironj MP since 1983. He has issued special numbers on legendary litterateurs viz Bashir Badar, Zafar Gorakhpori, Nida Fazili, Hamidi Kashmiri, Hafiz Karnataki etc in these magzines.

One research scholar has completed his PhD on literary services of Intisab Alami as well. Saifi Sironji feels dejected and disappointed about diminishing number of Urdu readers. He is of the opinion that Urdu is a big gift from Allah which after English is the only global language spoken by wide range of people.

Very fewer people now buy magazines and journals of Urdu which is displeasing. Saifi sites an example of teen aged girl Stuti Agarwal who is a regular subscriber of 30 Urdu magazines. She not only buys them but also reads them and her creative items get regularly published in these magazines. So was her father Anil Agarwal who always purchased books even from his friends. About Urdu language saifi Sironji has composed this couplet…. Tum apne uhad ka wirsa tu kho chuke ho tamam,Jo Bach sake tu ye Urdu zuban rakh lena.

Saifi Sironji has widely toured to outside country. He has attended international seminars in UK for five years and sold hundreds of copies of Intisab Alami there. He also went to Saudi Arabia, America, Holland, Germany and Pakistan to meet litterateurs and poets of international repute. His passion for poetry is reflected from the fact that, to buy a book of Dr Wazir Agha “Urdu shayri ka Mizaj” Saifi Sironji worked continuously for three days and three nights to meet the cost of the book which was merely 75 rupees.

Poets aren’t merely the players who play with the words, but emotions, pains and societal wrongs are reflected in their poetry. Saifi Sironji is an excellent and skilful poet who doesn’t immitat and follow any other, but he is bestowed with a unique style of composing poetry which is widely applauded by the readers. His journey from his childhood to an author of 75 books is really an amazing one.

(The author hails from Qazigund south Kashmir)

source: http://www.kashmirvision.in / Kashmir Vision / Home> KV News / by Rayees Ahmed Kumar / October 11th, 2023