Kohima, NAGALAND :
Names of the brave soldiers written on the plates of the grave at the Kohima War Cemetery, and who dedicated their life during the World War II: Battle of Kohima.
source: http://www.youtube.com/WildFilmsIndia
Kohima, NAGALAND :
Names of the brave soldiers written on the plates of the grave at the Kohima War Cemetery, and who dedicated their life during the World War II: Battle of Kohima.
source: http://www.youtube.com/WildFilmsIndia
NEW DELHI / Mumbai (MAHARASHTRA ) :

Fondly remembered as the good-for-nothing son in the comedy Mere Dad Ki Maruti, Saqib Saleem continues to enthral his fans with his performance in Koi Dekh Lega, a part of Love Shots, the Y-Films web series where he plays a visually-impaired lover.
Soon the actor will be essaying the role of an aggressive, contemporary batsman in Rohit Dhawan’s, Dishoom. Saqib who bats for Sohail Khan’s Mumbai Heroes in the Celebrity Cricket League shares his love for the game, how he works to etch his roles real and his three-minute film Koi Dekh Lega.
Edited excerpts from an interview:
It is said that love is blind. Your recent short film Koi Dekh Lega is about being in love and blissfully blind to the world.
When I first read it, I thought it was a sweet and genuine script. Our intention was to try and not let people know that we are playing blind. Yes, if someone catches then great and if not then people come to know in climax. Our intention was to make honest film and celebrate the feeling of love. That love can happen at a bus stop.
Much after the release of the film do we get to know if it was well made or not. When you see the reactions of your audience you get to know how the film was. However, it was really interesting working in the Koi Dekh Lega. The whole idea is you need to tell a story whether it’s in the form of short film, a feature or a TV show. If that’s coming across, you have won the battle.
How challenging it is for an actor to move from three hours to three minutes?
It is very challenging because when you are doing a feature you have lots of time to establish yourself as the character. But, when you do something like Koi Dekh Lega it tests your abilities in just three minutes in which we have to make people understand the character and evoke emotions – where is it coming from and where will it go.
What was it like working with Shweta Tripathi?
I have known Shweta for five years. Films that we were supposed to do did not work out for one or the other reason. So we were really looking forward to do a film together since very long. This time, I called up Shweta and said, ‘Let’s shoot!’ without any discussions as this chance may not turn up again. She is a refined and fabulous actor, who does films and other things for a reason. In Koi Dekh Laga, I was so busy performing that it is only in the final film I got to see her performance. She was undoubtedly amazing.
On inspiration for playing the characters
My plan is no plan! Explore everything that is possible. I do not draw inspiration from someone particular. I just look around and observe people and catch the nuances that will be useful and can be brought into the character. I want to make the character feel more real and relatable with the audience. At times, someone’s action or body language strikes and stays with you and I try to incorporate them. If the ingredients are right, your dish will just turn out to be perfect.
As somebody who has played cricket how tough or easy was it to essay the role in “Dishoom”.
For me, playing a cricketer on-screen was interesting. You’ll see me playing the role of today’s Virat Kohli, Suresh Raina or Rohit Sharma who are doing very well for the country. I have always wanted to be a cricketer and aspired to play as an opening batsman with Sachin Tendulkar. As a daily ritual I used to say to his huge poster, ‘One day I will play with you.’ But, things just don’t go the way you plan and that is when acting happened to me. Someone like me who always wanted to wear an Indian jersey is ready to wear it now in the film. Since I’ve always been a sportsperson it was slightly easy to play this character but the most difficult and important part was to get the body language right. Moreover, Rohit Dhawan is a director who keeps thinking about making things better.
Watch the short film Koi Dekh Lega starring Saqib Saleem and Shweta Tripathi
source: http://www.youtube.com
source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / Vidhi Mittal / March 20th, 2016
Latur (Marathwada region) , MAHARASHTRA :
Published on Apr 28, 2016
www.saamtv.com
Humanity Is Alive: Matin Bhai From Latur Is Providing Water In Drought Times
source: http://www.youtube.com
Latur (Marathwada region) , MAHARASHTRA :

What would you do if your house was the only one with running water, while your neighbours’ taps went dry?
As you ponder over that, let us tell you the story of Latur’s Mateen Bhai.
The severe water shortage raging through Latur and elsewhere in Maharashtra has been all over the news. In this crisis, instead of locking up his borewell, Sheikh Mateen Musa has been distributing over 10,000 litres of water among his neighbours everyday.
And he has been doing that for free for the past three months.
His story was brought to light by Facebook page Voice Of Ram. In a video uploaded in this page, those witness to Mateen Bhai’s benevolent actions have no end to his praises.
“Mateen sir is not the name of a man, he is the name of action,” says one of his neighbours. ” If anyone can teach how to serve humankind, it is Mateen Bhai.”
“We ask them to take money in exchange of the water, but he sternly refuses,” says another woman about Mateen Bhai. “He tells us to take as much water as we need for free.”
A mathematics teacher in a local school, Mateen Bhai seems quite oblivious to the fame he has been garnering for his good works. In fact, he believes he has been doing nothing outstanding but just giving away what belongs to others in the first place.
“The water in my borewell may be the water others are destined to have, so they are only taking away what belongs to them,” says Mateen Bhai. “It is nothing mine to give.”
When asked what he would do if his borewell ran out of water, Mateen Bhai laughingly says, “When that happens, even I will pick up a pot and go around looking for water like others.”
https://www.facebook.com/VoiceOfRamDotOrg/videos/1274945099201465/
It is people like Mateen Bhai who remind the rest of the world that charity begins at home, and that humanity is bound by no race and religion.
source: http://www.indiatoday.intoday.in / IndiaToday.in / Home> News> FYI / by Shreya Biswas / New Delhi – April 27th, 2016
Srinagar, JAMMU & KASHMIR :
Srinagar :
Mehbooba Mufti of the Peoples Democratic Party or PDP took oath this morning as the first woman Chief Minister of the country’s only Muslim majority state, Jammu and Kashmir, at the head of a coalition government that includes the BJP.
The 56-year-old succeeds her father Mufti Mohammad Saeed who died in January this year. 23 ministers are taking oath along with Ms Mufti , including members of the BJP, whose Nirmal Singh will be Deputy chief minister.
In an indication of the struggles that lie ahead for Ms Mufti, senior PDP leader and lawmaker Tariq Karra boycotted the oath ceremony.
“I had a meeting Mehboobaji till late last night. I wanted three ministers who have played a dubious role and are responsible for the failure of Mufti Mohammad Saeed to be dropped,” Mr Karra told NDTV.
Mr Karra wanted Ms Mufti to exclude key PDP leaders Altaf Bukhari, Naeem Akhtar and Haseeb Drabu from her council of ministers. He alleges that they plotted to form government in alliance with the BJP without Ms Mufti as she refused to take oath for three months after her father’s death.
Ms Mufti dropped Mr Bukhari, but not the others. She has instead replaced two lawmakers who were junior ministers in Mufti Saeed’s team.
Mr Karra is no lightweight. In 2014, he defeated former union minister Farooq Abdullah of the National Conference in the general elections.
Ms Mufti has been criticised for delaying government formation as she wanted the BJP-led Centre to agree to several demands. But the BJP stood its ground saying it would agree to no pre-conditions for an alliance .
Last week, after a long stalemate, Ms Mufti’s meeting Prime Minister Narendra Modi cleared the way for a PDP-BJP government to take oath. But her struggle to manage a difficult coalition remains.
Former J&K chief minister and Ms Mufti’s main rival Omar Abdullah has prophesied that Mehbooba will face “more alliance contradictions” in the partnership with the BJP, an ideological opposite.
State elections in December 2014 gave no party a majority in the 70 member J&K assembly. The PDP, with 28 seats and the BJP with 25 had formed government after weeks of hard negotiations last year.
source: http://www.ndtv.com / NDTV / Home> All India / by Surabhi Malik / April 04th, 2016
Video Link : http://www.youtube.com
UTTAR PRADESH :
Bangalore , KARNATAKA :
Our six finalists, Basavaraj Rodda, Akkamma Aralikatte, Hafiza Begum, Savita Maleda, Iranna Patil and Geeta Basarakod put their best foot forward today in the FINALS of The Most Innovative math Teacher Contest by Akshara Foundation . February 14th, 2016.
source: http://youtube.com
(Death Anniversary on May 6, 2006)
In the late 1930s, Naushad Ali came to Bombay to be a success as a musician. But he had to struggle to make it to the top. Initially he faced rebuffs, and had to endure periods of utter deprivation. Naushad even spent nights sleeping on footpaths before he finally secured a job as a pianist in composer Mushtaq Hussain ‘s orchestra. Composer Khemchand Prakash took him on as his assistant and taught him, an act for which he remained extremely grateful throughout his life. Soon, Naushad got his break with the film Prem Nagar (1940), but it was only with Sharda (1942) that he got attention. The film Ratan (1944) took him right to the top, and from then on he could produce blockbuster songs for appropriately smash hit films, most notably films made by either Abdul Rashid Kardar or Mehboob Khan.
Naushad’s style was renowned for his ability to incorporate classical rhythms into his symphonies. He based his music upon the “ragas” that formed a basis in Indian classical music, and thus his music took on complex formations and . His taste for classical music was legendary – in the Mughal musical Baiju Bawra (1952), he used actual classical singers to sing his ghazals. In spite of his classical tendencies, he could also keep up with the times and adapt Western techniques and instruments into his music, as heard in the films Jadoo (1951) and Mere Mehboob (1963). Naushad was also among the first to use the techniques of sound mixing, of separate recording of vocal and music tracks in playback singing, and using background scores to enhance characters’ moods and dialogues through music.
Naushad’s career continued at a steady peak throughout the 1950s and 1960s, with some of his melodies being featured in now-perennial classics like the Mughal period films Baiju Bawra (1952) and Mughal-E-Azam (1960) and the epic Mother India (1957). Unfortunately and to his distaste the times were changing and demanded more fast-paced, peppier tunes, and Naushad had to struggle to keep his music pure and classical. In fact for Saathi (1968), he was persuaded, against his will, to re-record two of his songs to pep up their pace and their appeal. It was due to this uncompromising attitude towards his music that he would only compose less than a hundred films in his lifetime.
https://www.youtube.com/watch?v=FESD9v4fwfc
K. Asif (14 June 1922 – 9 March 1971) was a film director, film producer and screenwriter who was famous for his work on the Hindi epic motion picture, Mughal-e-Azam (1960).
Information On India..This Page Try’s to help You to give Information on “RARE INDIA”
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https://www.youtube.com/watch?v=e-BA9inBikw
Company Quartermaster Havildar Abdul Hamid, PVC (1 July 1933 – 10 September 1965) was a soldier in the 4th Battalion, The Grenadiers of the Indian Army, The Grenadiers of the Indian Army, who died in the Khem Karan sector during the Indo-Pakistani War of 1965 in the Battle of Asal Uttar, and was the
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