Monthly Archives: November 2018

Mohd Azharuddin appointed as working president of Telangana Pradesh Congress Committee

Hyderabad, TELANGANA :

Former Indian cricket captain and former MP from Moradabad, Mohd. Azharuddin has been appointed as the working president of Telanagana Pradesh Congress Committee.

He will be the fourth working president and appointed ahead of the Telangana Assembly elections. However, he is associated with the party’s ongoing electoral campaign.

Mr. Azharuddin, who is keen on contesting from Secunderabad Parliamentary constituency, said if the party wishes he won’t mind contesting from any other constituency in Telangana.

Speaking to media in Hyderabad after his appointment, Mr. Azaharuddin demanded an apology from Chief Minister K Chandrashekar Rao for “intimidating” a person who questioned him on the unfulfilled promise of 12% reservations to Muslims. He said Mr. Rao should have answered the question instead of intimidating the person who posed it.

Mr. Azharuddin said he was not here to “get something from politics but give back something to the society” after playing cricket for the country for a long time.

Mr. Azharuddin predicted that the People’s front of Congress, TTDP, CPU and Telamgana Jana Samithi will romp home easily and asked people to vote for the alliance.

source: http://www.thehindu.com / The Hindu / Home> News> States> Telangana / by R. Ravikanth Reddy / Hyderabad – November 30th, 2018

Princess Esra lends royal touch to book on Nizam

Hyderabad, TELANGANA :

Deepthi Sashidharan and Usha Bala Krishnan releasing a book on Nizam’s jewellery at Chowmohalla Palace on Thursday. | Photo Credit: G_RAMAKRISHNA
Deepthi Sashidharan and Usha Bala Krishnan releasing a book on Nizam’s jewellery at Chowmohalla Palace on Thursday. | Photo Credit: G_RAMAKRISHNA

Treasures of the Deccan – Jewels of the Nizam released

Princess Esra lent a royal touch to the release of the Treasures of the Deccan – Jewels of the Nizam in Hyderabad’s Chowmahalla Palace on Thursday evening. “I can imagine Alexander Jacob walk into this very same Chowmahalla Palace holding in his hand the 184.5 carat diamond and climb the stairs to meet the Sixth Nizam Mahbub Ali Khan,” said Usha Bala Krishnan, who has co-authored the two-volume work with Deepthi Sashidharan.

The book documents the fabulous collection of the Nizam’s Jewellery, some of which is currently locked up in vaults of banks, while other pieces are in private collections.

The authors made a short presentation about how the book has evolved.

“Earlier, I worked on the Jewels of the Nizam which was more in the nature of a catalogue.

Launching this book in Hyderabad is special, as the jewellery has a special, almost metaphysical, connection to this place,” said Ms. Krishnan who is a well-known historian of jewellery and was commissioned by the Central Government before the jewels of Nizam were put on display in Hyderabad’s Salar Jung Museum in 2001.

“Matching some of the black-and-white photographs with the jewellery that the royalty was wearing at that time was an a-ha moment.

We discovered the jewels in private collection as well as what is known as Nizam’s Jewellery,” said Deepthi Sasidharan who trawled through a vast collection photographs to bring alive the story of Nizam’s jewellery.

source: http://www.thehindu.com / The Hindu / Home> News> States> Telangana / by Special Correspondent / Hyderabad – November 30th, 2018

Polytechnic girl from Wayanad wins laurels at ‘Startup Yatra’

KERALA :

The first and second runners-up received Rs 50,000 and Rs 25,000 respectively.

Winners of the grand finale of the Startup Yatra with Kerala Startup Mission CEO Saji Gopinath in Technopark, Thiruvananthapuram on Tuesday | Express
Winners of the grand finale of the Startup Yatra with Kerala Startup Mission CEO Saji Gopinath in Technopark, Thiruvananthapuram on Tuesday | Express

Thiruvananthapuram  :

Final year Mechanical Diploma Polytechnic student Arunima CR from Wayanad, who developed a solid waste cleaner that helps clean up water bodies sans manpower, bagged the Best Womenpreneur Award at the grand finale of the ‘Startup Yatra’ held at Technopark on Tuesday.

According to Arunima of Government Polytechnic College, Meenangadi, who won the award that carries a cash award of Rs 75,000, “Solid waste cleaner can also clean drains and remove solid waste from water sources, including streams, rivers and ponds. Significantly, it can avoid the workers’ direct contact with waste materials.”

The event marked the conclusion of the state-wide initiative by the Kerala Startup Mission (KSUM) to nurture aspiring entrepreneurs in Kerala’s tier 2 and 3 cities and help them realise their startup dreams. An Android app developed by Rashida V P from Kasargod for farmers in agriculture sector emerged the first runner-up. Andrea Antony from Kottayam won the second runner-up for her idea Min_Rov (Mind Rover), a concept for functioning a brain-control wheelchair.

The first and second runners-up received Rs 50,000 and Rs 25,000 respectively.

Around 80 innovative ideas were pitched in the finale by as many as 180 participants and 20 ideas notched-up honours. Heroes of the eight boot camps held in various districts were given a cash award of Rs 50,000 each.

The winners included :

Devi V S (Thiruvananthapuram), Jithin J (Kollam), Thomas Syriac (Kottayam), Sachu Sivaram S (Ernakulam), Varsha J (Thrissur), Mohammed Shaheer (Kozhikode), Aneesh (Wayanad) and Harris (Kasargod).

Other awards:

Best Technology Startup:  Winner  Amal C Saji (Ernakulam), First Runner-Up-Rahul KS (Ernakulam), and Second Runner-Up Annie Sam Varghese (Thiruvananthapuram); Best Social Startup: Winner – Risvan Ahammed K (Kasargod), First Runner-Up – Ushanandini (Ernakulam), and Second Runner-Up- Nowrin N (Thiruvananthapuram); Best Sustainability Startup: Winner- Kevin R (Kottayam), First Runner-Up – Amaljith S B (Thiruvananthapuram), and Second Runner-Up – Ragesh (Kottayam).

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Thiruvananthapuram / by Express News Services / November 28th, 2018

Azim Premji conferred highest French civilian award

Bengaluru, KARNATAKA :

Wipro Limited Chairman Azim Premji receives the highest French civilian distinction, Chevalier de la Legion d'Honneur (Knight of the Legion of Honour), from Ambassador of France to India Alexandre Ziegler, in Bengaluru on Thursday.
Wipro Limited Chairman Azim Premji receives the highest French civilian distinction, Chevalier de la Legion d’Honneur (Knight of the Legion of Honour), from Ambassador of France to India Alexandre Ziegler, in Bengaluru on Thursday.

Azim Premji, philanthropist and Chairman of Wipro Limited, on Wednesday received the highest French civilian distinction, Chevalier de la Legion d’Honneur (Knight of the Legion of Honour) from Ambassador of France to India Alexandre Ziegler.

Speaking on the occasion at the Wipro campus, Ziegler said the award was bestowed on Azim Premji for his outstanding contribution to developing the information technology industry in India.

“Also, for his economic outreach in France, and his laudable contribution to society as a philanthropist through the Azim Premji Foundation and Azim Premji University,” he said.

TheLegion d’Honneur , instituted in 1802 by Napoleon Bonaparte, is the highest civilian award given by the French Republic for outstanding service to France, regardless of the nationality of the recipients.

The President of the French Republic is the Grand Master of the Order of the Legion of Honour.

In his acceptance speech, Premji said he is extremely honoured by the award bestowed on me. “The vibrancy of the French democracy and its diversity is an inspiration to all across the world,” he said.

Wipro’s association with France spans over 15 years and the company enjoys a close relationship with several French organizations. Nearly 65% of Wipro’s employees in France are locals.

France is a key market for Wipro and the company is committed to continues investments there. Large French digital companies already have a strong footprint in India, employing over 1.3 lakh people at their R&D centres and facilities.

source: http://www.deccanherald.com / Deccan Herald / Home> Business> Business News / by N.V. Vijayakumar / DH News Service, Bengaluru / November 28th, 2018

‘Diversity is our strength’

UTTAR PRADESH / MAURITIUS :

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Former President of Mauritius Ameenah Gurib-Fakim tells Asmita Sarkar that there are no two ways forward than making women and minorities part of the progress

She holds many mantles — politician, the first woman President of Mauritius and a biodiversity scientist. Not only that, she is also a proponent of cultural diversity and creating entrepreneurial opportunities for women in Africa. Social media- savvy and with a clear voice, she pushes for saving the planet and its biodiversity.

What is the way forward in Asia and Africa to empower women and other minority sections?

No team can win a football match by leaving 52 per cent of the team on the bench. Women, minorities must all come together with their talents and change their way of doing things. Our diversity is our strength. When it comes to minorities, I am reminded of the words of a great statesman Pierre Trudeau. He stated and I quote, “A just society will be one in which the rights of minorities will be safe from the whims of intolerant majorities”. Countries that have valued immigrants, like the United States, are a classic example. Most of the big brands in the US have emerged from the contribution of immigrants.

As a scientist and politician, how did you envision your expertise in changing the world around you?

Countries need to be technically-driven and this is where scientists have a key role to play in shaping the destiny of their respective countries provided the leadership takes heed. Again those countries that have recognised this technical vision have emerged strong.

Countries need strong institutions and strong leadership to emerge and science and technology are powerful tools. For the first time in 2015, even institutions like the United Nations (UN) have recognised this in the crafting of the UN Sustainable Development Goal’s.

Can you tell us about your link to India?

I am a fourth generation Indian from the diaspora. My forebears came from Ghazipur area in Uttar Pradesh. They left in 1862 to come to Mauritius to work the land and never returned.

Going forward, do you think that conversations around biodiversity have become confined to conservation alone?

May be the conversation has been skewed towards conservation but it is an equally laudable exercise, and one that we cannot shy away from.

What personal struggles did you face while growing up which you wish girls in your country don’t have to anymore?

When I was growing up, I had a set of challenges like girls were forever being denied education. That is no longer the case in my country although I am aware that this still happens in many other countries.

Girls in science were a rarity but is now becoming more common. So hopefully with more role models, it will ease the way for many more to join the efforts for encouraging girls and women in both leadership and power.

What is the way forward for Asia to transition from emerging economies to developed ones without damaging the environment?

Asia is fast emerging but the leadership will have to acknowledge that development must rhyme with sustainability. It is in their interest for their survival, for the prosperity of its people and long term future of their countries.

(The leader will be at the 10th edition of TEDxGateway on December 2 at the DOME @ NSCI Mumbai)

source: http://www.dailypioneer.com / The Pioneer / Home> Vivacity / by Asmita Sarkar / November 27th, 2018

Dr Khalid Siddiqui selected for Lifetime Achievement Award

NEW DELHI :

New Delhi:

Former Director General Central Council for Research in Unani Medicine (CCRUM) Dr Mohammed Khalid Siddiqui has been selected for Life Time Achievement Award on the occasion of World Urdu Day. World Urdu day is celebrated every year on November 9 on the occasion of the birth anniversary of the poet of the east Dr Allama Iqbal by Urdu Development Organisation and United Muslim of India.

This year the function will be held at Ghalib Academy. The programme will be presided over by veteran journalist Jalaluddin Aslam.

National convener World Urdu Day Dr Syed Ahmed Khan told that those who have been selected for the award are Dr Azizullah Sheerani for Munshi Prem Chand Award for constructive literature, Moin Shadab Delhi for Hafeez Meerathi Award for poetry, Dr Razaur Rahman Aakif Sumbhuli for Maulana Ismail Meerathi award for children’s literature and Dr Imran Andaleeb for Qazi Adeel Abbasi award for literature.

source: http://www.siasat.com / The Siasat Daily / Home> India> News / by Rasia Hashmi / September 24th, 2018

A walk in the clouds

Alipura Village (near Gauribidanaur &, Bengaluru, KARNATAKA :

It was the most uplifting experience of their lives. Two young Muslim couples from Alipura village near Gauribidanur in Karnataka got married in a helicopter yesterday, thereby creating a first of sorts. “It was a combination of the two best experiences of my life: getting married and flying in the air,” said Zameen Abbas, one of the two bridegrooms, after he returned to the ground. The two teenage brides had to content themselves with just watching the whole show from terra firma.

Alipura is actually a small village with a large Muslim population. Most of its residents had never even seen a flying vehicle of any kind, even at election time when politicians like S Bangarappa zip around merrily in choppers. So the drama unfolding before their eyes brought out a record turnout from all the surrounding areas, and gave captain Jayanth Pooviah a few unpleasant moments as he tried to navigate around spectators.

The whole project was thought up by Abbas’s elder brother Kareem, a chilly wholesaler of Alipura. Kareem’s grandfather had had an elephant brought into Alipura for his wedding half a century ago, and had been known ever since as ‘Aane Sahibru’ (lord of the elephants.)

The story goes, in the village, that so many other young bridegrooms demanded the same pachyderm procession for their weddings that the original elephant, which Kareem’s grandfather had brought from Mysore, permanently made its home in Alipura!

Kareem himself had an elephant procession to mark his marriage some time ago. However, he decided that it was time his family created history again, and so he came up with this novel idea to mark the joint celebration of the marriages of his brother and sister. He approached Deccan Aviation, an aircraft charter firm in Bangalore that frequently advertises its availability for offbeat uses of this kind.

“When he first came to me some months ago, I thought that he was playing a practical joke on me,” says Vijay Athreye, general manager of Deccan Aviation. “Still, I told him to pick a Sunday as we are a little freer on that day and could offer him a better price. Sure enough, he came back a fortnight ago with a serious offer and the marriage date of December 13. Our rate per hour is over Rs 50,000. But when we realised that he genuinely could not afford that price, we cut our rates down by almost half.”

Kareem finally got himself a deal at Rs 30,000 for what took almost two hours. He was to report at the Jakkur helipad of Deccan Aviation before 1500 hours on Sunday, December 13, ready for take-off.

The aviation company promptly informed the local media, and even asked Kareem to accommodate a couple of television reporters on the helicopter, which was to fly almost empty to Alipura. An excited Kareem, turned out neatly in a shiny, new suit, clutching a plastic bag full of jasmines in his sweating hands, agreed readily.

A representative of the aviation company went to Alipura a few days earlier, marked out space for a helipad and had the area cleared by enthusiastic villagers. The local police were also informed, and asked to cordon off the helipad. As the chopper descended, Kareem scattered jasmines over the heads of the waiting marriage party and spectators. The helicopter came down with aplomb and was examined carefully by waiting villagers for a half hour as its engine had to cool off before the next flight. Rest time over, the maulvis, the two bridegrooms the fathers of the brides all crowded into the aircraft and took off into the air.

Pooviah circled the village carefully, in full view of the assembly, as the maulvis recited their prayers and conducted the wedding ceremony. “I could not really see what they were doing as I was too busy flying carefully,” he said later, talking to Rediff On The NeT. “I have flown a birthday party in the air some months ago, but this ceremony was so fascinating that it really took the cake!”

Wedding over, he circled the village a little more to allow the bridal party to enjoy the scenery and then brought them back to earth.

A grand wedding spread of biryani and sweets followed. “I have never seen anything like this,” remarked Abdul J, an elderly bystander. “How much did it all cost? Kareem told us that it was almost Rs 100,000.” Added another spectator: “Some more of us might like to repeat this exercise for weddings in our family, you see…”

A stony-faced Pooviah, who had already been sworn to secrecy by Kareem, made some non-committal noises. The women in purdah,who were clustered in a group nearby, took in the unfolding drama from a discreet distance, and the two brides refused to face the television cameras without their veils. The stuttering bridegrooms gasped out a few excited reactions. And then it was time to leave, at least for the two newly married couples and the helicopter.

The ecstatic couples boarded the craft along with aviation company Managing Director C R Gopinath and Pooviah. As they took the half hour trip back to Bangalore, Gopinath urged the veiled brides to look out of the chopper and see the passing scenery, a suggestion that they accepted with alacrity. It was over all too soon for them.

Pooviah gave them a further small aerial tour of the parts of the city close to Jakkur and then returned to his helipad. The young couples alighted quickly and were whisked into a waiting car, which took them off to spend their wedding night in a five-star hotel. However, when this Rediff On The NeT tried to contact them at the hotel later in the evening for a more leisurely chat, the hotel staff said that no such couples were registered with them!

Gopinath and Pooviah sat back in their comfortable office, sipping cups of hot sweet tea to make up for the wedding repast that they had had to forego, and talking to returning journalists, most of whom took local buses back to Bangalore.

The words of the modest, simply dressed Kareem, spoken a few hours earlier, still hung in the air. “Why should only the affluent jetsetters have experiences like this?” he had asked. “Ordinary people like us should also prove that it is possible for us to make our dreams come true.”

source: http://www.rediff.com / rediff.com / Home> News> Report / by M D Ritti – Bangalore / December 14th, 1998

Playback singer Mohammed Aziz dies at 64

Guma, North 24 Parganas, WEST BENGAL / Mumbai, MAHARASHTRA :

His popular songs include My Name is Lakhan, Mere Do Anmol Ratan and Aap Ke Aa Jane Se.

Mohammed Aziz/Facebook
Mohammed Aziz/Facebook

Playback singer Mohammed Aziz died in Mumbai on Tuesday after suffering a cardiac arrest. He was 64.

The singer’s daughter Sana Aziz said he had collapsed at the Mumbai airport while returning from Kolkata where he had performed at a show, reported The Indian ExpressHe died at Mumbai’s Nanavati Hospital.

Aziz made his singing debut in Bengali film Jyoti. He got a big break when Anu Malik offered him the chance to sing a song for Mard (1985) starring Amitabh Bachchan.

Aziz had been a part of the music industry for over three decades and worked as a playback singer in Bollywood, Odia and Bengali movies. His popular songs include My Name is LakhanMere Do Anmol RatanAap Ke Aa Jane SeMain Teri Mohabbat Main and Dil Le Gayi Teri Bindiya.

Aziz frequently worked with music directors Laxmikant-Pyarelal, RD Burman, and Anu Malik.

source: http://www.scroll.in / Scroll.in / Home> The Latest> Passing On / by Scroll Staff / November 27th, 2018

The REEL collector: Poonam Rahim owns the largest collection of Malayalam film prints

Thrissur, KERALA :

PoonamRahim01MPOs27nov2018

With possibly the largest collection of Malayalam film prints, Poonam Rahim played a vital role in Kerala’s unique film distribution market

For those of us who grew up in the 70s and 80s, POONAM RAHIM 16 MM (and a telephone number) was a familiar sight, blazing out from all imaginable surfaces.

It was seen on crumbled walls, electric posts, sides of KSRTC buses and even on heaps of waste. And no one knew what the words meant.

Until they saw a 16 mm film screening at their local festival ground. The projector spluttering the light beam, which carried the images of Prem Nazir and Sheela and Sathyan and Sarada on to the white cloth stretched out in front. The name appeared on the print, ‘Contact Poonam Rahim for 16 mm projectors and film screening.’

It will not be hyperbole to say that it was Poonam Rahim, the Cinema Man of Thrissur, who brought cinema out into the open ground from the confines of the theatres. The 16 mm revolution that he had sparked off in Kerala during the 1970s created a unique distributing market for the films that is still very much alive. And, down the years, Rahim has become the owner of one of the largest collections of Malayalam film prints.

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Unique advertisement
  • For advertisement- the stencil images- Rahim used to employ a team of four persons. They would travel on a jeep seeking out the dirtiest corners and junk heaps for painting the stencils. And the logic – “No one would bother to overwrite in such corners!”
  • It was those stenciled ads which established his 16 mm projectors in the mindscape of Malayalis, Rahim believes.

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More than 400 original prints are stacked up along the shelves in his storehouse in Thrissur. Researchers on Malayalam cinema seek him out. Those who want to screen footage from the old black and white films also approach him. He provides footage of old films to be used in the production of new movies, like in Blessy’s Mammotty-starrer Kazhcha, that told the story of a 16 mm film operator.

And he can rattle off the complete history of Malayalam film industry right from the 60s in a jiffy. No wonder, as he was smitten by the film bug at a very young age.

PoonamRahim02MPOs27nov2018

Born in Kattoor, near Irinjalakuda in Thrissur district, Rahim’s school days were mostly spent lapping up the latest films that were released in Irinjalakuda’s two theatres – Pioneer and Konni. As his academic records plunged, the familypacked him off to his father who was running a provision store in Bhilai.

Rahim soon realised that he was not cut out to run a provision store. The world of films drew him on. And in no time the young boy formed a tie-up with the local distributor of Malayalam films. KT Abdulla was a relative of the famed producer TK Pareekutty of Chandrathara Films.

At first, the boy took the film boxes to cities like Korba, Chappa, Bilaspur, Jagdishpur and so on. Soon he started direct distribution rather than pay rent to Abdulla. And he named his enterprise as ‘Poonam Films.’ It was a random pick, as ‘Poonam’ was a popular name in North India.

As his very orthodox father never approved of cinema, Rahim was almost thrown out of the provision store.Rahim took a train to Chennai, the film capital of south India, armed only with the address of Bharat Film Corporation, one of the largest film distribution companies there. He had found the address on the film boxes.

Chennai did not open too many doors.

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Chase Films
  • In the 1900s, continuity of action across successive shots was achieved and the first close-up shot was introduced.Most films of this period were what came to be called “chase films.” The first feature length multi-reel film was a 1906 Australian production.

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Then Rahim had that life changing encounter, with a Marwari film distributor who offered the print and distribution rights in Kerala of Arappavan, the Sathyan-starrer Malayalam film directed by K Shankar. Paying ₹ 2,000 for the print and six posters along with the distribution rights for Kerala, Rahim boarded the train to Thrissur, where he had no contacts. Within no time, Rahim opened his office in Everest Hotel, which was a kind of hub for film distributors. Most of the rooms in that hotel were, however, rented by Kathaprasangam artistes, Rahim noticed, who would be camping there during their December – March season.

“Kathaprasangam artistes were stars in those days. Even average performers had a rate of ₹700 per show, while for stars like Aryad Gopi, it was ₹1000. I’d get a commission of ₹50.” Soon he became a full-fledged agent for Kathaprasangam.

Kathaprasangam quickly gave way to professional drama. “Drama was in high demand and the companies could not meet the demand. Often I’d to arrange two shows of the same play on the same day in different venues. Suppose the first show started at 8 pm, the second show would be scheduled at 10 pm. Naturally, the second show would be delayed as the troupe took time to travel. However, people would wait patiently as this was the only source entertainment available and was a big event. But we needed a stop-gap entertainment.”

It was into this vacant lot that Rahim brought in the film screenings. He offered free film screenings, which made both the organisers and the audience happy. Soon, Rahim purchased his first set of projectors. Janakshakti Films, a people’s venture into film production that had Left leanings, was on the verge of closing down and Rahim bought out their three projectors and 11 film prints for ₹30,000. The films included John Abraham’s Agraharathil Kazhuthai, PA Bakker’s Kabaninadi ChuvannappolEkakini, and some commercial hits like Kalliyankattu Neeli, and Ramanan.

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Rahim used commercial hits for the festival grounds. Horror stories like that of Neeli, and the sentimental ones like Ramanan were big hits with the women. At a time when going to the theatre was a costly affair , these free screenings were quite successful. As the demand for the film screenings started to outdo that of drama, Rahim began to charge.

“Soon some 106 film operators sprang up all over Kerala. We would rent out prints to them, besides holding our own screenings. With the profits, I’d buy the next print,” Rahim recalled.

Slowly the nature of the entertainment industry changed. But Rahim was far-sighted and stepped in with the changing times. He started renting out the projectors, moving from 16 mm to overhead projectors and to LCD projectors, running one of Kerala’s leading projector rentals. He works with major festivals including the International Theatre Festival of Kerala (ITFoK).

At his Thrissur home is his precious collection of the projectors and various related equipment that Rahim takes out only for the benefit of the researchers. The rare collection of more than 400 film prints line up the shelves. “The last print I collected was that of Manassinakkare, he points out. And he does not have a website, or Facebook page. “People who need me, come in search of me,” says the 68-year-old quite confidently.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Reun Ramanath / November 24th, 2018

Spectacular beauty of a serene mausoleum

Hyderabad, TELANGANA :

The Paigah Tombs not only symbolise the nobility’s love for magnificient edifices but also represent different styles of architecture.

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Tucked away in the quiet bylanes of the Phisal Banda suburb near Owaisi Hospital, Santosh Nagar, is an architectural marvel, a serene mausoleum which is the final resting abode of erstwhile Hyderabad’s celebrated nobility – The Paigahs. The word Paigah, which means pomp and rank in Persian, was a title given by the second Asaf Jahi Nizam of Hyderabad to the estate of Abul Fateh Khan Taig Jung Bahadur in appreciation of the royal services rendered by him. He was also conferred with the title of Shams-ul-Umra, which gives the tombs their name.

Although the Paigahs were noted and rewarded for their contribution as army officers, ministers and aristocrats, Sir Viqar-ul-Umra is popularly remembered as the man behind one of the finest masterpieces of Hyderabadi architecture – the Falaknuma Palace. Legend has it that the 6th Nizam Mahboob Ali Khan loved the palace so much that Viqar-ul-Umra gifted it to him.

One such masterpiece symbolising the Paigahs’ love for architectural edifices are the Paigah Tombs. The spectacular beauty of the mausoleum is said to have earned it a title of the Taj Mahal of South India among connoisseurs of art and architecture. The Paigah Tombs also include a mosque where prayers are held every day.

The Paigah Tombs were constructed in the late 17th century, and later it was made a family maqbara by his son Fakhruddin Khan Amir-e-Kabir – I. Later, some additions were also made by Sir Viqar-ul-Umra, Sir Asman Jah and Sir Khurshid Jah. The tombs are magnificent structures decorated in stucco work and represented the Mughal, Greek, Persian, Asaf Jahi, Rajasthani and Deccani style of architectures.

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The geometric designs in the Paigah Tombs are unique and the perforated screens are examples of the finest craftsmanship. Some screens have flowers and motifs of fruits; others have serpents, drums, and vases.

There is a great amount of effort put into the detailing of the walls, arches, pillars and even of the graves. Floral and geometric patterns are characteristic of medieval Islamic architecture.

The most striking element of the Paigah Tombs is the intricately carved teakwood doors as entrance to each tomb. The carving of the doors is so fine and so regal it only makes one wonder the way art was encouraged and appreciated in the Asaf Jahi era.

The tomb of wife of Khursheed Jah is the most beautiful of the tombs with exquisite marble inlay work. One can still see the hollows in the marble carvings where precious gems were once encrusted on the grave.

Nawab Bashir-ud-Daulah’s grave stands out with a beautifully carved marble chowkhandi which is adorned by a carved mysterious green stone. Legend has it that the lighting doesn’t strike the place where it is placed.

The Paigah Tombs are under the care of the Department of Archaeology and Museums. As one of the most marvellous symbols of Hyderabad’s rich culture and royal heritage, the Paigah Tombs deserve nothing less than the government’s attention to ensure that it is not just preserved and valued but also promoted and highlighted.

Historian Dr Anand Raj Varma says, “I don’t see much improvement and restoration taking place at the Paigah Tombs; it is in the same state for years now. If you see the entrance, it’s in a very shabby state. There is no significant deterioration but there is also no tourist attraction or promotion of Paigah Tombs either. Most people don’t even know that the Paigah Tombs are located there.”

However, says the historian, the contribution of Rahmatullah, the caretaker of the Paigah Tombs, is appreciable as he keeps it going thanks to his passion and love for the Paigah family and the tombs. “The Tourism Department or the government should take this up as a project. It is the heritage which connects us our past and to our present. It is our treasure, heritage our virasat, and it should be protected,” he adds.

Mohammed Safiullah, managing trustee of The Deccan Heritage Trust, says, “The Paigah Tombs are in desperate need for restoration as the structure is in a dilapidated state and deteriorating. Some places have grown moss all over.  The government should invest in the restoration of the Paigah Tombs because there is a scope of return on investment. Once proper restoration work is done, there will be easily about a 1,000 visitors every day.”

A nominal entry ticket would become a means for generating revenue which would help in future maintenance. Simple things like a cafeteria, a souvenir shop and proper toilets could make it more tourist-friendly.

(The writer is a heritage enthusiast)

source: http://www.telanganatoday.com / Telangana Today / Home> SundayScape> Telangana Diaries / by M D Taher Hussain / November 25th, 2018