Category Archives: Green Products

Cocoon art in full bloom

The recently concluded Krishi Mela in Bangalore had a head-turner. Displaying bouquets of multihued flowers, garlands and greeting cards, all created out of used and damaged cocoons, the Cocoon Craft stall was stunningly attractive. Holding bunches of artificial flowers modelling tulips, dahlia and rhododendron, the stalls were swarmed by many a well-heeled women who were attracted to the novelty of the art.

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Cocoon shells, either damaged or discarded from silk reeling units, have traditionally been considered a waste product which are dumped in compost pits for their protein content. But no longer so. They are being turned into art by a growing breed of students pursuing sericulture.

The project to make art out of cocoon shells is the brainchild of Dr Fatima Sadatulla, a teacher in the Department of Sericulture at the University of Agricultural Sciences (UAS) in Bangalore. Fatima says the idea of using such an unusual material for craftwork came to her by chance. During her days as an undergraduate student at the UAS in the late 1980s, sitting amid cocoons scattered all around her, she would cut a few shells into various shapes, paint them and create artistic motifs for greeting cards. The pastime grew into a hobby, and, still later, began to take shape as an artistic skill.

Having joined the department as a teacher a few years later, she began to train her students into collecting damaged or waste cocoons from granages and cut them into various patterns, chiefly flowers. She began training students of sericulture four years ago under an entrepreneurship scheme. She would collect damaged cocoons from the Central Silk Board office in Madiwala to teach students. She would even train women farmers during her project work in sericulture farms.

The production of this craft has also been undertaken on a larger scale at the College of Sericulture in Chintamani by Vijeyendra who teaches there and was among the early trainees at the UAS. The college has even organised training camps  in several villages around Chintamani. He says two NGOs, Aadhar and Swabhimana Sangha in Chintamani and Kolar taluk respectively, have begun producing bouquets and garlands in large quantities and are selling them in shandies in the nearby towns of Andhra Pradesh and Tamil Nadu.

Several physically disabled persons too have been trained in the art. The college which received finance from the UAS towards a revolving fund, is now able to generate enough revenue to sustain its activities. Vijeyendra says the bouquets and garlands could have a shelf life of two years. But careful preservation under glass cases can ensure a life span of ten years.

The transformation of cocoon shells into such arts and crafts certainly signals the emergence of a new art form. With districts of Old Mysore being the bastion of silk farming, the new art form has unlimited prospects for expansion.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> Spectrum / by M A Siraj / DHNS – November 26th, 2013

Kashmir Ki Kali: Srinagar’s famed Shalimar Bagh has been restored to what it was in Jehangir’s time — Farah Baksh

Srinagar’s famed Shalimar Bagh has been restored to what it was in Jehangir’s time — Farah Baksh, or ‘the delightful’. Now for the 15 others, writes Gargi Gupta

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In a television interview, conductor Zubin Mehta proclaimed that despite the controversy about the concert, Kashmir now had a beautifully restored garden, fountains, flowers et al.  Many agree.

“Zubin Mehta’s concert was the best thing to happen to Shalimar Bagh,” laughs Sheikh Irfan Qadir, assistant executive engineer in the Roads & Building department of the Jammu & Kashmir government. Qadir should know — he’s been working at Shalimar Bagh since early this year, deputed by the state government in its race-against-time to restore the 17th century gardens laid out by Mughal Emperor Jahangir, in time for Mehta’s concert with the Bavarian State Orchestra held on September 7.

German ambassador in India Michael Steiner and Chief Minister of Jammu and Kashmir Omar Abdullah took close interest in the repair works, visiting the site several times in the months leading up to the concert. After all, this was a high-profile event, hosted by the German Embassy in India, attended by dignitaries and broadcast on high-definition to millions of viewers across the globe.

“When the German ambassador first came here,” says Qadir, “Shalimar Bagh was in such a bad state that he looked around and despaired at having the concert here.” Describing the state of ruin, an October 2012 report in British newspaper Daily Mail bemoaned that the ‘fountains have long stopped working and the walls are peeling at every corner’. Photographs accompanying the article, showed the water channels silted up and covered in vegetation.

Strangely, Shalimar Gardens, or any of the other 15 Mughal Gardens in Kashmir, is not protected by the Archaeological Survey of India, or its Kashmir circle. It is the floriculture department of the state government that looks after these gardens, which attracts lakhs of tourists every year.

“The last ‘sensible’ conservation effort took place in 1941,” informs M Saleem Beg, convenor of the Jammu & Kashmir chapter of Indian National Trust For Art and Cultural Heritage (INTACH), which has overseen the current restoration exercise. The committee prepared a detailed conservation plan for Shalimar Bagh in 2005. That, says Beg, came about by sheer accident. “In 2004, Jagmohan, then tourism minister, allocated Rs1 crore for reconstructing the Mughal wall in Nishat Garden. Appalled, I met him to point out how inappropriate ‘rebuilding’ a historic wall was.

He told me to come up with a conservation plan for the gardens and asked me to name the budget. I had rattled off a figure of Rs5 lakh. We ended up spending Rs9 lakh.”

Much of the work at Shalimar, says Beg, entailed undoing earlier unscientific, ill-considered conservation efforts. For instance, the water channels were covered in concrete. “We removed thousands of kilos of cement,” says Qadri. The channels, measuring 1,000 ft x26 ft, were relaid with crushed stones, then covered with lime concrete. “We had to source lime concrete, which is what the Mughals used, from Amritsar. The material takes much longer to dry than cement, but we were determined to do it the right way,” he says. “The stage for the musicians was laid out over these channels, but they did it very carefully, placing it over small metal stools so as not to leave a single mark on the grass,” says Qadir.

The stones that lined the rim along the water channels, the foot-bridges across them, niches along the walls and terraces had become loose or were displaced over time; these were carefully taken out, cleaned and refixed. The pavements too were re-laid with local devri stone. The Pink and Black Pavilions were restored with new shingle roofs and their walls covered with a 20mm coat of lime plaster. “We have not yet touched the ceilings,” says Qadir, pointing to the richly-painted panels, which are a more recent addition, probably the time of Kashmir’s Dogra rulers.

Nearly Rs3.5 crore was spent on Shalimar Bagh’s restoration. The fountains are working; the channels are clear; a Mughal-era hammam (public bath house) on the premises has been opened to public and there are better public conveniences. Of course, the problems too are visible, the most being the buildings outside that have been built too close to the Mughal-era boundary wall.

Perhaps, the only long-term hope for Kashmir’s Mughal Gardens is in securing a World Heritage Site status. Six of the better-known gardens did make it to the tentative list in December 2010. But despite several representations to the culture ministry, the elaborate dossier that is required for their final application, has not yet been prepared.

source: http://www.dnaindia.com / DNA / Home> Lifestyle> Report / by Gargi Gupta / Agency:DNA / Sunday – October 20th, 2013

WINNER : Every grain of sand

Jazeera V., with her children, peotesting against illegal sand mining in Kerala, at Jantar Mantar in New Delhi./  File Photo / The Hindu
Jazeera V., with her children, peotesting against illegal sand mining in Kerala, at Jantar Mantar in New Delhi./ File Photo / The Hindu

“If there’s a nexus working that wants the blatant exploitation to thrive, it has to be met with equal force”

She calls herself a ‘daughter of the sea’. It’s not a borrowed label, but one that Jazeera Vadakkan believes in with passionate conviction. She builds literal ties to the description, “I was born at home, right on the Neerozhukkumchal Beach in Kannur (north Kerala).”

Clad in a burqa, surrounded by her three children, Jazeera makes an unlikely sight on the pavement outside Kerala House in New Delhi. As unlikely as when she was protesting outside the Secretariat in Tiruvananthapuram in her home state. But this is no home-maker accidentally caught up in the public sphere. Get closer and you will see that she is conviction personified.

Jazeera’s is a lonely battle, but she is the face of an amazingly courageous defiance against the all-powerful sand mafia that rules the coastal hamlet where she was born. Her zeal is in many ways incredible. Her battle is not built on academic research or environmental laws. It is a personal and intuitive battle. Returning to her village a short while after her marriage she found the landscape virtually unrecognisable, altered by the relentless mining of sand. “Why is it so difficult to see? If the miners can inflict so much damage on one beach in a few months, what will we have left to pass on to our children’s generations?” she asks.

The 31-year-old has been threatened countless times and even physically assaulted. But nothing seems to dent her mission to prevent even a grain of sand being shifted from ‘her’ beach. As she says, the sand being removed in tonnes to building sites has caused severe damage to Kerala’s fragile coastline.

Criticism of Jazeera, an auto driver by profession, ranges from dismissing her as a fake seeking media attention to vilifying her as an irresponsible mother and wife. She protests with her three children in tow, the youngest barely two. When Jazeera moved base from her hometown to the Kerala capital in August this year, her children came along. Her husband, Abdul Salaam, a madrassa teacher in Kochi, is not with her but is a source of support, she says.

The unending monsoon, the harsh heat wave, the criticism, the threats — nothing seems to affect Jazeera and her children. They had become permanent fixtures near the north gate of the Secretariat building. A huge demonstration organised by the Left Front had even veteran vendors a little worried because of the sheer numbers. But not Jazeera, who refused to budge. Her two girls, Rizwana and Shifana, seemed more preoccupied by their colouring books than the crowds and red flags all around.

Finally, Kerala Chief Minister Oommen Chandy met her on the third day of her protest. He promised her that action would be taken, but Jazeera wanted a written statement. When this did not happen, Jazeera went to Delhi. “There are laws that prohibit this sort of activity. But when the local people, the police, local leaders are all part of a nexus that wants the blatant exploitation to thrive, it has to be met with equal force,” she says.

None of the attempts to frighten her into going back to her hamlet have worked so far. Jazeera continues to protest, asking for a written assurance from the Kerala government to rein in the sand miners, something the authorities have strangely refused so far. Here is one woman fighting an organised mafia, but with enough courage to beat the odds.

sourceZ: http://www.thehindu.com / The Hindu / Home> Features> The Yin Thing / by Kaavya Pradeep Kumar / October 13th, 2013