Category Archives: Arts, Culture & Entertainment

The Forgotten History of Hussaini Brahmins and Muharram in Amritsar

Amritsar, PUNJAB:

A community historically considered to be “half Hindu” and “half Muslim” has lost its vibrant tradition in the city of Amritsar.

Matam in Amritsar on September 10, 2019. Photo: Nonica Datta

Amritsar : 

As battle lines are being redrawn and strengthened over borders, many shared and eclectic cultural practices and spaces in the subcontinent are forgotten. Certain stories are being gradually erased from the shards of memory and history.

In the month of Muharram this year, on the day of Ashura, I decided to recover the lost narrative of Hussaini Brahmins – also known as Dutt/Datt/Datta Brahmins – and their intimate connection with the taziya procession in the city of Amritsar. In the pre-Partition days here, the taziya juloos, a grand public commemoration, would not start without the presence and participation of Hussaini Brahmins.

Before 1947, my grandfather, Padma Shri Brahm Nath Datta ‘Qasir’, a Hussaini Brahmin and a well-known Urdu-Persian poet, would initiate the taziya procession in Farid Chowk, in Katra Sher Singh, in his beloved city of Amritsar. There was a prominent Shia mosque in the area from where the taziyas were commenced and brought to the historic Farid Chowk.

The grand procession would then move towards the Imambara and Karbala maidan, near the Kutchery, which was a meeting point for all the processions coming from several imambaras. The final convergence of the taziyas was momentous. It is believed that this was close to the pivotal site, known as Ghoda pir, where the legendary steed, Zuljanah, of Imam Husain was said to have been buried.

Hussaini Brahmins: bringing two cultures together

In pre-Partition Amritsar, the taziya procession would start only after the Hussaini Dutt Brahmins lent their shoulder to carry the taziyas forward through the city. In 1942, Dr Ghulam Nabi, a prominent dentist of the city who had a clinic in Hall Bazar, rushed to the first floor of my grandfather’s house in Katra Sher Singh at Farid Chowk. He was from the Shia community and a close friend of my grandfather. He said with urgency, “Dutt Sahib, we are all waiting. Aap kandha doge tab taziya uthengee.”

A community which was historically considered to be “half Hindu” and “half Muslim”, the Hussaini Brahmins traditionally brought two cultures together. Often referred to as either Shia Brahmins or Hussaini Brahmins, phrases such as “Wah Dutt Sultan, Hindu ka dharm, Mussalman ka iman’; and ‘Dutt Sultan na Hindu na Mussalman” became a part of folklore.

Mohammad Mujeeb, the distinguished historian writes, “they [Hussaini Brahmins] were not really converts to Islam, but had adopted such Islamic beliefs and practices as were not deemed contrary to the Hindu faith.” Family narratives reveal that the name of Imam Husain was recited during mundans of young Dutt Brahmin boys, and halwa was cooked in the name of bade (Imam Husain) at weddings. Until the Partition in 1947, the Dutts were commonly called Sultans in different parts of the subcontinent.

Ashura in Amritsar on September 10, 2019. Photo: Nonica Datta

The genealogical map of Hussaini Brahmins covers their settlements in Kufa in Iraq around the time of the historic Battle of Karbala (680 A.D.), and later in Balakh, Bokhara, Sindh, Kandahar, Kabul and Punjab. Their scribal and military traditions and commercial and marriage networks attached them to regional courts during the 17th and 18th centuries and they were mostly found in Gujarat, Sindh, Punjab and Northwest Frontier.

It was in this context that many Hussaini Dutt Brahmins expanded their influence into the city of Amritsar. For instance, historical evidence testifies that before the accession of Maharaja Ranjit Singh, Mai Karmon Dattani, the wife of a leading Dutt, was appointed the ruler of Katra Ghanaiyan in Amritsar. She was reputed to have presided over her court, dispensing even-handed justice at a public place which has been immortalised by her name, and is known as Mai Karmun ki Deohri, later a prominent bazar (known as Karmon Deori) in the city. She is remembered as the “Joan of Arc” of Amritsar.

However, what is most remembered in history is the historic link of the Hussaini Brahmins with Karbala in Iraq, as underscored by British ethnologist Denzil Ibbetson. T. P. Russell Stracey in 1911 provides a fascinating account:

“From the Kavits of the clan, it is evident that the ancestors of the Datts were once in Arabia. They participated in the Karbala War between the descendants and followers of Hazrat Ali and Yazid Sultan, the son of Amir Muaviya. They were friends of Hasan and Hussain, the martyred grandsons of the Prophet, the incidents connected with which furnish the material for the passion play of the Shias at every Muharrum.

When these princes fell, a brave warrior of the Datts named Rahib, resolutely but unsuccessfully defended the survivors. The slaughter of his band, however, compelled him and the small remnant to retire to India through Persia and Kandahar.”

Legend has it that on his return from Arabia, Rahib Dutt brought with him the Prophet’s hair, which is kept in the Hazratbal shrine in Kashmir. Nohas and Kavits, recorded in local vernacular histories, oral narratives and British ethnographic literature, endorse the glorious appeal of Karbala and Muharram among Hussaini Brahmins:

Laryo Datt [Dutt] dal khet ji tin lok shaka parhyo
Charhyo Datt dal gah ji Garh Kufa ja luttyo.”

(The Datt warrior alone fought bravely in the field,
and plundered the fort of Kufa.)

Baje bhir ko chot fateh maidan jo pai
Badla liya Husain, dhan dhan kare lukai.”

(When they won the field, the drum was beaten;
Husain was avenged and the people shouted “bravo”, “bravo”.)

Rahib ki jo jadd nasal Husain jo ai
Diye sat farzand bhai qabul kamai.”

(The seven sons of Rahib (Datt) throwing in their lot
With the faithful few on hapless Husain’s side,
Died as Datts fighting, deeming their death
But friendship’s welcome sacrifice.)

Finally:

Jo Husain ki jadd hai Datt nam sab dhiyayo,
Arab shahr ke bich men Rahib takht bathayo.”

(Off-spring of Husain! forget not thy father’s friend
Rahib, once enthroned in Arabia’s city ere thy father’s end.
Wherefore the name of Datt recite
In thy prayers to Allah, at morn and night.)

Muharram as late as the 1940s was a moment to commemorate the sacrifice of the sons of Rahib Dutt for Imam Husain. The Hussaini Brahmin was an indispensable presence on such a sombre occasion of collective and shared mourning. Partition sealed the fate of this community, as they were left abandoned on both sides of Punjab.

In Pakistan Punjab, they were seen as non-Muslims, in Indian Punjab they were perceived as being closer to Muslims. The horrific politics of the border entered the portals of my ancestral home, too. Brahm Nath Datta Qasir’s house at Katra Sher Singh in Farid Chowk, Amritsar, was set on fire by Hindu fanatic groups in 1947.

It seems there was no Muharram procession in Amritsar in 1947. At least, it didn’t happen in Farid Chowk. In the tragic transformation of Amritsar as a border city, Hussaini Dutt Brahmins were amongst its worst victims. Their fluid identity came under siege as the politics of aggressive religious identities shattered their porous cultural world.

The Dutts’ enduring link with Imam Husain, Karbala and Muharram came under threat. But all was not lost. Some of them did openly identify with their Hussaini Brahmin heritage.

Not very long ago, Indian actor Sunil Dutt, while making a donation in the Shaukat Khanum Hospital in Lahore, recorded his commitment to Karbala and said :

“For Lahore, like my elders, I will shed every drop of blood and give any donation asked for, just as my ancestors did when they laid down their lives at Karbala for Hazrat Imam Husain.”

Needless to say that Sunil Dutt was intimately connected with the cultural landscape of Amritsar too.

Ashura in Amritsar

I reached Amritsar early on the morning of Ashura, on September 10. My first instinct was to visit the Imambara at Farid Chowk in Katra Sher Singh and to trace some crucial sites connecting the gaps between Hussaini Brahmins and Amritsar. This was like looking for a needle in a haystack.

However, I was lucky to find locals who knew about the city’s pluralistic culture and gladly directed me to a lone surviving Imambara, Anjuman-e-Yadgaar Husain, in Lohgarh, just about five minutes away from Farid Chowk. Currently known as the Kashmiri Imambara, it stands on Gali Zainab (named after Imam Husain’s sister), and now renamed as Gali Badran.

As I walked into this self-enclosed, small inconspicuous structure, which houses the Raza Mosque inside its precincts, I saw a large number of policemen and the Rapid Reaction Force.

I was warmly welcomed by the caretaker of the Imambara, Syed Abdullah Rizvi, popularly called Abbuji. He told me that the structure is nearly 110 years old, and was built by Syed Nathu Shah and was regularly maintained by local Shia and Hussaini Brahmin families of Amritsar before 1947.

Abbuji was touched to meet me as a Hussaini Brahmin in the majlis. He enquired whether I had a mark of a cut on my throat (in folklore, the Hussaini Brahmins are known to have a faint line across their throats as a symbol of having sacrificed their lives for Imam Husain). The story of Dutt Brahmins was shared in the assembly (majlis):

“It was Rahib’s mother, who instructed him to sacrifice his seven sons for Imam Husain. Rahib’s mother had been blessed with seven boys by Imam Husain. As a token of her gratitude to Maula Husain, she implored Rahib to sacrifice his own sons. So he did.”

A mourner, Amit Malang, told me, “Unfortunately, Hussaini Brahmins left for Delhi and Bombay. What did they do for Amritsar?” He said sarcastically, “Aj kisi Hussaini Brahmin ki himmat hai ki voh haath kharha kare (Can any Hussaini Brahmin dare to raise his hand today?).”

His angst was shared by many who felt that the community which could have probably preserved the vibrant tradition of the city had abandoned them. Abbuji, a cementing force, a favourite amongst Hindus, Muslims and Sikhs in the congregation, said, “Imam Husain means haq (rights) and aman (peace). We want to convey this message to Amritsar.”

I then awaited the taziya procession.

Muharram within the four walls at Imambara Amritsar on September 10, 2019. Photo: Nonica Datta

A lost narrative of Juloos-e-Ashura

Ab koi juloos nahi nikalta. Juloos-e-Ashura Imambare ke andar hi hota hai. Muharram yahin Imambara ki chardiwari mein hota hai (Now there is no procession. Muharram is confined to the four walls of the Imambara),” Abbuji said. Zaheer Abbas, a Shia from Lucknow who has been living in Amritsar since 1980, added: “The grand shared tradition of Muharram in Amritsar was destroyed by successive wars: 1947, 1965, 1971. Partition didn’t end in 1947.”

Abbas said that the Shia mosque in Farid Chowk had been razed to the ground in 1948-49. Almost all the imambaras, over a hundred in number, were taken over (kabza) or dismantled. Abbuji added:

“Although the government took over the Karbala maidan, until recently the most prominent route for the Muharram procession was via the famous Sikri Banda Bazar to the present Imambara; taziya and alam would be brought there with much passion.  But Bajrang Dal stopped it. Sunnis also didn’t support us. Now there is no procession: Ab ham darwaze diware band karke matam karte hain (Now we perform the mourning ceremony by shutting the doors and walls).”

Farhat, a sole Punjabi Muslim mourner, said that with the exodus of Hussaini Brahmins and Shias, the matam had lost its Punjabi flavour.

Abbuji asked me to write about the lost narrative of Hussaini Brahmins in Amritsar.

The openly public commemoration of Muharram in Delhi, Lucknow, Saharanpur, and even in nearby Malerkotla, Patiala, Jullundur and Jammu contrasts sharply with the slow erasure of this inclusive tradition in Amritsar. A city where Muharram was associated with the sacred geography of Imam Husain and Shia beliefs, such as Ghoda pir, Hussainpura, Gali Zainab and Yadgaar-e-Husain Imambara, the marginalisation of this vibrant cultural practice is heartbreaking.

I was shocked to see that the performance of Muharram and carrying of taziyas was confined to the four walls of a tiny Imambara under the watchful eye of the police. Perhaps, if the Hussaini Brahmins had stayed on, this would not have happened!

Around 5 pm, after “Alvida Ya Husain”, and a solemn meal of masar dal and rice – no meat is served on the day of martyrdom– I left the Imambara, lost in thoughts. I wanted to revisit Farid Chowk in remembrance of my grandfather and the eclectic community forged via the taziya procession that has now disappeared from the open spaces of the city.

I stood on the edge of Farid Chowk in Katra Sher Singh. Karmon Deori was close by; a street named after the famed warrior woman, from the Hussaini Dutt Brahmin clan, in 18th-century Amritsar, and a significant route for the pre-Partition Muharram juloos. There was no sign of any commemoration whatsoever.

As I returned to Delhi, leaving behind the taziyas and alam in the Yadgaar-e-Husain Imambara, the lament of the community of mourners almost crying for the shoulder of the Hussaini Brahmins continues to haunt me.

The reality is that the community, whose ancestors are believed to have sacrificed their seven sons for Imam Husain, has migrated to different parts of the world as global citizens. Many have simply discarded their Hussaini Brahmin identity and started to represent themselves as “Brahmins” – a construct that is miles away from what the community originally represented.

Nonica Datta teaches history at Jawaharlal Nehru University.

source: http://www.thewire.in / The Wire / Home> Religion> Culture> History / by Nonica Datta / September 30th, 2019

“Heemal” — The unsung illiterate poetess of Kashmir

Srinagar, JAMMU & KASHMIR :

Photo: Ahsaan Ali

Khatija Begum (75) over the past 40 years has written thousands of poems and has compiled hundreds of books. It was not an easy job for her to do so, being illiterate she could not pen it down by herself. Whenever some verse come to her mind she would call somebody to write it. It was through her dedication to poetry that she was able to compile her couplets into books successfully.

The narrow allies of Zaina Kadal area of Srinagar lead to her house. Every day she looks at the pile of her poetry collection placed on a desk in her room with a deep sigh hoping that her books will be published someday.

“While I was into the journey of my poetic life, It was not easy for me to memorize each verse of my poetry so I asked my son to bring a tape recorder for me”. Heemal (pen name) recalls how she used to wake up at night to offer prayers and on the same prayer mat record the verses that would come up to her mind.

When Khatija took bundles of those recorded cassettes to a writer for transcription he asked for 70 ₹ per page which was a huge amount at that time so she start doing hand embroidery to earn some money. And spend all that money to preserve her poetry.

It took her 7 years to get her first book published through J&K State Cultural Academy by the title “Ser e-Asraar” which means “The secret of Mysticism”.

Khatija says that the journey of her poetic life started when she was 35 years old. At that time she was busy with her ill mother spending all her time with her, praying for her recovery. One day when she brought her mother to visit a doctor she encountered something unusual, some verses came up to her mind but she was not able to apprehend what was happening to her. After returning home she told her niece about it who wrote those verses for her.

She believes that poetry came into her life because of the prayers she got from her ill mother during her ailment. She dedicates her poetry to a Sufi saint whom she was very close to and consider like her father.

“When I took my books to show him, he was overwhelmed and he told me to endure a lot of patience so that I can bear all the hurdles that will come to my path in this journey. Moreover, he told me that what I have achieved is priceless” with teary eyes she said.

When she recites her poetry, everything around gets blurred and one gets lost in those mystic verses. She is a poetess who needs love and support so that she will be always remembered among the great poets of Kashmir.

source: http://www.milligazette.com / The Milli Gazette / Home> Community News / by Urvat Il Wuska / The Milli Gazette Online / April 10th, 2022

AMU Vice Chancellor releases eight books published by K.A. Nizami Centre

Aligarh, UTTAR PRADESH :

Eight books published by the K A Nizami Centre for Quranic Studies, Aligarh Muslim University (AMU) addressing key themes on the history of South Asian Muslims, diverse responses to the scholarly contributions and rationalist traditions of Islamic scholarship were released today at the Vice Chancellor’s Office.

They are ‘Contemporary Islamic Scholarship in South Asia: An Assessment’, ‘Humanness of Prophets: The Quranic Prophetology’ and ‘Contribution of Dar-ul-Uloom Deoband to Tafasir’ by Dr Abdul Kader Choughley; ‘Dil Jo tha Zulmat Kadah, Ma’ah-e-Munawwar Hogaya’ by Dr Mohammad Haris Mansoor; ‘Qurani Ulum ka Irtiqa Ahd-i-Islami ke Hindustan Mein’ by Prof Zafarul Islam; ‘How to Promote the Study of Quran among Women’, edited by Dr Nazeer Ahmad Ab. Majeed and Dr Arshad Iqbal; ‘Tarjumani Rahmani’ by Prof A R Kidwai and ‘Allah ki Kitab ki Paanch Mangay’ by Prof Fazlur Rahman Gunnouri.          

“These books will answer some of the most frequently asked questions about traditions in Islamic faith, offer a new understanding on the works of Islamic scholars, explore key Islamic events and provide an understanding of important traditions in Islamic philosophy and the intellectual movement that emerged from South Asian Islam”, said AMU Vice Chancellor, Prof Tariq Mansoor while releasing the books. 

Prof A R Kidwai (Honorary Director, K A Nizami Centre for Quranic Studies) pointed out: “The K A Nizami Centre has published over 80 titles on Quran-related scholarship since 2013. Publications of the Centre represent contemporary literature on furthering Quranic understanding and research in Hindi, English and Urdu by authors from various disciplines including translations from various languages”.

source: http://www.amu.ac.in / Aligarh Muslim University / Home / by Public Relations Department / Aligarh, July 13th, 2022

Qatar-based Indian student youngest female person in world to publish a book series

KERALA / Doha, QATAR :

Laiba Abdul Basit

Doha:

A Qatar-based 11-year-old student Laiba Abdul Basit has won the Guinness World Records as the youngest female person to publish a book series. 

Laiba, hailing from the southern Indian state of Kerala, has accomplished this feat after  her second book was published on August 29, 2021, while she was 10 years and 164 days old. 

Laiba Abdul Basit surpassed the record of Ritaj Hussain Alhazmi of Saudi Arabia, who penned three novels before the age of 12 years 295 days. 

Laiba published a three-book series called “Order of the Galaxy”, a fantasy story related to children’s fiction. The first book in this series titled “The War for The Stolen Boy” was published by Amazon and later by Lulu Online. The second book “The Snowflake of Life” was published by the Rome-based Tawasul International, while India-based Lipi Publications brought out the last book in the series, “The Book of Legends”. The second edition of her first and second books was also published by Lipi Publications.

A sixth grade student at the Olive International School, Doha, Laiba has been showing interest in reading and writing since the very young age. She started to write small stories and phrases on pieces of papers and used glue on walls of her house. 

An ardent reader of fiction, science, religion, and biographies of prominent personalities, Laiba’s favourite authors include Enid Blyton, J K Rowling, Ann Frank, and Roald Dahl. Laiba inherited her passion for reading from her grandfathers, KM Abdur Raheem and Mohammed Parakkadavu, who were cultural and social activists in GCC. Support from her father Abdul Basit and mother Thasneem Mohammed has encouraged Laiba’s literary skills.

source: http://www.thepeninsulaqatar.com / The Peninsula Qatar /Home> General / July16th, 2022

English version of book on Tamil Muslim community’s contributions in Singapore launched

SINGAPORE :

(From left) Co-authors A R Mashuthoo and Raja Mohd with Education Minister Chan Chun Sing at the launch of the English edition of Singapore Tamil Muslims. PHOTO: TAMIL MURASU

Singapore :

The Tamil Muslim community in Singapore has contributed to the Republic’s multiracial and religious harmony, with collective efforts that have strengthened the nation’s social compact, said Education Minister Chan Chun Sing on Saturday (Jan 15).

In 1946, for example, members of the community dedicated a portion of their salaries to help the Singapore Kadayanallur Muslim League (SKML) start the Umar Pulavar Tamil School, the first Tamil-medium secondary school in South-east Asia at the time.

The school played an important role in advancing and shaping Tamil language education here, and many graduates have taken up the baton and become Tamil teachers today, Mr Chan said.

“While the school was closed 40 years ago, its name lives on in today’s Umar Pulavar Tamil Language Centre, which continues the important mission of transmitting Tamil language and culture to the next generation.”

The centre is in Beatty Road.

Mr Chan was speaking at the launch of the English edition of a book titled Singapore Tamil Muslims.

The event was held in conjunction with SKML’s 80th anniversary celebrations in Chui Huay Lim Club in Newton.

The book, which looks to provide a better understanding of the Tamil Muslim community in Singapore, is supported by organisations including the National Heritage Board and Islamic Religious Council of Singapore. 

It has forewords by President Halimah Yacob and former senior minister of state Zainul Abidin Rasheed.

The English edition of the book, which was first published in Tamil in 2015, is authored by SKML president Raja Mohamad and deputy president A. R. Mashuthoo.

In his speech, Mr Chan highlighted how the spirit of grit, resilience and service to community has shone brightly among Singapore’s Tamil Muslims.

Many have become successful professionals and leaders of the community, he said.

“But they have all imbibed the spirit of service, and continued to pay it forward to the community and nation.

“Importantly, these collective efforts by your community have also strengthened Singapore’s social compact – where we help the young to have a good start in life, give more to those with less, and enable our people to bounce back from adversity.” 

The minister expressed his hope that the book can serve as a reminder, not just for the Tamil Muslim community but also to a broader audience, that Singaporeans must honour and protect what they have, and inspire the next generation to continue paying it forward.

The book can be purchased by contacting SKML, and funds raised will be used for its work to support the disabled community and education needs of children from low-income families.

source:http://www.straitstimes.com / The Straits Times / Home / by Choo Yun Ting / Jan 15th, 2022

From sojourners to mosque builders, book documents history of Singapore’s Indian Muslims

SINGAPORE :

Indian Muslims in Singapore: History, Heritage and Contributions is authored by Dr Ab Razak Chanbasha and published by the Centre for Research on Islamic and Malay Affairs. PHOTO: BERITA HARIAN

Singapore :

A number of Indian Muslims here face a dilemma: To hold on to the languages and customs of their forefathers or to embrace a “practical assimilation” into the wider Muslim community. This issue is raised in the new book Indian Muslims In Singapore: History, Heritage And Contributions, which documents the history, heritage and contributions of the community.

It is authored by Dr Ab Razak Chanbasha and published by the Centre for Research on Islamic and Malay Affairs (Rima). Launched by President Halimah Yacob on Saturday (June 11), the book traces the community’s transition from groups of sojourners who came to colonial Singapore to make a living into a settled community forming a sizeable minority within both the Indian and Muslim populations.

Rima is a subsidiary of AMP Singapore, which raised more than $250,000 for the benefit of the community in conjunction with the book launch.

As at 2020, Indian Muslims constituted about 23 per cent of the Indian community and 13 per cent of the Muslim community.

Speaking to an audience of about 140 at the Islamic Religious Council of Singapore, President Halimah said that while the contributions of some Indian Muslim pioneers like writer Munshi Abdullah are well documented, others have only been remembered in word-of-mouth accounts and are not sufficiently researched and codified.

“This book therefore strives to fill this gap for the Indian Muslim community, so that we can better appreciate the significance of their contributions,” she said. “Let us emulate the pioneers who never viewed their circumstances as limiting, but instead focused on how they could do better for the community and their children; always looking at the possibilities ahead.”

The book begins by tracing the ethnic and geographical origins of the community and the trades they came to work in the growing port city that was Singapore in the 1800s.

Muslims of various ethnicities migrated here from British India, including Tamils from the south and Gujeratis from the west. Some set down roots and began building mosques, including Angullia Mosque and Bencoolen Mosque.

The book details the history of these mosques, the families, institutions and personalities behind them, and the religious and civic contributions of the community, many of whom donated generously to social causes. There is a chapter on prominent figures, including former MP Mohamed Kassim Abdul Jabbar and Singapore’s first attorney-general, Professor Ahmad Ibrahim.

In an interview before the launch, Prof Ahmad Ibrahim’s grandson, Mr Ibrahim Tahir, 48, said he is happy his grandfather’s life and achievements have been recorded in the book.

Mr Ibrahim, who owns bookstore Wardah Books, said: “It is good not just for the community and the family but because stories like his can lift young people’s aspirations. He was at the centre of things, and operating in a multiracial country and system, he was a minority without being marginal and held a seat at the table.”

Dr Razak, 63, who is a physicist by training and a board member at Rima, said the book is meant for the general reader.

“The book is by no means exhaustive or complete, but I hope it can serve as a starting point for more research into the community.”

Speaking of the challenge he raised about contemporary Indian Muslim identity and the choice between tradition and assimilation, he added: “It is all about finding balance. All communities in Singapore face problems like waning language use, but it is important to think about which of our forefathers’ values to hold on to.”

The book is on sale for $60 at this website and selected bookstores.

source:http://www.straitstimes.com / The Straits Times / Home / by Ng Wei Kai / July 13th, 2022

Ashmath Ali elected new President of Kundapur Taluk Welfare Association Qatar

Kundapur (Udupi District), KARNATAKA :

Kundapur Taluk Welfare Association (KTWA) Qatar, elected new executive body for the next term during its annual general body meeting on May 15.

Ashmath Ali was unanimously elected as the new President of the association while Imran Nawunda was elected as the new Vice President.

Mohammed Arshad will be the new general secretary while Mehroz Byndore will be the joint secretary for the new term.

Among the other office bearers Mohsin was elected as the Treasurer, Zahid MH will be joint treasurer, Abdul Khader Sports Secretary, Zeeshan will be joint sports secretary.

Mubarak Kodi and Alam will handle public relations.

Akbar and Yaseen  Byndoor were elected in Advisory Panel, Sameer and Hameed Hemmady were elected as members of Working Committee.

Former President Ashmath Ali welcomed the event while General Secretary Mohammed Arshad proposed vote of thanks. Alam compered the event.

source: http://www.english.varthabharati.in / Vartha Bharati / Home> Gulf / by Vartha Bharati / May 26th, 2022

Aurangabad Children Mohilla libraries celebrate World Book Day in style

Aurangabad, MAHARASHTRA :

Aurangabad:  

On World Book Day, the Maryam Mirza Mohilla (neighbourhood) library movement commemorated the occasion with zeal. Several book reading and distribution activities were held in city mosques and Urdu schools under the auspices of the Read & Lead Foundation.

The Foundation’s President, Mirza Abdul Qayyum Nadvi, announced the commencement of a “Book at Home, Book at Every Home” campaign at the event. He stated that the book-reading awareness campaign is only getting started because today’s young generation is losing interest in reading due to the introduction of new electronic gadgets, particularly smart phones

Urdu, Marathi, English books were distributed to the children members of Maulana Syed Abul Hassan Ali Nadvi Mohalla Library situated in  Masjid Faiz Beri Bagh, Harsol area of  Aurangabad.

It should be noted that for the past year in Aurangabad, 28 libraries have been working under the aegis of the Read & Lead Foundation in various sections of the city, slum mosques, Urdu schools, and neighbourhoods. More than 5,000 children are connected to these libraries.

It’s worth noting that eleven (11) of the 28 libraries are dedicated to children are located in mosques. Masjid Shadab Hina Nagar, Ahmadi Masjid, Shatabdi Nagar, Maulana Hasrat Mohani Mohalla Library, Misrarwadi, Qazi Iqbaluddin Mohalla Library, Bismillah Masjid, Madrasa Falah Darin Ghulam Mustafa,  Sher Khan Pathan Mitra Mandal Library, Narey Village Mohalla Library and other places.  In addition to this, Al-Huda Urdu High School Baijipura, Dr. APJ Abdul Kalam Mohalla Library Baijipura and other libraries celebrated World Book Day.

Maulana Sheikh Yusuf Nadvi, Imam of Masjid Faiz, where the Maulana Syed Abul Hassan Ali Nadvi Mohalla Library is located, stated that he would do everything in his power to ensure that the library benefits the children and women of the area as much as possible. After Friday prayers, he also declared the start of the door-to-door book drive.

Sheikh Nargis Fatima, Headmistress of Al-Huda Urdu High School, stated that her school’s students and instructors would be more active in the campaign and would offer all available assistance. Farhat Jahan, a school teacher, and other teachers took part in the presentation and offered their opinions..

Children’s monthly periodicals such as “Bachu ki Dunia,” “Umang,” “Taleemi inquilab,” “Majhi Marathi,” “Meri English Kitab,”,” “Gulzar Urdu,” and other books, magazines, and journals were distributed to members of the aforementioned libraries.

source: http://www.muslimmirror.com / Muslim Mirror / Home> Positive Story / by Special Correspondent / April 26th, 2022

Lost in qawwali spirit

Ochira / Thiruvananthapuram , KERALA :

Shabnam Riyaz, a Malayali qawwali singer, enthralled audience at the World of Women event underway at Kovalam Art and Craft Village.

Kochi: 

Qawwali music imbibes the essence of Sufism. The ecsatcy that audience enjoy when the qawwals sing at a gathering is unexplainable. Although the genre has been traditionally male-dominated, Malayali playback singer turned qawwal Shabnam Riyaz is quite popular among the country’s Sufi singers. Recently, she performed at a qawwali concert in the ongoing World of Women (WoW) 2022 event at the Kovalam Art and Craft Village.

Her all-woman qawwali group Layali Sufiya showcased an energy-packed performance. 

Shabnam says fusion helps audience relate more with the qawwali genre. Thrilled to be back on stage after the pandemic-induced lull, Shabnam, who is an ardent fan of Ustad Nusrat Fateh Ali Khan, says pure rendition of qawwali music is quite rare in Kerala, though it is common in northern India.

“Though I perform qawwali fusion for my audience, I focus more on traditional pieces. Most people hear Sufi music and think ghazals. Qawwali is an ecstatic form of music infused with divinity,” she says. Qawwalis often showcase vibrant, physically exhilerating performances, that many audience find bizzare. “I have seen many trolling popular Sufi singers, the Nooran sisters. But when you devote yourself to qawaali, it is hard to control your moves,” adds Shabnam who also offers Sufi music classes. She belives Sufi music was passed down to her from her great-grandfather, Vavaasan, a bhagavatar in Kollam who excelled in qawwalis.

The Ochira native has been living in Thiruvananthapuram for over a decade now and was the trainer for Khateeja, A R Rahman’s daughter.

 According to Shabnam, there are very few qawwals still, because it is a strenuous style of singing. “After a performance, we may need at least three days of voice rest. Many girls who approached me lacked the stamina for it,” adds Shabnam whose dream is to create qawwali music using Carnatic compositions. She is the voice behind popular tracks like Vennila Chandanakinnam and Shukira.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Kochi / by Arya U R, Express News Service / March 12th, 2022

Mumbai photographer Prarthna Singh’s first solo-book is a walk down the alley called Shaheen Bagh

Mumbai, MAHARASHTRA :

The photo-book ‘Har Shaam Shaheen Bagh’, comprising visual stories of resilience and resistance, isolates individuals from the image of the mass movement as was seen on prime-time news and press photographs.

Portraits from Har Shaam Shaheen Bagh (Credit: Prarthna Singh)

Who is the perfect protester? We imagine raised fists, hurt faces, angry stances. We imagine climbing barricades, braving tear gas. If we go by this visual vocabulary, Har Shaam Shaheen Bagh (Every Evening Belongs to Shaheen Bagh) takes us by surprise. With over 150 portraits of non-violent protesters, the photo-book gently challenges the imagery of contemporary resistance movements.

Har Shaam Shaheen Bagh is Mumbai-based photographer Prarthna Singh’s first solo photo-book (she had earlier teamed up with the authors of Sar: The Essence of Indian Design in 2016). In December 2019, after the Delhi police reportedly assaulted students of Jamia Millia Islamia University who were challenging the Citizenship Amendment Act (CAA), a sit-in protest led by Muslim women started in Shaheen Bagh. Under a tent, with hundreds of women and children on any given day, the peaceful protest lasted for 100 days, until the pandemic struck.

Har Shaam Shaheen Bagh; By Prarthna Singh; 143 pages; Rs 3,300

Singh joined the anti-CAA protest in January 2020, spending most of her time on ground. Known for her women-centric narratives and portraiture work, she taps into her speciality to create portraits in an on-site photo studio, cobbled together with whatever was available at Shaheen Bagh. The result is these portraits of women, either looking directly at the camera or away, but always with a sense of pride. Poised and calm, the unnamed sitters indicate trust in the space, the purpose and the photographer.

Har Shaam Shaheen Bagh is Mumbai-based photographer Prarthna Singh’s first solo photo-book (she had earlier teamed up with the authors of Sar: The Essence of Indian Design in 2016).

Our collective memory of Shaheen Bagh, as is often the case with resistance movements, is of the masses, as seen on prime-time news and press photographs. Indeed, mass resistance movements give rise to the most recognisable images in the documented history of the world. Vulnerability and resilience coalesce into one defining moment — people standing up to power and confrontation, whether it’s one man blocking a row of tanks or a girl offering a flower to an armed soldier. Har Shaam Shaheen Bagh trades the monumental for the intimate, asking us to reconsider what we mean by “iconic”. It isolates individuals from the sea of faces, almost as if to say that a movement’s power lies not in numbers but in the will of its people.

Har Shaam Shaheen Bagh takes the form of a personal diary or a scrapbook.

Har Shaam Shaheen Bagh takes the form of a personal diary or a scrapbook. It contains drawings, a painting by artist Sameer Kulavoor, whose company Bombay Duck Designs has also designed the book, verse and a letter from one of the protesters, available in Urdu, English and Hindi. Some pages are deliberately uneven, recalling the makeshift quality of the Shaheen Bagh tent. While the book’s cost makes it inaccessible to some socioeconomic groups, Singh has shared copies with the protesters. A portion of the book sales goes towards Jeevan Stambh, an NGO working on the rehabilitation of the victims of the Jahangirpuri demolition last month.

During the pandemic, the Delhi police cleared the Shaheen Bagh site, painting over its graffiti and dismantling its art installations. In a country that is determined to erase and rewrite its history, one could say that a photo-book on a citizen protest is as good as an act of protest itself.

source: http://www.indianexpress.com / The Indian Express / Home> Books & Literature / by Benita Fernando / New Delhi – May 21st, 2022