Category Archives: Community Involvement / Social Issues

In Kolkata, history builds bridges between communities

Kolkata, WEST BENGAL :

Sabir Ahamed leading a KYN walk. Photo: Special Arrangement

Neighbourhood walks resume after pandemic to promote communal harmony

While history has turned out to be a source of confrontation in some parts of the country, with the Taj Mahal and the Gyanvapi mosque once again in the news for the wrong reasons, history is building bonds between communities in Kolkata.

A social experiment called ‘Know Your Neighbourhood’ or KYN, which began in 2016, has returned after a pandemic-forced gap of two years, and is once again using history — through neighbourhood walks — to dispel apprehensions and promote communal harmony in West Bengal.

The next walk is in June, and the one held most recently — on April 23, during Ramzan — had led to the 1784-built Niyamatullah Ghat Masjid in north Kolkata. The mosque visit was held under what KYN organisers call Dosti-ki-Iftar, which has Muslims and non-Muslims breaking bread together, and saw about 150 participants, several of them non-Muslim women who were allowed into its premises for the first time.

“The idea came to me in 2015, when communal violence was taking place in parts of West Bengal — in Barasat, in Naihati. Rumours were being spread and there were cases of lynching. That’s when we realised that there was inadequate information and adequate misinformation about Muslims. KYN is an attempt to bridge the gap between communities using dialogue as a tool,” Sabir Ahamed, national research coordinator with the Pratichi Trust, and the convenor of KYN, told The Hindu.

“Neighbourhood walks in an important tool of dialogue because even though we share the same geography and live in the same city, we do not go to each other’s neighbourhoods or bother to find out about each other’s customs. Hatred breeds in this atmosphere of ignorance. Today, KYN has become a popular campaign, aiming to tackle religious prejudices and dismantle stereotypes,” Mr. Ahamed said.

The initiative, according to him, has succeeded in breaking new ground. During one of the walks, non-Muslim women climbed to the top of a minaret of the famous Nakhoda mosque for a majestic view of old Kolkata. Participants also discovered that water from the Hooghly river is used for ablutions before the offering of prayers at the mosque.

“Many young people admitted — after our events — that they harboured hatred because of misinformation and that they had changed their minds. A young lady told us that she never got into a cab if she found the driver to be a Muslim. Many students often refuse field surveys in Kidderpore (a locality with a large population of Muslims) because they fear something might happen to them, many believe that all you see in Muslim neighbourhoods is green flags — we need these ideas to change,” Mr. Ahamed said.

“That’s why we would like to work with colleges and univarsities to bring about a lasting change in the way we know each other. We are working with Presidency University and other colleges,” he said.

Samata Biswas, who teaches English at the Sanskrit College and University, said of her experience at recent walks in Kidderpore and in Taltala: “They reminded us of the confluence of faiths, cultures and people that has created modern Calcutta. From the Tamil church at Kidderpore to the historic Calcutta Madrassa which is older than both Presidency and my own institution — this aspect of Bengal’s history is often forgotten, the one that has Anglo-Indians, Jews, Parsis, Muslims, Tamils and Afghans living and working together in Calcutta.”

She added: “The trip to Baker Hostel, where Sheikh Mujibur Rahman was a resident, reminded me of the shared history of the two Bengals and Calcutta’s contribution to Bangladesh’s Liberation War. These are stories we seldom hear — stories that remind us that Calcutta is not merely for and by the Bengali bhadralok (elite), and that it has accommodated multiple cultures, institutions, cuisines and religious beliefs.”

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kolkata / by Bishwanath Ghosh / Kolkata – May 14th, 2022

Danish Siddiqui, three other Reuters photographers win Pulitzers for images of India’s Covid crisis

NEW DELHI / JAMMU & KASHMIR / INDIA

The late Siddiqui, Adnan Abidi, Sanna Irshad Mattoo and Amit Dave won the prestigious prize for feature photography.

Reuters photographers Adnan Abidi, Sanna Irshad Mattoo, Amit Dave and Danish Siddiqui. | The Pulitzer Prizes

Reuters photographers Adnan Abidi, Sanna Irshad Mattoo, Amit Dave and the late Danish Siddiqui won the 2022 Pulitzer Prize for feature photography on Monday for their coverage of the coronavirus crisis in India.

Siddiqui, 38, was killed while covering a clash between Afghan security forces and Taliban fighters near a border crossing between Afghanistan and Pakistan on July 16.

The jury said that the prize was awarded to the four photographers for their images of the crisis that “balanced intimacy and devastation, while offering viewers a heightened sense of place”.

This is Abidi’s third Pulitzer. Siddiqui had also won the prize before, in 2018.

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Reuters Editor-in-Chief Alessandra Galloni said that the world was “jolted awake” to the scale of India’s Covid-19 outbreak after the news agency’s photographers documented it.

“To have Danish’s incredible work honoured in this way is a tribute to the enduring mark he has left on the world of photojournalism,” Galloni said in a statement.

A mass cremation of victims who died due to the coronavirus disease is seen at a crematorium ground in New Delhi on April 22, 2021. Reuters/Danish Siddiqui

While Abidi is based in New Delhi, Mattoo is a photographer from Kashmir. Dave is based in Ahmedabad, from where he covers local and national news assignments for Reuters.

The body of a person, who died from the coronavirus disease, lies on a funeral pyre during a mass cremation at a crematorium in New Delhi on May 1, 2021. Reuters/Adnan Abidi

Family members embrace while wearing personal protective equipment as they mourn a male relative, who died from the coronavirus disease, during his cremation ceremony in New Delhi on April 21, 2021. Reuters/Adnan Abidi

Other winners

The New York Times won three Pulitzer Prizes and was named as a finalist in five other categories on Monday.

The Washington Post won the award in the public service category for its “compellingly told and vividly presented” account of the attack on Capitol Hill in Washington on January 6, 2021.

The journalists of Ukraine were also awarded a special citation for their coverage of the Russian invasion.

American journalists Corey G Johnson, Rebecca Woolington and Eli Murray of the Tampa Bay Times were awarded the Pulitzer for their investigative reporting.

The three had exposed highly toxic hazards inside Florida’s only battery recycling plant that forced the implementation of safety measures to adequately protect workers and nearby residents.

Novelist Joshua Cohen was awarded the Pulitzer in the fiction category for his book The Netanyahus. The book is based on the life of Benzion Netanyahu, the father of former Israeli prime minister Benjamin Netanyahu.

The Pulitzer Prize in music was awarded to Raven Chacon for his composition Voiceless Mass.

See the full list of winners here.

source: http://www.scroll.in / Scroll.in / Home> Latest> Media Matters / by Scroll Staff / May 10th, 2022

Telangana: Masiullah Khan takes charge as Waqf board chairman

Hyderabad, TELANGANA :

Telangana: Masiullah Khan takes charge as Waqf board chairman
Masiullah Khan( Photo: Twitter)

Hyderabad:

Masiullah Khan on Saturday took charge as the chairman of the Telangana Waqf board for a period of five years.

Speaking of Khan’s appointment as chairman, the waqf board CEO Shahnawaz Qasim said, “Of the 10 board members, eight were present at the election.”

The election took place at the Haj House in Nampally. The government had appointed district magistrate L Sharman as the Election Officer for conducting and overlooking the process of the election process for the board.

AIMIM MP Assaduddin Owaisi, MLC Farooq Hussain, MLA Kausar Mohiuddin, Member of Telangana Bar council M Zakeer Hussain Javid, Sayed Akbar Nizamuddin Hussaini, and Abdul Fateh Syed Bandagi Badesha Quadri are members that have been elected to the board.

Additionally, the government decided to nominate four members of various categories to the board.

Mohammed Masiullah Khan, Sayed Nisaar Hussain (Shia scholar, also known as Hyder Agha), Malik Mohtashim Khan (Sunni Scholar), and Shaikh Yasmin Basha (Government Nominee) have been nominated as members of the board.

source: http://www.siasat.com / The Siasat Daily / Home> News Desk / posted by Mohammed Baleegh / May 07th, 2022

Relevant and potent, Naseem is our regional recco this week

INDIA :

The film takes a subtler and restrained turn on the wake of a communal violence surrounding the demolition of the Babri Masjid

A still from the film Naseem
Sourced by the correspondent

Consider these film titles. Albert Pinto Ko Gussa Kyun Aata HaiSalim Langde Pe Mat RoMohan Joshi Hazir Ho! Arvind Desai Ki Ajeeb Dastaan. Each of them catchy and original. All these titles share a common thread. They are directed by Saaed Akhtar Mirza, one of the most important chroniclers of Indian parallel cinema. Perhaps, it is this fascination with titles that leads to his final film Naseem that released in 1995, which opens with the eponymous protagonist (debutante Mayuri Kango) asking what her name means, in a way addressing the audience’s curiosity as well. It means the morning breeze, her grandfather (played by the late poet Kaifi Azmi) says. The same scene reveals itself again, towards the final act. What blends so beautifully here is how a director meets the needs of character and the audience with disarming ease, through his most succinctly titled directorial, given most of his feature film titles are so iconic.

Naseem, which earned Mirza National Awards for Direction and Screenplay, takes a subtler and restrained turn on the wake of a communal violence surrounding the demolition of the Babri Masjid. Unfolding in 1992, it tells the story of teenager Naseem as she faces the contrast between two different Indias — one that she imagines from the stories recounted by her bedridden grandfather and the other surrounding her in the present with constant threats. As Naseem makes her way through the increasingly intolerant nation that surrounds her, she becomes a thread that connects both the past and present worlds.

Surekha Sikri and Kulbhushan Kharbanda play her anxious parents, slowly processing the changes, fearing for their daughter’s future more than theirs. Mirza paints Naseem with a stubborn paletteof bright colours, collectively letting the audience see the world through his protagonist. For Naseem, whose life revolves in getting good grades in school and helping her mother with household work, nothing else really matters. When a normal working day at school is cut short due to the growing curfew, Naseem goes to catch a Shah Rukh Khan movie with her classmates. At the local shop she befriends the wife of the Hindu shopkeeper, but her friendship is tested as time goes by. She notices it too but does not let it affect her.

This unaffected sense of teenage naivete is what drives the narrative forward. Mirza provides his happy-go-lucky protagonist with a constant sense of wonder and awe. Naseem teaches her classmates how to whistle. Her bargaining power with the local vegetable seller is a winner. Yet, in all these innocent moments, there are echoes of chaos and commotion. Naseem reads the newspaper for her grandfather, “There is tension in Faizabad. Muslim families are leaving….” She is told to stop. Truth is at a distance, yet threatening to break through the morning breeze in all its delirium.

In a brilliantly scripted scene, her grandfather recounts an incident from the time Indians were fighting for independence from the British. Naseem’s mother complains that she never heard this version. So he revisits the same story but with a different perspective. This is Mirza’s plea of recognising stories as part of history, not to be defined only as an amalgamation of facts and important figures. Real people lived too, and howsoever small, their accounts of defiance are part of the same shared history. “Hum bhi toh thhe,” insists her grandfather. Kaifi Azmi’s presence in the film is particularly important. He composed Doosra vanvaas right after the Babri masjid massacre took place.

Mirza had described Naseem as, “the epitaph of my dream of India that I wanted to see”. There is a silently overpowering dichotomy in Naseem, between innocence and ignorance, between restlessness and resilience. Naseem captures Mirza nurturing a seed of hope in a ground that breeds hate and violence. The dream that Mirza builds in Naseem is constantly charged with the fear of waking up to the frightening reality. At the end, it is a requirement. It is an inevitability.

source: http://www.telegraphindia.com / The Telegraph Online / Home> Entertainment / by Santanu Das (t2 Intern) / April 19th, 2022

Meet Mohammed Azmat, Powerlifter With 295 KG Record, Gives Dignified Burial To COVID-19 Victims

Bengaluru, KARNATAKA :

Highlights

  • He said he has rostered himself for this work on Saturdays and Sundays.
  • The deaths due to COVID are rising but that has not scared the powerlifter.
  • Azmat has transported more than 15 bodies and performed the last rites.

There is so much confusion and fear around the COVID-19 pandemic and it has reached a point where even family members are afraid and reluctant to accept the bodies of those dying of the infection and give them a proper burial.

In the past few months, we have heard any number of stories where bodies of COVID-19 victims were disrespected by families and civic authorities due to the stigma around it.

BCCL

But, in Bengaluru, a man doing his bit by ensuring that COVID-19 victims are given a proper burial.

42-year-old Mohammed Azmat doesn’t look like an average man for five feet and eight inches – he looks like a mountain of a man!

That is because he is a champion powerlifter, who set a record with a deadlift of 295 kg in an international powerlifting championship two years ago

PTI

But these days, the programme manager in DXC Technology, an IT firm is spending much of his time carrying bodies of COVID-19 victims and giving them proper last rites.

He said he has rostered himself for this work on Saturdays and Sundays.

PTI

“I was part of the drive for relief work during the lockdown and when I saw people dying in huge numbers in July, I decided to associate myself with the Mercy Mission,” Azmat told PTI.

The challenge those at Mercy Mission face is that the last rites is a time-consuming process, right from the procedures involved at the hospital and at burial grounds.

Besides, volunteers also have to confront protests, which further delays the procedure.

PTI

The deaths due to COVID are rising but that has not scared the powerlifter.

“Death is certain, so there is no need to be bothered much about it. But I do take the utmost precautions, which is multi-layered because I too have a family,” Azmat said.

Speaking about his experience, the champion powerlifter said “The pain I experience while carrying the body of someone who has died due to coronavirus can’t be explained.”

PTI

Since he joined two co-workers to carry the senior man to the Christian burial ground, Azmat has transported more than 15 bodies and performed the last rites.

source: http://www.indiatimes.com / India Times / Home> News> India / by Bobins Abraham / July 29th, 2020

Jamia Markaz student grabs International Quran Award

Kozhikode, KERALA :

Hafiz Zainul Abid

Kozhikode:

Hafiz Zainul Abid, a student of Jamia Markaz, Kozhikode has won the 6th rank in Dubai international Holy Qur’an Award.

The silver jubilee contest was presided over by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Ruler of Dubai, where Hafiz Zainul Abid represented India from Kerala. He is the disciple of Sheikh Aboobakar Ahmed in Kozhikode Jamia Markaz studying Shariah and BA English.

Contestants from 65 countries worldwide have participated in the event, which started on 3rd April 2022. The contest is the largest Qur’an award in its kind in the world providing the biggest cash prize to the winners; 2.5 lakh dirhams to the first prize winner. Zainul Abid, only one contestant represented India won 6th Rank bagged 55,000 dirhams as cash prize along with certificates. .

Mr. Abid also participated in various international contests including the Tanzania international Holy Qur’an Award last year.

source: http://www.muslimmirror.com / Muslim Mirror / Home> Education> Postitive Story / by Muslim Mirror Network / April 29th, 2022

Mangaluru: Gulbarga University to confer honorary doctorate on Yenepoya Abdulla Kunhi

Mangaluru, KARNATAKA :

Gulbarga University has selected Yenepoya Abdulla Kunhi, chancellor of Yenepoya University, managing director of Yenepoya Group of Institutes and social and religious leader for an honorary doctorate.

The 39th and 40th convocation of the university will be held together and three people each have been selected for honorary doctorate. The honorary doctorate on Yenepoya Abdulla Kunhi will be conferred on the 40th convocation considering his immense achievements in the educational sector.

He has served as the trustee of Islamic Academy of Education, promoter of the Centre for Development Studies, president of Yenepoya Moidin Kunhi Memorial Educational and Charitable Trust, president of Malja-Ul-Islam English medium school, vice president of Badria Educational Institute, president of Takwa Open university, trustee of P A Education trust, president of Yenepoya Institute of Medical Sciences, partner in Moidin Kunhi and Company, managing director of Canara Wood and Plywood Industries, trustee of Yenepoya Saw Mills, convener of Yenepoya Vineers, partner in Yenepoya Transport company, partner in Yenepoya hotels, partner in Yenepoya Builders and Developers, president of Yenepoya Energy Private Limited and SLV Power Private Limited, chief promoter of Yenepoya Football Club, vice president of Islamic Trust, president of Malja-Ul-Islam Orphanage, president of Masjid Zeenath Baksh and Idga Juma Masjid, president of Islamic Cultural Centre, president of Karnataka Muslim Jamat, Dakshina Kannada district unit etc.

Yenepoya Abdulla Kunhi stays at Vas Lane in city his wife P K Nasreen. His two sons and two daughters are also serving in the Yenepoya group of organizations.

source: http://www.daijiworld.com / Daijiworld.com / Home> National-World / by Daijiworld Media Network – Mangaluru (EP) / April 25th, 2022

Atiqa Bano’s Meeras Mahal heritage museum to be refurbished

Sophore (Suvyyapur) Town (Baramulla District), JAMMU & KASHMIR :

Atiqa Bano
Atiqa Bano

Atiqa Bano’s vision that the generations to come must know how people lived in Kashmir over centuries had made this retired Kashmiri educationist collect ancient households articles like hey mats (Waguv), multipurpose earthen pots, wooden doors, latches, and possibly all things used by humans over two centuries and create the first-ever private museum in the Valley.

Called “Meras Mahal” (The palace of heritage), it houses more than 5,000 artifacts reflecting the social and cultural life of Kashmir over two centuries.

Atiqa Bano standing in front of Meeras Mahal

Atiqa Bano passed away in 2017 and her family continued to struggle to maintain it and not let forces of Nature damage this treasure trove. However, they always lacked resources for this gigantic task.

Finally, Atiqa Bano’s love of her labour is all set for a major revamp and scientific conservation as this historic treasure had attracted the attention of the Indian National Trust for Art and Heritage (INTACH), J&K Chapter.

Atiqa Bano, an educationist, had made great efforts to collect the exhibits over two decades after she retired from the J&K Government services in 1998. A woman of strong resolve, Atiqaji, as she was popularly called, had taken to looking after her father after her mother’s death. She had chosen to remain single and devote her life to education, women’s welfare, and society.

Household items on display in Meeras Mahal

It was during her campaigns for women’s empowerment that she was drawn to the collection of rare kitchenware, old ornaments, agricultural tools, clothing, earthenware, and manuscripts lying around in many Kashmiri households. It dawned upon her that with the changing times, all these human inventions would be lost to time if not preserved for posterity.

She started collecting artifacts in 2002 and continued her mission till her death.

Atiqa Bano is gone from this world, but her memory and work is commemorated for posterity, and, as she wished, for the generations to come.

A collection of watches and eye glasses on display at Meeras Mahal

Realizing the importance of Atiqaji’s rich heritage collection, the J&K Chapter of INTACH and HELP Foundation have taken up the gigantic task of rejuvenating  Meeras Mahal.

Saleem Beg, head of the INTACH, J&K Chapter, said, “Saima Iqbal and INTACH team are digitizing, curating and contextualizing the rich collection of vernacular objects after preventive conservation. The museum will have a thematic display demonstrated through sketches and write-ups supported by an elaborate digital presence.”

Saima Iqbal said, the work, supported by ALIPH- an international alliance for the protection of heritage in conflict areas, is getting streamlined. She stated that a team comprising a web designer, photographer, conservator, curator, and illustrator is working in tandem as all are interdependent and need to work in sync.

Earthenware used in Kashmiri households in Meeras Mahal

“I have to say that the challenges are many and we are making the best use of available meager resources here but the passion is alive and the project will be a great success”, she said.

“The first article preserved in the museum is Kondul, an earthen bowl that holds smoldering embers in Kangri, a personal and portable heating device of Kashmiri, said Muzamil Bashir Masoodi, Caretaker or (Honorary) President of the five-member Trust of prominent literary personalities, constituted to look after the museum.

Muzamil, who is also Atiqa Ji’s nephew had been taking a keen interest in maintaining and preserving the rare articles of the museum. The initially preserved items also included hand-written books of Ghulam Mohammad Hanfie, a scholar, Ateeqa Ji’s grandfather.

“All the items are counted one by one like 10 different Charkhas (spinning wheels) are counted as 10 separate items”, explained Muzamil.

The museum was initially set up in their private B. Ed College, Kashmir Women’s College of Education, at Noorbagh, Sopore. It was shifted in 2012 and called Meeras Mahal to a Hostel building of the College, at Highland Colony, where the rare items are “stored” due to the paucity of space.

Doors and windows used in Kashmiri architecture

Muzammil said that “we cannot provide the normal gap of at least two feet between the items”, which makes it difficult to maintain the entire treasure. “There has been no support from the Government”, he said. He said so far he has been getting a token amount from the college funds for maintaining the museum.

“During the Covid restrictions, when everything was closed, we managed to be in the museum to provide basic maintenance,” Muzamil said. He had submitted a detailed project report, for conservation and preservation of the museum to the UT Government in 2019.”

Nothing has came his way so far.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Culture / by Ehsan Fazli, Srinagar / April 11th, 2022

Shaharabanu is bringing smiles on faces of would-be brides from poor families

Chettali (Madikeri Talu), Kodagu, KARNATAKA :

From pre-wedding shoots to the selection of bridal outfits, the stress, especially on the bride-to-be, is tremendous.

Shaharabanu shows one of the many bridal outfits which is available at The Rainbow Free Bridal Boutique, opened just weeks ago | Express

Madikeri : 

From pre-wedding shoots to the selection of bridal outfits, the stress, especially on the bride-to-be, is tremendous. It is the day when she hopes to look her most beautiful.

However, not every bride can afford a dream wedding, and many young women are forced to stick to simple and inexpensive wear. The Rainbow Free Bridal Boutique in Kodagu is taking these weddings up by a notch. Established by Shaharabanu (20), the Free Bridal Boutique is just weeks old, and operates from the rural part of Chettalli in Madikeri taluk.

Shaharabanu, who quit studies after completing PU examinations last year, is a YouTuber, and had also worked as a beautician for some time. The strong calling to do charity work has manifested itself in the form of this boutique.

“I always looked forward to doing charity work, but my family is not very well-to-do. Financial hurdles are many. However, a unique initiative has been started by one of my friends in Kerala, which led to the establishment of the Rainbow Free Bridal Boutique, a first of its kind in Karnataka,” explained Shaharabanu.

So, what is so unique about this boutique? It provides free bridal dresses to brides from economically weaker sections of society. “Weddings are very special to girls, and almost every girl dreams of wearing a special outfit on that day. However, many cannot afford these bridal outfits, and hence, I started a boutique to collect bridal clothes from women from rich families,” she explained.

She laid out her plan on social media platforms and received positive feedback and support. Responding to her social media post, many women donated their wedding attire, like sarees which they had worn for their own nuptials, and fancy outfits from their trousseau.

The clothes were collected and dry cleaned. “I have collected many wedding clothes, some even from my family members. These clothes will be handed over to brides from weaker sections of society, including orphaned girls who are unable to afford wedding clothes,” she said.

“Our generation is very active on social media and we often make new friends virtually. A WhatsApp group of like-minded girls who were on Instagram was created almost a year ago. In the group, one of the girls, who was poor, requested us to help her out for her wedding,” recalls Shaharabanu.  

However, she felt helpless with her family’s meagre earnings, since her parents, Ameena and Maanu from Chettalli, are daily wage workers. Despite the impediments, the girls managed to collect funds and bought their friend a new bridal outfit, she added.

Following the incident, she realised that many girls face this challenge before their wedding, which the girls discussed in the group. That is when one of the girls from Kerala informed her about a boutique that donates bridal dresses to girls from poor families. “This boutique was started by a Kannur resident, Sabeeda, and I contacted her for support. Initially, when everyone was reluctant to donate their bridal wear to my boutique, Sabeeda helped me and brought many dresses all the way from Kannur to Chettalli,” she recalled.

When dresses were donated to a couple of poor girls, residents from Madikeri and Virajpet came forward and donated their bridal outfits. “My house is small. I had to make space to keep the dresses without damaging them. I bought a shelf for this purpose which is in my mother’s room, where the dresses are kept neatly,” she said. “It has been just 15 days since I started the boutique. There is no bar on religion or community of the brides. They can book the service and visit my place in Chettalli to select the dresses they want from what’s available. They can keep the outfits for themselves. This service is for those brides across the state who are battling economic hardship,” she said.  

To ensure that the dresses reach the needy, she asks the beneficiary to submit a letter from the religious committees concerned, about the family’s financial situation. In just two weeks, more than 40 brides from across the state contacted the boutique, and Shaharabanu is working towards making their weddings special. “I ask the girls to visit my place 20 days prior to the wedding day. Their happy faces when they find the right bridal dress give me immense pleasure and satisfaction,” she added.

source: http://www.newindianexpress.com / The New Indian Express / Home> Good News/ by Prajna GR, Express News Service / April 24th, 2022

‘The Greatest Telugu Stories Ever Told’ provide an insight into Telugu short fiction realm

TELANGANA / ANDHRA PRADESH :

Anthologist and translator Dasu Krishnamoorty’s ebook ‘The Greatest Telugu Stories Ever Told’ gives a tapestry of Telugu experiences for readers.

The Greatest Telugu Stories Ever Told (Aleph Book Company) provides us a glimpse into the huge Telugu literary realm. Spanning virtually a century of literary works by a number of the most interesting writers of short tales, the gathering mirrors the Telugu-speaking individuals’s perspective of the world.

Co-authored by anthologist and translator Dasu Krishnamoorty along with his daughter Tamraparni Dasu, the anthology incorporates works of 21 writers, proper from Chalam and Kanuparthi Varalakshmamma to Vempalli Gangadhar and Vempalle Shareef.

The anthology

Influence on society

Elaborating on the factors in choosing the tales, the writers say they seemed for brokers of change. “Vempalle Shariff’s ‘Curtain’, for example, is a diatribe against the norms that keep Muslim women behind a curtain of patriarchy and prevent them from participating in the wider society. Sometimes, the story is so compelling in its cathartic message that it requires no other reason than its merit to be included.

‘Mother’s Debt’ (Mohammed Khadeer Babu) and ‘Predators’ (Syed Saleem) both highlight the wretched lives of those compelled to live in poverty at the edges of society,” says 93-year-old Krishnamoorty, connecting with us from New Jersey.

On selecting works of writers like Kanuparthi, Illindala Saraswati Devi, Achanta Sarada Devi and Chalam — who wrote about social inequity — Krishnamoorty says the brand new technology of writers continues to push that battle ahead in new instructions and develop into energetic devices of social change, as evidenced by Boya Jangiah, Jajula Gowri and others. “Writers alone cannot cause a change but are certainly a big part of the process,” he says.

 On being requested if some writers are both overrated or underrated, Tamraparni responds, “All the writers in the anthology, and many more that could not be included, deserve their reputation and accolades. The younger ones are perhaps underrated simply because the world doesn’t know of them yet. We hope that our anthology helps them gain the recognition they deserve.”

Diverse works

The anthology consists of works by six Muslims, 5 ladies and 5 Dalits. Krishnamoorthy says their goal was to provide a platform for the varied assortment of expertise significantly in underrepresented communities. “Telugu Muslims have always been a beacon of literary excellence. Only they can write with such passion and knowledge about their lived experience that comes through with such heart-wrenching intensity in ‘Adieu, Ba’ and ‘A Mother’s Debt’,” he provides.

Speaking of the challenges in translating, Tamraparni says, “Translation is inherently tricky; matching the idiom of the original with an equivalent one in English, rather than a literal translation; finding the equivalent of unique words, for example a word like ‘ thaayilam’ (a special treat, typically sweet, for a child) in Dada Hayat’s ‘The Truant’; retaining the voice of the original writer intact; avoiding the temptation to editorialise or tamp down unorthodox content as in Chalam’s ‘Madiga Girl’; how to preserve the musicality of the original language, as in ‘Molakala Punnami’.”

Describing working together with her father as a excessive octane expertise, Tamraparni says story choice was a degree of rivalry. “Some of the differences were generational, and some were temperamental. We agreed on most stories but there were four or five that needed energetic debate,” she provides.

Support system

Krishnamoorty had moved to the US to dwell along with his daughter’s household after he misplaced his spouse and there, he discovered translation a solution to keep engaged to tide over the powerful interval. “He brought an amazing level of intensity and enthusiasm to it even though he was almost 80 at that time,” says Tamraparni who alongside together with her father, launched a literary non-profit organisation, IndiaWrites Publishers, to assist the interpretation of up to date Indian short fiction into English. Together additionally they revealed a month-to-month on-line literary journal, Literary Voices of India, for a number of years. And 15 years later, the father-daughter duo revealed their second anthology The Greatest Telugu Stories Ever Told.


”I’m grateful that translation has given me such a stimulating and rewarding expertise to share with my father,” says Tamraparni. 

Source hyperlink

source: http://www.dksnewsonline.com / DKS News / Home> Entertainment> Art / by devanandsingh9199 / April 08th, 2022