Kerala-based Traditional Prophetic Medicine Association Trust (TPMAT) has launched the Supreme Twibb Council in order to promote Prophetic medicine or Tibb-e-Nabawi.
The initiative aims to provide a platform to doctors and physicians involved in Prophetic medicine and will also give training to those doctors who are interested in practising Tibb-e-Nabawi.
Dr Muhammed Gafoor Saquafi, the council’s president highlighted that the Union Ministry of Health and Family Welfare has recognized Prophetic medicine as one of the alternative medicine as ordered by the ruling of the Supreme Court. TPMAT had filed a petition in the Supreme Court in this regard and after winning the case they decided to initiate Tibb Council.
“Moreover the Prophetic medicines institutes have received various orders from the Central Government in this connection. Based on this and Central Act1882, the TPMAT is registered and Supreme Twibb council is formed under it.
Advice and remedy given by Prophet Muhammad on the matters of health including sickness, hygiene, and treatment are called Prophetic medicine. These remedies are given by the Prophet, which is mentioned in the books of Hadith, and the writings were undertaken by non-physician scholars to collect and explicate these traditions.
In 2014, the Prophetic medicine was recognized as a complementary medicine senate via the Alma Atta Declaration of the World Health Organization. A letter of recognition and appreciation was also provided by the World Health Organization via the Ministry of Ayurveda, Yoga and Naturopathy, Unani, Sidha and Homeopathy (AYUSH).
Prophetic medicine was enlisted as an alternate medicine by Ministry of Health and Family Welfare in 2017 and gains the status of independent practice. This liberty to practice prophetic medicine was given by Supreme Court itself. There are many Prophetic Medicine institutions initiated at various locations of India.
The Court managed to draft bylaws of the Council in contrast with a pending petition given by TPMAT to the Supreme Court earlier, that constitute the legal part of the Prophetic medicine.
The council will also provide memberships to the scientific scholars and traditional scholars in different categories. Moreover national memberships will also be given for the structural expansion of the training institutes in the Country with a head-quarter in the national capital, Delhi.
source: http://www.thecognate.com / The Cognate / Home> News / by Ghazala Ahmad / March 13th, 2021
… says writer-filmmaker Asghar Wajahat, who was in Bengaluru for the staging of his play, Jissney Lahore Nai Dekhya
Asghar Wajahat
Bengaluru :
That she could become a playwright’s muse was the last thing on her mind when mai (mother) – a lone elderly Punjabi Hindu woman in Lahore – was trying to figure out her survival in Pakistan, when she refused to come to India after Partition. Four decades later, and across the border, a scant piece of information on her led Asghar Wajahat – a well-known Hindi playwright, novelist and documentary maker from Uttar Pradesh (UP) – to pen Jissney Lahore Nai Dekhya (Those who have not seen Lahore) in 1989. The play is not about the pain of Partition.
“It is a paean to insaniyat (humanity),” said Wajahat in an exclusive talk with CE on the sidelines of the show in Bengaluru. The play, directed by Zafer Mohiuddin, was staged at the Alliance Francaise on Sunday. “It highlights the mindset, which divides people on the basis of nationality, ethnicity, religion, caste, race and language, among many other things, and what humanity can do to bring people together,” added Wajahat.
“The characters in the play, from a cleric who, when confronted with the question whether a Hindu could live in Pakistan, says that the earth belongs to God and anyone could live anywhere, to the character of real life poet Naser Kazmi, who says that an artiste’s world has no boundaries, believe in togetherness,” he said. Besides raising the existential questions on life, its driving and dividing forces, the play has portrayed strong women characters. In fact, their roles have highlighted how patriarchy has sidelined their voices.
“A daughter of a family that provides shelter to mai asks her mother that if a Hindu could live at ease with a Muslim family where was the need for Partition? In reply, her mother says, “Tum apney abba sey poochho (ask your father).”“It says a lot about male dominance and the absence of women’s voices in decision making,” said Wajahat.
Contrary to its spirit and the message it aims to send across, performing Jissney Lahore Nai Dekhya has not been an easy task. “When the play was taken to Karachi, the director of the play Khaled Ahmed was refused permission by the Pakistani authorities. They objected on the grounds that a Hindu was the protagonist of the play; that the playwright was Indian and that the killing of a religious cleric in the play sends a wrong message in an Islamic country. Ahmed did stage the play at Goethe Institute in Karachi. In Meerut, in UP, permission to stage the play was denied because its title is Lahore and the authorities felt that it was about Pakistan,” he smirked.
“It is ironical that Jissney Lahore nai Dekhya has raised issues surrounding the myth of ‘us versus them.’ It is about ironing out the creases and celebrating human relationships, above all,” said the veteran playwright.Wajahat is also an avid traveller, who looks forward to visiting people-oriented places. “I love meeting people wherever I go,” he said. From being invited to weddings by newly-made friends to being caught on the wrong side of law are some of the many anecdotes in Wajahat’s travelogue.
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Bala Chauhan / Express News Service / March 02nd, 2021
Liani goes back in time to find out how Alam Ara, the first Indian film with sound that was released on March 14, 1931, was made.
With my travelling severely curtailed, I tried the time machine. I turned a few knobs and wham! I was in March 1931 at a studio in Grand Road, Bombay, that overlooked the railway tracks.
“What’s happening?” I asked a mouse that suddenly appeared by my side. He tittered, “This is a film shooting. These rooms are not soundproofed; so these guys have to wait till the trains stop running.”
I looked at him quizzically. “It’s 1930s, my friend. There were only silent movies. See how they are placing those large microphones inside the actors’ costumes, behind the props and every other place possible.”
“Must be uncomfortable right?”
“You bet. Oh! Look at that. They have musicians hiding behind the trees!”
This was fascinating. I hopped across until I found a man gazing out of the window. I introduced myself and asked him to give me the lowdown.
Getting briefed
“Hello,” he said. “I’m Ardeshir Irani, the producer of this film. I was inspired after watching Show Boat, last year. I knew it was the next greatest thing in films. I decided it would be in Hindustani, which is a mixture of Urdu and Hindi. For my story, I had Alam Ara, about warring queens, palace intrigues and, of course, romance too.”
For his heroine, he had found a young actor named Zubeida, and the male lead was Master Vithal, a Marathi stunt star. The villain was Prithiviraj Kapoor. “If the villain is not good, the movie can fail, you know,” he said. “We are almost done here. This is the fourth month of shooting. It takes just a month to shoot a silent movie.”
My time machine was beeping and my time had run out. Intrigued by what I had seen, I read up about Alam Ara. The film was a sensation. The Majestic Cinema in Bombay was mobbed and the police had to be called in. Tickets were sold on the black market for four to five rupees. But here is the sad part: No copy of this film exists. There are just a few stills to remember this pioneering film.
Fun five
Alam Ara was India’s first talkie.
The shooting was done mostly between 1.00 a.m. and 4.00 a.m.
Released on March 14, 1931, at Majestic Cinema in Bombay, its tagline read: All living. Breathing. 100 per cent talking.
The song ‘De De Khuda Ke Naam Par’ was sung by Wazir Muhammad Khan, a neighbourhood watchman. Irani hired him because of his coarse voice. The film had six other songs.
It introduced the concept of music and playback singing.
source: http://www.thehindu.com / The Hindu / Home> Children / by Liani / March 09th, 2021
Sameera Fazili is the daughter of Kashmiri immigrants [AFP] / pix: english.alaraby.co.uk
A hijab-wearing US official spoke at a White House press briefing on Wednesday, prompting social media users to hail the moment as symbolic, after year of Islamophobia normalised by the previous adminstration.
Sameera Fazili, Deputy Director of the National Economic Council, addressed reporters on President Joe Biden’s executive order to address electronic chip shortages and other critical supply chain issues.
Fazili, a graduate of Harvard University and Yale Law School, was appointed to the key position in the new administration last month. The National Economic Council deals with the economic policymaking process and provides policy advice to the president.
Social media users welcomed Fazili’s first appearance as an official in the Biden administration, with some interpreting the image of the hijab-wearing Muslim official as symbolising a shift away from Donald Trump’s legacy of bigotry towards Muslims.
“A month after Trump is gone and we have a sister in hijab giving the press briefing at the White House”, wrote Imraan Siddiqi, executive director of the Washington chapter of the Muslim Council of American Islamic Relations (CAIR). “The Islamaphobes are weeping,” he added.
Shahed Amanullah, a Muslim tech entrepreneur who served as a senior advisor to the US State Department between 2011 and 2014, expressed similar sentiments.
He described the appearance of Fazili, the daughter of Kashmiri immigrants, as showing “how far we have come in just a month – from incompetence and exclusion to intelligence and inclusion.”
Aymaan Ismail, a US Muslim journalist focusing on identity and religion, compared Fazili’s appearance to anti-Islam activist Brigette Gabriel , who was invited to the White House by Trump:
“Trump invited Islamophobes like Brigette Gabrial into the WH. Today, sister @sameerafazili delivered a press briefing. My how quickly things have changed”
Shortly after taking office in 2017 Trump instituted a “Muslim travel ban”, which Biden reversed in a flurry of executive orders last month. The ban was one of several xenophobic campaign promises made by Trump, which included the creation of a Muslim registry and the surveillance of mosques.
He commented on alleged ‘threat’ posed by Muslims living in the West throughout his presidency, fuelling rage among white supremacists and the far-right.
source: http://www.english.alaraby.co.uk / The New Arab / by The New Arab Staff / Homepage> News / February 25th, 2021
Naureen Hassan, Indian-origin veteran of the financial services industry. (Photo | Twitter/@NewYorkFed)
As the first vice president, Hassan will be the New York Fed’s second ranking officer as well as an alternate voting member of the Federal Open Market Committee.
New York :
An Indian-origin veteran of the financial services industry has been appointed as the first vice president and chief operating officer of the Federal Reserve Bank of New York.
Naureen Hassan has been appointed by the board of directors of the Federal Reserve Bank of New York as the first vice president and chief operating officer, effective from March 15.
The appointment was approved by the Board of Governors of the Federal Reserve System, the Federal Reserve Bank of New York said in a statement.
As the first vice president, Hassan will be the New York Fed’s second ranking officer as well as an alternate voting member of the Federal Open Market Committee.
Hassan, whose parents had immigrated from India, is a 25-year veteran of the financial services industry with expertise in strategy, digital transformation, cybersecurity and regulatory/risk management.
She was, most recently, the Chief Digital Officer for Morgan Stanley Wealth Management (MSWM).
President and Chief Executive Officer of the New York Fed John Williams said Hassan’s leadership background, deep commitment to fostering diverse teams, and extensive technology and financial experience will be critical to her role as a Bank leader.
Denise Scott, executive vice president of the Local Initiatives Support Corporation (LISC) and chair of the New York Fed’s board of directors, said Hassan’s leadership experience and operational expertise are “fully aligned” with what the search committee and he envisioned for this role.
Scott said Hassan will be taking on the role that is critical to advancing the Bank’s mission and strategic priorities.
The statement added that Hassan has served in various capacities in the financial services industry, focusing primarily on digital and business process transformation.
Prior to working at Morgan Stanley, she was at Charles Schwab Corporation beginning as a vice president of corporate strategy and ending her tenure as executive vice president of investor services, segments and platforms.
According to her profile provided by the Bank, Hassan was formerly a member of the Board of Directors at OneSpan, a USD 250MM revenue public security software and hardware firm, and Ascensus, the largest independent record keeping services provider, third-party administrator, and government savings facilitator in the United States.
Hassan also serves on the board of the California Academy of Sciences and the Cathedral School for Boys in San Francisco.
She was previously on the board of the Charles Schwab Bank and the Women’s Initiative for Self-Employment.
She holds a BA from Princeton University and a Masters of Business Administration from the Stanford University Graduate School of Business.
source: http://www.newindianexpress.com / The New Indian Express / Home> World / by PTI / March 06th, 2021
Granddaughter of India’s greatest Urdu poet pens a poignant tribute to her late grandfather
“And He was transfigured before them; and His face shone like the sun, and His garments became as white as light.”— Matthews 17:2-9
My family keeps trying to talk me into mourning the loss of my grandfather, who I lovingly call ‘Bhai’, as did everybody else who knew him. I can’t exactly put this into words and I can’t make people understand that mourning his death is an insult to the madness, the magic, the man, the movement, the miracle, the marvel, the Master. Why don’t you understand that this loss isn’t the kind for me to cry about? This is the kind of loss for me to die about.
When I was a kid, I used to love watching The Lion King. I like to believe that literature and media that you absorb during childhood, shapes your personality as an adult. I always made sure I skipped the scene of Mufasa’s death, with a bewildered and heart-broken Simba trying to wake his father up. It was because I always feared that this day would come, and I would see myself trying to awaken Bhai from eternal, unending sleep. And it did, it happened. And now I am here, and he is there — out there, up there. He is missing from me.
Are they still memories if they’re engraved in my heart, etched on my mind and tattooed on my skin? I like to believe they’re a part of me, my body, an extension to my entity, and as long as I shall live so shall they. So many people argue that he wasn’t my father. They’re right. Because to me, he is God. He is the giver, the provider, creator, the all-encompassing, the all-knowing, the omnipresent.
Provider, because he gave me everything I have and survive on, from my passion and love for animals to my affinity towards literature, music, art. We would stand inside his aviary, enough to accommodate two human beings, where he kept his birds. He would clean and wash their water bowls with his beautiful, wrinkly, holy hands and then he would pick up a bird in the palm of his hands — sometimes a cockatiel, sometimes a budgie, sometimes a quail — and show me, directing my gaze with his finger, the feather patterns, and beak shapes, explaining how a certain type of bird crushes the seed with which exact part of its beak. All-knowing, because he knew everything, quite literally. Anything and everything.
Driving home from a homeopathic clinic, we would have long conversations about The Battle of Karbala, and pretty much every historic event that ever occurred on the face of this planet. We talked about the possibilities of the existence of mermaids — how perhaps, in the course of evolution, a third of the primate population went towards the water and even into it, and developed webbed limbs and tails. We talked about the Fer-De-Lance, we sat and browsed through pictures of wildlife. We discussed dog breeds and how they evolved. He always told me (before the world went ‘vocal for local’) that nothing can beat the hounds of India — the Rajapalayam, The Chippiparai, The Rampur, and the Mudhol. He always had an eye out for the Saluki (a superior type of sighthound that originated in the Fertile Crescent), and would say to me, “Abey Saluki hai kya kahin pe? Saluki mile kahin toh batana, hum le lenge.”
On his birthday in 2019, I had gifted him a deep grey, white-speckled Cockatiel who he named Sooty. He stayed in Bhai’s room, and the two whistled to each other all day. Bhai would talk to him lovingly, and Sooty would chirp back in adoration. When Bhai got sick, Sooty mysteriously died. I had begun to believe that like Bhai’s previous dogs and other pets, Sooty too had died of loyalty in an attempt to take the impending death upon himself. Bhai always believed that wafadaar jaanwar aane wali museebat ko apne sar le lete hain. While it is unlike me — and everyone else in my family — to respond to the death of an animal, that too a beloved pet, with gladness and optimism, Sooty’s sudden passing had given us some hope. We were counting on life to make Bhai get better and to help us get through this untimely qayamat.
Grandfather — this word always gave me the same serotonin release you get from a warm blanket, a cup of hot chocolate, biting through the layers of a Ferrero Rocher, the morning of the day of Id, seeing my birthday cake for the first time.
And now it’s all gone, all taken away away from me. It is so ironic and at the same time baffling how our worst fears manifest right before our eyes. I didn’t allow myself to watch enough of The Lion King growing up because I was afraid if I looked at it then it would somehow happen. And now I see how everything unfolded just like it did in the movie. Covid attacked us like Uncle Scar. And while all of us got Covid, he somehow took it upon himself and while we lived, he left.
My animals in Delhi found me, picked me up, and saved my life, just like Timon and Pumba did with orphaned Simba in The Lion King. I think I have managed to figure out where this affinity comes from and why it has always been this way — the need to be around animals in order to survive. It was just another gift, another tool, another strength my Grandfather was equipping me with and conditioning me for, so that I may be able to carry on someday in his absence, and so that I have a purpose, a reason to live till the time he and I can finally reunite.
Only mourning him isn’t enough, isn’t fair, isn’t needed. His existence was a celebration of life, a creation of art, and his death was transfiguration. He didn’t just lay there still. He sublimated, became one with what he loved most, nature. He united with a power that was of the same immense magnitude that only he alone in this world was made of. If one should live, one should live like this. Not in the lap of luxury but in the embrace of nature. Not in bursts of passion, but in the steadiness of an unwavering purpose. Not for moments of moping, but for the unfazed ambition of the human spirit.
Lead my longing heart
To the high ground, to the clear view
And in awe I’ll be there
Beholding You…
source: http://www.telegraphindia.com / The Telegraph Online / Home> Culture / by Tazmeen Amna Siddiqui / March 04th, 2021
A Keralite racquet stringer’s dexterity and craftsmanship will be in high demand at the Dubai Open which will feature top tennis stars like Roger Federer and Serena Williams.
Jasif Mustafa, the lone Malayali in the team of official racquet stringers for the championship, which kickstarts on Sunday at the Dubai Tennis Stadium, is an expert racquet mechanic.
A native of Perumpilavu in Thrissur district, Jasif is the head of the racquet stringing section of Adler Sports, one of Dubai’s top sporting goods and equipment dealers.
Professional players would restring their racquets occasionally as the strings tend to lose their tension after several games. Jasif’s job is ensuring the precise degree of tension requested by each player.
The professional stringers of Adler Sports, headed by Jasif, got the offer to be a part of the Dubai Open after they did a commendable job at the Abu Dhabi WTA Women’s Tennis Open which was held earlier this year. During the course of the 10-day event, they repaired as many as 513 racquets and their work was widely appreciated.
Jasif has vast experience under his belt as a string mechanic. He had worked at a racquet repair shop in his home town for six years before he landed in Dubai four years ago. After joining Adler Sports, he has repaired over 20,000 tennis and badminton racquets that include the ones used by ace Indian shuttlers like Kidambi Srikanth and P V Sindhu.
“Jasif has a knack of executing the right tweaks. He can assess the quality of the strings just by slapping it on his palm. It is something he has picked up over the course of time,” says Pramod, a native of Guruvayoor and a coordinator at Adler Sports.
Stringing a racquet can take up to twenty minutes for a skilled stringer. Jasif’s strength lies in his speed and accuracy. Recently, he strung a racquet in 12.33 seconds and shared the video on social media which attracted great attention from people and the media particularly in the Gulf.
The 28-year-old is a certified stringer of Yonex, a global leader in sports equipment manufacturing. He has had the opportunity to train under Yonex stringing team head Tim Willey and Europe Racket Stringers Association chief Mark Maslowski. Jasif is also grateful to Adler Sports owner Abdul Salam for all his support.
Challenging job
Stringing racquets is a challenging job. A stringer has to ensure that racquets are strung at the right tension based on the style of each player. Racquet tension can vary from anywhere from 30-70 lbs. Professional players tend to opt for the upper limit of the racquet tension range which offers more control, while lower tensions provide more power. Tennis strings are usually made up of polyester, synthetic gut or a hybrid of the two and the price ranges between Rs 300 and Rs 8,000.
www.onmanorama.com / OnManorama / Home> Sport / by Raju Mathew / March 04th, 2021
The man in the Indian Air Force uniform is Air Commodore Hilal Ahmad Rather with India’s Ambassador to France Jawed Ashraf, an Chairman of Dassault Aviation, Eric Trappier
Hilal was commissioned in Indian Air Force as a fighter pilot on December 17, 1988
Air Commodore Hilal Ahmad Rather is presently India’s Air Attaché to France
________________
The first batch of the much-awaited five Rafale fighter jets that took off from France on July 27 will reach India today around 2 PM. In the moment of euphoria over the arrival of one of world’s best fighter jets, Indian social media users were quick to point out the important role played by Hilal Ahmad Rather in the quick delivery of Rafale.
Air Commodore Hilal Ahmad Rather is presently India’s Air Attaché to France. Hilal hails from South Kashmir’s Anantnag district. He became India’s first pilot to see off the batch of Rafale jets from France to India on July 27. Reports suggest that he played a crucial part in early delivery of the Rafales, and was previously associated with the weaponisation of the Rafale jets according to the Indian requirements.
Hilal was commissioned in Indian Air Force as a fighter pilot on December 17, 1988. He became flight lieutenant in 1993, wing commander in 2004, group captain in 2016 and air commodore in 2019.
Recipient of Vayu Sena Medal and Vishisht Seva medal, Hilal has a record of 3,000 accident-free flying hours on different aircraft.
An October 2019 video was also shared widely where he was preparing for Shashtra Puja along with Group Captain Anand, in presence of Defence Minister Rajnath Singh.
India had signed a deal worth over ₹60,000 crore with France in September 2016 for 36 Rafales to meet the emergency requirements of the IAF.
source: http://www.livemint.com / Mint / Home> News> India / by Staff Reporter / July 29th, 2020
Nagpur’s Alifya looked in complete control throughout the bout and made the opponent work hard with her swift movement and precise punches.
New Delhi :
Indian women boxers continued their fine run as Alfiya Pathan (81+kg) claimed the country’s first gold medal even as five others stormed into the finals of the 30th Adriatic Pearl Tournament in Budva, Montenegro.
Babyrojisana Chanu (51kg), Vinka (60kg), Arundhati (69kg) and Sanamacha Chanu (75kg) have made the finals in their respective categories.
An Asian junior girls champion in 2019, Alfiya showed superb form and fitness to notch up an easy 5-0 win against Daria Kozorev of Moldova.
Nagpur’s Alifya looked in complete control throughout the bout and made the opponent work hard with her swift movement and precise punches.
In the 51kg flyweight category, the proceedings began with a fiery encounter between India’s Babyrojisana and Uzbekistan’s Feruza Kazakova.
Both the boxers threw caution to the wind and exchanged mighty blows.
However, Chanu managed to pull off the winning punch in the dying seconds to outclass her opponent in a 3-2 split verdict and sail into the final.
Rohtak’s Vinka (60kg) made easy work of her Finnish opponent Suvi Tujula.
Suvi was no match for the Indian pugilist as she conceded a series of punches, forcing the referee to stop the contest in the second round.
She will face Kristian Kiper of Moldova in the final later on Saturday.
Arundhati (69kg) also continued from where she left in her last bout as she registered another clean sweep with a 5-0 win.
In the 75 kg semi-final, Sanamcha Chanu (75kg) defeated Uzbekistan’s Sokhiba Ruzmetova in an unanimous 5-0 win, setting up a final with compatriot Raj Sahiba.
Unlike other categories, India fielded two boxers in 75 kg and both of them will face each other for the gold medal.
In other matches, Neha (54kg) lost her semi-final bout against Claudie Totova of Czech Republic 0-5.
It turned out to be another tough day for the men as both Akash Gorkha (60kg) and Ankit Narwal (64kg) lost their respective bouts by a narrow 3-2 margin.
Other women boxer playing in the final on Saturday night is Gitika (48kg) who will be competing for the gold medal against Uzbekistan’s Farzona Fozilova while Preeti (57kg) and Lucky Rana (64kg) will play their semi-final bouts.
Two male boxers — Priyanshu Dabas (49kg) and Jugnoo (91+kg) — will also be competing in the semi-final laster in the day.
The Indian contingent has so far assured itself of 12 medals with five women eyeing gold.
source: http://www.newindianexpress.com / The New Indian Express / Home> Sports> Others / by PTI / February 20th, 2021
Starting out so early is not surprising given that he belongs to a family that runs a chain of restaurants in Chennai. His father Hashnas Abdulla is from Payyoli and mother is from Feroke.
Hayan Abdulla with certificates and medals of Asia Book of Records and India Book of Records
Kozhikode :
9-year-old Hayan Abdulla of Feroke has entered the Asia Book of Records and the India Book of Records by cooking 172 dishes, including biryanis, juices, pancakes, dosas, salads, milk shakes and chocolates, in one hour.Cooking became his hobby when he was just four. “He showed interest in cooking and began helping me in kitchen,” said Rasha Abdulla, Hayan’s mother.
Starting out so early is not surprising given that he belongs to a family that runs a chain of restaurants in Chennai. His father Hashnas Abdulla is from Payyoli and mother is from Feroke. “My family noticed that I cook fast. Then I thought why not work on it and be different. For the past one week, I have been recording the time of my cooking. There were no special preparations for the competition,” said Hayan, who is a Class III student of Sherwood Hall Senior Secondary School in Chennai.
Because of Covid-19 regulations, the competition took place online. He owns a YouTube channel called Hayan Delicacies which explains the making of various dishes in detail in three languages — English, Malayalam and Tamil. While he is passionate about cooking, Hayan aspires to become a pilot. His dream culinary venture is to set up a pasta bar.
source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Express News Service / February 19th, 2021
