Tag Archives: Muslim Women of Lucknow

THE INDIAN HERO : Resham Fatma – Acid reflex

BIHAR / Lucknow, UTTAR PRADESH / NEW DELHI :

It burnt her face, but not her spirit. Resham Fatma, National Bravery Award winner, is confident about tomorrow

Sometime last summer, Resham Fatma, 17, decided that she needed to score 98 per cent in her twelfth standard board examinations. For days, she had been scouring the newspapers to find the best college to pursue her favourite subject, mathematics. St Stephen’s College, Delhi, it was. “Last year’s cut off was 97.2 per cent, so with 98, it will be smooth sailing,” says the Lucknow girl.

Resham has planned her future in detail. After graduation, she will do an MBA from IIM-Ahmedabad. Then, she will take the Union Public Service Commission exams, get into the Indian Administrative Service and work towards the post of district magistrate, a post from which she believes she can implement all the glorious government policies that remain on paper. “If I set my mind on something, I can achieve it,” she says. But, the future does not always work out the way you plan it. The last year has been, to put it bleakly, scarring for Resham.

The day is etched into her memory. It was February 1. On the previous day, her class had given their seniors a formal farewell. Her hair was a curtain of black satin, glossy from all the shampooing and conditioning. “See, this is me, in the centre,” she says, fishing out her smartphone and showing a groupfie with friends at the farewell.

The next day, she headed for her tuition, getting off the autorickshaw and walking the last mile as per routine. Suddenly, Riyaz, 38, her mother’s cousin, pulled up in his Tata Indica. He had been pestering her for a few years, and she had learnt to avoid him. On farewell day, he had asked her to meet him and she had said, “Main pagalon se baat nahi karti [I don’t talk to madmen].” She had no idea how mad he was.

After dragging her into the car, he held a butcher’s knife to her throat and asked her to marry him. She struggled; he got forceful. When she loosened his grip on the knife, he pulled out a barber’s razor from under the seat. “The car was auto-locked,” she says. “I was in his grip, struggling with all my strength. He banged his head on the steering and asked why I was refusing him. Then, suddenly, he pulled out a plastic bottle from the recess in the car door. It was filled with a yellowish liquid. He asked me if I knew what it was and said it was shakkar pani ghol [sugar solution]. He poured the liquid over my head.”

For a fraction of a second, she did not know what it was. Then it began to burn and she immediately shut her eyes. Her face, arm and thigh were on fire. He pulled her by the hair, still holding the knife to her throat. “I do not know how I got this phenomenal strength at that moment,” she says. “I pushed him and he crumpled towards the door. I fumbled blindly with the ignition, unlocked the car and tumbled out.” It was a dark winter evening and the road was desolate. Presently, an autorickshaw drove by and she pleaded to be taken to the police station. Luck was on her side, the occupants rushed to help. Later, as she was taken from the police station to hospital in an autorickshaw, they had to stop at a railway crossing. Passers-by peered into the auto, clucking in sympathy or gasping in horror. “That’s when I learnt that my face was black and I had my first shudder,” she says. “Riyaz mama ko mat chodna [Don’t let Riyaz get away], I screamed.”

Resham had so far known only unconditional love. She was the eldest grandchild from her maternal side, and her mother’s brothers doted on her so much that when she entered primary school, she moved from Bihar, where her father is an automobile dealer, to her grandfather’s residence at Amausi, near the Lucknow airport. Both her uncles have sons, she grew up as the only girl and the apple of everyone’s eyes. She has a younger sister and brother, who live with her parents. “I am more comfortable here, this is my home,” she says.

Resham means silk. But in the months ahead, the teenager discovered reserves of steel within her. Her long tresses were shorn, there is a huge patch on the scalp where follicles are dead. Resham, for the first time in her life, started wearing a scarf and headed for her evening coaching. She had to skip regular school at Stella Maris; her skin was not ready to face the onslaught of the sun.

In between, she kept popping into the hospital for surgeries. Her thigh needed grafting and her face needs a lot more work, but that has not deterred Resham from going out with nonchalance. A few months after the incident, her uncle declared she could do her own shopping without being escorted around like an invalid. “People ask me what happened, most ask whether it’s an allergy,” she says. “I tell them blankly, ‘No allergy, I survived an acid attack.’’’ Does she miss her old face? “Well, I am a girl, I like looking into the mirror and I’d want to like what I see,” she says. “I am still not bad looking, am I? This is my new identity.”

Most of her friends broke down when they visited and she consoled them. Her best friend is her diary. One day, she wrote about her dream: “I wanted to become the district magistrate and visit Riyaz in jail and tell him, see where you are today and where I am.” But these Bollywood-type situations are not meant for off-screen lives, even if they are as extraordinary as Resham’s.

Riyaz was arrested and was in lockup, where on December 28, he committed suicide. “I read about it in the newspaper next day and felt blank,” Resham says. “He got away so easily. He should have lived a long life, regretting every moment.”

Her earliest recollections of Riyaz are of sitting on his shoulders as he ran across the lawn. As she grew up though, his presence began getting uncomfortable. He would enter her room, force her to leave her books and talk to him. At one point, her grandfather, a former policeman, banished him from their house.

Resham today prefers to look at the possibilities that the future offers. “I have bad days, though I don’t cry in public,” she says. “Some days ago, I was very angry with Allah pak. But then, I got this call from Delhi that I was getting the Bharat Award at the Republic Day celebrations. I am so happy today. I have met big people, Modiji himself. I am a heroine, isn’t that great?” The scar tissue on her face hurts a lot, especially when she has to receive injections for treatment. But now she is complaining happily about how her cheeks are hurting with the constant smiling. “I am posing for cameras all day. Yaay,” she shrieks.

President of India Shri Pranab Mukherjee presenting the ‘National Bravery Awards 2014’ at Rashtrapati Bhavan . January 22nd, 2015. pic credit: facebook.com/Muslims.of.India.Page

There’s a bit of regret, though. “When I came to Delhi, I learnt that all the other children had been felicitated by their states. But no one from my state government ever came to me. A Supreme Court order says the state has to give an immediate relief of 03 lakh to an acid attack victim. I have not got anything yet, though my family has sent several Right To Information pleas. We could afford my treatment, but there are those for whom this money means a lot more. You know, there is a lot of good intent and great laws, but what we lack in this country is implementation. That’s why I want to be an IAS officer,” she emphasises with all her Taurean determination.

source: http://www.theweek.in / The Week / Home> Web Specials> Features> Heroes / by Rekha Dixit / Headline Edited + Additional image inserted courtesy of Facebook.com/Muslims.of.India.page / February 08th, 2015

Sabahat Afreen curated a women’s world sans fear and restrictions in her stories

Siddharthnagar District / Lucknow, UTTAR PRADESH:

Author Sabahat Afreen
Author Sabahat Afreen

Sabahat Afreen’s life will make you believe in the adage: where there is a will there is a way. Being born into an educated and prosperous family, Sabahat realized early in her life that her family was not open to women coming out of the four walls of the house, bracing against all odds to create their identity. She was raised seeing all women in her family in purdah.

However, somewhere in her heart, Sabahat Afreen was like a Secret Superstar of the Hindi movie by that name. Afreen was raised in a small village in Siddharthnagar district of Uttar Pradesh by her advocate father and a homemaker mother.

Sabahat Afreen started living in purdah in 10th class and after passing her 12th standard, She was not supposed to move out of the house alone. This resulted in her not attending college and opting for home study and writing examinations as a private student for her graduation years.

She was completing her master’s degree when she got married. Her husband’s family was politically connected and prosperous. She could have easily lived in comfort; Sabahat did not like to dress up like a doll wearing jewelery and expensive sarees and lounging around all day.

She said, “My mother was fond of reading and writing. She had an impact on me too. I used to write poems and stories in my childhood. Mom and Dad always encouraged me. It is a different matter that my works were never sent for publication as they didn’t believe in getting a picture of their daughter printed in the newspaper.”

Sabahat Afreen with her book

She also realized the environment in her in-laws’ house was less conservative. “My father-in-law knew that I write, so he used to gift me a diary and pen; my husband also supported me.” She told Awaz-the Voice.

After marriage, she opened a secret account on Facebook and did not use her pictures for the DP. “I started writing stories on Facebook, my posts went viral. Someone suggested that I should send my stories to Neelesh Misra, (Editor, Gaon Connection, lyricist, and storyteller). His storytelling was popular. I emailed my story to him and he liked it. From that point, I was in his circle.”

Like Insia Malik (Played by Zaira Wasim) of Aamir Khan’s 2017 film Secret Superstar, she revealed her talent to the world by hiding her identity. Soon Sabahat Afrin was writing audio series, stories, and books for magazines and many apps across the country. She moved her two little daughters out of the closed environs of the village to Lucknow.

As it happens in such cases, most of the people who had opposed her once now praise and respect her. Her family is proud of her.

Recently her first story collection Mujhe Jugnuon Ke Desh Jaana Hai (I Want to Go to the Land of Fireflies)(Rujhan Publications, Rajasthan) was released. In it, Sabahat imagines in this country of fireflies women are also enjoying the same freedom as men, the doors of their hearts cannot be guarded, they too have the freedom to remarry after divorce, and they have the right to decide if they want to return to their husband’s house after feeling unwanted there.

Sabahat Afreen with friends

Her stories are set in the backdrop of Muslim culture, but she manages to show that when it comes to the status and rights of women, it’s the same every year. Sabahat wants to free the fireflies from the clenched fists of Afreen women.Her first remuneration of Rs 30,000 as a writer was encouraging for Sabahat. She felt that being financially strong should be the priority of a woman. Now she shares her pictures on social media and with her stories.

Sabahat has written amazing stories that she must have picked up from around her and kept in the secret chamber of her heart to let them metamorphose into another form. Her stories look familiar to readers; after reading each one of her stories, the reader feels that he has seen these incidents.

Sabahat has adapted one such incident into a captivating story. The story Khoobsurat auratein (Beautiful Women) starts with this sentence – “even good looks are like a punishment, wherever she went people’s eyes were fixed on her.’ The heroine of the story, Alia, is very beautiful.”

Sabahat Afreen with her daughters

Women are at the center of all Sabahat’s stories. The joys and sorrows of a woman, her dreams, her desire to fulfill them and social restrictions are the key elements in her stories. Sabahat is seen breaking these restrictions and traditions. Women in her stories are silent protesters except for Alia from her story Beautiful Women. However, they encounter opposition and in some cases, it’s also effective.

Sabahat becomes emotional while narrating her stories. She wishes to create a world for women where they have the freedom to fulfill their wishes and make their dreams come true. Her stories reflect her progressive thoughts.

Sabahat says that she never went to the market alone and yet when people knew about her through her stories, she felt confident to move to a big city with her daughters. “I reached Lucknow and rented out an apartment and enrolled my daughters in a good school. Today my daughters are studying, and life has become a bit easier for all three of us.”

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Onika Maheshwari, New Delhi / January 03rd, 2024

Who was Nishat un Nisa Begum who discarded purdah during freedom movement

UTTAR PRADESH:

“I appeal to the youth of this country that they sit at the feet of this goddess (Nishat un Nisa Begum) to learn the lessons of independence and perseverance.” Famous Indian writer Brij Narayan Chakbast wrote this in 1918 about the freedom fighter Nishat un Nisa Begum.

People knew more about her husband Maulana Hasrat Mohani, who coined the slogan Inquilab Zindabad (Long live revolution). Historians have kept Nishat, like many other women, at the margins of historical narratives. She existed not as a protagonist but as a supporting actor in a play that had her husband as the protagonist.

This happened even though Hasrat admitted that he would have remained an apolitical editor if he had not married her. Maulana Abul Kalam Azad likened her to “a mountain of determination and patience.” Mahatma Gandhi also acknowledged a key role in the Non-Cooperation Movement. By no stretch of the imagination, she was a dependent woman and owed her existence to Hasrat.

Born in Lucknow in 1885, Nishat was home tutored, as was the custom of those times. She knew Urdu, Arabic, Persian, and English. Even before she married Hasrat in 1901 was teaching girls from backward sections of the society at her home. Marriage exposed her to the world of politics. Nishat and Hasrat were among the first Muslims in India to join Bal Gangadhar Tilak’s extremist group of Congress and open a Swadeshi shop in Aligarh. In 1903, the couple started a nationalist Urdu newspaper ‘Urdu e Mualla’. The British did not like it and jailed Hasrat in 1908. After his release, the couple resumed the newspaper. The newspaper had only two employees – Nishat and Hasrat.

Hasrat was again jailed during the First World War. Nishat, who like other Muslim women of her times, used to take a veil, came out in public to defend her husband in the court trial. She wrote letters to leaders, and articles in newspapers, and removed her veil while visiting courts. To go out of one’s house without a purdah was a courageous act.

Hasrat’s friend Pandit Kishan Parshad Kaul wrote, “She (Nishat) took this courageous step at a time when the veil was a symbol of dignity not only among Muslim women but among Hindu women as well”.

In those times Congress and other organizations used to raise public funds to help the families of jailed freedom fighters. Nishat declined to accept her share from it. Pandit Kishan Parshad recalled later that in 1917 when he once visited her in Aligarh he saw her living in abject poverty. Being a friend of Hasrat, he offered her money. Nishat told him, “I am happy with whatever I have”. She later asked him if he could help her in selling the Urdu books printed by their defunct press.

Kishan Parshad told Shiv Prasad Gupta, another prominent freedom fighter from Lucknow about Nishat’s condition. Gupta didn’t take a moment to write a cheque to purchase all the books from Nishat.

When Edwin Montagu visited India in 1917, Nishat was among the representatives of the All India Women’s Conference (AIWC) to meet him. In the meeting, she demanded that all the freedom fighters be released from jail.

Nishat had abandoned the purdah for good. In 1919, she attended the Amritsar Congress session after the Jallianwala Massacre and impressed everyone with her passionate speeches. A Muslim woman, without purdah and participating in politics at par with her husband, she was noticed as a “comrade of Hasrat.”

Nishat and Hasrat were sure that asking for concessions from the British was futile. They moved a resolution for Purna Swaraj (Complete Independence) and not a dominion status at the Ahmedabad session of Congress in 1921 as the party’s goal. Nishat spoke in support of the motion. The resolution was defeated as Mahatma Gandhi opposed the idea. Eight years later, Congress adopted the Purna Swaraj as its goal.

Hasrat was again jailed in 1922 and this time Nishat attended the Congress Session at Gaya without him. She eloquently opposed the participation of Congress members in the Legislative Councils. She said those who wanted complete independence from British rule could not dream of entering the assemblies formed by them.

According to Prof. Abida Samiuddin, Nishat’s politics did not depend on Hasrat alone. She was the first Muslim woman to address a Congress Session. Her work for the popularisation of Swadeshi, the All India Women Conference, correspondences with the nationalist leaders, articles in newspapers, public speeches, and other political activities are proof that she carried her identity in the Indian Freedom Struggle. She was active in workers’ movements till her death in 1937.   

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / by Saquib Salim / May 14th, 2023