Category Archives: World Opinion

Oman raring to go for 8-nation ACC U-16 Championship

Chennai, TAMIL NADU / Muscat, OMAN :

AymanMPOs17oct2019

Muscat :

Soon after successfully hosting the Pentangular T20 Series, Oman is now gearing up to hold the Asian Cricket Council’s Under-16 Western Region Championship, starting on October 21 at its picturesque twin grounds in Al Amerat.
Having won the five-nation T20 series at senior level, Oman are now looking to repeat the feat at junior level too but this time the matches will be a 35-over a side affair.
Group A comprises UAE, Saudi Arabia, Iran and Bahrain while Group B consists of Oman, Qatar, Maldives and Kuwait.
With top class indoor and outdoor training and practice facilities, apart from the two wonderful grassy grounds, Oman is now emerging as a busy international cricket venue. Many bilateral and multilateral tournaments are going to be held here in the coming months.
Young Amanpreet Singh Sirah has been appointed captain of Oman team for the tournament and will be assisted by wicketkeeper batsman Shanmugarajan.
The team is being coached by Syed Tariq Hussain who is being assisted by Pervez al Balushi. Packed with plenty of penetrating spinners and all-rounders, Oman is expected to reach the semifinals.
“The boys have been training hard for the tournament and I am quite confident we will do fairly well,” said Oman coach Tariq Hussain.
Two games are scheduled to be held at 9.30 am daily, one each on OC ground 1 and 2.
The first day will see UAE taking on Bahrain and Saudi Arabia facing Iran on October 21. Oman will play their first game on Tuesday, October 22, against Kuwait while Qatar will take on Maldives on the adjacent ground.
The semifinals will be held on Monday, October 28, followed by the final the next day at OC ground 1.

Oman squad:

Amanpreet Singh Sirah (captain), Shanmugarajan (wicketkeeper, vice-captain), Mohammed Nihal Siraj, Yash Verma, Bilal Asim, Arjun Dhiman, Siddh Mehta, Ayman Ayaz, Jayesh Anil, Sanjaya Ravindra, Zayed Ali Khan, Viraj Ashar, Abdullah Iftikhar and Tanuj Sivakumar.
Reserves:

Navneeth Krishnan, Aditya Gurumukhi, Qais Khalid al Balushi and Ishan Jabir.
Officials:

Sher Mohammed (manager), Syed Tariq Hussain (coach), Parvez al Balushi (assistant coach), Suresh Kumar (physio).

source: http://www.omanobserver.com / Oman Daily Observer / Home / by Shahzad Raza / October 16th, 2019

A retired official’s intensive research on Holy Quran

Coimbatore, TAMIL NADU :

Dr M Ameer Althaf
Dr M Ameer Althaf

Coimbatore:

Retired, but not tired of working for former NTC official Dr M Ameer Althaf, who took up intensive research on Holy Quran for well over three decade. And in his seven yearlong untiring effort, he has penned the book ‘Athaatchigal Thirukkuran Kalai Kalanjiam’ in a four part series, which is close to his heart. Undoubtedly, this is a magnum opus for the author.

Notably, Ameer Althaf had won the heart of Kovaiites for his different avatars in Thirukkuran Arakkattalai, Coimbatore District United Jamaath, AIMMS Muslim Women Community College. Adding another feather to his cap, he brought out the book ‘Pettagam’, a compilation of 300 long history of Coimbatore Muslims which was released at a gala function in 2014.

As to the adage ‘Hardwork pays rich dividends’, his research papers on Holy Quran were presented and published in global forum like Umma-al Qura University in Mecca, King Fahad University in Madina, University Malaya, Islamic Science University Malaysia besides universities in Istanbul, Jordan, Qatar, Mali.  His four decade central government service and three decade research on Holy Quran made him go places across the globe. Significantly, he became to be known as International Holy Quran researcher.

A function is being organised under the aegis of Dhaanish Ahmed Institute of Technology (DAIT) and Al Azhar Educational Trust on October 20 at Podanur Thendral mahal to release the book ‘Athaatchigal’ by former supreme court judge Fakir Mohamed Ibrahim Kalifullah and former High Court judge K N Basha in the presence of leading luminaries Alhaj K Moosa, chairman, DAIT group, Alhaj UAK Jailani, managing trustee, Al Azhar Education Trust.

Sunnath Jamaath Federation general secretary Alhaj M A Inayathullah will preside while Ranipet Additional District and Sessions Judge A Mohamed Ziyavudeen will felicitate at the event.

Moulavi Alhaj M A Abdur Rahim, president, Coimbatore-Nilgiris-Tirupur district Jamathul Ulema Sabai, Moulavi Alhaj M A Mohammed Imdhadi, president, Coimbatore city Jamathul Ulema Sabai, social activist Aloor Shanavas, Coimbatore district United Jamaath president Alhaj A R Basheer Ahamed, Tamil Nadu Haj organisors association president Alhaj A Mohamed Rafeek, Iqra Educational Trust president Alhaj H E Iqbal Sait, Project Manager in Kuwait Haji M A Azad will address the audience at the book release event. Himayathul Muslimeen Sunnath Jamaath, Podanur secretary Haji KTS Riyas Kapoor will propose the vote of thanks. Other dignitaries who will speak at the event include Holy Quran translator Prof Mohamed Khan baqavi, TN state Jamathul Ulema deputy general secretary Moulavi Alhaj  K M Ilyas Riyaji, Chennai Anna Salai Makkah Masjid chief imam Moulana M Mohammed Mansoor Kasimi, Madras University HoD Arabic,  Persian and Urdu Dr A Zakir Hussain Baqavi and senior network consultant, Abudhabi Dr Mohamed Ibrahim.

source: http://www.muslimmirror.com / Muslim Mirror / Home> Indian Muslim> Positive Story> Religion / by M. Rafi Ahmed / October 10th, 2019

Equestrian: Fouaad Mirza wins gold at Olympic qualifying event

Bengaluru, KARNATAKA :

Fouaad is currently the highest ranked in Group G for Asia Pacific Zone with 34 points on Fernhill Facetime, 30 points on Touchingwood and at present qualifying his third horse, Dajara.

Fouaad Mirza will next compete at the events in Montelibertti ITY CCI3*S (Italy) and Le Pouget FRA CCI4*S (France). - SPECIAL ARRANGEMENT
Fouaad Mirza will next compete at the events in Montelibertti ITY CCI3*S (Italy) and Le Pouget FRA CCI4*S (France). – SPECIAL ARRANGEMENT

India’s double Asian Games silver medallist Fouaad Mirza  bagged the top honours at the CCI3*S, an Olympic qualifying event, held in Strzegom, Poland.

Fouaad is currently the highest ranked individual in Group G for Asia Pacific Zone with 34 points on one horse Fernhill Facetime, 30 points on the second horse Touchingwood and at present qualifying his third horse, Dajara.

The eight-year-old Dajara, procured by the Embassy Group, is a promising German Holsteiner with an excellent track record of wins including a German National Championship, Bundeschampionat.

“I am very excited about our new horse Dajara, which has immense potential for success at the Olympics. Through the event CCI3*S, we were able to level up the horse rider combination to 4* and building up my points to qualify for the Olympics,” Fouaad said on Sunday.

Fouaad started the week with a solid dressage score of 26.8 which placed him second with a very close score to Germany’s Antonia Baumgart, who was one penalty better at 25.8.

This was followed by the showjumping event where Fouaad maintained the second position with a clear round. He finished the deciding cross-country round in four seconds over time, leading him to the gold in the Strezgom CCI3*S in Poland.

Fouaad has completed Renswoude NED CCI 4*S placed 11th, Jardy FRA CCI4*S, Strzegom POL CCI4*S placed 15th, Sopot POL CCI4*S placed seventh so far for Olympic Qualifying Events.

He will next compete at the events in Montelibertti ITY CCI3*S (Italy) and Le Pouget FRA CCI4*S (France).

source: http://www.sportstar.thehindu.com / SportStar / Home> More Sports / by PTI / Bengaluru – October 14th, 2019

Maratha blood and Persian veins

KARNATAKA :

A detail of the ‘House of Bijapur’ genealogical painting depicting most of the rulers of the Adil Shahi dynasty of Bijapur. (Photo: Wikimedia Commons)
A detail of the ‘House of Bijapur’ genealogical painting depicting most of the rulers of the Adil Shahi dynasty of Bijapur. (Photo: Wikimedia Commons)
  • Although the Adil Shahi dynasty of Bijapur was formally Muslim, it was influenced by multiple religions and different identities
  • Such complicated realities were not unusual in the subcontinent, from Vijayanagar in the south to further north in Kashmir

In 1680, a few years before emperor Aurangzeb swallowed up the sultanate of Bijapur, two court artists in that city produced a striking genealogical painting. Rich in quality, with ink, watercolours, as well as gold and silver generously employed, the picture shows all the rulers of the doomed Adil Shahi dynasty, save for one who was blinded and discarded for not being up to the mark.

In the centre, on the throne, for instance, sits Yusuf, the man who sailed from Persia and founded the house with his Maratha wife in the 15th century: In a mark of the kingdom’s allegiance to the Shah of Iran (as opposed to the Mughals), Yusuf is shown receiving a key of sovereignty from the Iranian emperor. Then there is Ali, who appears in armour—a symbol of the role he played in the defeat of Vijayanagar in 1565—just as there is the boy-king Sikander, the smallest figure in the group, who would spend much of his life as Aurangzeb’s dethroned prisoner.

Created on the eve of the kingdom’s demise, the painting is at once a family tree but also, as one scholar puts it, a “painted curtain call” for the extraordinary Adil Shahi dynasty.

But the portrait is significant also in another way, in that it depicts the contrasts that can develop in the same ruling house and in interpretations of its official ideology. The Adil Shahi state was formally Muslim. From the start, however, it was influenced not only by multiple religions but also by different identities. So, for instance, Ismail (reign 1510-34) chose to highlight the family’s Persian heritage—he made his troops wear Iranian uniforms and himself adopted the 12-pointed cap, a reference, as the scholar Deborah Hutton notes, to the 12 imams of Shia Muslims.

Ibrahim II (reign 1580-1627), on the other hand, was Sunni and is depicted in a style associated with the Indian faction at court, a reflection of his own attitudes. He was, for example, not only a lover of Marathi (much to the horror of a Mughal envoy, who found Ibrahim’s Persian weak) but also a great admirer of Hindu traditions. It was he who proclaimed himself son of Saraswati and Ganapati, studied Sanskrit, and went to the extent of renaming Bijapur “Vidyapur” to honour his favourite goddess.

Only two generations divided the orthodox Shia Ismail from Sunni Ibrahim (who was rumoured to be secretly Hindu) but there was a world of difference in their outlook.

The Adil Shahs certainly presented themselves as good Muslim rulers—indeed, even Ibrahim’s grave carries an inscription denying rumours that he was an apostate, affirming that he was a true believer of the Prophet’s message. But as this column showed previously in the case of Hindu Vijayanagar, official identity and self-image did not preclude the absorption of multiple influences, or even contradictory practice. The Adil Shahs, even as Muslims, alternated between Sunnism and Shiism, and it was their latter identity that often supplied the Mughals an excuse to invade in the name of religion—this when even Aurangzeb, who led the final charge against the “heretics”, was himself the son of a Shia mother. Add to this a give and take of culture from not only the Marathas (including Shivaji’s father, who served the Adil Shahs) but also Ottomans, Europeans and African grandees at court, and Bijapur was confirmed as an eclectic, mixed universe—one where the king had a formal identity that he could interpret strictly or with deliberate laxity, depending both on his predilections and official necessities.

But in this the Adil Shahs were hardly unique. The rayas of Vijayanagar shaped their self-image in Sanskritic terms and declared themselves consciously Hindu. And yet, one of them sought a marriage alliance with Catholic Portugal; many of them used the title “sultan”; and their sartorial tastes and everyday lives were influenced visibly by Persian culture. A raya might keep the Quran in court so that his Muslim nobles could prostrate before it, even as he destroyed mosques in enemy territory—policy depended on the context in which the king found himself. Further north, in Kashmir too, as Richard Eaton shows in his India In The Persianate Age, we witness such ironies.

Sultan Sikander (reign 1389-1413), for instance, was a destroyer of Hindu shrines and burner of Sanskrit books. But his son Zain al-Abdin (reign 1420-70), officially as devout a Muslim as his father, implemented the opposite policy: Not only did he resume temple grants, but under him the court also witnessed an unprecedented production of Sanskrit literature, as well as translation of Hindu texts into Persian for the ruler’s edification.

The greatest controversy, of course, arises in understanding Tipu Sultan of Mysore. To some, he is a giver of grants to Hindu temples and a protector of his non-Muslim subjects. Others cite his cruel conquest of Malabar, where Hindus were forced to renounce their religion, their temples demolished. But, simply put, the question is not one of either/or: The same king could act in opposite ways in different settings.

In Malabar, its chiefs and people were “infidels”, but in his settled territories in Mysore, Tipu had no qualms employing “infidel” Brahmins (including the celebrated Purniah) as officials. One was a land of conquest, where destruction of significant shrines was, to him, legitimate, while forced conversions were a method of flaunting to the Islamic world his commitment to their faith; but in his home territory, he was king in a broader sense, accepting of the land’s realities as well as its people. A villain in one reading, he could be a hero in another, employing his religious identity in different degrees, determined largely by the contingencies of politics.

It was this complicated reality that the painters of that Adil Shahi family portrait inadvertently conveyed in their work: a house of Muslim kings with Maratha blood, who cheerfully switched sects as they desired, and whose dynastic roster included all types—those whose faith guided them to extremes, and others for whom religion was more a formality, engaging as they did with a land of diverse realities.

Medium Rare is a column on society, politics and history. Manu S. Pillai is the author of The Ivory Throne (2015) and Rebel Sultans (2018).

Twitter – @UnamPillai

source: http://www.livemint.com / Live Mint / Home> Explore> Medium Rare / by Manu S. Pillai / September 05th, 2019

Now, learn about Hyderabad’s Hayat Bakshi Begum through virtual reality experience

Hyderabad, TELANGANA :

The HDW, which has been organized by the Telangana government in partnership with India Design Forum (IDF) and the World Design Organisation (WDO), is being held parallelly with the World Design Assembly
The HDW, which has been organized by the Telangana government in partnership with India Design Forum (IDF) and the World Design Organisation (WDO), is being held parallelly with the World Design Assembly
  • A trailer titled, ‘Ma Saheba – The queen of Hyderabad’, explores 360-degree VR animation as the latest technology of film
  • The technology enables the viewer to visit the Qutb Shahi tombs (necropolis) from the comfort of their own location, interacting with the landscape as if almost they were physically present there

Hyderabad:

A team from the Indian Institute of Technology-Hyderabad’s (IIT-H) department of design has created a Virtual Reality (VR) experience for an oral historical narrative of Begum Hayat Bakshi, one of the most influential historical figures of the Qutb Shahi dynasty (1518-1687), which founded Hyderabad (in 1591).

The story of Hayat Bakshi Begum is considered to be of women empowerment, given that she lived through the rule of three kings of the Qutb Shahi dynasty. A trailer titled, ‘Ma Saheba – The queen of Hyderabad’, explores 360-degree VR animation as the latest technology of film. Begum was the daughter of Mohammed Quli Qutb Shah (1580-1611), the founder of Hyderabad.

She was married to Mohammed Qutb Shah (1612-26), the nephew of (and king after) Mohammed Quli Shah. After the death of her husband, though her son Abdullah Qutb Shah (1626-71) became king, Hayat Bakshi Begum had a considerable influence over the affairs of the Golconda (or Qutb Shahi) kingdom, which was founded in 1518. The VR oral history narrative will be available for the public on 11 and 12 October in Hyderabad, as part of the ongoing (9 to 13 October) Hyderabad Design week (HDW).

The HDW, which has been organized by the Telangana government in partnership with India Design Forum (IDF) and the World Design Organisation (WDO), is being held parallelly with the World Design Assembly, which will be held in Hyderabad on 11 and 12 October.

“Using the premier technology in immersion, IIT-H developed a virtual exploratory landscape which lets the user experience the historical monuments (tombs, where the founders of Hyderabad and others from the kingdom are buried) of Qutb Shahi like never before. The use of virtual reality-based technology to preserve and explore history is a method that provides results with almost lifelike experiences,” said a press release from IIT-H on Wednesday.

Speaking about the initiative, Prof. Deepak John Mathew, head, department of design, IIT-H said, “This project is initiated with the support of the Design Innovation Centre at IIT Hyderabad. The objective is to create a Visual Model of the monuments in India. This is the first attempt in this series. This will be exhibited at the airport as well as HICC during the WDO Conference. This is a fusion of art and technology.”

The technology enables the viewer to visit the Qutb Shahi tombs (necropolis) from the comfort of their own location, interacting with the landscape as if almost they were physically present there. The installation aims at raising awareness about the intricate history of Hyderabad. The IIT-H’s department of design undertook a high-resolution scan of the tomb complex for the project.

source: http://www.livemint.com / Live Mint / Home> Explore / by Yunus Y. Lasania / October 09th, 2019

Syed Mohammad ‘Rainbow’ Hadi: First man to score a Ranji Trophy hundred

Hyderabad, TELANGANA :

Syed Mohammad Hadi was nicknamed Rainbow for his prowess in cricket, tennis, field hockey, football, table-tennis, chess, and polo.

Syed Mohammad Hadi scored 132 not out in his team’s score of 227, becoming the first ever centurion in Ranji Trophy cricket. Photo courtesy: Wikimedia Commons.
Syed Mohammad Hadi scored 132 not out in his team’s score of 227, becoming the first ever centurion in Ranji Trophy cricket. Photo courtesy: Wikimedia Commons.

One of the main issues under discussion during the July 1934 meeting of BCCI, held in Bombay, was a detailed discussion regarding the introduction of a nation-wide First-Class cricket competition, where teams representing the different local cricket associations of the nation would participate to ultimately determine the national champion. It was founded as “The Cricket Championship of India”. The tournament kicked off in 1934-35. The handsome trophy was donated by His Highness Sir Bhupinder Singh, Maharaja of Patiala, in memory of Ranji to cricket lovers all over the world.

As all students of Indian First-Class cricket history are aware, the very first Ranji Trophy match of all, between Madras and Mysore at Madras on November 4, 1934 turned out to be a bit of a letdown, the whole match being completed in one day. It remains the first of only 2 First-Class matches played in India to be completed in a day till date (the second being Saurashtra vs Baroda at Rajkot on December 5, 1959).

This match will forever be remembered for the wonderful bowling performance that resulted in a match of such short duration, 6 for 19 (out of total of 48) and 5 for 16 (out of 59) by the doyen of Madras cricket at the time, the great left-handed all-rounder, AG Ram Singh, patriarch of the first family of contemporary Madras cricket.

Perhaps a little overshadowed by AG Ram Singh was a right arm medium-pace and off-break bowler from the Mysore team, appropriately named Mysore Vijayasarathi, who picked up 6 for 23 in the only Madras innings of 130. Vijayasarathi would later cause a flutter among lovers of cricket trivia by umpiring a Ranji Trophy match between Mysore and Andhra in Dec/1960 at Bangalore along with his son, MV Nagendra.

The sad but undeniable fact was that there were no outstanding batting performances in the first two Ranji Trophy matches played.

The third Ranji Trophy match of the inaugural season began on the Friday, November 23, at Secunderabad. Hosts Hyderabad, led by Syed Mohamad Hussain, were taking on the Madras team, led by M Venkataramanjulu.

The hosts won the toss and decided to take strike. They reached a competitive score of 256 in their 1st innings, captain SM Hussain top-scoring with 80 and F Toorkey, opening the innings, making 72 runs. As if it were pre-ordained, Ram Singh captured 5 for 88. The Madras 1st innings finished at 301, with only Ram Singh (74) and Cotar Ramaswami (61) reaching double figures.

The Hyderabad 2nd innings was in disarray when the 3rd wicket fell at the team score of 12. Syed Mohammad Hadi then arrived at the crease to take strike. He scored 132 not out in his team’s score of 227, becoming the first ever centurion in Ranji Trophy cricket. This match was his Ranji Trophy debut match as well, and this century his maiden First-Class century.

In a surprising turn of events, the visitors were dismissed for 169 in their 2nd innings. That man Ram Singh (70) scored another half-century and MJ Gopalan made 58. The man who wrecked the Madras 2nd innings was one Tata Rao (8 for 73), and Hyderabad won by 13 runs.

Born August 12, 1899 in India, Hadi was a right-hand batsman who has no record of ever bowling in this format of cricket. In a span of 1930-31 to 1940-41, SM Hadi played 24 First-Class matches aggregating 1,043 runs with a highest of 132 not out (as mentioned above) and an average of 32.59. He was to later score another century and 3 fifties, and to take 9 catches.

Hadi’s profile informs us that his father Captain Syed Mohammed, erstwhile officer in army of Hyderabad state, had passed away when Hadi was just about two years of age. Hadi’s subsequent upbringing was through the support and supervision of the family of Sir Asman Jah, former Prime Minister in the court of the Nizam of Hyderabad.

He was brought up alongside the son of Sir Jah, Nawab Moin-ud-Dowlah, after whom the famous cricket tournament was to be named and who would become a famous patron of the sports of the region. Hadi had the opportunity of learning horse riding as a youngster and was sufficiently good at soccer to play for Nizam College. In view of the boy’s obvious aptitude for a number of sports, the family of Sir Jah decided to send him over to England to continue his studies.

In the newsletter VARSITY, dated June 12, 2016 from Cambridge is an article by Matt Worth, in which he comments, “The wardrobe in his room at Peterhouse must have been bursting with light blue jackets, as he shone at polo, tennis, soccer, field hockey, cricket and table tennis. A particularly fine tennis player, it is at the racket game that his sporting career perhaps hit its greatest heights, as he played at Wimbledon five times, reaching the doubles quarter final in 1926. He also represented India at the 1924 summer Olympics and in the Davis Cups of 1925 and 1926. The run of representative appearances for his country must have more than made up for his frustration at being denied the Light Blues’ tennis captaincy on account of his nationality.” He had an MA from Cambridge and a Masters from the University of Pennsylvania.

Hadi made his First-Class debut for Hyderabad against Maharaj Kumar of Vizianagram’s XI in the Moin-ud-Dowlah Gold Cup semi-final of 1930-31, played at Secunderabad in 1930-31, under the leadership of wicketkeeper SM Hussain, who was also keeping wickets.

He was well past the age of 30 at that time, and scored 17 and 42 not out against a team captained by Jack Hobbs, and for whom Herbert Sutcliffe scored 165 in the side’s only innings of 329. Hyderabad managed totals of 265 and 194 in a drawn match that was awarded to the visiting team on the basis of their 1st-innings lead.

It may be mentioned here that Hyderabad batted against the bowling of the brothers CK and Cs Nayudu and Ghulam Mohammad, among others. An interesting sidelight of this match was the fact that while Naoomal Jaoomal kept wickets in the home team’s first innings, he not only bowled but took 2 for 7 from his 3 overs while one P Shankerdas, who was not in the playing eleven for the visiting team, was allowed to keep wickets as a substitute.

In the Ranji Trophy clash with Madras at Chepauk in December 1935, Hadi, captaining the Hyderabad team, scored 85 and 0 in a match that Madras won by 6 wickets, Ram Singh being the undisputed hero of the match, scoring 121 and 57, both not out, and taking 2 for 77 and 6 for 32.

It was at Chepauk in February 1936 that India took on an Australian team in an “unofficial Test”. The home team was led by Wazir Ali and included luminaries like Kartick Bose, Mushtaq Ali, Lala Amarnath, Amar Singh, Ram Singh, Hadi and Mohammad Nissar. The Australian team was led by the ageing Jack Ryder and included, among others, ‘Stork’ Hendry, ‘Hammy’ Love (though he did not keep wickets in this match), and the one and only ‘Governor-General’ — Charlie Macartney.

India batted first and put up 189, thanks to 45 by Amar Singh and 43 by Mushtaq Ali. Macartney took 3 for 52. The Australian 1st innings ended at 162, with a good 48 from Fred Mair. Nissar (5 for 61) and Amar Singh (5 for 54) shared the wickets.

India managed only 113 in their 2nd knock, the top-scorer being Hadi with 19 not out (he had also made 19 not out in the 1st innings). Once again, it was Macartney among the wickets with 6 for 41.

The Australian 2nd innings was an even feebler effort — 107, with the only worthwhile score being 41 by captain Jack Ryder. Nissar (6 for 36) and Amar Singh (2 for 54) ensured an Indian victory by 33 runs. It must be said, however, that for the visitors, Hendry, Ryder, Love, wicketkeeper John Ellis, Macartney, Joe Davis, and Harry Alexander were past their prime and playing their last First-Class match. For the home team, Wazir Ali completed 1,000 First-Class runs for the season, and Hadi completed 500 career First-Class runs.

It was against the old foes, Madras again, that Hadi scored his other First-Class century, in the Ranji Trophy match at Secunderabad in December 1939, with a score of 106 (his 100 coming in 120 minutes) in a total of 443. Hyderabad batted only once in a match and won by an innings and 2 runs. Ram Singh, however, had still not finished with them, capturing 5 for 136 and scoring a solid 44 in the Madras 1st innings of 262. When he had scored 81, in this match, Hadi completed 1,000 First-Class runs.

His final First-Class match, again against Madras, was at Chepauk in December 1940. As captain of Hyderabad, his contributions were 2 (out of 98) and 16 (out of 132). Ram Singh, perennial nemesis of the team, turned in another stellar performance with 27 and 53, and picked up 6 for 30 and 4 for 26, as Madras won by 254 runs.

Retirement from his active playing days did not diminish his interest in sports. Along with his step-brother, Col. Ali Raza and with Nawab Mahmood Yar Jung, SA Rahim and Ahmed Mohiuddin, Hadi founded the Hyderabad Cricket Association and Hyderabad Football Association in 1934, with himself as the first Secretary.

He became the Director of Physical Education in Hyderabad and later, Joint Secretary of Education of the Indian Government. He was National Commissioner of Boy Scouts of India and, when the All-India National Council of Sports was founded in 1959, he was the first Secretary. The runners-up trophy of the Mon-ud-Dowlah Gold Cup tournament is now called the SM Hadi Memorial Trophy.

This multidisciplinary sportsman died in his native Hyderabad on July 14, 1971 of lung cancer. For his extraordinary skill at the seven sports of cricket, tennis, field hockey, football, table-tennis, chess, and polo, SM Hadi is fondly remembered by all Indian lovers of sport as ‘Rainbow’ Hadi.

(Pradip  Dhole  is a retired medical doctor with a life-long interest in cricket history and statistics)

source: http://www.cricketcountry.com / Cricket Country / Home> English> Features> Moments in History / by Pradip Dhole / June 16th, 2016

COVER STORY : Travelling in tandem

Bengaluru, KARNATAKA :

Anjum is a self-confessed foodie, and loves cooking. In fact, she recalls, it was this love and talent that led to her meeting Omer at the restaurant: “I used to bake a lot, and market my cakes and pastries to earn my pocket money, to spend on music and clothes”

He is a descendant of the royal families of Bhopal, Pataudi and the Paigahs of Hyderabad, she is the sister of the tycoons who run one of Bengaluru’s biggest realty companies. They have now joined hands to raise the level of living in the Prestige Group’s apartments and resorts-she designs and executes the interiors, while he has set up and runs the group’s hospitality vertical

Prestige01MPOs07oct2019

Nawabzada Omer Bin Jung and Anjum Razack met on a blind date. Well, not exactly a blind date, they say: “Actually, we were set up!” says Anjum, and Omer agrees. “But she picked me up!” he adds, with a twinkle in his eye. He is being literal: “I had no car, and used to roam around in buses and auto-rickshaws when I was working with Wipro.” So this young woman whom he had never met came to his office and gave him a lift.

Recalling the incidents of more than a decade ago, husband and wife keep bickering good-naturedly and correcting each other over details. The story that emerges is that a friend of Anjum’s said she wanted to meet her-at Casa Piccola, a restaurant to which Anjum used to supply cakes she baked. “And will you please pick up this guy Omer on the way? I want to meet him too,” she said. So an unsuspecting Anjum drove an equally unsuspecting Omer to the restaurant, where they sat and waited for the friend. When some time passed and she didn’t appear, they realised what had happened.

Was it love at first sight? “I don’t know if it was love, but I knew immediately that this was the guy I was going to marry!” she says. “My mother had always told me: ‘You should know what kind of boy you should bring home to meet me!’-and that afternoon I told her I had met the right man.”

Omer, for his part, “Enjoyed being the hunted, for a change”. They didn’t meet, or talk, for a month; but one day-just before Valentine’s Day, Anjum remembers-she and her friend were driving somewhere, when they spotted Omer walking. “We stopped, said ‘Hi!’ and gave him a lift.”

Things didn’t take very long after that. “My family doesn’t have the time for trivia!” Anjum explains. “I told my mother as soon as I got home that I had met the boy I was going to marry. I mean, we were two eligible young people in the same town. He was not of our caste of traditional business people, which was actually a plus point in his favour! Our families met, and I went through the various shredders his family put me through, then picked up the pieces-and we got engaged, then married in the next eight months.”

“We were two eligible young people in the same town. He was not of our caste of traditional business people, which was actually a plus point in his favour! Our families met, and I went through the various shredders his family put me through, then picked up the pieces−and we got engaged, then married in the next eight months.” − Anjum

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A few months before the marriage, they went to see Omer’s grandmother: “That was the first time I took a break from work,” she says. “Morph was still a one-person company, with only a set of carpenters to supervise. When we came back, I was broke, and went straight back to work. Side by side, I set up home and pottered around there, too.”

Anjum, the sister of the Razack brothers who run Bengaluru-based construction major Prestige group, is an entrepreneur in her own right: she set up Morph Design Company (MDC), which she runs as its Managing Director. Omer, who heads Prestige’s recent diversification into the hospitality business, comes from a long line of rulers-from the Paigahs of Hyderabad on his father’s side to a royal pedigree on his mother’s. “I have an interesting and diverse lineage. My maternal grandmother was the ruler of Bhopal with its matriarchal system. She married the Nawab of Pataudi, which was a much smaller kingdom, but both became our family’s houses. My father’s people were Prime Ministers to the Nizam of Hyderabad.” The Paigahs are a family of the senior aristocracy of the erstwhile Hyderabad State, with each of them maintaining his own court, individual palaces and a standing army of 3,000 or 4,000 soldiers.

Anjum, on the other hand, was what she calls ‘a one-woman army’ in a male-dominated business when she joined her brothers in 1993 and set up MDC. That ‘one-woman army’ has grown in 23 years to a Rs. 200-crore, 30-member team; but she continues to work hands-on with every project. “They are a bunch of kids-we are a young, growing office,” she says. “Besides, I love what I do-and I always put in 100 per cent into any assignment, because you always get only what you put in. I am also an obsessive perfectionist and would never deliver to a client what I wouldn’t live in myself.”

She had found, when she finished school, that she was in a ‘strange situation’ with not too many career options for a girl of her background-a Kutchi Memon in a typical business family, but one whose father had believed in education for his daughter as well as his three sons. “My parents have always been very aspirational for all their four children,” she explains. “We were all given education, encouraged to travel and grow-all against the norm in our community.” So after her B Com, she did a course in interiors with paint manufacturer Jenson & Nicholson. She then got a job with an interior designer in the early 1990s before joining the family business. “I jumped into the ocean headlong, without even knowing how to swim!” she says. “It was only the challenge that kept me

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MDC, which she established soon after that plunge, not only creates all the interiors in the Prestige Group’s developments, but also offers consultation, comprehensive planning and end-to-end design solutions for a range of other select clients for both their existing structures and new projects. She is also rightfully proud of the fact that her brothers Irfan Razack, Chairman and Managing Director of the Rs. 4,700-crore Prestige Group, and Rezwan Razack, who is Joint MD, never gave her any special privileges in business. “Even though we are a very close-knit family,” she says. “Morph is my very own, Prestige is my client. I charge design and project management fees, and for the furniture and other material I supply from either my own manufacturing units or those from whom I source them.” She does, however, describe working with family as putting her ‘between a rock and a hard place’ very often.

“My big idea was to reach out to the discerning interior design market, be it luxury or aspirational, and provide my clients with a lifestyle that they would enjoy,” is how Anjum how explains the way she approaches her work. “I wanted to introduce discerning customers to living spaces that represent and reflect their individual taste and stay relevant through changing times.” Designing an interior space, she points out, presupposes that “A design metaphor will reveal itself in every object, colour, finish and patina”. Obviously, when the idea finds expression and rhythm in such detail, the natural outcome would be a space made distinctive by its very uniqueness. “That,” she adds, “is why I do not just stop at designing the experience of an interior space, but also construct or create most of the objects that shape the design.”

“I went to boarding school at Sanawar, then Hindu College in Delhi and the London School of Economics. When I came back to India, I decided to move to Bengaluru instead of Hyderabad−it was a new city as compared to Hyderabad, and I could do anything here with its own level of decadence! Besides, my elder brother was here too” − Omer

“Good taste in interiors has come of age. The challenge lies in the fact that often, the notion of interior design stops at the placement of attractive objects in a well-designed room. While that is a mandate we can serve with ease, we challenge ourselves to give our customers much more. This we do by shaping their experience of interior space, through manipulation of spatial volume, as well as surface treatment. So, while apartments today are predicated on the optimal use of space and uniformity, our challenge is to create a unique interior space in a structurally similar landscape,” she says.

“We have also integrated backward to create a super-large vertical, with project management, sourcing and a trading company-and now even furniture manufacturing. We create 90 per cent of all the furniture that is provided in any Prestige construction.”

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From its beginnings as an in-house interior design subdivision, Morph has morphed into a fully integrated interior design firm that executes and handles projects for external clientele, too. It provides a one-point solution from design, creating a portfolio of work across apartments, villas, clubhouses, spas, resorts and hotels. Hotels, resorts or serviced apartments. “All of these need to be addressed very differently from one another,” Anjum explains. Along the way, the company has worked with globally renowned architecture firms like Dileonardo, Woods Bagot, HBA, MAP and SRSS, and executed projects as large as 2.5 million sq ft (nearly a quarter million sq m). “We have also won a lot of awards, in different areas of our work. My brothers look at me differently now!” she adds.

Describing herself as an entrepreneur at heart, not satisfied with interior design alone, Anjum says this is why she vertically integrated the manufacturing process by setting up state-of-the-art in-house factories over two decades ago, to cater to the different design sensibilities of customers, from traditional, classic to the more contemporary, experimental and eclectic. “Our products are also designed to give our clients great value for money across the entire product spectrum,” she adds.

“From a process perspective, everything from concept, drawings, prototyping, to the final production of each and every piece of furniture that we use in our projects is backward integrated,” she explains. “Our external dependence is minimal and allows us to achieve unmatched quality giving us the ability to create truly bespoke interiors, where each detail is created by us. Having control over customisation and production, we ensure that our design process is a constantly evolving and dynamic one”

“The journey has been tough-but a good tough!” Anjum smiles. “The biggest chip on my shoulder is that I didn’t go to design school. But I love working, and I have been loyal to my work.” She did, however, take a course in designing at Cornell University. “I firmly believe that you must always start from the back operations to be strong. There was a sad lack of originality and quality in the market-that’s why I started my furniture business with visits to China, Italy, Germany, Austria and Burma, getting the best rates at which I could import what I needed for each project.”

With this bottom-up organisational design approach, Anjum has been responsible for business development, strategic planning, diversification, and project management along with all other key executive functions. Her work is inspired by a diverse set of influences, both traditional and contemporary, and she references the Deco and Nouveau period styles as being particularly impactful. Firmly believing in the importance of constant evolution for prolonged success, she doesn’t hesitate to incorporate innovative materials into her projects, work with young artists and experiment with all aspects of execution.

“Some things are non-negotiable! For instance, no phones are allowed at meal time. The kids get a platform to talk to each other and us, about things that would otherwise get buried in their busy lives. There are some ground rules, and they stick to them” – Omer

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“My two new factories involve a huge investment, which means I will probably be able to break even only two or three years,” says the businesswoman, now 49. “The state-of-the-art factories have been conceived with a lot of mechanisation-manufacturing wooden joineries, handcrafted furniture, modular furniture, wardrobes, windows and kitchen assemblies. MDC also has a unit which specialises in developing soft furnishings.” Today, Anjum can proudly claim that she has nurtured MDC into one of the country’s most respected décor studios with globally recognised clientele and numerous national and international awards to its credit.

Talking of challenges, Anjum says the biggest one has always been the debate between functionality and design and how to marry them: “The aspirational customers have a relatively limited budget and want products that are aesthetically pleasing, have longevity and are easy to maintain. We have strived to address the needs of this particular segment and are happy to say that we have managed to achieve it to a very large extent.”

The other challenge, she says, is to provide aesthetic designs to any area. “Everyone deserves appealing spaces, regardless of its size,” she says. “We, at Morph Design Company, excel in providing just that.” Pointing out that the business also involves effectively executing two opposing areas of demand: the high-volume kitchen and wardrobe assemblies on one side, and the need for personalised and exclusive products that cater to the individual versus the mainstream on the other, she credits the nature of these challenges is what keeps her and her team striving for excellence.

Anjum is a self-confessed foodie, and loves cooking. In fact, it was this love and talent that led to her meeting Omer at the restaurant: “I used to bake a lot, and market my cakes and pastries to earn my pocket money, to spend on music and clothes,” she says. “Casa Piccola was one of my biggest customers. And so, when my friend Goga suggested meeting her there, I didn’t think it was at all strange.”

She also reads voraciously and loves to travel-collecting art and antiques from the places she visits. Her husband shares her interests-and so they pack their bags and heads off to different locales in India and abroad. The couple began with a two-week honeymoon in Africa; and because he loves surprising her, he recently took her on a road trip from Budapest to Prague via Vienna-“He made me drive!” she mock-complains- so that he could treat her to a four-hour meal at a three-star Michelin restaurant on the way.

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Nawabzada Omer Bin Jung, formally designated Executive Director, Hospitality-Prestige Group, is also the Founding Managing Director of Prestige Leisure Resorts (P) Ltd. With three decades of experience in hospitality, he is currently spearheading the Group’s foray into hospitality. “I went to boarding school at Sanawar, then Hindu College in Delhi (where he was a gold medallist in his BA, Anjum intercedes) and the London School of Economics,” he says. “When I came back to India, I decided to move to Bengaluru instead of Hyderabad-it was a new city as compared to Hyderabad, and I could do anything here with its own level of decadence! Besides, my elder brother was here too.”

After a couple of years in the finance department of Wipro, he joined his brother who has a resort in Bandipur. “Actually, it was a just a Club House; now it has been converted into the Northwest County resort,” he explains. In 1997, three years after he married Anjum, he floated the idea of helping his brothers-in-law take their construction business into resorts. “There has been no looking back since then,” he says. “We also have food courts in malls, we run franchises for Subway, Falafel and others… it’s a good mix.”

Adds his Begum: “It wasn’t an asset class at all – it was Omer’s brainchild.” He explains that because the business was totally in real estate, it had no assets on its balance sheet because all its projects were sold. “Assets are always good to have,” he says. “That’s where the discussion started. And we began to become more asset heavy.”

And so, having established Prestige Leisure Resorts, Omer now aims to set up international spas, city hotels, resorts and food courts all over India in the coming years. He is amply qualified: besides his gold-medal BA and his post-graduate Diploma in Business Studies from LSE, he also has a post-graduate Master’s Degree in Business Administration with a specialisation in Marketing, as well as a Certification in Strategic Management by Cornell University School of Hotel Administration, US.

“To excel in any field, one needs to be a team player. Managing people and ensuring employee and customer satisfaction is an integral part of being a success. We are a service-oriented industry and it is our team’s talent that decides the success of our work” – Anjum

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At Prestige, Omer has been instrumental in conceptualising and tying up with Banyan Tree Hotels and Resorts, Singapore, for one of Bengaluru’s most beautiful spa resorts the world-class Angsana Oasis Spa & Resort; the Angsana Oasis City Spas at UB City; Hilton International for the Conrad, Bengaluru; Oakwood Asia Pacific for the Oakwood Premier Serviced Residences at UB City and the Oakwood Residences-Forum Value Mall, Whitefield as well as the 3.4-hectare Sheraton Grand Whitefield Hotel and Convention Center in the group’s Shantiniketan project; the JW Marriott Hotel in Prestige Golfshire below the Nandi Hills and the 23-storey Conrad Hotel overlooking the Ulsoor Lake. He is also the brain behind the Transit food lounge at The Forum, Koramangala.

“We have introduced some of the most reputed international brands in the world to South India, such as the Hilton Group and Marriott International for hotels; the Banyan Tree for resorts: our Angsana Oasis Spa & Resort is managed by Banyan Tree Hotel & Resorts, Singapore. We also have the Oakwood Premier Prestige Serviced Residences in our landmark development, UB City, as well as in Whitefield,” he points out. We launched our hotel, ‘The Aloft’, in Prestige Cessna Business Park in 2014 in association with Starwood Hotels & Resorts Worldwide.”

Anjum also shares some of the secrets for her success: “To excel in any field, one needs to be a team player. Managing people and ensuring employee and customer satisfaction is an integral part of being a success. We are a service-oriented industry and it is our team’s talent that decides the success of our work. Therefore, it is very important to ensure that your team is motivated and happy. Finally, it is crucial to have in depth knowledge of both the industry and the products, which is only possible if you have a genuine passion for your work, as only then will you constantly strive towards perfecting your art.” Apart from this, it is paramount to believe in yourself, your abilities and objectives and have the right conviction. Life is full of complexities. Keeping things simple and using a straightforward approach helps unravel intricacies.

Her role models are her father Razack Sattar, an enterprising entrepreneur who started Prestige Fashions way back in 1956; and after his passing, her three elder brothers Irfan, Rezwan and Noaman have been her mentors, propelling her to success. “They have inspired me to keep pushing myself to achieve greater heights and are a source of constant motivation for me,” she explains. She too wants to carry on this culture of helping others: “I want to create a platform for young interior, product and furniture designers whom I will launch and mentor, to help hone their skills and realise their dreams,” she concludes.

The Jungs’ daughter Zara was born in 1999, and their son Ayaan five years later. “Kids never worried me, I enjoy them at all ages,” Omer says. And Anjum gives him ‘100 per cent for being an outstanding father’, saying: “He handles the children so well. Till date, he puts Ayaan to bed every night. He also takes his just-into-his-teens son on a fishing and hunting trip for two weeks every year.”

How did they manage everything: work, which is often 24×7, parenting- which is 24×7-and getting away for holidays? “We have a very good support system in the family,” Anjum says. “My mother has always been a big help, even though she was looking after my father who fell sick in 1995 soon after our marriage, and never recovered till he passed away in 2004. But I too never thought of multi-tasking-handling work, kids and home-as a problem. Of course, we had good staff: our maid and driver are very devoted to the family.”

Both of them are religious, and practise their faith: “We pray, fast, and go for Haj,” Omer says. Adds Anjum: “My mother was very pragmatic in her approach to Islam, though my father was more ritualistic.” According to Omer, their prayers are more for thankfulness than to ask for something. “We are so blessed,” he points out. “We have been to Arabia few times. So yes, we practise-but at the same time, we question.” Says Anjum, simply: “I like the balance.”

And the children are, fortunately, not yet growing away from their parents: Zara has her own life, but is at the same time totally plugged into the concept of family. “Some things are non-negotiable!” says Omer. “For instance, no phones are allowed at meal time. The kids get a platform to talk to each other and us, about things that would otherwise get buried in their busy lives. There are some ground rules, and they stick to them.” They are not totally happy going away on their own, but can still manage independently all over the place. Zara, for example, went to Oxford on her own for a summer course, Anjum points out. “She organised her own travel, and did very well there too-she came first in her class.”

All four of them spend a lot of time together as a family, even on holidays. “We don’t need to go out and mingle, we are very content by ourselves,” she says. “Three holidays every year are a must. We go away for the summer, Dussehra and Christmas vacations.”

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Last year, Ayaan came up with a surprising question: “Why must we always fly abroad? Why don’t we take a holiday in India?” Says Omer: “Both of us had found it very difficult earlier to wrap ourselves around a holiday in India. But after my son asked this question, we decided to go to Rajasthan-it was fun. We like our luxuries-but besides the Michelin restaurants, we also like to eat local food in different places. For example, we had a great meal of daal-bhaat at a truck stop in Rajasthan.” They didn’t of course, exactly rough it out in the desert: his royal connections ensured that they had the best hospitality in the local palaces. “India is brilliant!” Anjum says.

“Even though both of us are busy, we like to invest time in the kids as well as for ourselves together,” Omer says. “Of course, there is always a trade-off, in terms of earning less than we could if we concentrated only on our work or business. The question of what has priority in our lives keeps changing. But health, time with the children, family time, religion-they all take precedence.”

In addition to all this, Omer manages to find time to play cricket-coming as he does from a cricketing family-and golf, besides his angling and hunting which again is a throwback to his family’s traditions. “He is a ‘renowned shot’!” Anjum says with obvious pride. That, he explains, is a qualification that enables him to participate in national shooting championships. He is also interested in football, and took his son to watch Manchester United play a home match on Boxing Day last year: “There must always be an element of surprise in what I do,” he grins. “I had planned the itinerary for that trip with a gap of one day, which the rest of the family were clued in that they didn’t even notice! That was the day I just took off with Ayaan for the match.”

“We have introduced some of the most reputed international brands in the world to South India, such as the Hilton Group and Marriott International for hotels; the Banyan Tree for resorts: our Angsana Oasis Spa & Resort is managed by Banyan Tree Hotel & Resorts, Singapore” — Omer

How have they found the much-vaunted “entrepreneur-friendly” systems introduced by the government, especially that of Karnataka where they operate? “Well,” starts Omer, “When we started the hospitality business, we needed a total of 29 licenses… But today,” he pauses dramatically, and adds: “We need 29 licenses, still. The license raj has not gone away, it is only that we have learned to handle it more gracefully. The pain is still there. But we had the luxury of assets like easy access to loans and, our families.”

Anjum’s story is slightly different. “I started as a woman entrepreneur,” she explains. “That angle worked for me.” She still loves to cook; and, Omer says, “People love to be invited to our home for a meal.”

“We never have the time to get bored,” Anjum says. “We’ve practically grown up together, through our 23-year marriage. Both of us are the same age, so that’s almost half our lives. We have so many things in common; like, we were reading the same translation of the Quran, or The Little Prince, at the same time-but we are still as different as chalk and cheese. Of course, his stupid sense of humour sometimes irritates me, but…” To which her husband grins. And she adds: “I promise you, I wouldn’t want to grow older with anyone else but Omer.”

source: http://www.corporatecitizen.in / Corporate Citizen / Home> Cover Story / by Sekhar Seshan / Vol.3, Issue No. 2 / April 15th, 2017

Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

INDIA :

Image result for images Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

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Highlights
  • Murraba came down to the Indian kitchen possibly from Central Asia
  • The Royal Turkish kitchen had a separate section devoted to murraba
  • In Azerbajjan, the jams are part of every tea time table

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It’s a spiced and sweet preserve that possibly has as many people who revile it as those who love it. Murabbas are not for everyone-and even before we begin this piece, here’s the disclaimer: I absolutely, staunchly, vehemently dislike it. But then I don’t care for European style jams either, and my revulsion with the murraba may have something to do with the fact that as children we were force fed quite a bit of it on grounds of good health.

Unlike the mango murraba, popular in Gujarat, in UP, it is Amla ke Murraba that used to be quite popular at least within a social mileu engendered by the fabled composite Ganga-Jamuni tehzeeb or culture of the region. While that culture may be marginalized today, the story of murraba is one that can keep it preserved, much like the fruit itself.

Murrabas possibly came down to the Indian kitchens from Central Asia, where they are a part of many regional culinary cultures. Georgian food, for instance, has preserved sweet fruit as part of the traditional desserts . In Azerbaijan, the jams are part of every tea time table. And the food of the Ottomans that borrows from all these traditions has murraba-making firmly in place. The royal Turkish kitchens had a separate section devoted to “rub” and “murraba”, styles of jams that were thicker than the other Western style jams. To make these, fruit pulp and sap was boiled and thickened and then dried in the sun to preserve it for the harsh winter months.

Photo Credit: Nata Vkusidey/Istock. Mango murraba from Gujarat
Photo Credit: Nata Vkusidey/Istock. Mango murraba from Gujarat

Murrabas in all these central Asian and Turkish traditions naturally used the bounty of the land – the many fruit available in these regions from black currants to quince, pomegranate and even rose that grew in the imperial gardens. Different cities were famous for different jams.

The Mughals who ruled India for almost 300 years obviously brought to the subcontinent this way of preserving fruit from central Asia. Some murraba traditions that we still find in the country – like a ginger candy in Andhra Pradesh are quite reminiscent of the central Asian sweets. However, the Subcontinent had its own fruit and spices and local produce was naturally used to make these preserves.

Image result for images Tracing the Journey of Murrabas from Central Asia to the Indian Kitchen

Photo Credit: Xuanhuongho/Istock

Apple  murraba from Himachal, Amla from UP and Mango from Gujarat are perhaps the three most popular murrabas in our midst today, though the almost anything can be candied. Naturally, any fruit with a slightly sour (or astringent) flavour is far better suited to being stewed than sweet ones, which already have a high sugar content.

Amla, or the Indian gooseberry, now regarded as a superfood, is rich in Vitamin C, has fiber to combat digestive ailments and a host of trace minerals which are invaluable nutrients. In Ayurvedic medicine, the fruit is support to bring many benefits-it is given to pregnant women as a source of nutrition.

To make a murraba out of amla was obviously a way to make the fruit more palatable. The sour and bitter berries are cooked in honey  or sugar , candying them. Eating one or two of these candied fruit a day is supposed to be therapeutic.

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Of course, the use of murraba or preserves as something out of a pharmacy itself is a Turkish tradition, where the royal cooks developed recipes out of ingredients regarded as medically superior for the elite. It was a practice that the Mughal aristocracy followed too and murrabas became a rich man’s delicacy and indulgence. Those times are past, and yet some tastes linger on.

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About the Author:

Anoothi Vishal is a columnist and writes on food for The Economic Times and NDTV Food, and runs the blog a moveablefeast.in. She tracks the business of restaurants and cuisine trends and also researches and writes on food history and the cultural links between cuisines. Anoothi’s work with community-based cuisines led her to set up The Great Delhi Pop-Up three years ago, under which she promotes heritage, regional and community-based cuisines as well as researched and non-restaurantised food concepts. She has also been instrumental in reviving her own community’s Kayastha cuisine, a blend of Indo-Islamic traditions, which she cooks with her family and has taken across India to a diverse audience.

Disclaimer:

The opinions expressed within this article are the personal opinions of the author. NDTV is not responsible for the accuracy, completeness, suitability, or validity of any information on this article. All information is provided on an as-is basis. The information, facts or opinions appearing in the article do not reflect the views of NDTV and NDTV does not assume any responsibility or liability for the same.

source: http://www.food.ndtv.com / NDTV Food / Home> Food & Drinks / by Anoothi Vishal / September 18th, 2017

India’s blind judokas win 19 medals at Commonwealth Judo Championships

INDIA :

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Visually impaired judokas of India made a clean sweep at the 16th edition of the Commonwealth Judo Championships held in the United Kingdom winning seven gold medals.

The Indian national anthem could be heard 19 times at the University of Wolverhampton Sports Centre in Walsall, United Kingdom, venue of the Commonwealth Judo Championships as India’s visually impaired judokas made a clean sweep walking away with seven gold, seven silver and five bronze medals.

Nineteen members of the 20- strong Indian contingent won medals at the event, making it a day to remember.

The names of the medal-winners in each category were as follows:

  • Gold – Kusum, Poonam Sharma, M. Manoharan, Karmpal, Kapil Parmar, Swati Sharma and Subhashini.
  • Silver – Syed Ahtram Hussain Naqvi, Kokila, Muthulakshmi, Monu, Ramesh, Sonali and Mohit.
  • Bronze – Rohit, Buddhadeb Jana, Sarita Choure, Renuka, and Ajay Birajdar.

The other countries taking part in the event were England, Wales, Scotland and South Africa. Scotland, England and Wales also won gold medals, but India was far ahead of the rest. The performance has made the Indian Blind and Para Judo Association, which manages visually impaired judo in India since 2010, very proud.

We are very happy to have made a clean sweep at the Commonwealth Judo Championships. I really hope that the experience and exposure that the players have got will help them play better in the future. Also, the confidence that the team gets after a performance like this, is unparalleled. – Munawar Anzar, General Secretary, Indian Blind and Para Judo Association

Aaesha MunawarJoint Secretary of the association, told NewzHook that given the challenges faced by people with disabilities in India, their success was truly remarkable. “Compared to the kind of support that non-disabled sportspersons get, para sports gets nothing”, said Munawar. “We have to beg and borrow for everything and when you cast a glance at the support other countries give, the contrast is glaring”.

Over the years the number of visually impaired judokas in India has grown. There are now about 700 visually impaired judokas playing at the national level, about 45% of them girls. The maximum participation is seen from the states of Tamil Nadu, Haryana and Uttar Pradesh. Judo, says Munawar, gives them the opportunity to empower themselves, but convincing families and blind schools to send students for judo training is hard.

“We have girls as young as 10 taking part and its great to see that but the challenges are many. We want to make their parents proud and help the judokas improve their levels”. The association hopes to send a team to the Tokyo 2020 Paralympics and all efforts are currently geared towards that.

source: http://www.newzhook.com / Newz Hook / Home> Stories / September 2019

Hyderabad-based doctor wins Bhatnagar Award for contributions in science and technology

Hyderabad, TELANGANA :

The list of awardees was announced on Thursday. This is the fourth Bhatnagar award for LVPEI, which is the only eye institute to win the award.

Dr Mohammad Javed Ali of the Hyderabad-based LV Prasad Eye Institute. ( FIle Photo )
Dr Mohammad Javed Ali of the Hyderabad-based LV Prasad Eye Institute. ( FIle Photo )

Hyderabad :

Dr Mohammad Javed Ali of the Hyderabad-based LV Prasad Eye Institute (LVPEI) has won the coveted ‘Shanti Swarup Bhatnagar Award’ in the ‘Medical Sciences’ category for his outstanding contributions in science and technology this year.

Javed currently heads the Govindram Seksaria Institute of Dacryology at LVPEI and is a senior Humboldt scientist at Friedrich-Alexander University, Nuremberg, Germany.

The list of awardees was announced on Thursday. This is the fourth Bhatnagar award for LVPEI, which is the only eye institute to win the award. This science award is presented annually by the CSIR and is considered as the highest multidisciplinary science award in India.

Another reward for research

Among his several awards, Dr Javed has received The Experienced Researcher – Senior Alexander Von Humboldt Fellowship Award, which is one of the pinnacle awards given out for research

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Hyderabad / by Express News Service / September 28th, 2019