Tag Archives: Shamsur Rahman Faruqi – Member Postal Services Board

Shamsur Rahman Faruqi, My Awe-Inspiring Friend and Father

Prayagraj (formerly Allahabad), UTTAR PRADESH / NEW DELHI :

Shamsur Rahman Faruqi with Baran Farooqi. Photos courtesy: Baran Farooqi

Abba was the magician who introduced me to the wide and varied wonders of the world, taught me everything about life and its customs and kept me enamoured of his extraordinary personality. I was awe- struck by his learning, his cool, confident air and the way and adulation he commanded sat comfortably on his shoulders.

And may there be no sadness of farewell 

When I embark;

Alfred Lord Tennyson

Yeh meri akhiri bimari hai (this is my last illness),” spoke Abba with a wry smile on his face. He was addressing Dr Nandani Sharma, a homeopath in Shivalik, Malviya Nagar (New Delhi), whom we were all very fond of and trusted. That evening we had taken him there since he had expressed a desire to actually see her and not consult her over a video call to ask about the chances of curing the fungal infection which had invaded his eye during his stint at Fortis Escorts hospital where he had been hospitalised after having tested Covid positive. None of us had imagined that it was a matter of just a few days before he would be gone, transited peacefully and in full preparation of “seeing his pilot face to face.” Dr Nandani assured him that he still had long to live and accomplish some more as she was confident her medicines would be able to control the fungus. This conversation had taken place in her driveway as Abba was not able to walk since he had returned from hospital and so it was decided that instead of him having to go into her clinic, he would be seated on his wheelchair near the car and she would examine him. We returned upbeat from Dr Nandani’s place but it was as if Abba knew better than Dr Nandani this time. He had been sent the summons and he had answered them with acceptance and great sporting spirit. So, he laughed at our jokes in his weak strength and held out his hands or arms to embrace whenever he saw me or my sister or my daughters enter the room. He would kiss my hands and softly caress my head if he happened to be sitting, bolstered by the electrically operated bed we had arranged, half a dozen pillows and bolsters around him.

Of late, in fact, right from the time he would send voice notes from the hospital, he would often repeat, “I love you” or “know that I love you.” Of course, we had never had any doubts about this ever because Abba was the master of expression. A vocal person, he taught me how I need to say “thank you” even to my own parents if they got me something and to house helps and friends for services rendered or acts of kindness. I once overheard him reproaching my mother for never doing salam to him first when he got home from office or smilingly extending her hand of welcome. Always cheerful and smiling when he came home from office, he expected everyone else at home to be as smiling and welcoming as he was. Each time any of us would enter his room for something, he would beam aaiye aaiye (do come in) and show his pleasure. He used to call me “funny face” sometimes, which didn’t seem very amusing to me but I knew I was supposed to show a sense of humour and not sulk over little things. I finally asked him one day, “Why do you call me funny?” He answered that funny faces are those who are delightful and make him feel happy and full of mirth. Once, when I made him fill out my columns of questions like, who is your best friend, what’s your favourite colour, what are you scared of and so on, (this was a raging activity in my school those days that you took autographs of people in your autograph book for no reason and also made them fill columns which were made in a double page of a register.) I remember almost all his answers to this day but I’ll speak of only a couple, to the question, “If you had a wishing wand, what would you wish me to be?” he had answered “Queen of Sheba.” I immediately understood this is something divinely great and luminous and so on, since I didn’t really know who queen of Sheba was at that time. In the answer to the question, “what are you scared of?” he had answered “centipedes,” making me aware that he was human and vulnerable in his own way.

I have wandered far from what I was initially talking about — his illness and his demeanour during those days. After stretching out his hands and making me sit close, he told me one day that the time for him to leave this world had come and that I should allow him to go. That the ceaseless struggle that we were putting up to withhold him was futile and he was convinced about his departure. He needed to go back to his spacious and open house where his favourite pet dog Bholi and others were, and he wanted the birds to sing near his window before he ceased to breathe. On those nights when he was awake and not faint with weakness, I would sit by him and read out his WhatsApp messages to him and also make him listen to the voice notes people had sent. He chose to respond to one or two voice notes or emails and messages every day. He would speak the voice notes himself and dictate the written messages or emails. He once made me write a mail to CM Naim sahib though there wasn’t one from him that day and also to Frances Pritchett, informing them about his health. One of the voice notes that he sent to Amin Akhtar (a relative of ours who has been assisting him in his library-cum-office and miscellaneous affairs for many years) was about the local graveyard which Abba’s efforts had helped restore and put in order after his return to Allahabad after retirement. He asked Amin to go to my mother’s grave and convey his salam there. He also asked Amin to see if it was still possible if he could be laid to rest right next to her, but in case anyone objected, he reminded Amin, he had chosen a remote corner of the graveyard for himself as a second choice. Amin responded next day tearfully that he had carried out his instructions and that there was no question of anyone objecting to his burial next to his wife. He had written the ayat he would like to be written on his tombstone and given it to Amin many years back already. I felt heart-broken at these conversations but I, too, knew that they must happen and not be left unfinished, for the day of parting may come if it had to, and there was nothing anyone would be able to do about it. 

I marvel at Faruqi’s (as he would like to refer to himself, sometimes  even calling himself “saala Faruqi” or “Fraudie”), courage and foresight for the way he bore his illness. He was also very kind and forbearing towards us, always succumbing to our pleas for making him eat or drink something despite being terribly averse to both ideas. Every time he would ask when we were planning to go back to Allahabad with him, and my sister or I would give a date a week or two away, he would nod patiently and agree. Ever since Ammi passed away, Abba had been careful to hand over all that she had left behind as money or property to both of us, saying this belongs to you both as she was your mother. But when it came to caring for us and endowing us with gifts or maintaining the large house, he acted as the perfect father. Never once did he ask us to bear any financial burden of any kind, be it the property Ammi left behind — he continued to pay property tax for it — or other charities that she was used to doing at her native village. 

Unselfish by nature, and generous towards the world and its people, he once told me that he had spent his life with the aim to be of help to any number of human beings he came across in the journey of his life, particularly during his career in civil service. I have never known or seen, nor do I ever hope to see, another more good-hearted person who is also competent, capable and one of the greatest literary minds of the century. Abba loved exploring new things and enjoy them if the children so wanted. Any new joke, and we wanted to share it with him, a new piece of machinery or a gadget and he would be curious to know about it, any adventurous outing, and he would want to be a part of it. In fact, most of the interesting outings in my and my daughters’ lives were either planned by him or planned for him. It was just last winter that we all went to Kochi together to explore the backwaters of Kerala and spend some part of winter there to avoid the low temperatures up North. As he grew older, he had begun dreading the winters, as they confined him to his room and restricted his hours in the study. There were arrangements to keep his room, his study, and even his bathroom warm, but the cold got to him since he was finicky about wearing “inners” and heavy quilts bothered his frail body with their weight.

Apart from travelling to new places and exploring places of historical interest or natural beauty, Abba had a penchant for stylish and tasteful clothes and good food (which he always ate very little of, but wanted to be served in good quantity). However, he had this little thing in his head about what are supposedly “manly” dishes and which foods are meant to be consumed only by women. Consequently, I never saw him relishing anything even slightly sour. He was supremely dismissive of achar and chutneys or chaat of any kind. Even remotely foul-smelling vegetables were banned in our house, not to speak of home-made sirka or ghee being extracted from malai. I once witnessed a bitter exchange he had with my mother for having gotten mooli achar prepared in the courtyard of our house. This was even worse than cooking sabzi out of the mooli! Like any other subversive spouse, Ammi would sneak such things into the house and eat them secretly when he was in office. 

Abba was a great animal lover, too. As children, having animals and birds around us was as natural as breathing and it must never have occurred to us that in the eyes of the world, we qualified as “animal lovers.” At any given time in our lives, there were always dogs, cats, turtles, mynahs, peacock chicks or grown peacocks, pigeons, partridges, quails and finches and other singing birds. Abba would often send a tid-bit or two to his pets (I said “send” because the house was really so huge in area that things had to be delivered from one place to another) and tell the person he had chosen for the task, “greet him with my salam and say that Faruqi sahib has sent this. We knew a lot about birds, which ones could be tamed or caged and which couldn’t be bred in captivity. He also had a collection of coffee-table type books on birds and animals and some of the exciting times of my childhood were certainly made of browsing through those books. Sea creatures like starfish, octopus or dolphins intrigued me greatly and I was enamoured by pictures of the mighty ocean. I longed for a trip to a coastal town but my wish was deferred for quite some time as my parents had already been to places like Bombay and Calcutta many times and were more focussed on the hills or animal and bird sanctuaries. 

Abba played his favourite musical records of ghazals and classical ragas in the mornings which were spent enjoying three to four cups of bed tea. The tea, which would be brewed in an elegant tea pot and had a bitter aroma, would cool gradually as he read the morning papers. The music would continue to play up until he was almost ready for breakfast. Gradually though, I, too, developed a taste for singers like Farida Khanum, Iqbal Bano, Mehdi Hassan, Kishori Amonkar, and artists like Hari Prasad Chaurasiya, Ustad Bismillah Khan and other such maestros. My sister and I were also subjected to regular doses of mushairas and seminars which we had to duly attend along with our parents; I was still wearing frocks at that time. By the time I grew up, I had sat on the laps of many a great Urdu writer, poet or artist. I grew particularly familiar with Naiyer chacha (Naiyer Masud), Shamim chacha (Shamim Hanfi), Shahryar chacha and Balraj Komal uncle. The critic Khalil-ur-Rahman Azmi was someone I don’t clearly remember but I recall Abba grieving over him so much that Ammi had to chide him about moping a couple of times.

Abba was the magician who introduced me to the wide and varied wonders of the world, taught me everything about life and its customs and kept me enamoured of his extraordinary personality. I was awe- struck by his learning, his cool, confident air and the way and adulation he commanded sat comfortably on his shoulders. He lived a life of grace and élan. Once, when on one of our usual summer holiday road trips, when we were touring Uttar Pradesh and Himachal, there was an incident which impacted me for the rest of my life. It so happened that the road we were on was broken severely, blocked, you may say, so Abba decided to take a detour through another path, which was on the lower side of the road, beside the fields. It was a water-logged path but he estimated that our Ambassador car would be able to successfully wade through it. But to our chagrin, the car got stuck in the slush beneath and water began to enter the car at a high speed! The car seemed to be floating in the water, I began to bawl loudly saying, “Hum doob jayenge, hum doob jayenge, (I’m going to drown, I’m going to drown).” I got one of the most unexpected and loud scoldings of my life from him at that time, “Abey tu apne liye ro rahi hai sirf! Aur baqi tere ma baap aur behen? (Stop crying and saying such a selfish thing! Why are you worried about only yourself drowning and not your parents and your sister?)”. I wiped my eyes and looked at him, bewildered. It was a lesson I have remembered to this day — unselfishness and courage. 

So close, so friendly and participative and yet so distinguished and awe-inspiring! They don’t make men like you any longer, Abba. I conclude my piece again from the poem quoted above. Abba would sometimes teach us English poetry, too, apart from Urdu and Persian. Abba had read out the poem to me many, many years ago and explained it to me. Alfred Lord Tennyson’s “Crossing the Bar” was one of his top favourite poems of the English language. I remember his voice almost choking at the sombre grandeur and sonority of the poem:

For tho’ from out our bourne of Time and Place

The flood may bear me far,

I hope to see my Pilot face to face

When I have crost the bar.

Perhaps, the very same lines were echoing in his mind when he breathed his last, in full control of his senses, aware and courageously ready for the journey across.

source: http://www.thepunchmagazine.com / The Punch Magazine / Home> Non fiction – Essay / by Baran Farooqi / February 28th, 2021

Padshah of Urdu; People mourn death of Shemsur Rehman Faruqi

Prayagraj (formerly Allahabad), UTTAR PRADESH :

Legendary Urdu poet and critic Shamsur Rahman Faruqi passed away on Friday at his Allahabad home, a month after recovering from COVID-19.

His daughter Mehr Farooqi tweeted about her father’s demise: “We reached Allahabad and father transitioned peacefully,” she wrote.

“It’s not just the world of Urdu, I feel I’ve been orphaned again,” historian Rana Safvi sent her condolences.

Writer and historian William Dalrymple took to Twitter to mourn the demise of Faruqi, calling him “one of the last great Padshahs of the Urdu literary world.”

Sanjiv Saraf, the founder of Urdu festival Jashn-e-Rekhta, also condoled the death of “the century’s most iconic figure in the realm of Urdu literature”.

“His demise has left us bereaved as an entire generation of literature lovers mourn this loss. I extend heartfelt condolences to his family and loved ones,” Saraf said.

“Shamsur Rehman Farooqui’s demise is a big loss to the world of scholarship, and adab. His work built many bridges across India’s diverse traditions. He was immensely valuable to us in so many ways and will be sorely missed, ” said CPIM general secretary Sitaram Yechury.

“Am just gutted. Shamsur Rehman Faaroqui saheb has passed away. Innalillahi wa inna ilayhi rajeeon. May allah grant him jannat..aameen,” wrote journalist Rana Ayyub.

“His modernist style had irked the traditionalists and contemporaries in the sixties, seventies. But he wasn’t just a critic and theorist, whenever he took to fiction, he created magic. And, his Allahabad home had been the nucleus of Urdu literary world, for over half-a-century,” wrote journalist Shamsur Rehman Alavi in a condolence note.

Legendary

A profile of his on Caravan Magazine alluded to his immense and immeasurable contribution to Urdu literature.

Shemsur Rehman began writing in 1960. Initially he worked for the Indian postal service (1960–1968), and then as a chief postmaster-general and member of the Postal Services Board, New Delhi until 1994. He was also editor of his literary magazine Shabkhoon and part-time professor at the South Asia Regional Studies Center at the University of Pennsylvania.

An expert in classical prosody and ‘ilm-e bayan (the science of poetic discourse), he has contributed to modern literary discourse with a profundity rarely seen in contemporary Urdu critics. His most recent books, The Mirror of Beauty (translated into English from the Urdu Kai Chaand The Sar-e-Aasmaan in 2006), and The Sun That Rose From The Earth (Penguin India, 2014), have been highly critically acclaimed. He is the recipient of numerous honors and awards. Most recently he was awarded the prestigious Saraswati Samman for his work She`r-e Shor-Angez, a four-volume study of the eighteenth-century poet Mir Taqi Mir.

He was awarded the Saraswati Samman, an Indian literary award, in 1996. The Government of India awarded him the civilian honour of Padma Shri in 2009.

source: http://www.maktoobmedia.com / Maktoob Media / Home> India / by Maktoob Staff / September 25th, 2020

Ode to Shamsur Rahman Faruqi

Azamgarh / Allahabad , UTTAR PRADESH :

Granddaughter of India’s greatest Urdu poet pens a poignant tribute to her late grandfather

“And He was transfigured before them; and His face shone like the sun, and His garments became as white as light.”— Matthews 17:2-9

My family keeps trying to talk me into mourning the loss of my grandfather, who I lovingly call ‘Bhai’, as did everybody else who knew him. I can’t exactly put this into words and I can’t make people understand that mourning his death is an insult to the madness, the magic, the man, the movement, the miracle, the marvel, the Master. Why don’t you understand that this loss isn’t the kind for me to cry about? This is the kind of loss for me to die about.

When I was a kid, I used to love watching The Lion King. I like to believe that literature and media that you absorb during childhood, shapes your personality as an adult. I always made sure I skipped the scene of Mufasa’s death, with a bewildered and heart-broken Simba trying to wake his father up. It was because I always feared that this day would come, and I would see myself trying to awaken Bhai from eternal, unending sleep. And it did, it happened. And now I am here, and he is there — out there, up there. He is missing from me.

Are they still memories if they’re engraved in my heart, etched on my mind and tattooed on my skin? I like to believe they’re a part of me, my body, an extension to my entity, and as long as I shall live so shall they. So many people argue that he wasn’t my father. They’re right. Because to me, he is God. He is the giver, the provider, creator, the all-encompassing, the all-knowing, the omnipresent.

Provider, because he gave me everything I have and survive on, from my passion and love for animals to my affinity towards literature, music, art. We would stand inside his aviary, enough to accommodate two human beings, where he kept his birds. He would clean and wash their water bowls with his beautiful, wrinkly, holy hands and then he would pick up a bird in the palm of his hands — sometimes a cockatiel, sometimes a budgie, sometimes a quail — and show me, directing my gaze with his finger, the feather patterns, and beak shapes, explaining how a certain type of bird crushes the seed with which exact part of its beak. All-knowing, because he knew everything, quite literally. Anything and everything.

Driving home from a homeopathic clinic, we would have long conversations about The Battle of Karbala, and pretty much every historic event that ever occurred on the face of this planet. We talked about the possibilities of the existence of mermaids — how perhaps, in the course of evolution, a third of the primate population went towards the water and even into it, and developed webbed limbs and tails. We talked about the Fer-De-Lance, we sat and browsed through pictures of wildlife. We discussed dog breeds and how they evolved. He always told me (before the world went ‘vocal for local’) that nothing can beat the hounds of India — the Rajapalayam, The Chippiparai, The Rampur, and the Mudhol. He always had an eye out for the Saluki (a superior type of sighthound that originated in the Fertile Crescent), and would say to me, “Abey Saluki hai kya kahin pe? Saluki mile kahin toh batana, hum le lenge.”

On his birthday in 2019, I had gifted him a deep grey, white-speckled Cockatiel who he named Sooty. He stayed in Bhai’s room, and the two whistled to each other all day. Bhai would talk to him lovingly, and Sooty would chirp back in adoration. When Bhai got sick, Sooty mysteriously died. I had begun to believe that like Bhai’s previous dogs and other pets, Sooty too had died of loyalty in an attempt to take the impending death upon himself. Bhai always believed that wafadaar jaanwar aane wali museebat ko apne sar le lete hain. While it is unlike me — and everyone else in my family — to respond to the death of an animal, that too a beloved pet, with gladness and optimism, Sooty’s sudden passing had given us some hope. We were counting on life to make Bhai get better and to help us get through this untimely qayamat.

Grandfather — this word always gave me the same serotonin release you get from a warm blanket, a cup of hot chocolate, biting through the layers of a Ferrero Rocher, the morning of the day of Id, seeing my birthday cake for the first time.

And now it’s all gone, all taken away away from me. It is so ironic and at the same time baffling how our worst fears manifest right before our eyes. I didn’t allow myself to watch enough of The Lion King growing up because I was afraid if I looked at it then it would somehow happen. And now I see how everything unfolded just like it did in the movie. Covid attacked us like Uncle Scar. And while all of us got Covid, he somehow took it upon himself and while we lived, he left.

My animals in Delhi found me, picked me up, and saved my life, just like Timon and Pumba did with orphaned Simba in The Lion King. I think I have managed to figure out where this affinity comes from and why it has always been this way — the need to be around animals in order to survive. It was just another gift, another tool, another strength my Grandfather was equipping me with and conditioning me for, so that I may be able to carry on someday in his absence, and so that I have a purpose, a reason to live till the time he and I can finally reunite.

Only mourning him isn’t enough, isn’t fair, isn’t needed. His existence was a celebration of life, a creation of art, and his death was transfiguration. He didn’t just lay there still. He sublimated, became one with what he loved most, nature. He united with a power that was of the same immense magnitude that only he alone in this world was made of. If one should live, one should live like this. Not in the lap of luxury but in the embrace of nature. Not in bursts of passion, but in the steadiness of an unwavering purpose. Not for moments of moping, but for the unfazed ambition of the human spirit.

Lead my longing heart

To the high ground, to the clear view

And in awe I’ll be there

Beholding You…

source: http://www.telegraphindia.com / The Telegraph Online / Home> Culture / by Tazmeen Amna Siddiqui / March 04th, 2021

Shamsur Rahman Faruqi Dies a Month After Recovering from Covid-19

NEW DELHI / Allahabad, UTTAR PRADESH :

Shamsur Rahman Faruqi.

The legendary Urdu critic and Padma Shri awardee has contributed immensely to modern literary discourse

New Delhi :

Legendary Urdu writer and critic Shamsur Rahman Faruqi died in Allahabad, Uttar Pradesh, on Friday. His death came after a month of recovering from Covid-19. Faruqi, 85, was discharged from a hospital in Delhi on November 23.

“He had been insisting to go back to his home in Allahabad. We reached here only this morning and within half an hour he passed away at around 11,” Faruqi’s nephew and writer Mahmood Farooqui told PTI.

He used to live in Delhi after retiring as a chief postmaster-general and member of the Postal Services Board in 1994.

Faruqi was born on 30 September 1935 in Uttar Pradesh.

Author of several books, Faruqi has contributed to modern literary discourse with a profundity rarely seen in contemporary Urdu critics. His books of fiction, The Mirror of Beauty (translated into English from the Urdu Kai Chaand The Sar-e-Aasmaan in 2006), and The Sun That Rose From The Earth (Penguin India, 2014), have been highly critically acclaimed.

He used to edit a literary magazine Shabkhoon which he himself had launched. He is also credited with reviving “Dastangoi”, a 16th century Urdu oral storytelling art form.

Faruqi was the recipient of numerous honours including Padma Shri, Sahitya Akademi award and Saraswati Samman award.

His burial will take place at Ashok Nagar cemetery in Allahabad at 6 pm on Friday.

Writer William Dalrymple took to Twitter to mourn the demise of Faruqi.

“RIP, Janab Shamsur Rahman Faruqi saheb, one of the last great Padshahs of the Urdu literary world. This is such sad news,” Dalrymple said.

Sanjiv Saraf, the founder of the famous Rekhta portal, also condoled the death of “the century’s most iconic figure in the realm of Urdu literature”.

“His demise has left us bereaved as an entire generation of literature lovers mourn this loss. I extend heartfelt condolences to his family and loved ones,” Saraf said.

source: http://www.clarionindia.net / Clarion India / Home> India / by Team Clarion / December 25th, 2020