Category Archives: Arts, Culture & Entertainment

Calligraphy and a message deep within

Arts, Culture & Entertainment, Calligraphers of India (wef. Jan 05th, 2025), Community Involvement / Social Issues, Karnataka (under research project), , , , , , , , , , ,

Vijayapura (formerly Bijapur) / Kalaburagi (Gulbarga), KARNATAKA :

Around 40 artists from all faiths are on a campaign to preserve the Islamic art, and build communal harmony

Calligraphy paintings created by various artists

Vijayapura :

When veteran artist Dr Subbayya Neela was invited to join a campaign to spread communal harmony through the ancient but fading art of Islamic calligraphy, he could not hide his delight. For him, the idea was not merely about preserving an art form, but about exploring the potential of art to transcend barriers of faith and culture.

“I have always believed that art knows no religion or boundaries. Art has the power to touch the hearts of people across communities. That is why, when I was approached to contribute to this unique initiative, I immediately agreed. I prepared a few pieces of Arabic calligraphy that were later exhibited in different places as part of the campaign,” recalled Dr Neela.

Among his works was a calligraphic representation of the Arabic phrase ‘Allahu Akbar’, which means ‘God is Great’. “I was given the liberty to interpret the phrase through my own artistic imagination, while maintaining the sanctity of the verse. It was both a responsibility and a joy,” he said.

Dr Neela is among 40 artists from across Karnataka, both Hindus and Muslims, who have joined this movement that began in Kalaburagi in 2020. The campaign was conceived not only to preserve Islamic calligraphy, which has been steadily losing ground, but also to foster unity at a time when society is fractured along communal lines.

The group of artists who joined the campaign

The Initiative

It was the brainchild of noted artist Mohammed Ayazuddin Patel, a veteran painter from Kalaburagi and recipient of the Lalit Kala Akademi Award. “When hatred and intolerance seemed to be gaining ground in society, we felt the need to bring people together. We thought of reviving Arabic and Islamic calligraphy because it embodies both artistic beauty and deep spiritual messages. At the same time, it offered us a platform to involve artists of all faiths to work together for harmony,” he explained.

Ayazuddin was soon joined by another respected artist, Rehman Patel, and together they expanded the circle of participants. What started with around 15 artists, junior and senior, has now grown into a diverse collective of 40, half of whom are Hindus. These artists work closely with their Muslim counterparts to ensure accuracy in Arabic writing, while retaining artistic freedom.

The campaign, in many ways, draws inspiration from the history of the Deccan itself. Rehman Patel points out that after the decline of the Chalukyan dynasty, many local artisans and craftsmen found themselves unemployed. With the arrival of Muslim rulers in the region, particularly in erstwhile Bijapur and Gulbarga, these artisans were drawn into projects that fused Persian and Turkish influences with local Indian traditions.

“The architecture of that time was a collaboration. While designs came from foreign artists, the actual construction was executed by local Hindu craftsmen. The result was Indo-Persian art, a blend of Indian and Islamic architecture that still stands testament to cultural harmony,” he said. Arabic and Islamic calligraphy flourished during this period, adorning monuments and manuscripts, but over the centuries, as tastes and practices changed, the art form began to fade. “Our campaign is an attempt to not only revive this vanishing tradition but also to remind people of the harmony that once defined this land,” he added.

Preserving sacredness

A key aspect is the selection of verses from the Quran. The organizers have been deliberate in choosing verses that emphasize unity, peace and brotherhood, values that are not confined to one faith but resonate universally. “The artists are given complete freedom to use their imagination while ensuring that calligraphy remains the focal point. We guide them on the technicalities of Arabic script, but artistic interpretation is entirely theirs,” explained Ayazuddin. “This way, we safeguard the sacredness of the verses while allowing creativity to flourish.”

For many Hindu artists like Basavaraj Totad and Rajani Talwar who are involved in it, it has been a learning experience. Working with Arabic characters is not easy, and ensuring accuracy requires constant collaboration. Yet, this very collaboration has built bonds of trust and friendship. “It is heartening to see artists from different backgrounds sit together, discuss and create something so meaningful,” said Ashok Hiremath, an artist from Bidar.

To showcase their work and reach a wider audience, the collective has organized exhibitions, usually coinciding with Id-Milad, the birth anniversary of Prophet Mohammed. So far, five exhibitions have been held, each drawing large crowds from different faiths. “The response has been overwhelming,” Ayazuddin said. “We have seen people from all communities attend and appreciate the art. Many told us that such initiatives give them hope that religious harmony is still alive in our society, and voices of hate and division are not as strong as they seem.”

The exhibitions are not limited to calligraphy, but also feature paintings and photographs of ancient monuments from the Deccan region, tying the campaign to the cultural and architectural heritage of Karnataka. “This serves two purposes. It connects people with their shared history, and encourages them to protect and preserve monuments that are our national heritage,” said Rehman Patel.

Messages beyond borders

For the participating artists, the project is as much about personal conviction as it is about art. Dr Neela believes the messages of peace from saints and prophets have universal appeal. “Prophet Mohammed spread the message of peace, which can be accepted by anyone, anywhere in the world,” he said.

“If art can be used as a language of unity, it should not remain confined to one place. Art has always been a reflection of society. If society is fractured, art can heal and unite. That is what we are trying to do through this campaign,” Ayazuddin said.

source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Firoz Rozindar / September 14th, 2025

The Changemakers: 10 stars of Rajasthan who have made society proud

Amazing Feats, Arts & Crafts / CraftsPersons (wef. January 14th, 2025), Arts, Culture & Entertainment, Bharat Ratna, Padma Vibhushan, Padma Bhushan, Padma Shri Award (since January 01st, 2024), Business & Economy, Community Involvement / Social Issues, Education, Leaders, Science & Technology, Scientists (wef. August 27th,m 2023), Women/Girls(since May26-2021), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

RAJASTHAN :

Changemakers of Rajasthan

Jaipur :

Rajasthan is known for its sandy deserts, historical monuments, especially forts, vibrant culture, and above all, its brave people, some of whom are inspiring others and changing society for the better. Under our series ‘The Changemakers’, Awaz-The Voice, brings you ten such personalities of Rajasthan, who have done extraordinary and pioneering work. Batool Begum: A living legacy of musical heritage.

Batool Begum: Woman who took traditional music to the world

One name that resonates in the streets of Jaipur is that of Batool Begum. Born in Kerap village of Nagaur district, Rajasthan, this extraordinary singer is a living legacy of Indian classical music. Batool developed a deep passion for music in her childhood. Despite facing social and economic challenges, she continued her singing.

Her melodious voice and her passion for music not only earned her recognition as an artist but also proved that talent can break all barriers. Her art is a source of inspiration for her community and the entire Rajasthan.

Abdul Salam Johar: A lac bangle maker who received global recognition

The vibrant spirit of India’s Pink City, Jaipur, doesn’t only emanate from its colours and people but also from the traditional handicrafts that are made and sold here. Bangles worth lakhs are made in these streets, which are a symbol of the traditional beauty and hard work of thousands of its people.

Abdul Salam Johar is one such artist who not only preserved the traditional art of the State but also brought about a social change in a major way. Coming from the Manihar community, Johar was born in a family with little means, but his dreams were extraordinary. Seeing the struggles of his grandfather Hafiz Mohammad Ismail and parents Haji Abdul Aziz and Hajjan Qamar Jahan, he made hard work, dedication, and social service the main mantra of his life.

He began his journey from his ancestral shop ‘Indian Kangan and Colour Store’ located in Tripolia Bazaar of Jaipur, and today his wares are being sold under brands ‘Johar Design’, ‘Johar King’ and ‘Indian Crafts’ in the global markets. He is not only a successful entrepreneur, but also a social reformer who took his community and traditional art to new heights.

Abdul Latif ‘Arco’: A confluence of business and social service

Abdul Latif, who lives in Chini ki Burj in the capital Jaipur, and is known as ‘Arko’ in Rajasthan, is one such special personality. Born in a small village of Chomu in 1946, Abdul Latif’s father, Rahmatullah, and mother, Hafijan, taught him hard work, honesty, and the passion to help people, which became the basis of his life.

His company, Abdul Razzaq & Company (ARCO), is today a big name for social service along with electric motors, fans, and coolers. Apart from this, his hotel, ARCO Palace, is a symbol of his hard work and foresight. Abdul Latif’s story is not just of a businessman, but of a person who chose to work as a changemaker by combining his business and social responsibilities.

Qazi Nishat Hussain: A new voice breaking stereotypes

The voice rising from a small office located in the narrow streets of Johri Bazaar in Jaipur, the capital of Rajasthan, is today inspiring society to change. This voice is of Nishat Hussain, Rajasthan’s first Muslim female Qazi, social worker, and a strong advocate of the rights of Muslim women.

Her life journey is an example of courage, struggle, and change, which not only made thousands of women aware but also gave them a new direction to live.

Born in Sitabari Mohalla of Karauli district, Nishat’s childhood was spent in an environment of communal harmony. His family was the only Muslim family in the neighbourhood. There were three temples in front of her house. She says, “We did not know who was a Hindu and who was a Muslim.” In a backward area like Karauli, where girls’ education was not given importance, Nishat created history. She became the first Muslim girl in the district to pass the tenth standard, that too as the only Muslim student among 1200 girls. Today, she has become a torchbearer of the rights of Muslim women.

Captain Mirza Mohtasim Baig and Ruby Khan: An Inspiring couple in social service

An inspirational couple, Captain Mirza Mohtasim Baig and his wife Ruby Khan, hail from Jaipur. Captain Mirza is the first Muslim pilot of Rajasthan and has been operating national and international flights for the last 25 years. At the same time, his wife Ruby is an active social worker and politician.

Both believe that if one wants to bring change in society, then he has to take the initiative. Together, they had organised medical camps, documentation camps, free ration distribution, and offered financial help to families in the marriage of their daughters. The couple is an epitome of change brought about by spirited people.

Dr. Arif Khan: The village scientist who created history

Thirty-four years ago, a child was born in the small village of Masani in the Hanumangarh district of Rajasthan. Today, he is Dr. Arif Khan, a scientist who has brought laurels to India. In his village, most of the people toiled in the fields. His father, Advocate Farid Khan, wanted his son to become a doctor. His mother and grandfather also had the same dream. But there were few schools in Masani, and the path to making dreams come true was difficult. Still, Arif had a passion to do something extraordinary in his life.

With his hard work and dedication, he became a bio-scientist and brought glory to his family and village. His research on milk and food products brought a wave of change. His story proves that if the intentions are strong, then even a boy from a small village can become a scientist and make the country feel proud.

Mainuna Nargis: First Shia Muslim woman in art conservation

In a vast country like India, art conservation is important since it not only preserves history but also connects future generations to our heritage.  Mainuna Nargis, the country’s first and so far the only Shia Muslim woman art conservator, does the same work. Born in Bahjoi, a small town in Moradabad district of Uttar Pradesh, Maimuna’s childhood was ordinary, but her dreams were extraordinary. Rajasthan has now become Mainuna’s second home.

Her father, a Policeman in UP, always encouraged her. After studying Fine Arts from Aligarh Muslim University (AMU), she did a diploma in Museology, which became the most decisive turning point in her life. Maimuna’s story is not just of professional success, but a story of passion, struggle, and self-confidence, which revived the broken pieces of history.

Yoga Guru Naeem Khan: Global journey from music to yoga

The life journey of Yoga Guru Naeem Khan, who rose from the streets of Jodhpur, the cultural capital of Rajasthan, to spread his spiritual aura on international platforms, is a unique example. He rose from a common man to a global yoga guru and presented yoga as a universal energy beyond religion, culture, and boundaries.

Naeem Khan was born in a family where music was in every breath. His grandfather, Ustad Umardin Khan, was the court musician of the Jodhpur royal family, while his maternal uncle was Padma Bhushan-awarded Sarod player Ustad Sultan Khan. However, with changing times, that traditional flame of music started to fade. Naeem and his brother got involved in business, but yoga gave Naeem a new direction, and he took it to a global platform.

Syed Anwar Shah: A man who introduced girls to education

Thirty years ago, a dream was born in a small room in Jaipur, which has today become the light of education for thousands of girls. This is the story of Syed Anwar Shah, whom people fondly call Master Anwar Shah. He not only dreamt of his daughter’s education, but also made it a means of progress for the daughters of society.

Today his educational institution, Al-Jamia-tul Alia, is spreading the message of knowledge and Islamic ethics not only in Jaipur, but also in the whole of India and abroad. After completing his M.A. in Public Administration from Rajasthan University in 1980, he dedicated his entire life to the welfare of society and the service of education. In 1995, when his daughter Alia was born, he decided to set up an institution for the education of girls, which would impart both worldly and divine teachings.

Today, his effort has become a boon for thousands of families.

Padma Shri Shakir Ali: Patron of Miniature Painting

It’s no exaggeration to say that Jaipur is the art capital of Rajasthan. And in the field of miniature painting, the name of Syed Shakir Ali comes to the fore spontaneously. This genre of painting is an identity of the state of Rajasthan. 

Padma Shri awardee Syed Shakir Ali is not only a great practitioner of this art, but he is also the guardian of that heritage, which is an integral part of the cultural identity of Rajasthan. Born in 1956 in Jalesar village of Uttar Pradesh, Shakir Ali’s family soon settled in Jaipur, where his art got a new direction. 

Today, he has given recognition to this traditional art of Rajasthan not only in India but also on international platforms.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> The Changemakers / by Aasha Khosa, ATV / September 14th, 2025

Senior writer and thinker Prof. M. Karimuddin passes away

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Karnataka (under research project), , , , , , , , , , , , , , , , , , ,

Ganjam Village (Srirangapatna) , KARNATAKA :

Chief Minister Siddaramaiah condoles


Mandya/Srirangapatna :

Senior writer, multilingual scholar and progressive thinker Prof. M. Karimuddin (95) passed away at his home in Ganjam, Srirangapatna on Saturday morning due to age-related illness.

Karimuddin, who was unmarried, had served as a Kannada professor and later as a principal in government degree colleges in Mysore, Mandya, Madikeri and elsewhere before retiring.

A student of Kuvempu, he had studied Kannada, English, Urdu, Persian, Arabic and Sanskrit.

He had written many works including Orphan Muslims, Sanchita Chintana, and Baalu ​​Baddu. Many of his thought-provoking speeches on All India Radio were popular. ‘Prof. Karimuddin’s Life and Literature’ was the text for students of class 9 who were studying Kannada as a second language in Urdu medium.

A good orator, Karimuddin was actively involved in farmer, Dalit, pro-Kannada, progressive, and anti-idiotic movements even in his later years. His ancestors were relatives of Tipu Sultan.

Karimuddin, who retired as a Kannada professor at Maharaja’s College, Mysore, was well-versed in Kannada grammar, Old Kannada and New Kannada literature.

He had also done a lot of research on Tipu Sultan. It is said that he had written many collected works on the history of Tipu Sultan.

His friend Prof. Nanjaraja Urs expressed his condolences, saying that his death is a huge loss to the Kannada nation.

Chief Minister’s condolences

“I am saddened to hear the news of the death of senior writer and popular professor Prof. M. Karimuddin. A simple gentleman, Prof. Karimuddin used to help educate the children of the poor. I also share in the grief of his family. I pray that God may grant peace to his soul.”

– Chief Minister Siddaramaiah

source: http://www.varthabharati.in / Vartha Bharati, Kannada / Home> News> State / by News Bharti (english translation of Kannada article) / September 02nd, 2023

Treasure trove of memories: Khaleel’s scrap museum in Malemar

Amazing Feats, Arts, Culture & Entertainment, Business & Economy, Karnataka (under research project), Museums, Libraries (wef. April 16th, 2022), ,

Mangaluru (Dakshina Kannada District) , KARNATAKA :

Mangaluru : 

In the heart of Malemar stands a unique museum that has become a treasure trove of memories for the community. What began as a small scrap business two decades ago, and later transformed into a distinctive museum eight years ago, is today capturing the attention of visitors with its fascinating collection of vintage artefacts — all thanks to the dedication of Ibrahim Khaleel.

Originally hailing from Kulur, Khaleel developed the idea of converting his scrap shop into a museum when he noticed antique and traditional pieces entering scrap shops.

Determined to preserve them for future generations, he began collecting items not only from his own shop but also from households and other scrap dealers. Over the years, his efforts have turned discarded objects into priceless memorabilia — truly creating ‘wealth out of waste’.

Khaleel’s museum now showcases a wide array of antiques, including coins, watches, tape recorders, gramophones, vintage telephones, lanterns, and traditional household items. He has also created a small library within the museum, where children and students can access books free of cost, making his initiative both nostalgic and educational.

His work has received valuable support from organisations such as Plastic for Change, which helped him organise the scrap shop into different sections. Khaleel has also invested in machines to shred waste paper, ensuring sensitive documents are not misused, and to separate cable wires from copper for effective recycling.

Looking ahead, Khaleel hopes to create a separate, larger space for his museum so that more people can visit, relive memories, and appreciate the craftsmanship and design of a bygone era.

Khaleel’s scrap museum is not just a collection of old objects; it is a space where history lives on, nostalgia is rekindled, and generosity flourishes. For anyone visiting Malemar, it is undoubtedly a must-see destination.

Scrap Shop Turns Museum in Mangalore | Creativity of Ibrahim Khaleel / source: youtube.com

source: http://www.daijiworld.com / Daijiworld / Home> Top Stories / by Daijiworld Media Network – Mangaluru / pics: Dayanand Kukkaje / September 11th, 2025

First biopic of Sir Syed resonates with contemporary Muslim issues

Amazing Feats, Arts, Culture & Entertainment, Community Involvement / Social Issues, Education, Karnataka (under research project), Leaders, , , , , , , ,

Aligarh, UTTAR PRADESH :

Apart from the need for education, it underlines the importance of representation in legislative bodies and jobs

Syed Ahmed Khan biopic | Photo Credit: SPECIAL ARRANGEMENT

He is one of the architects of modern India or a proponent of the two-nation theory. However, moving away from easy binaries, the first biopic of Sir Syed Ahmed Khan attempts to find answers to the contested legacy of the founder of the Muhammedan Anglo-Oriental College that took the shape of Aligarh Muslim University (AMU). Long in the works, a two-hour cut of the OTT series, The Messiah premiered at the iconic Kennedy Auditorium in AMU on Monday, before the series streamed on Apple TV.

Coming at a time when the minority status of the Central University is being hotly debated in courts and society, the series details how Sir Syed confronted a section of the clergy and conservative elements within the Muslim community by creating a modern centre of learning to build bridges between the Muslims and the British government after the revolt of 1857, when the colonial power held the community largely responsible for the rebellion. “He held the ignorance as the primary reason behind the political decay of Muslims and thus pushed for modern education,” says Shoaib Hussain Chaudhary, who not only directed the series but also played the title role. “The role fell into my lap after big names declined to take up the challenge, perhaps because of the stigma attached to him.”

A known name in the television circuit, Chaudhary sees Sir Syed as an advocate of Hindu-Muslim unity, who was wrongly associated with the two-nation theory. “The theory came into being long after his demise in 1898. What he asked for was Muslim representation in legislative bodies and it remains relevant considering the political status of the community today.”

As someone who believed in answering a book with a book, Sir Syed responded to William Muir’s controversial commentary on Prophet Muhammad with a rational interpretation of Islamic tradition in Khutbat-e-Ahmadiya.

An adaptation of Hayat-e-Javed, Khwaja Altaf Hussain Hali’s biographical account of Sir Syed’s life, the series puts him in the league of reformists like Raja Ram Mohan Roy and Ishwar Chand Vidyasagar and argues that he was not a communal figure but a communitarian who was conscious of the fact that Hindus of Bengal were at least 50 years ahead of Muslims in taking up modern education.

Interestingly, the spark came from Mirza Ghalib. When Sir Syed approached the poet to write the preface of his translation of Ain-e-Akbari, he advised him to concentrate on the contemporary issues of the community and said there was no point in celebrating Akbar’s rule when the constitution of the world was being written in Calcutta.

‘Controversial ideas’

The series also critiques Sir Syed’s point of view on girls’ education and backward Muslims and debates whether he made a mistake by not joining hands with the Indian National Congress. It also explores his tumultuous relationship with his son Syed Mohammad, the first Muslim judge of a High Court during the British Raj, whose proclivity towards alcohol created problems in his personal and professional life. “Sir Syed’s character appears dichotomic but if you see him as a product of his times, things fall in place,” says screenwriter Mutyim Kamalee. “While Islam abhors slavery, he opted for pragmatism as after the revolt of 1857, the community was not in a position to take on the colonial power. Mahatma Gandhi also didn’t take the path of armed rebellion.” Kamalee says Sir Syed didn’t join the Congress but towards the end of his life he showed a change in his point of view and perhaps would have joined the Congress had he lived longer.”

Describing the series as an authentic portrayal of Sir Syed’s life and works, Prof. Shafey Kidwai, an authority on Sir Syed says, “Sir Syed views on women’s education and backward Muslims are widely misunderstood. The film tries to put the record straight in a convincing manner.”

Made on a tight budget, the series was shot on sets after AMU declined permission. “Filmmakers in the past didn’t live up to their promises, so the previous administration was circumspect about our intentions but I am glad now the university has embraced the film,” says Chaudhary.

Apart from Chaudhary, the series stars Akshay Anand, Zarina Wahab, Arif Zakaria, and Deepak Parashar in important roles.

source: http://www.thehindu.com / The Hindu / Home> News> India> Uttar Pradesh / by Anuj Kumar / December 20th, 2024

Asma Hussain The Royal Legacy Behind India’s Fashion Icon

Arts, Culture & Entertainment, Business & Economy, Education, Women/Girls(since May26-2021), , , ,

Lucknow, UTTAR PRADESH :

Asma Hussain, an iconic name in the Indian fashion industry, is renowned for her remarkable designs and her deep-rooted connection to the royal family of Awadh. As a descendant of Shuja-ud-Daula, a ruler from the 18th century, Asma carries with her a rich legacy that has greatly influenced her work in fashion. Born into a family that has always been associated with culture and heritage, Asma Hussain’s foray into the world of fashion was a natural extension of her upbringing.

Since unveiling her first collection in 1994, Asma Hussain has become a household name in India and across the world, known not only for her royal heritage but also for her impeccable craftsmanship.

She is the founder of the Asma Hussain Institute of Fashion Technology (AIFT), an institution dedicated to imparting high-quality fashion education to young aspiring designers….

Early Life and Inspirations: Shaping a Designer’s Vision

Asma Hussain’s lineage has greatly shaped her journey as a designer. The royal family of Awadh is known for its contributions to art, culture, and history, and Asma has absorbed these influences into her design philosophy. Raised in a family that placed immense value on tradition, culture, and the finer things in life, Asma’s designs reflect a deep understanding of Indian craftsmanship, royal grandeur, and modern aesthetics.

While Asma’s royal connection often takes center stage in media discussions, it is her extraordinary skill and passion for design that truly sets her apart. Asma’s collection is an intersection of history and modernity, reflecting both her ancestry and the needs of the contemporary fashion world. She drew upon royal Indian textiles, ornate embroideries, and rich fabrics such as silk, velvet, and brocade to create collections that exude royalty while maintaining a sense of modern sophistication.

Her collection’s distinctive blend of Eastern and Western elements has helped her carve a unique niche in the fashion industry. Over the years, she has showcased collections that feature traditional styles combined with avant-garde concepts, which have gained the attention of both Indian and international clientele.

From AIFT to Fashion House: A Pioneer in Fashion Education

In addition to her success as a designer, Asma Hussain has contributed to the fashion industry in another significant way. In 1999, she founded the Asma Hussain Institute of Fashion Technology (AIFT) in Uttar Pradesh. The institute is recognized as one of the top fashion design schools in the country, offering comprehensive courses in fashion design, fashion technology, and merchandising.

AIFT was born out of Asma’s vision to provide young, aspiring designers with the skills, tools, and guidance they need to succeed in the competitive fashion world. Asma’s institute is unique because it goes beyond just offering technical knowledge—it teaches creativity, innovation, and critical thinking. The curriculum integrates both traditional and modern techniques of fashion design, which allows students to learn everything from embroidery and fabric manipulation to fashion history and business strategies.

Since its inception, AIFT has produced several successful fashion designers, many of whom have gone on to work for major fashion houses or start their own design labels. Asma’s role as an educator and mentor has become a cornerstone of her legacy, further cementing her influence on the Indian fashion scene.

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Asma Hussain’s Notable Clients and Collaborations

Asma Hussain’s clientele speaks volumes about her versatility and reach. Her designs have been worn by some of the most influential figures in India, including Bollywood legends, politicians, and celebrities. Asma’s ability to create outfits for a diverse group of people—from film stars to political leaders—demonstrates her exceptional skills and understanding of different tastes.

Some of Asma Hussain’s most notable clients include Bollywood actress Saira Banu, known for her timeless elegance, and Shabana Azmi, an award-winning actress and social activist. In addition to Bollywood icons, Asma’s fashion has also attracted attention from politicians, including the Prime Minister of India, Narendra Modi, and Uttar Pradesh Chief Minister, Yogi Adityanath. The fact that these high-profile figures have chosen Asma’s creations is a testament to her ability to craft outfits that blend traditional beauty with contemporary style.

In 1996, her fashion house was inaugurated by the legendary Bollywood actor Dev Anand, who was known for his style and charisma. Dev Anand’s association with Asma Hussain further solidified her reputation as a designer with a strong sense of elegance and sophistication. Since then, Asma’s creations have graced numerous high-profile events, cementing her position as one of India’s leading fashion designers.

Design Philosophy and Signature Style

Asma Hussain’s design philosophy is deeply rooted in the rich cultural traditions of India, especially those from her home state of Uttar Pradesh. Drawing from the royal aesthetics of Awadh, Asma’s clothing collections often feature ornate embroidery, luxurious fabrics, and rich color palettes. She is known for her use of traditional Indian textiles, such as Banarasi silks, georgette, and velvet, to create elegant yet modern garments.

One of the key elements of Asma’s designs is the intricate work on fabrics, especially hand-embroidered motifs that reflect the grandeur of royal craftsmanship. From sarees to lehengas, and even contemporary Western-style outfits, Asma’s attention to detail and craftsmanship is unparalleled. She is particularly known for her bridal collections, which are often a blend of traditional and contemporary styles, making them perfect for the modern bride who wants to feel regal on her special day.

Her designs are not limited to one particular category or occasion. Whether it is a wedding, a red-carpet event, or a festive occasion, Asma’s clothes can be seen on people from all walks of life. Her ability to create both traditional and contemporary looks has made her a favorite among clients looking for timeless elegance with a modern twist.

The Royal Influence: Awadh’s Rich Cultural Heritage in Every Stitch

The legacy of the royal family of Awadh plays a significant role in Asma Hussain’s designs. As a descendant of Shuja-ud-Daula, a ruler known for his opulence and patronage of arts and culture, Asma’s upbringing was steeped in the cultural richness of the region. The intricate embroidery and regal fabrics used in her creations are reminiscent of the royal courts of Awadh, where intricate craftsmanship was highly valued.

The use of zari work, brocade, and gold thread embroidery in her creations adds an aura of luxury and tradition. Each piece is meticulously crafted to ensure that it embodies the royal aesthetic, while also incorporating contemporary elements that make it relevant in today’s fashion landscape.

The Future of Asma Hussain in the Fashion Industry

Asma Hussain has not only succeeded in her career as a designer but has also played a pivotal role in shaping the future of fashion in India. Through her institute and her dedication to educating young talent, she is creating a legacy that will continue for generations. Asma’s vision for the future of fashion is one that embraces both tradition and innovation, ensuring that Indian fashion continues to evolve while staying grounded in its cultural heritage.

Her influence on the fashion industry is undeniable, and she continues to be a source of inspiration for aspiring designers. Asma Hussain is not just a fashion designer; she is a symbol of how tradition, culture, and modernity can come together to create something truly exceptional.

Asma Hussain’s Legacy in Indian Fashion

Asma Hussain is a name that has become synonymous with elegance, sophistication, and cultural heritage. With her roots deeply entrenched in the royal family of Awadh, Asma has successfully blended her ancestral legacy with her modern fashion sensibility. Her designs reflect the rich cultural heritage of India while catering to the modern woman’s needs, making her one of India’s most respected and successful designers.

Her legacy extends beyond her own creations to the many students who have passed through the Asma Hussain Institute of Fashion Technology, taking forward her vision and continuing to innovate in the world of fashion. Asma Hussain’s contribution to Indian fashion is undeniable, and her influence will be felt for years to come.

source: http://www.atlucknow.com / @Lucknow / Home> Lifestyle / by Mohd Badar / November 09th, 2024

Noted poet, social reformer , guide A M Shahbaz remembered

Arts, Culture & Entertainment, Martyrs of the Nation,

Shathgund Handwara Village, JAMMU & KASHMIR :

Popular Kashmiri poet and scholar Ali Mohammed Shahbaz was remembered across jammu and Kashmir on his 24th death anniversary. In this connection different functions and events were organized at various places and sites to pay glowing tributes to late literary luminary, who was Martyred  by unidentified gunmen on July 4,1996 at his his native village Shathgund Handwara. 

The major online event was organized by Kashmir Marksz- e -Adab -o -Saqafat chrar-i- Shareef.

The event was presided over by prof Mohd  Zaman  Azurdah. A large number of distinguished scholars, participated in the program and paid rich tributes to him. The speakers highlighted various dimensions of life and contribution of late poet.

The main attraction of the event was first ever Shahbaz memorial award. The award was presented to popular Kashmir folk singer, a house hold name of Kashmir folk singer Manzoor Ahmad Shah.

Dr Aziz Hajini, Convener Northern Regional Board Sahitya Akademi, New Delhi Presented the award to Manzoor Ahmad Shah. Dr Gazanfer Ali, president Kashmir Markaz e adab o Saqafat Chrari Shareef , Gen secretary Anayat Gul and son of late poet, Nazir Qureshi Ibn e Shahbaz were also present on the occasion. 

The prominent poets and writers  paid rich tribute to Late Ali Mohd Shahbaaz which  include Gh Qadir Shaheen, Rahim Rehna, Gh Rasool Josh, Mushtaq Mehram, Producer Radio kashmir, Javed Sofi, Nazim Nazir,  noted journalist and editor of  Brighter Kashmir  Farooq Wani.

Dr Sohan lal Koul, Bashir Bhadarwahi, Prem Nath Prem, Shown at Shafi Masoodi , Javed Rasool 

source: http://www.brighterkashmir.com / Brighter Kashmir / Home / by BK News Service / July 05th, 2020

Raffat Begum: How a begum’s emergence from the harem changed the lives of Rampur’s women

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Royal Families, PreIndependence -Descendants (wef. Jan 02nd,2022), Women/Girls(since May26-2021), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Rampur, UTTAR PRADESH :

Raffat Begum was a gifted poet and wrote with the pen name ‘Asmat’ and took advice from Azhar Inayati, a renowned poet of Rampur. She also wrote several barsaati folk songs celebrating monsoons as did Nawab Raza.

The names of brides have vanished from wedding cards in Rampur. So, we are cordially invited to the wedding of ‘Arif Khan, S/o Samiullah Khan to the daughter (no name) of Wahidullah Khan’. Even the names of women are concealed from vocalization by disrespectful male lips. The nameless miasma enveloping our girls is a recent trend in Muslim etiquette of this erstwhile princely state. It negates the ninety year journey the women of the city have traversed–all the tiny and large steps of emerging out of the zenanas, educating themselves and finding a voice. Maybe the unnamed daughter getting married was educated at one of the local women’s colleges established by the erstwhile Nawabs and has ambitions that involve a becoming.

The emancipative journey of Rampur women began with the decision of a queen – Raffat Zamani Begum, wife of Nawab Raza Ali Khan– to leave the confines of the harem and become something more than a name. Nawab Raza (1930-1947), an enlightened ruler fully supported his wife in her decision and was possibly influenced by her in his very western and ‘modern’ outlook.  As the princesses and female members of the royal family followed Begum Raffat, there was a filtered down liberation among the women and girls of upper classes, and over the years a snowball effect that touched the lives of the of all classes of Rampur women.

Raffat Begum was the daughter of Sir Abdus Samad Khan, Prime Minister of Rampur under the colonial rule, an impeccable gentleman who traced his antecedents from the Najibabad royal family.  She was married to the crown prince, Raza Ali Khan, when she was five and he was six years old. The little bride sat on her grandmother’s lap, her heavy nath supported by her grandmother’s palm as the nikah ceremony was performed. The young daughter in law was granted all the paraphernalia of the future queen while still living with her father and had to attend court on special occasions. At a time when brides were given a new name and a title, her name was changed from Askari Begum to Raffat Zamani Begum.

When Raffat was thirteen, her father in law, Nawab Hamid Ali Khan (1894-1930) demanded that the rukhsati (going away ceremony) be performed. Raffat’s father insisted that they wait at least till the groom had completed his education. Raffat Begum wrote, and is quoted in her sister Jahanara Begum’s memoir, that the relations between the two gentlemen became strained. Finally, Nawab Hamid walked on foot from his Khas Bagh palace to the bride’s house, ‘Rosaville’, and the ceremony which usually took days was performed in a few hours; Raffat Begum left her paternal home amidst  songs extolling the valiant Rohilla Nawabs and martyrs of ancient battles.

The teenage couple began their married life often separated by the political intricacies and rules of the harem. Oral history says that they were not allowed to live together for seven years and Raffat Begum was declared infertile after her first son was born. Raza was forced to take a second wife by his father and stepmother. The women of Raffat Begum’s family did not practice strict purda. Her mother was the daughter of the regent of Rampur, General Azamuddin Khan (1888-1891) who had earned the ire of the maulvis of the time for his ‘kristaan’ viewpoint and his championing of female education. Some say he was murdered because of his radical outlook. It is therefore unsurprising that the educated Raffat Begum rejected the claustrophobic harem life she had endured for the first ten years of her married life as soon as Nawab Raza came to power. The couple showed a proclivity towards the ‘modern’ and western lifestyle in all areas and Raffat Begum became a major mover in the drastic transformation of the Rampur durbar, the zenana and Rampur culture. Though not documented in written histories, the influence of Raffat Begum on the dress, cuisine and court etiquettes finds testimony in oral history.

We get a vivid description of the Begum in her stepdaughter , Mehrunnisa Begum’s memoir, ‘An Extraordinary Life.’

Home tutored in English, Persian and Urdu, Raffat Begum entertained distinguished guests at royal banquets and sat for official pictures­­––the first pictures of women from the royal family. She wore latest western dresses, make up and was a chain smoker –– a ‘modern’ thing to do. In fact, she encouraged her children to smoke as it was considered fashionable. However, some women continued to live in the royal zenana ––more out of lack of choice and under confidence–– but there was no constraint on their movement. Given that Nawab Raza’s predecessor, Nawab Hamid confined his women to a sequestered life behind the laal purda, this was the beginning of a drastic change in the thought process and lifestyle of elite Rampur women.

The young princesses were sent to a boarding school after being brought up by British nannies in a strictly regimented nursery. Emulating the new trend, the elite landowning families and those associated with the court started educating their sons and daughters at boarding schools. So, my mother and her siblings were sent to La Martinere in the 1950s. The 1960’s saw Rampur’s first female doctors, teachers, writers and lawyers ––aspirational models for young girls studying in government colleges now housed in the old palaces and zenanas of yore. Nawab Raza gave a lot of emphasis to education particularly female education and the girls from ordinary families were now sent to girls’ schools in the city after initial misgivings. Covered rickshaws and thelas (carts) transported the burqa clad young ladies to schools. My mother became a doctor in 1967 and the women of my family practiced a flexi-veil where they would cover their heads, sit in curtained cars in Rampur and don sarees and bellbottoms outside of Rampur.

Raffat Begum was a gifted poet and wrote with the pen name ‘Asmat’ and took advice from Azhar Inayati, a renowned poet of Rampur. She also wrote several barsaati folk songs celebrating monsoons as did Nawab Raza. Some of her poetry was published.

Begum Noor Bano, her daughter in law and ex-Member of Parliament, recalls the after-dinner dastan sessions with the children and grandchildren gathered around their beloved ‘Mummy’.  The dastans were later written down by a scribe.

Mapara Begum, a court singer, says she would give importance to the lowliest person and welcome everyone with warmth. Which is why she was fondly called Raaj Maata, the queen mother of Rampur.

A few years after Nawab Raza’s death in 1966, Raffat Begum moved back to her father’s place, Rosaville, with her retinue of servants. It was an empty house. Her parents had passed away and her brothers and sisters had left in pursuit of their lives and careers. Life had come a full circle. She passed away at Rosaville in 1986 – an elegant begum, spirited and dignified till the end. Her plaintive lines are still echo on the lips of old timers:

“Aisey beemaar ki dava kya hai,jo batata nahi hua kya hai;

Kaun suntan hai is zamaney mein, kis se kahiye iltija kya hai.”

How can a person who cannot describe her ailment find a cure?

Even if I could find words for my pleas, would my entreaties find listeners.

Receiving yet another invite to the marriage of an anonymous daughter, I tried to remember the names of the wives of acquaintances and distant relatives. I came up with Naeem mamu ki biwi, Munney sahib ki ammi etc. etc. We are all guilty of using the blanket term bhabhi or khala to address the married women of various ages; we are introduced as wives, mothers and granddaughters. I used to laugh at the old style of explaining connections––‘Munney mian ki beti Shaddan Khan ke ghar mein hai’, indicating that Munney mian’s nameless daughter is married to Shaddan Khan. We have accepted an anonymous existence here and it is only logical that our girls get shrouded in namelessness on their wedding day.

Tarana Husain Khan is a writer and researcher based in Rampur. Her historical fiction ‘The Begum and the Dastan’ has been recently published by Tranquebar. The views expressed are the author’s own.

source: http://www.shethepeople.com / SheThePeople / Home> Books / by Tarana Husain Khan / March 02nd, 2021

Motivational Speaker Extraordinaire Saeed Ahmed Changes Lives of Depressed Individuals

Amazing Feats, Arts, Culture & Entertainment, Community Involvement / Social Issues, Leaders, , , , , , , , , , , , , , , , , , , , , , , , ,

Sholapur / Pune, MAHARASHTRA :

Meet the man who is on a mission. He even gave up his lucrative job to completely devote himself to this cause. His goal is to inspire the next generation to become responsible and productive citizens by raising their level of awareness about education. He has been crisscrossing the length and breadth of the country since 2006.

The man is Syed Saeed Ahmed, a distinguished motivational speaker with a multifaceted personality who inspires and motivates others and unearths their hidden potential. He has an amazing sense of spontaneity, an inquisitive mind, and a captivating personality.

Throughout India, he has conducted countless personality development programs for the student fraternity, diverse academic community stakeholders involved in the teaching-learning process, the corporate sector, workers in extremely stressful work environments, and the group of people who accept their fate as pseudo-failures.

Saeed Ahmed’s workshops are widely recognized for their great content and distinctive, compelling style of delivery.

Ranked as one of the leading motivational speakers in India, Saeed Ahmed’s workshops are widely recognized for their great content and distinctive, compelling style of delivery. His energizing classes are intuitive, inspiring participants to realize their full potential, release their innate energy, and develop a burning drive for achievement and personal excellence. They are intended to provide participants with a great deal of energy and vitality, enabling them to advance both personally and professionally.

His successful endeavors to bring back to life pseudo-failures, particularly those with low motivational factors and a criminal past, have grabbed significant media attention. The last few years have seen the frequent publication of pieces celebrating these accomplishments in prominent newspapers, and multiple news channels have aired his pre-recorded interviews on the subject.

Born in Sholapur, a textile town in Maharashtra, Saeed Ahmed did his schooling through the Urdu medium and graduated in geography and political science. He went on to pursue higher learning. After completing his studies in library and information science, he did his post-graduation in the Urdu literature from Shivaji University in Kolhapur. He started his career in a modest capacity as an assistant librarian at a reputable college in Pune.

His early and modest profession served as a palette for shaping him into a multifaceted personality, as he was surrounded by antique and modern books, newsletters, and printed reference material of inter-disciplinary content. Gradually and steadily, he began to embody the roles of an actor, director, dramatist, journalist, writer, peace activist promoting global fraternity, and, most recently, a student. He is currently pursuing a doctorate at Pune University on the extremely relevant subject of “Hindustani stage and tradition of Urdu drama in Maharashtra.”

He is an expert at improving life skills, including stress management, time management, positive thinking, emotion management (for overcoming fear, grief, sorrow, rage, boredom, etc.), and a number of other crucial areas that participants may reveal themselves in. The contents change based on the situation, the amount of time available for engagement, and the participants’ overall characteristics, expectations, and concerns.

The evolution of a nationally renowned motivational speaker can be summed up by examining the thirty years of his career. This shows how a person’s life experiences, some natural and some others artificially created, play a crucial role in shaping a flexible personality that can handle any circumstance with ease. What makes the one and only “Saeed Ahmed” is a combination of his varied experiences with controversial topics and his recording of the algorithms used to address them.

Having spent a significant portion of his career working for an organization, he has encountered the typical challenges that all workers face in today’s cutthroat and materialistic workplace. As he began his dazzling career, he experienced moments of rivalry, envy, and unpleasant camaraderie from coworkers, superiors, and even higher authorities. To nearly all of them, he answered with forbearance, patience, and strengthened willpower. In actuality, they functioned as an oven to solidify his supple clay and imparted to him free psychological counseling, stress management techniques, and elegant interpersonal interactions.

Saeed Ahmed is not just a motivator of the highest caliber; he is also an actor, director, writer, documentary filmmaker, and journalist.

He was connected to several prominent theaters in Lahore, Pakistan, as well as Prithvi (Mumbai), Nehru Centre (Mumbai), Rangshankara (Bangalore), Hamdard University, Delhi, Balgandharva (Pune), and Punjab Naat-shala (Amritsar). He performed widely for an Indian audience with these theater groups, and three of his shows, which were shown consecutively for three years in a row at the “World Performing and Visual Arts Festival” in Lahore, were acclaimed internationally (2004, 2005, 2006). These were “Naquab” by Rafi Peerzada, “Jis Lahore Naee Dekhya” by Dr. Asghar Wajahat, and “Portrait” by Ratnakar Matkari.

Prior to this, most of the plays he directed and performed across the country were “Dhilli Khaat” by Naseem Mannan, “Portrait” by Ratnakar Matkari, “Najat” by Abdul Wahab Lunje, “Nafrat ke Rang” by Kazi Mushtaque Ahmed, and a few plays he wrote himself, including “Sir Sayyed Ahmed Khan (Founder of Aligarh Muslim University)”, “Toba Tek Singh,” a drama based on Saadat Hassan Monto, “Kahain Hai,” and “Dilli Ka Thagh” have received favorable reviews from critics and audiences alike. He made his acting debut as a character actor in the “Sunita” serial that was broadcast on Doordarshan. His drama “Sare Jahan Se Accha” had more than forty performances in Maharashtra.

An audio presentation in the form of an audio cassette, followed by audio CDs, and is currently in the process of creating a documentary directed, produced, and narrated by him about the life of Sir Sayyed Ahmed Khan. He also wrote the book “Sare Jahan Se Accha,” released by the Haji Ghulam Mohammed Azam Educational Trust, Pune.

In addition, he has contributed his expertise to the production of multiple documentaries for Pune-based organizations and cable networks.

Alongside his involvement in theater and the arts, he pursued a career as a professional journalist. From 1995 to 2001, he worked as a correspondent for Mumbai’s daily Inquilab and Munsif of Hyderabad and  Pune’s Urdu fortnightly Usool. He had also interviewed prominent figures.

When asked what inspired him to pursue a career in motivational speaking, he admitted with honesty that I was a shy boy in school with an inferiority complex who was accustomed to self-analysis.

Life is a “give and take” proposition, and the previous decades of my diverse work helped me learn enough to be ready for a “second innings” or platform change, in which I now hope to “give,” and in 2002, I made a lifestyle change, he said. In the year 2006, I left the well-secured job to venture into the turbulent waters of lending my ‘know-how’ for the personality development of all, he added.

About his experiences, he pointed out that materialism is prevalent in Muslim society, and there is a wrong notion prevailing in the society that education is for seeking a job. He stresses the need for “Taleem ke saath Tarbiat.”

Under his All India Educational Awareness 93-day tour, last year he traveled 10,000 km across the seven states and conducted 179 workshops in 134 cities. In the second part of the tour, starting on November 11, 2023, he will travel to 13 states.

source: http://www.radiancenews.com / Radiance News / Home> Focus> Pride of the Nation / by Abdul Bari Masoud / November 01st, 2023

Dr. Tarana’s book on forgotten Rampur foods released

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Women/Girls(since May26-2021), , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Rampur, UTTAR PRADESH :

New Delhi :

Away from the hustle and bustle of the national capital Delhi, the food lovers gathered in Delhi’s India International Center to discuss the food – delicacies, genres and history – all day. It was for the release of Dr. Tarana Hasan Khan’s book ‘Deg to Dastarkhwan: Stories and Recipes from Rampur.

In this era of pizza, burger, and fast foods, we seems to be forgetting traditions of the Shahi, Mughlai and old delicious food.

Dr. Tarana Hasan Khan is one of the few to write on Dastarkhwan – the Indian cusine. She is also cultural historian.

Dr. Tarana Hasan Khan and her book

Her other book is: The Begum and the Dastan.

Dr. Tarana says It took her three years to cover the forgotten recipes of Rampur for the book. There is a chapter on rice and spices in this book.

Famous food writer Pushpant Pant also participated in the book launch ceremony. The program started with welcome address by Swati Pal, Principal of Janki Devi Memorial College.

She also discussed the problems faced in writing the book on the ‘forgotten foods of Rampur’ were mentioned. Yusuf Saeed and Naseema Naqvi had a long conversation on this subject. This was followed by a discussion on the history of the foods between Dr. Tarana and Pushpant Pant.

Dr. Tarana specially thanked Pushpesh Pant for attending the program and joining the discussion on delicious food. He has written about Pushpent Pant by posting on Twitter:

This book has been published by Penguin.

source: http://www.awazthevoice.in / Awaz, The Voice / Home / by Aasha Khosa / October 31st, 2022