Category Archives: Arts, Culture & Entertainment

Book Excerpt: Barsa By Kadeeja Mumtas

Kattoor (Thrissur District),KERALA:

Khadija Mumtaz - Wikipedia

Barsa, written by Kadeeja Mumtas, is the first Malayalam novel to be set in Saudi Arabia and as its introduction states, is a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”.

Barsa, as its introduction states, is the first Malayalam novel to be set in Saudi Arabia. Written by Kadeeja Mumtas and translated into English by K M Sherrif, the book acts as a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”. 

Sabitha, the protagonist of the novel, after moving to Saudi Arabia, starts questioning every aspect of her every day life – including religion.


The novel traces her personal journey as she is caught amidst culture, religion, and personal agency, and struggles to assert her own identity.

One hot afternoon, Rasheed and Sabitha first stepped out like refugees on the large expanse of land surrounding the grand mosque which housed the holy Ka’aba. Other travellers who knew their way hurriedly moved on while the two of them stood hesitantly at the crossroads, unsure of their next step. The coppery glare of the sun sat on their heads like the legs of a giant spider.

Rasheed glanced at Sabitha. He could sense her discomfort in the headscarf and the abaya, looking like a lawyer’s coat, which the Malayali workers at the airport had helped her buy. But he thought that even in those uncomfortable clothes, Doctor Prabhakaran’s niece, with her wheatish complexion, had a particular charm. He wanted to tell her this with a little smile, but with his tongue stuck to the roof of his dry mouth. He just couldn’t do it, which was a pity. If he had, maybe the wrinkles on her forehead would have lost at least one crease.

A yellow taxi backed up and stopped near them. Th e face of a man with a shabby headdress clamped down by a black ring came into view, and an arm jerked out of the window at the driver’s seat. “Fain aabga ruh?” Rasheed guessed he was asking where they wanted to go and replied, “Mudeeriya Musthashfa”—the Health Directorate. He had gleaned the Arabic expression from the conversation he had had in halting English with the Palestinian doctor they had met at the airport emergency service. He had seen Sabitha too write it down in her diary.

“Ta’al ”—come. Th e driver opened the car doors and invited them in. As he could not understand the driver’s sarcastic remark, directed obviously at his fairly large suitcase, Rasheed, with some embarrassment, chose to put it on his lap as he sat down and leaned back comfortably.

As the car sped at breakneck speed, Sabitha felt a tremor run through her, but she suppressed it immediately. She felt helpless at having to depend on a complete stranger, an Arab driver whose language she did not know. But she was also reassured by Rasheed’s presence. They had reached this far, trusting strangers, many of whose languages they did not know.

As they boarded the Saudi Airlines flight to Riyadh from Mumbai, Thambi, the man from their ticketing agents Ajanta Travels, had said reassuringly, “The flight will take about four and a half hours. Someone from the Ministry will be waiting to receive you. There is nothing to worry about, Riyadh is a nice city. Okay then, happy journey!”

From the moment Thambi, with that characteristic city dweller’s way of waving goodbye had raised his hands and walked away, Rasheed and Sabitha had taken comfort in each other’s presence. They could make this journey together only because of their decision to stick to each other, come what may. At the interview in Mumbai, it was Sabitha who was selected first, as a lady gynaecologist. The interview for ophthalmologists had not yet been conducted and, as there were a large number of applicants, Rasheed was not too hopeful of getting in. When she was asked to sign the contract, Sabitha hesitated, “I will sign only if my husband too is selected.” She had by then realised that lady gynaecologists were much in demand. “You sign; even if he is not selected, he can come with you on a family visa and then try for a job there.”

The man at Ajanta Travels, a go-getter, tried to hustle her. “No, I am not that keen to go to the Gulf to work. I will go only if he also gets a job there.” Her stubbornness paid off . An interview was fixed for Rasheed as a special case.


Excerpted with permission from Barsa, by Kadeeja Mumtas, Yoda Press. You can buy this book at 20% off at the FII-Yoda Press Winter Book Sale on 21st and 22nd December 2018 in New Delhi. For more details, check out the sale page.

source: http://www.feminisminindia.com / Feminism In India – FII / Home> Culture> Books / by FII Team / December 21st, 2018

Heritage walks uncover new angles of Indian history

DELHI:

Historians and enthusiasts are taking public education into their own hands to tell the story of the country’s Muslim communities.

The Chronicles of Mehrauli heritage walk. Sonia Sarkar for The National
The Chronicles of Mehrauli heritage walk. Sonia Sarkar for The National
The walk takes visitors through Mehrauli Archaeological Park. Sonia Sarkar for The National
The walk takes visitors through Mehrauli Archaeological Park. Sonia Sarkar for The National
it is led by Purani Dilli Walo Ki Baatein. Sonia Sarkar for The National
it is led by Purani Dilli Walo Ki Baatein. Sonia Sarkar for The National
It is one of the oldest inhabited places in the subcontinent. Sonia Sarkar for The National
It is one of the oldest inhabited places in the subcontinent. Sonia Sarkar for The National
Mehrauli is rich in historical ruins, tombs and monuments from many eras of Delhi's past. Sonia Sarkar for The National
Mehrauli is rich in historical ruins, tombs and monuments from many eras of Delhi’s past. Sonia Sarkar for The National
The Qutb Minar heritage tour. Sonia Sarkar for The National
The Qutb Minar heritage tour. Sonia Sarkar for The National
Pigeon-watching on a tour. Photo: Purani Dilli Walon Ki Baatein
Pigeon-watching on a tour. Photo: Purani Dilli Walon Ki Baatein
A kotha, now a private property, in old Delhi taken during the walk titled 'Tawaifs and Kothas: Exploring Chawri Bazaar' by Enroute Indian History. Sonia Sarkar for The National
A kotha, now a private property, in old Delhi taken during the walk titled ‘Tawaifs and Kothas: Exploring Chawri Bazaar’ by Enroute Indian History. Sonia Sarkar for The National
The road leading to Jama Masjid in old Delhi, with guide Anoushka Jain showing an old picture of the same road in the 19th century. Sonia Sarkar for The National
The road leading to Jama Masjid in old Delhi, with guide Anoushka Jain showing an old picture of the same road in the 19th century. Sonia Sarkar for The National
A tour group on the steps of Jama Masjid. Photo: Enroute Indian History
A tour group on the steps of Jama Masjid. Photo: Enroute Indian History

Chaotic narrow lanes lined with opulent old mansions, shops selling spices, dried fruits and kebabs, all overhung by dangling power cables – any trip to Old Delhi, a bustling Muslim hub built by Mughal ruler Shah Jahan, is a full sensory experience.

Abu Sufyan weaves through the crowd with about 20 people in tow, making his way through streets smelling of flatbread soaked in ghee, the call to prayer at a nearby mosque mingling with the bells of a Hindu temple.

He is on a mission to change negative perceptions of Muslims by showing visitors more of their history in the capital.

“People in old Delhi were labelled as ‘terrorists’ and ‘pickpockets’ because they were predominantly Muslims from the lower economic background, and Mughal rulers were vilified as cruel invaders, as they were considered the ancestors to Indian Muslims,” Abu Sufyan, 29, says.

“My walks involve the local community members including calligraphers, pigeon racers, cooks and weavers with ancestral links in the Mughal era to showcase old Delhi’s heritage beyond these stereotypes.”

Abu Sufyan is one of a growing crop of enterprising men and women using the medium of heritage walks to educate the Indian public and tourists on the nation’s lesser-known history.

He started his walks in 2016, when hatred against Muslim communities was on the rise after Prime Minister Narendra Modi’s ruling Bharatiya Janata Party introduced several anti-Muslim policies.

People walk on a road earlier named Aurangzeb Road, after the Mughal emperor, now renamed to Dr. A. P. J Abdul Kalam, India’s former president, in New Delhi, Thursday, June 2, 2022. / AP Photo/Manish Swarup)

In 2015, a BJP politician urged the local civic body in Delhi to change the name of Aurangzeb Road to APJ Abdul Kalam Road. The civic body immediately obliged, removing the reference to the Mughal ruler from the road by naming it after the former president of India, who was always considered a “patriotic” Muslim.

Later, the 2019 Citizenship (Amendment) Act caused further division, as critics said it could be weaponised against Muslims, who are designated as “foreigners” under the National Register of Citizens.

Occasionally, divisions lead to violence: Thirty-six Muslims were killed in Hindu mob attacks for allegedly trading cattle or consuming beef between May 2015 and December 2018, according to Human Rights Watch.

‘A sense of belonging and togetherness’

Chennai city is also a major cultural site, offering many things to do and sights to see. Frederic Soltan / Corbis

Over 2,000 kilometres away in Chennai, documentary filmmaker Kombai S Anwar hosts walks in Triplicane to tell stories of Tamil Muslim history, Tamil Nadu’s pre-Islamic maritime trade links with West Asia, the arrival of Arab traders, Mughal emperor Aurangzeb’s rule, the appointment of a Mughal minister’s son Zulfikhar Ali Khan as the first Nawab of Arcot, and the lives of the subsequent nawab’s descendants.

“Predominantly, non-Muslims participate in these walks because they are ‘curious’ about local Muslims and their heritage. During [Ramadan], they are invited to the historic Nawab Walaja mosque, where they experience the breaking of fast and partake in the iftar meal,” Mr Anwar says.

Tickets for heritage walks across India range between 200 and 5,000 Indian rupees ($2-60).

Historian Narayani Gupta, who conducted heritage walks in Delhi between 1984-1997, said any controversy related to history generates more interest.

“Whether history is right or wrong or good or bad, it has to be backed by research findings,” she says.

17th-century Jami Masjid, India’s largest mosque. Unsplash
17th-century Jami Masjid, India’s largest mosque. Unsplash

Saima Jafari, 28, a project manager at an IT firm, who has attended more than 30 heritage walks in the past five years, says it is hard to ignore the historical monuments in the city since they are almost everywhere.

Delhi-based Ms Jafari recalled one of her best experiences was a walk, in 2021, trailing the path of “Phool Waalon Ki Sair”, an annual procession of Delhi florists, who provide sheets of flowers and floral fans at the shrine of Sufi saint Qutubuddin Bakhtiyar Kaki and floral fans and a canopy at the ancient Hindu temple of Devi Yogmaya in Mehrauli.

“When I walked along with others in that heritage walk, I realised that heritage enthusiasts across religion walk together in harmony,” Ms Jafari says.

“One of the best parts of heritage walks is the storytelling that connects places with lives of people of a certain period. Plus, it always gives a sense of belonging and togetherness.”

Anoushka Jain, 28, a postgraduate in history and founder of heritage and research organisation Enroute Indian History, which holds walks to explore the erstwhile “kothas (brothels),” and “attariyas (terraces)” of old Delhi, said during pandemic lockdowns, posts on Instagram helped sparked interest.

“Before the pandemic, barely 40 people participated in two weekly walks as opposed to 50 in each of the four weekly walks which we conduct now,” she says.

But it is not all smooth sailing.

Ms Jain says some people feel uncomfortable when they are given historical facts and research that show Hindu and Jain temples constructed by Rajput rulers were repurposed during the rule of Delhi Sultanate, Qutb ud-Din Aibak.

Iftekhar Ahsan, 41, chief executive of Calcutta Walks and Calcutta Bungalow, adds that sometimes, participants come with preconceived notions that Muslims “destroyed” India for more 1,000 years – but walk leaders hold open conversations to “cut through the clutter” with authentic information.

For some, heritage walks often change perceptions.

“Until I visited mosques in old Delhi during a walk, I didn’t know that women were allowed inside mosques,” law student Sandhya Jain told The National.

But history enthusiast Sohail Hashmi, who started leading heritage walks in Delhi 16 years ago, cautions that some walk leaders present popular tales as historical fact.

A mansion called Khazanchi ki Haveli in old Delhi’s Dariba Kalan is presented as the Palace of the Treasurer of the Mughals by some walk leaders, Mr Hashmi says. The Mughals, however, were virtual pensioners of the Marathas – Marathi-speaking warrior group mostly from what is now the western state of Maharashtra – and later the British and had no treasures left by the time the mansion was built in the late 18th or early 19th century.

Another walk leader had photo-copied an 1850 map of Shahjahanabad, now old Delhi, passing it off as his own research, he adds.

“The walk leaders must be well-read and responsible enough to ensure that the myths are debunked,” Mr Hashmi says.

source: http://www.thenationalnews.com / The National / Home> World> Asia / by Sonia Sarkar / June 01st, 2023

Dawoodi Bohra Muslim community leader in Surat, Zampa Bazaar decked up to host annual seminar

Surat, GUJARAT:

On the sidelines of the educational seminars, various stalls and exhibitions on environment, and business have also been set up at the community’s sports ground in Khaimat al-Riyada to provide a holistic learning experience to the attendees.

Mufaddal Saifuddin is the spiritual leader of the Dawoodi Bohra community (Express File Photo)

The leader of the global Dawoodi Bohra Muslim community, His Holiness Syedna Mufaddal Saifuddin, the 53rd al-Dai al-Mutlaq, arrived in Surat from Rajkot on Thursday on the occasion of ‘Istifada Ilmiyya’ (education seminar). He will be in the city till first week of November.

Every year, the education seminar — ‘Istifada Ilmiyya’ — is held in Surat that is graced by his presence, said organisers. ‘Istifada Ilmiyya’ comprises a series of learning and skill development sessions that cover a wide variety of topics such as Islamic philosophy, history, and jurisprudence, as well as contemporary topics. The attendees include students, business people, professionals, and teachers as well as members of Syedna’s administration, and graduates of the Aljamea-tus-Saifiyah Arabic Academy.

Thousands of community members annually register their presence at the event. This year, the event kicked off on Friday, and myriad programmes will continue till the first week of November.

Hatim Fakhar, public relations coordinator for the Dawoodi Bohras in Surat, said, “The anticipation and excitement to host thousands of attendees for this annual educational seminar in Surat are palpable, and we hope we will be able to provide them with a memorable experience. This year, the event is even more special as we will mark the 80th birthday of His Holiness Syedna Mufaddal Saifuddin on 3rd November.”

“We are grateful to the local authorities and government agencies for rendering their timely support and assistance as always in hosting thousands of community members in the city,” Fakhar added,

A large number of members of the Dawoodi Bohra community have already arrived in Surat from various parts of India and the world to attend the events in the Zampa Bazaar area on Thursday. With the venue intricately decorated, boasting of colourful lights and freshly painted buildings, hundreds of volunteers are also present to guide visitors.

The Surat unit of the community had been preparing for the event over the last 15 days by hiring open grounds and plots on rent and by erecting tents with various facilities for visitors to stay. Besides hotel rooms, several houses in Zampa Bazar, Sagrampura, Begampura, Salabatpura (walled city areas) have been rented out for visitors. Apart from this, the organisers have also arranged staff to maintain cleanliness on roads and halls. . Apart from this, Burhani Foundation & local organisers have also arranged staff to maintain cleanliness on roads and halls.

The Zampa Bazaar area in Surat is home to a large number of members of the Dawoodi Bohra community in India, where one can find religious places, an Arabic university, and shops run by the community.

On the sidelines of the educational seminars, various stalls and exhibitions on environment, and business have also been set up at the community’s sports ground in Khaimat al-Riyada to provide a holistic learning experience to the attendees.

Ummehani Ismail, a lawyer and a mother of two who travelled from the United States to attend the annual seminar, said, “Every year, I look forward to attending these seminars which have helped me develop new skills and broaden my knowledge base and understanding on various aspects of life. These sessions empower me to be a better person and create a positive impact on society. Throughout the event, we engage in thought-provoking discussions, attend workshops, and benefit from the speakers’ insights.”

source: http://www.indianexpress.com / The Indian Express / Home> News> Surat / by Express News Service, Surat / October 21st, 2023

Jaan Nissar Lone receives global humanitarian award for uniting the world through music

Sheeri (Baramulla District) JAMMU & KASHMIR / Mumbai, MAHARASHTRA:

Jaan Nissar Lone receives global humanitarian award for uniting the world  through music | Hindi Movie News - Times of India
Jaan Nissar Lone receives global humanitarian award for uniting the world through music© Provided by The Times of India


Jaan Nissar Lone was graced with the illustrious global humanitarian award by the World Humanitarian Drive. He is mainly known for his song ‘Harmukh Bartal’ featured in Manoj Bajpai Starrer Webseries ‘The Family Man’. This momentous occasion, graced by esteemed luminaries, reverberated with the essence of his contributions to the realm of music, particularly his role in fostering a sense of unity among diverse populations, including those residing in the picturesque yet troubled valley of Kashmir.

Jaan Nissar Lone’s musical artistry has transcended geographical confines and tugged at the heartstrings of individuals from all walks of life. His melodious compositions served as a wellspring of inspiration, galvanizing countless souls to embark on a journey characterized by love and mutual comprehension, not just for their homeland but for the entire global community. Through his educational music videos, he has empowered a legion of youthful enthusiasts to partake in endeavors aimed at heightening awareness of human unity, thus laying the foundation for a more harmonious and all-encompassing world.

Jaan Nissar Lone receives global humanitarian award for uniting the world  through music | Hindi Movie News - Times of India

The World Humanitarian Drive lauded Jaan’s remarkable endeavors in employing music as a unifying conduit, capable of bridging divides between communities and nations.

The ‘World Humanitarian Drive’ founder Dr Abdul Basit Syed lauded Jaan’s remarkable endeavors in employing music as a unifying conduit, capable of bridging divides between communities and nations. Lone’s journey as a musician and humanitarian transcends borders, languages, and cultures to promote harmony and peace worldwide. His work resonates with people globally, earning him recognition as a symbol of peace and tranquillity.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> Times Entertainment> Hindi> Music / November 08th, 2023

Mohammed Shami jerseys sold out around Eden, stadium where Clive Rice once felt like Neil Armstrong

Sahaspur Village , Amroha, UTTAR PRADESH / Kolkata, WEST BENGAL:

Mohammed Shami jerseys are out of stock at the sports goods market near Eden Gardens. (PTI | Express Photo by Sandip G)

Adjoining the sprawling maidan and the Eden Gardens is what the locals call – the largest sports goods market in Asia. Whether it’s a brag or the truth, the half a kilometer-stretch is the first stop of every aspiring sportsman of the city.

Badminton racquets dangle from creaking ceilings, cricket bats of all sizes, shapes, wood and football boots are a nudge away from falling off the glassed showcases. There are also imitation-gold plated trophies shinning garishly under the glare of tube-lights.

“The journey of every sportsman starts here, and not the maidan,” says Rahman Ali, who owns Palace Sports. “Established 1965,” he asserts. Ali’s grandfather, like most shop-owners had migrated from East Pakistan after the partition.

“Back in the 70s, Abbas Ali Baig tore his shoes one day and bought a pair from us. My grandfather didn’t take any money from him. Dhoni brought a pair of gloves from here too once. And of course, we have spotted Shami bhai a lot of times here (before he got into the Indian team). Now, of course, he can’t. He would be using foreign goods,” he says.

Shami’s jerseys, though, are out of stock. Ali reasons: “Usually, we stock more jerseys of Rohit and Virat. But we didn’t know our bowlers would become such a hit. But no worries, the load will arrive tomorrow, in time for the match,” he says.

Every replica jersey costs around Rs 450, which in normal time is sold for Rs 250-300. “The pandemic struck us badly, we were running on heavy losses. So we have to cash in during the World Cup,” says Armaan, who quips: “We look forward to the sports season more than the sportsmen.”

The three-week window is their equivalent of the harvest season. These days, they sell around 200-300 jerseys a day, and on match-days even more. Match-days are the busiest days, and therein lies their biggest pang. “The stadium is so near, yet we can’t leave the shop and watch the match,” he says.

Search for selfie

The jersey-hunters are swelling by the minute and the narrow passageways have become narrower. Some stop by and chat about Shami’s demolition of Sri Lanka, or whether Virat Kohli would equal Sachin Tendulkar at the Eden. The proximity of the bus station that is ferrying thousands of cricket pilgrims from different corners of the state and the line of hotels in the neighboring New Market Area has made an already crowded part of the city seaming at its bursts.

Some of them wander into the Eden Gardens, across the Maidan with its kite-fliers. These marching cadet scouts go past the hundreds of sports clubs and the Lesilie Claudius Sarai named after the city’s most famous hockey star, in search for a selfie or to merely soak in the atmosphere.

Eden Gardens
Eden Gardens illuminated with lights ahead of the ICC Men’s Cricket World Cup 2023 match between India and South Africa, in Kolkata. (PTI)

Eden Gardens illuminated with lights ahead of the ICC Men’s Cricket World Cup 2023 match between India and South Africa, in Kolkata. (PTI)

“You should come after six,” a policeman tells a pair of inquisitive tourists.” That is when the facade of the storied stadium glows. A fleet of police cars screeched past the stadium, tired policemen could be spotted leaning against the walls or resting on the cane fence near the stadium.

There is a buzz crackling in the humid air of the city. When the list of games were announced, the city was dejected that it would not host any of India’s marquee games. It’s hosting a semifinal—but it was accustomed to hosting bigger games, the finals (1987 World Cup and 2016 T20 WC). And wallowing about its glorious past is ingrained in the city’s psyche.

SA’s piece of history

Political subplots were read into it. But the sleight of destiny ensured that the city got the most competitive game of the tournament, India versus South Africa. Few considered South Africa contenders, but they are now the second favourites. Two days cannot fly faster is the common refrain. Some fans loitered around the stadium, assuming that the team would practise in the stadium on Friday. A policeman, tired of shooing a pack of youngsters away, now starts shouting expletives and waving the cane lathi. They flee. The new batch arrives, and the policeman is his wits’ end.

Anyone passing along the premises of the stadium is asked the standard question: “Ticket hain?” It could be anyone from a casual inquirer to a desperate fan pleading, or a tout seeking a potential buyer to slap an over-priced ticket. Among them was Ebrahim, from Durban. He landed on Thursday, but has no ticket. Draped in a South Africa flag, he says: “Maybe, I can buy one in the black market, or one of the South African supporters here can manage one. I was so thrilled to watch this World Cup that I didn’t bother about the ticket. I called a friend of mine from Cape Town last week and decided to travel just like that,” he says.

He says it was destiny that has brought him to Kolkata. “We played our first game after reintroduction here, we won our first Test match in India here. Hopefully, we will watch something special here too,” he says.

There is another connect—the administrator credited with bringing South Africa back into the cricket fold, Jagmohan Dalmiya, too was from the city. The series was organised in a week’s time, thanks to a meeting between then West Bengal CM Jyoti Basu and South Africa cricket board administrator Ali Bacher.

A batch of nervous cricketers in a chartered flight landed to a raucous welcome. In the post-match interview, captain Clive Rice would emotionally say: “I know how Neil Armstrong felt when he stood on the moon.” There is a picture of him and his teammates bowing down with folded hands and thanking the crowd after the game. “The most historic match in the history of South African cricket,” he would say.

A sense of history is lurking around the Eden Gardens this week too, as two of the strongest teams in the World Cup encounter on Sunday. And there is a whole ecosystem around it, literally and symbolically, waiting for the match and their catch.

source: http://www.indianexpress.com / The Indian Express / Home> News> Sports> Cricket World Cup 2023 / by Sandip G, Kolkata / November 04th, 2023

Selected For Poetry Award

Kalaburagi, KARNATAKA:

H S Madhurani

Mysore/Mysuru: 

H.S. Madhurani,  working as a lecturer in city, has been selected for Eee Hottige poetry award given by Bengaluru-based Eee Hottige Readers Forum. The award carries a cash prize of Rs.10,000 and a citation.

Madhurani has bagged this award for Neeli Chukkiya Neralu, a collection of her poems.

The other winner is Dr. K. Sharifa of Kalaburagi, for her Neerolagana Kichhu, a collection of poems.

Madhurani and Dr. Sharifa will be conferred  the awards during Hottigeya Honalu event at Kappanna auditorium in J.P. Nagar, Bengaluru, on Mar. 27.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 23 rd, 2022

DK District Rajyotsava Awards to NRI businessman Abdulla Madumule, Journalist Ibrahim Adkasthala

Dakshina Kannada District, KARNATAKA:

Abdulla Madumule (On the left), Ibrahim Adkasthala (On the right)

Mangaluru: 

In an announcement made on Tuesday evening, the prestigious DK District Rajyotsava Awards have been revealed, recognizing the outstanding contributions of 46 individuals and 17 organizations. Among the awardees are figures such as Prominent Non-Resident Indian (NRI) businessman Abdulla Madumule, journalist Ibrahim Adkasthala, and literary expert Dr. Prabhakar Neerumarga.

Ibrahim Adkasthala is a senior correspondent at Vartha Bharati.

Additionally, recognition has been bestowed upon organizations, including the Ullal Syed Madani Charitable Trust, for their noteworthy work in various fields.

A notable recipient of this honor is Badruddin Farid Nagar, the former president of Harekala Gram Panchayat, acknowledged for his significant contributions to rural development.

The awards ceremony is scheduled to take place at Nehru Maidan in the city on November 1, starting at 9 am. Dinesh Gundu Rao, the DK District In-charge Minister, will preside over the event, with Speaker UT Khader in attendance to present the awards to the deserving recipients.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Karnataka / by Vartha Bharati / October 31st, 2023

68th Karnataka Rajyotsava Awards distributed on November 01st, 2023 : Check the complete list of awardees here

Karnataka government has awarded the Rajyotsava award to 68 people including ISRO Chairman S Somanath and golfer Aditi Ashok.

S Somanath, Chairman, ISRO
S Somanath, Chairman, ISRO

Here’s the complete list:

The Karnataka government’s Rajyotsava Award will be given to 68 people this year, including ISRO Chairman S Somanath and golfer Aditi Ashok, for their excellent service in their fields.

The Rajyotsava Award is the state’s second-highest civilian award given by the Karnataka government annually. The 68th Karnataka Rajyotsava Awards will be conferred on the occasion of the state’s formation day on November 1. This year is the golden jubilee of renaming Mysore state as Karnataka.

Chief Minister Siddaramaiah is the head of the Award committee, who has selected the winners.

The government also decided to give 10 awards to organisations along with 68 Rajyotsava awards on the occasion of ‘Karnataka Sambhrama’. 

Minister for Kannada and Culture Shivaraj Tangadagi said that it is ensured that every district has been given representation while selecting the awardees. The awardees also include 54 men, 13 women and one transgender. The list also has two centenarians.

The Rajyotsava Awardee will get cash rewards of Rs 5 lakh, a 25-gram gold medal and a plaque.

Here’s the complete list of Rajyotsava Awardees

Music/Dance

  • Nayana S. More (Bengaluru) 
  • Neela M. Kodli (Dharwad)
  • Shabbir Ahmed (Bengaluru) 
  • Balesh Bhajantri (Belagavi)

Sculptures/Art/Handicraft 

  • T. Shivashankar (Davangere)
  • Kalappa Vishwakarma (Raichur)
  • Martha Jakimovich (Bengaluru)
  • P. Gowraiah (Mysuru)

Yakshagana

  • Agrodu Mohandas Pai (Udupi)
  • K. Leelavathi Baipadithaya (Dakshina Kannada)
  • Keshappa Shillikyathara (Koppal)
  • Dalawai Siddappa (Vijayanagara)

Folk Art

  • Husenabi Buden Sab Siddi (Uttara Kannada)
  • Shivangi Shanmari (Davangere)
  • Mahadev (Mysuru)
  • Narasappa (Bidar)
  • Shankuntala Devala Naik (Kalaburagi)
  • H.K. Karamanchappa (Ballari)
  • Shambu Baligara (Gadag)
  • Vibhuti Gundappa (Koppal)
  • Chowdamma (Chikkamagaluru)

Social Service 

  • Huchchamma Chowdri (Koppal)
  • Charmadi Hasanabba (Dakshina Kannada)
  • Roopa Naik (Davangere)
  • Nijagunanda Mahaswami (Belagavi)
  • Nagaraju G. (Bengaluru)

Administration

  • G.V. Balaram (Tumakuru)

Film/Cinema

  • ‘Dingri’ Nagaraj and B. Janardhana (both Bengaluru)

Theatre

  • A.G. Chidambara Rao Jambe (Shivamogga) 
  • P. Gangadhara Swami (Mysuru)
  • H.B. Sarojamma (Dharwad)
  • Thaiyabkhan M. Inamdar (Bagalkot)
  • Vishwanath Vamshakrutha Mata (Bagalkot),
  • P. Thippeswamy (Chitradurga)

Medical

  • C. Ramachandra (Bengaluru)
  • Prashanta Shetty (Dakshina Kannada)

Literature

  • C. Naganna (Chamarajanagar)
  • Subbu Holeyar (Hassan)
  • Satish Kulkarni (Haveri)
  • Lakshmipathi Kolara (Kolar)
  • Parappa Gurupadappa Siddapura (Vijayapura)
  • K. Sharifa (Bengaluru)

Education

  • Ramanna Havele (Raichur)
  • K. Chandrashekar (Kolar)
  • K.T. Chandru (Mandya)

Sports

  • Divya T.S. (Kolar)
  • Aditi Ashok (Bengaluru)
  • Ashok Gagigeppa Yenagi (Dharwad)

Judiciary

  • V. Gopala Gowda

Agriculture/Environment

  • Somanatha Reddy Poorva (Kalaburagi)
  • Dhyavanagouda T. Patil (Dharwad)
  • Shivareddy Hanuma Reddy Vasana (Bagalkot)

Miscellaneous

  • A.M. Madari (Vijayapura)
  • Haji Abdulla, Parkala (Udupi) 
  • ‘Mimikri’ Dayananda (Mysuru) 
  • Kabbinale Vasanth Bharadwaj (Mysuru)
  • Lieutenant General Codanda Poovaiah Cariappa (Kodagu)

Media

  • Dinesh Amin Mattu (Dakshina Kannada)
  • Javarappa (newspaper distributor from Mysuru)
  • Maya Sharma (Bengaluru), and Rafi Bhandari (Vijayapura)

Science/Technology

  • S. Somanath (Bengaluru)
  • Gopalan Jagadish (Chamarajangar)

NRI Kannadigas

  • Seetharam Iyengar
  • Deepak Shetty
  • Shashikiran Shetty

Freedom fighter

  • Puttaswamy Gowda (Ramangara)

Organisations receiving the Rajyotsav Award

Here’s the list of organisations which received the award. 

  • Karnataka Sangha (Shivamogga)
  • B.N. Shivarama Pustaka Prakashana (Mysuru)
  • Mythic Society (Bengaluru)
  • Karnataka Sahitya Sangha (Yadgiri)
  • Moulana Azad Shikshana and Samaja Kalyana Sanskrithika Sangha (Davangere)
  • Muslim Education Institutions Federation (Dakshina Kannada)
  • Sneharanga Havyasi Kala Samsthe (Bagalkot)
  • Chinnara Bimba (Mumbai)
  • Maruthi Janaseva Sangha (Dakshina Kannada)
  • Vidyadana Samithi (Gadag)

source: http://www.business-standard.com / Business Standard / Home> India> News / by Sudeep Singh Rawat, New Delhi / November 01st, 2023

An Indian restaurant in Tashkent celebrates Uzbekistan’s love for Bollywood

INDIA / Tashkent, UZBEKISTAN :

Housed in the Le Grande Hotel in Tashkent, the restaurant is a definite stopover for tourist groups from India and is popular for its Bollywood nights

Wall dedicated to Indian celebrities who visited Raaj Kapur restaurant in Tashkent. | Photo Credit: PTI

In the heart of Tashkent, a city known for its rich history, stands an Indian restaurant celebrating the legacy of legendary Bollywood actor Raj Kapoor and the love of the Uzbeks for him even 35 years after his death.

Styled on the Bollywood theme, the ‘Raaj Kapur’ restaurant which is one of the three major Indian restaurants in Tashkent, is not new but at least 16 years old and is a hit among not only Indian tourists but also locals for its lip-smacking dishes.

Three superstars from the Kapoor family — Randhir Kapoor, Rishi Kapoor and Shashi Kapoor — have also dined at the restaurant on different occasions.

“People in Uzbekistan are crazy about Bollywood and generations of people from Uzbekistan and Russia – even the young – are aware of Raj Kapoor and his cinema and regard him as Bollywood’s numero uno. The restaurant attracts more crowd for its name and less for Indian food, which most visitors discover after enjoying a meal,” Sameer Khan, Resident manager, Raaj Kapur restaurant told PTI.

‘A definite stopover’

Housed in the Le Grande Hotel in Tashkent, the restaurant is a definite stopover for tourist groups from India and is popular for its Bollywood nights where Uzbeks also groove on top chartbusters from the 90s.

While Khan, who is originally from Mumbai, manages the property, the idea of the restaurant was first conceptualised by Jay Al Atas, an Indonesian who fell in love with Indian food during a visit to the country and was also impressed with the craze for Raj Kapoor in Russia and Uzbekistan.

“A lot of Indian tourist groups come here on a regular basis while Uzbeks enjoy the food on occasions and also love clicking pictures here. Whenever a Bollywood celebrity from India comes here, there is a bustling crowd,” he added.

The restaurant is also the official caterer for the majority of Indian events — be it the Shanghai Cooperation Organisation (SCO) summit in Samarkand, Prime Minister Narendra Modi’s visit or ones like a recent Bollywood night which saw performances by Daler Mehandi and Ravi Kishan.

Five chefs from different parts of India are behind the variety-loaded menu at the restaurant.

“We offer all kinds of cuisine that are available in India. Our bestselling dishes are butter chicken, biryani, cheese naan and dosa,” said chef Kalamuddin Sheikh who hails from Orissa.

Wall dedicated to Indian celebrities who visited Raaj Kapur restaurant in Tashkent. | Photo Credit: PTI

Celebrity guests

A wall in the restaurant boasts of the renowned people who have visited the restaurant be it politicians like Sushma Swaraj and Rajnath Singh or Bollywood celebrities like Mithun Chakraborty, Shibani Kashyap, Daler Mehandi, Gulshan Grover, among others.

“We have placed signed sketches of the celebrities from India who have visited us. The restaurant is a big hit here,” Sohail Khan, Quality Manager at the restaurant told PTI.

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Food / by PTI / October 30th, 2023

Waheeda Rahman revived traditional Assamese jewellery and started a venture

ASSAM:

Jewellery designer and enterpreneur Waheeda Rahman

National award-winning Waheeda Rahman not only sells traditional Assamese jewellery she also extricated the traditional jewelry from the brink of extinction by designing the same. 

Today Waheeda is a brand of traditional jewellery and her creations glitter in national and international markets.     

Traditional jewellery is the pride of Assamese culture as it has its unique features and values. Unfortunately, many traditional pieces were about to be lost to posterity – some have already vanished – when Waheeda intervened.

awaz
One of the jewellery pieces designed by Waheeda Rahman

Made of gold and lac, many traditional jewellery items were somewhat heavier and lacked resale value, so people reduced their use. Instead, they resorted to imported jewellery. 

As a result, the popularity of Assamese jewellery gradually declined.

Nearly three decades ago Waheeda Rahman started her journey of looking for the lost and extinct ornament designs of Assam. 

She travelled across Assam and collected the designs from Satras, manuscripts/ Sanchipaat, and Tai-Phake museum. 

She was shocked to find that most of them had become extinct from the market. Only 12 designs were still prevalent which included Motalukaporia, Kornoxingho, and Nogortul.

Waheeda Rahman with eminent personalities of Assam

“Since my childhood, I had a fascination for designs. I used to draw patterns on my Mathematics copy and later got caught by my teacher. Even though Mathematics was never my favourite subject, the teacher was my favorite. I used to admire the designs that I saw on the saris that my teacher wore. Then, I wasn’t quite sure that I would step into designing. But I was confident of doing something big for my Assam. Such confidence and determination have made me what I am today,” Waheeda Rahman told Awaz-The Voice.

Waheeda did in-depth research on Assamese traditional ornaments, their preparative techniques, and the causes that led to their disappearance. 

She later brought all the traditional jewellery pieces to the market. Waheeda applied a new technique for quality and yet never compromised with the original design.

“The processing makes a lot of difference. Diverting from the conventional technique of using gold or silver over lac, I make ornaments of pure gold or silver because lac degrades the quality of the minerals. My jewellery with innovative designs might be a little expensive, but it is an investment for a lifetime,” Waheeda said.

Waheeda not only revived traditional Assamese jewelry but also created more than 500 new designs. Some of her original designs include the Nangol, Jakoi, and Khaloi, designs made out of motifs of different tribes, buds of tea leaves, the mist in Sohra (Cherapunjee), and the Kopou Ful among many others.

Waheeda now runs a boutique “Waheeda Lifestyle Studio” where she not only sells traditional Assamese jewellery but also traditional dresses. 

She exports her jewellery to all major cities in India as well as New York, London, Australia, Germany, and several other European and Southeast Asian countries. She has created employment for many young boys and girls in the field of jewellery business.

Jewellery crafted by Waheeda Rahman

Waheeda’s journey from being a rescuer of Assamese jewellery, designer, and entrepreneur was not easy but full of challenges. 

“Initially the people did not accept my jewellery saying that it are not traditional. For the initial years, I had no buyers and faced severe financial difficulties to pay my craftsmen. Moreover, many people have a prejudiced mindset that girls cannot be in the jewellery business. It is a male bastion,” the President’s medal winner Waheeda said. 

But Waheeda’s work was appreciated and she was able to bring a revolution in the market of traditional Assamese jewellery.

“Jewellery designing is like miniature sculpture. It is not only about making one look good. It should bring forth the personality of a particular individual,” Waheeda said. “And for doing that, a lot of creativity goes into the metals.”

Waheeda is now planning to set up a school to train the younger generation to design and preserve traditional Assamese jewellery for the future.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Daulat Rahman & Munni Begum, Guwahati / October 28th, 2023