After his dream to become a kabaddi player was crushed by his ill-health, Yasar Kalladka turned to another area of interest. Collecting antiques. The man from Kalladka, in Dakshina Kannada, began this journey in 2003.
It has been a great one so far, he says. In his museum is a massive collection of rare coins, notes, agrarian equipment etc. A series of currency notes from different countries that carry their ministers’ and freedom fighters’ faces are arranged in order of their date of birth.
Currency notes of more than 200 countries that carry images of iconic buildings, birds, animals are also in the museum.
A Karnataka map studded with 879 coins of 50 and 25 paise value, and an India map studded with 1,020 coins draws many visitors.
There’s an album that identifies on currency notes the dates of birth of presidents and prime ministers of India. Yasar has spent seven years to make a 50-feet-long chain using 999 10-rupee notes.
RBI-issued coins that mark important occassions can be seen in Yasar’s museum. The currencies issued by China, made of bamboo during the second world war; coins from dynasties like Maurya, Mughal, Pallava, Keladi, Chola, Kadamba, Chalukya, Hoysala, Nizam, The East India Company etc, and medals of soldiers are now owned by him. Signatures of Gandhi, Lata Mangeshkar and Kapoor families are also found in his collection. In his newspaper clippings collections, the focus is on the deaths of personalities like Indira Gandhi, Rajiv Gandhi, Nehru etc. Road maps, tissues of different countries, perfumes and one-inch holy books also find a place in his museum.
For Yasar, his main source of information are the contacts he has built over the years.
His collection has grown when relocating families have given him antique materials. Once, a woman from England visited his museum and gave him an uncut currency sheet of 30 dollars from her collection.
His networking on social media also fetches him clues to source for his collection.
Sample this, a board he found in a junkyard turned out to be a piece of evidence to prove that the Panemangalore bridge was built by the British in the year 1914, that it has now crossed more than 100 years. “Young people need to understand the value of the collections,” says Yasar.
He has bagged many awards for his passion including the Aryabhata Award for his collection of coins and currencies.
source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Deepa Kamila / September 14th, 2019
Mr. Khwaja Ahmad Abbas, well-known film critic, script writer and producer. | Photo Credit: THE HINDU ARCHIVES
On the occasion of writer-filmmaker Khwaja Ahmad Abbas’s 102nd birth anniversary that fell earlier this week, some reflections on his first movie Dharti Ke Lal, a film that was not available for public viewing until about a year back…
The name Khwaja Ahmad Abbas, whose 102nd birth anniversary passed by this week with nary a mention of him in mainstream media, rings a bell in the mind of an average cinephile primarily for two reasons. The first is as the story/screenplay writer for Raj Kapoor’s cinema; and the second is as the filmmaker who introduced the star of the millennium, Amitabh Bachchan, to Hindi films. His directorial output, comprising 14 feature films and numerous short films and documentaries, is either ignored or overlooked.
This year is special for someone who wants to get introduced to Abbas’s cinema — heavily influenced by the art of Soviet filmmakers like Sergei Eisenstein and Vsevolod Pudovkin — as it marks seven decades since his first film, Dharti Ke Lal (Sons of the Soil) was released. It was a unique experiment by the Indian People’s Theatre Association (IPTA), co-founded by Abbas, at film-making and an early example of Indian film industry’s tryst with social realism. This was the realism of the kind that would be seen later in the films of Satyajit Ray, Bimal Roy and Mrinal Sen.
The tale of a peasant family’s struggles during the British-authored Bengal famine of 1943 during World War-II, the film was a combined adaptation of three literary works — Bijon Bhattacharya’s Bengali play Nabanna; a Hindustani play Antim Abhilasha; and Krishan Chander’s short story Annadata.
Dharti Ke Lal can also be considered a part of an Abbas trilogy (emphasis mine) of 1946. The three films — the other two being Dr. Kotnis Ki Amar Kahani and Neecha Nagar, both written by him — presented three different ways in which he expressed the idealism of a common man in pre-Independence India. Dr. Kotnis Ki Amar Kahani, a biopic on Dr. Dwarkanath Kotnis, was based on Abbas’s story, And One Did Not Come Back. It showed a young doctor, inspired by Pandit Jawaharlal Nehru’s call to serve the wounded Chinese during the Sino-Japanese War, staking his career to serve the dispossessed masses in a distant country. This was a primer into Abbas’s early-day internationalism.
Neecha Nagar by Chetan Anand, about a nonviolent rebellion by residents from a decrepit shantytown, shows an educated youngster Balraj (Rafiq Tanwar) motivating and organising the masses to speak up against Sarkar (Rafi Peer), the municipality head. Abbas’s desire to lift the urban subaltern to a state of peaceful revolution found expression through the screenplay of the movie.
Neecha Nagar – Part 1 of 10 – Cannes Awarded Indian Classical Movie
source: http://www.youtube.com
Dharti Ke Lal, with a young peasant Niranjan (played by Balraj Sahni) in the lead role, was much more explicit than Neecha Nagar in advocating for independence and self-rule. It is set in Ameenpur, a village in pre-Partition Bengal, is slowly coming to grips with India’s struggle for independence. Through references to Saare Jahan Se Achcha, with Ravi Shankar’s music playing in the background, Abbas introduces a nationalist tenor into the film.
The first half, where the family of Samaddar, the village pradhan (head) and his son, Niranjan, tries to live a happy, agrarian life within their means, is an early-day attempt at realistically portraying the village life. This is celluloid portrayal of the kind of society people got introduced to through Munshi Premchand’s novels like Godan and short stories like Panch Parameshwar. Tropes like the affinity of the villagers toward their land and the affection they show toward their cattle and cow are straight out of a Premchand short story.
The second half, where Samaddar’s family is forced to migrate to Calcutta is Abbas’s attempt to see the city through the prism of a humble peasant. The scarcity created by the famine; the apathy of the rich in the city; and the simmering Hindu-Muslim animosity combine to create absolute misery in the lives of the economic migrants. They further encounter indifference as they are forced to beg. Finally, following the end of famine, they are forced to return to their village where they mobilise themselves into a group and practise saajhe ki kheti (collective farming).
Coming back to the Abbas trilogy part, while Dr. Kotnis Ki Amar Kahaani and Neecha Nagar were inspired by Nehru’s vision of an enlightened urban India, Dharti Ke Lal seeks to emphasise Gandhian ethos of seeking comfort in the village life.
In terms of aesthetic merits, Dharti Ke Lal ranks equal to the likes of Do Bigha Zameen made in the next decade. The affection with which the camera views the villagers as it takes their close-ups makes the characters and their situations relatable. Just notice the sense of wonder on the faces of the family members in the 10th minute as they welcome the clouds, emphasising the love-hate relationship a farmer enjoys with the monsoons. The poignancy of the moment is accentuated by an alaap, with a flute playing in the background. This surely reminded me of joy in the face of villagers of Champaren in Lagaan as they anticipate the rains on seeing the clouds, expressed through the ghanan-ghanan song.
source: http://www.youtube.com
In a radio interview quoted in an audio tribute, Abbas expressed a sense of pride when he says that Dharti Ke Lal is the only film that was ‘socialist’ when it comes to the production process. He says none of the members was paid less than Rs.200 or more than Rs.400. His socialist ideals and life-long belief in upliftment of the downtrodden — his commitment to idealism made journalist Vinod Mehta compare him to historian Eric Hobsbawm — kept informing his writing and his film-making.
source: http://www.youtube.com
His production company, named ‘Naya Sansaar’ (A New World) was his way of voicing his message of empowerment as he made films like Shahar Aur Sapna, Do Boond Paani and Saat Hindustani. Most of them were commercial disasters and some of them look didactic from a 2016 viewpoint. However, if there is one film that has remained relevant, both in terms of its art and its content, it is Dharti Ke Lal.
source: http://www.thehindu.com / The Hindu / Home> Cinema / by Hari Narayan / June 11th, 2016
Sifiya started a Facebook page called ‘Chithal’ where she wrote about the issues facing widows
Chandigarh:
A young braveheart from Kerala, Sifiya Haneef, was conferred with the Neerja Bhanot Award in a solemn ceremony here on Saturday.
The award was presented to her by Wendy Sue Knecht, who also worked with the Pan American World Airways in the ’80s and had trained Neerja Bhanot in 1986. Knecht specially came here from Los Angeles for the award function. The award consists of Rs 1.50 lakh, a citation and a trophy.
The award was instituted in 1990 in memory of Neerja Bhanot, who saved hundreds of lives while sacrificing her own when a Pan Am flight from Mumbai to New York was hijacked at the Karachi airport on September 5, 1986.
A specially constituted jury comprising three Rotarians — Sneh Popli, Manjit Kaur and Anu Dhingra — selected Sifiya for the honour after she met the criteria laid down by the Neerja Bhanot Pan Am Trust, which stipulates that the awardee has to be an Indian woman who when faced with social injustice, overcomes it with guts and grit.
Akhil Bhanot, managing trustee at Neerja Bhanot Pan Am Trust, said: “Sifiya got married when she was 16 and her studies were stopped. Unfortunately, her husband died when she was 20. She had two children by then. Sifiya wished to continue her studies, but did not get any support. Not willing to give up, she took on a part-time job and resumed her studies.
“After a lot of struggle and realising that life was very tough not only for her, but also for other widows as well, she started spending her salary on helping widows.”
Sifiya started a Facebook page called ‘Chithal’ where she wrote about the issues facing widows.
She also met a lot of sick mothers, kids, elderly people and cancer patients, among others. She would update her page on the problems these people were facing and get public support to solve their issues.
Today, she is helping more than 300 families by providing them shelters, constructing toilets in colonies, distributing medicines and giving them pension, Bhanot said.
An emotional Knecht said: “Though a lifetime has passed, Neerja’s generosity, her humanity and her sacrifice will never be forgotten.”
“By fighting for justice, Neerja proved that you can re-write your story from being called a ‘victim’ to a ‘hero’. The message that Neerja imparted upon the world was ‘do the right thing, come what may’. This is what all of us must do. I too have been inspired to follow Neerja’s path,” she added.
source: http://www.ummid.com / Ummid.com / Home> Life & Style / September 07th, 2019
Sania is an aggressive player with one of the biggest forehands in the game
The stupendous success of tennis duo Sania Mirza and Martina Hingis in 2015 has helped them attain the title of 2015 Women’s Doubles World Champions
Sania was born in Mumbai but has lived in Hyderabad for much of her life
Sania Mirza is a path-breaking athlete who almost single-handedly put Indian women’s tennis on the global map. She is the first and so far the only Indian female player to have won a Grand Slam title in any format, and is also the only player to have broken into the top 30 of the WTA singles rankings. Sania’s doubles partnership with Martina Hingis is widely celebrated for its style and success. In 2015 and 2016, Sania and Hingis were the best doubles players on the planet, winning three Slams and two WTA Finals titles. Today, Sania is a sporting and socio-cultural icon in India, whose stature rivals that of the top cricketers in the country.
Sania Mirza Early Life
Sania is an aggressive player with one of the biggest forehands in the game. She can dictate any rally by powering her forehand into the corners and is capable of hitting winners off that wing even from defensive positions. Sania’s forehand was one of the main reasons why she could challenge the top players in singles at the start of her career. While she had a few weaknesses in her game, her forehand was so unique that it regularly featured in the ‘best forehands in the game’ lists. Sania’s backhand is fairly efficient, but her serve is attackable and inconsistent. Her movement is not the greatest either, which hampers her during long rallies and long matches. Sania started out as an aggressive baseliner but started approaching the net a lot more as her focus shifted to doubles. Her volleys have improved over time, and during her partnership with Hingis, she occasionally matched the Swiss’ finesse at the net.
Sania Mirza’s Personal Life
Sania was born in Mumbai but has lived in Hyderabad for much of her life. She started playing tennis at the age of six, and her father Imran Mirza has been her primary coach ever since. Sania married Pakistani cricketer Shoaib Malik in April 2010. In April 2018, the couple announced that they were pregnant with their first child, which put Sania’s tennis career on hold. Sania’s popularity with the Indian masses has earned her a number of endorsement deals, and she has also taken up modelling on some occasions.
Sania Mirza Stats
The stupendous success of tennis duo Sania Mirza and Martina Hingis in 2015 has helped them attain the title of 2015 Women’s Doubles World Champions. Conferred upon the two tennis stars by the International Tennis Federation (ITF), this title has brought the two women, tennis players, closer to each other. Quite contented with the award received from the ITF, Sania Mirza seeks to become an inspiration to all female tennis aspirants in India. Both, Sania and Martina have played together to win their last 22 matches, beginning from the US Open to wins recorded in Asia at Wuhan, Guangzhou, Beijing and finally the WTA Finals.
source: http://www.republicworld.com / Republic TV / Home> Sports News> Tennis News / by Asmita Shukla / Mumbai – September 18th, 2019
The city has many structures built during the time of Nizam Mir Osman Ali Khan Bahadur
A kilometre away from Kalaburagi railway station is Aiwan-e-Shahi, a magnificent stone structure built in early 19th Century. For political leaders and bureaucrats visiting the city, it’s the most preferred accommodation.
Kalaburagi has several such architectural remnants of the times of the Nizam rule, uniquely Indo-Islamic in style, and still in use. Nizam Mir Osman Ali Khan Bahadur, the last monarch, who ruled the province between 1911 and 1948, stayed in Aiwan-e-Shahi when he visited the city and is today a government guest house. The Nizam used to travel in his own train from Hyderabad to reach the palace in Kalaburagi and a special railway track was laid up to the entrance of the complex for the purpose.
Like most buildings constructed during the Nizam’s rule, the Aiwan-e-Shahi portrays a rich and imposing architecture synthesising medieval and modern styles. It is constructed using local white stones, popularly known as Shahabad stones, abundantly available in the surrounding area. The front view of the palace was greatly inspired by Gothic style architecture.
Kalaburagi-based heritage collector and artiste Mohammed Ayazuddin Patel has copies of some rare photograph of Nizam. In one of them, he is the Nizam is seen playing tennis outside the Aiwan-e-Shahi palace complex. His train is also visible in the background. The picture was said to have been taken by Raja Deen Dayal, the official photographer at the Nizam’s court.
The Nizam, known as the architect of modern Hyderabad, left an impression on Kalaburagi too. The building now houses the tahsildar office, zilla panchayat and central library. The entrance arch gate of Vikas Bhavan, the mini Vidhana Soudha that has the district administrative complex and one of the entrances of Mahbub Gushan Garden in the heart of the city were built during his time. There are several private houses across the city that were built for the families of Deshpande, Deshmukh, Mali Patil, Police Patil, Jamadar, Mansafdar, Pattedar, Inamdar, Jagirdar, Kulkarni, Hawaldar – the official and administrative titles given by the Nizam.
“At least, the Aiwan-e-Shahi should be included in the protected monuments and converted into a museum to showcase the region’s cultural past,” says Rehaman Patel, Kalaburagi-based researcher and artiste. According to him, the Nizam had expanded public spaces such as parks, lakes, town hall, and gardens in the city engaging several engineers. Mahbub Sagar (now called Sharnbasweshwar lake) and Mahbub Gulshan Garden continued to be used by the public. The town hall is used by the Kalaburagi City Municipal Corporation as a conference hall.
The Filter Bed built for providing pure water to the residents continues to supply drinking water to parts of the city. The Mahbub Shahi Kapda Mill that produced high-quality cloth and supplied it not just to various cities across India, but to other countries as well, was in operation till the 1980s. The Nizam had also established Asif Gunj School and MPHS school, the oldest educational institutions of the city.
“In the early 1930s, he formed the Hyderabad Aero Club and built Begumpet Airport for his Deccan Airways, one of the earliest airlines in British India. He had the distinction of employing, perhaps, the world’s first woman commercial pilot, Captain Prema Mathur, during the late 1940s. The other airport built in Bidar in 1942 is now used by the Indian Air Force to train its pilots. The Nizam was also credited for renovating several monuments belong to Buddhists, Jains, Chalukyas, and Bahmanis. The renovation and excavation of the caves of Ajanta and Ellora was undertaken with the funds of the Nizam government and supervised by then archaeology director Ghulam Yazdani,” Mr. Rehaman said.
source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Kumar Buradikatti / Kalaburagi – September 16th, 2019
Subia Parveen, a student of class 10th of Jamia Senior Secondary School has been selected for Kennedy-Lugar Youth Exchange and Study (YES) scholarship, sponsored by the U.S. Department of State.
She will be getting 28 thousand US Dollar scholarship to study for a 10-month duration programme in U.S. The programme will be held from August 2019 to June 2020.
Subia is the eldest child of Mr. Kalimuddin Ahmad, an electrician working in Jamia. She has been studying in Jamia from nursery class and is a very bright student. She appeared in class 10th board examination this year and is very hopeful that she will top the list. She had received several prizes in education and co-curricular activities in the school and outside too. Her aim is to become a scientist.
Registrar, JMI, Mr. A.P. Siddiqui (IPS) congratulated Subia on her achievement and said, “The selection process for this programme (YES schorarship) has been very competitive and its a proud moment for both Subia and Jamia”.
Kennedy-Lugar Youth Exchange and Study (YES) program was established in October, 2002. The Bureau of Educational and Cultural Affairs of the U.S. Department of State, along with the U.S. exchange community, recognized the importance of youth exchange as a key component to building bridges between citizens of the U.S. and countries around the world, particularly those with significant Muslim populations.
source: http://www.milligazette.com / The Milli Gazette Online / Home> Online News> Community News / by Press Release , JMI / April 06th, 2019
The decision by the Indian Muslims Association of Greater Houston( IMAGH) to become a Welcome Partner for the community reception to Prime Minister Narendra Modi is another step by IMAGH to rise above divisive politics in solidarity with other Indian-American organizations.
It was a unanimous decision by the IMAGH Board of Directors and the Executive Committee to be part of the organizing committee. Some 50,000 people have registered to hear Prime Minister Modi in what will be the largest audience in the US for a visiting foreign leader other than the Pope. 612 organizations have registered so far to be the Welcome Partner and the online registration is still open on howdymodi.org . Over 1,000 volunteers are working tirelessly to make the event a grand spectacle for the Houston community.
“The mission of IMAGH is to foster unity across cultures, communities and religion. We can only work toward this goal by engaging with all groups. We may not agree with their beliefs, practices or ideas but unless we interact with them in a cordial and friendly atmosphere, we cannot get our point of view across to them,” said Dr. Maqbool Haq, Chairman of the IMAGH Board of Directors.
Alluding to plans by a section of the people to stage a protest at NRG Stadium where Prime Minister Modi will be addressing the community on September 22, Dr Haq said,” We feel, we should try to have a seat at the table to present our views rather than not be at the table.”
Latafath Hussain, founding president of IMAGH, said, “I am very proud to be both an Indian and a Muslim. Growing up in Varanasi (Modiji’s constituency), I always felt that I had the same opportunities as everyone else. So when the duly elected leader of mother India comes visiting my adopted home town, it is my duty to give him a warm welcome.”
In a major outreach effort three months ago, IMAGH invited Ramesh Bhutada, national vice president of the Hindu Swayamsevak Sangh in America to be the chief guest at the organization’s signature event to celebrate Muslim festival of Eid al-Fitr, opening a new door for Hindu-Muslim cooperation in Houston and beyond.
Bhutada was forthcoming in his speech and received standing ovation by over 500 people at the event. He introduced himself as vice president of Hindu Swayamsevak Sangh, which is an independent US organization that takes inspiration from RSS in India and declared: “The RSS and the HSS would like communal harmony and unity among all religions.”
He quoted RSS chief Mohan Bhagwat, “India’s development cannot be complete without the development and progress of the minorities.”
Bhutada said: “We all have historical baggage — let’s acknowledge that — but we cannot look backwards. We have to look forward and that is the only way we can lead a peaceful life in this world.”
Hussain thinks that in order to move forward we must understand that we may be Hindus or Muslims or Christians but we are primarily Indian and are “part and parcel” of the Indian community in Houston. “In the community, there are, as there should be, political differences, but that’s for private debate. In front of the larger Houston and American community, we have to stand as one.”
Vijay Pallod, who is on the boards of IMAGH and Hindus of Greater Houston (HGH), says that both the organizations are unique in their role to carry out their missions with respect and understanding for each other.
The close cooperation between Hindu and Muslim organizations dates back to September 2010 when India Culture Center, an umbrella organization of various Indian groups, decided to host an Eid Milan party in collaboration with Indian Muslim groups. The joint event was an instant success and led to creation of IMAGH to foster amity across cultures, communities, and religions.
“We, in Houston, are proud to have a united happy community that respects interfaith customs and traditions by participating and celebrating Diwali, Holi, Eid, Christmas and Baisakhi,” said Col. Raj Bhalla who was the Event Chair of the Eid Milan party in 2010.
Talking about the joint event, Swapan Dhairyawan, president of Houston ICC in 2010, said, “This interaction and pollination has led to several positive and healthy relationships not only among individuals but also between organizations.”
India’s present Consul General in Houston, Dr. Anupam Ray, also helped in promoting cooperation by hosting an Iftar party in the fasting month of Ramadan for the past four years where people professing different faiths and nationalities were invited to break the fast with Muslims at the end of the day.
Although these efforts may appear to be the feeble first steps, the Houston community is showing its determination to move forward as ONE.
source: http://www.indiacurrents.com / India Currents / Home> Latest – Community / by Haider Kazim / September 14th, 2019
Feroz Shah Tughlaq (Reign 1351 – 88), the third ruler of the Tughlaq Dynasty was embarked on a vigorous campaign of construction activity, consisting mainly of public buildings of utilitarian nature.
Gate of the citadel of Feroz Shah Kotla or Firozabad, Delhi
He made 1200 garden around Delhi and is credited with the erection of 200 towns, 40 mosque, 30 villages, 30 reserviors, 50 dams, 100 hospitals, 100 public baths and 150 bridges
Passageway leading to the interiors of Feroz Shah Kotla or Firozabad, Delhi
In 1354 Feroze Shah Tughlaq built Feroz Shah Kotla or Firozabad, the fifth citadel of Delhi. His predecessors Ghiyasuddin Tughlaq (Reign: 1321 -25) and Muhammad bin Tughluq (Reign: 1324 – 51) has the credit of erecting the third and fourth citadel of Delhi.
Plan of Feroz Shah Kotla or Firozabad (Source: http://www.pixels-memories.blogspot.in)
Tughlaqbad, the third citadel of Delhi, along with Jahanpanah, the fourth citadel of Delhi were abandoned because of acute water shortage. This lead Feroze Shah Tughlaq to move further north and to construct its citadel along the west bank of Yamuna River.
Panoramic view of the ruins of Feroz Shah Kotla or Firozabad, Delhi
Unlike Tuglaqabad, Feroz Shah Kotla lacked the defensive construction and after the collapse of the Tuglaq empire the Mongol invader Timur found it an easy target. In 1398 Timur gladly carried out all the riches of the citadel leaving behind the ruined rubble structures, which was again plundered and reused by Shahjahan (Reign AD 1627-57) for the construction of Shahjanabad, the seventh and last ancient citadel of Delhi.
An arched gateway, Feroz Shah Kotla, Delhi
Despite being plundered by several rulers in the past and with centuries of neglect Feroz Shah Kotla still houses several interesting ruins, although minimalistic in nature, they still reveal the former glory and splendor of the ancient citadel.
Today the ruins of Feroz Shah Kotla nestles between the cricket stadium, of the same name, and the Ring Road. Every Thursday thousand of visitors visit the ruins of the ancient citadel.
Strangely these visitors are not history or heritage enthusiasts but are devotees looking for the blessings of Djinns, who according to legend are residents of the ruins of Feroz Shah Kotla. No wonder Delhi has always been a “City of Djinns.“
Djinns live in the heart of Delhi: they are spirits tending to the faithful seeking help. On Thursdays, they are busy when thousands turn up with letters for them.
A kid makes his way through the arched gateways of Feroz Shah Kotla, Delhi
Every Thursday hordes of devotees, irrespective of religion, visit the ruins of Feroz Shah Kotla with photocopies of letters, citing there problems. They stick the letters on different strategic spots of the citadel and offer prayers to the Djinns.
Strangely the concept of letters to the Djinns has only been an recent concept in the ancient citadel, which dates back to the 14th century.
The first records of people coming to Firoz Shah Kotla in large numbers began shortly after the emergency of 1977.
It was only in 1977, a few months after the end of the Emergency, that we have the first record of people starting to come to Firoz Shah Kotla in large numbers. This seems significant, given how destructive the Emergency was for the Old City and how many poor and working class people were displaced from the Old City to resettlement colonies across the river
Anand Vivek Taneja, Anthropologist
Ruined structures of Feroz Shah Kotla, Delhi
Even on other days large groups of Muslim devotes visit Feroz Shah Kotla to offer their Namaz at the Jami Masjid, one of the few structures of the citadel that have remained, more or less, intact to this day.
Designed by Feroz Shah Tughlaq’s state architects Malik Ghazi Samana and Abdul Haq the citadel of Feroz Shah Kotla follows a rectangular plan with dimensions 800 m by 400 m, with the longer side along the north – south axis.
The entire citadel is encased within a high stone wall. Although the walls look solid but it lacks the massive bastions of Tuglaqabad. The entrance is through a small and simple gateway on the eastern side and a broad passageway leads to the scattered ruins of Feroz Shah Kotla or Ferozabad
Circular Baoli (Stepwell) at Feroz Shah Kotla
Most of the buildings within the citadel are made of rubble masonry covered with heavy plaster and without any surface ornamentation.
The passages leads to series of scattered ruins, which was once part of the citadel’s garden.
It leads further to the Diwan – i – Am (hall of audience) and Diwan – i – Khas (hall of private audience).
A few pavilions and archways are all that remains today of the famed halls of audience of Feroz Shah Tughlaq. The Royal Palace located at the far end of the citadel lies in similar ruined condition.
Stepped pyramidal structure, crowned with the Ashokan Pillar, Feroz Shah Kotla, Delhi
The more intact and interesting structures of Feroz Shah Kotla are located on its northern side. Towering above the lawns is the massive Jami Masjid and towards its left is the stepped pyramidal structure, known as the Hawa Mahal or Kushk-i-Shikar. It is crowned with the Ashokan Pillar, also referred as the Minar-e-Zarreen.
Ashokan Pillar, Feroz Shah Kotla
Just in front of the stepped pyramidal structure is a baoli (stepwell).
Delhi is no stranger to Baolis and even a century ago more than a hundred of them existed in Delhi.
Inscription on Ashokan Pillar
Today more than a dozen remains (Also see: Baolis of Delhi) but what makes the Feroz Shah Kotla baoli unique is its circular shape. It is the only circular baoli in Delhi. Sadly the baoli is kept under lock and key and the interiors are out of reach for the common tourist. But the baoli is best viewed from the differnt levels of the nearby stepped pyramid.
Domed Pavilion at the entrance of Jami Masjid
The Hawa Mahal is a three tired stepped pyramid with diminishing floors. Built with a central solid core and vaulted cells around it. Stairs at the comers lead to the uppermost terrace where the Ashokan pillar is planted.
The Ashokan Pillar was shifted from Topar in Ambala by Feroz Shah Tughlaq and placed atop the Hawa Mahal.
The 13 m high 27 ton pillar was shifted on a custom built 42 wheel carriage operated by 8400 men, which transported it to the banks of Yamuna River. From where it was transported by boat to Feroz Shah Kotla in Delhi
Incidentally Delhi contains another Ashokan Pillar, which was also shifted by Feroz Shah Tughlaq and placed near his hunting lodge on Delhi’s North Ridge, also known as the Kamala Nehru Ridge. (Also see: Historical Trail along Delhi’s North Ridge)
Tanks, along Jami Masjid, for ritual wash
The structure is open to public and one can take the stairs all the way to the base of the pillar. The pillar still maintains its shining police and the inscriptions in Prakrit are clearly visible.
According to popular belief Laat (pillar) Waale Baba, the chief of the Kotla djinns, dwells in the Ashokan Pillar, which is also referred to as the Minar-e-Zarreen. Every Thursdaay devotees ties up their wish letters on the railing surmounting the Ashokan Pillar.
The top story of the Hawa Mahal offers grand bird eye view of the circular baoli (stepwell) and also the Jami Masjid, which lies on its southern side.
Namaz being offered at the Jami Masjid, Feroz Shah Kotla, Delhi
South of the Hawa Mahal lies the gigantic mosqque of Feroz Shah Kotla, the Jami Masjid. Built of Delhi quartzite stone. During the time of its construction it was the largest mosque in India.
The mosque rests on a series of cells on the ground floor and is approachable by a long flight of stairs leading to a domed pavilion gateway on the northern side. The grand dome pavilion, which once stood at the centre of courtyard has long vanished.
Even Taimur, who plundered Feroz Shah Kotla, was so impressed with the mosque that he commissioned a similar one in his capital Samarkhand. Even Shah Jahan constructed a underground tunnel connecting the Jami Masjid to his newly constructed citadel of Shahjanabad. The tunnel still exist but is sealed for obvious reasons.
Grand view of the Jami Masjid, from Hawa Mahal, Feroz Shah Kotla or Firozabad, Delhi
Strangely the Jami Masjid is still an active mosque and attracts thousand of devotees during the time of eid. Even on normal days large groups of local Muslims along with Muslim office staff from nearby offices drop in for there daily namaz.
Panoramic view of Stepped Pyramid Structure and Jami Masjid, Feroz Shah Kotla or Firozabad
Colourfull plastic tanks, along the eastern wall of the ancient mosque, serve as a makeshift ritual wash (wudu) area for the devotees, who drop in to offer namaz.
Just outside the citadel of Firozabad or Feroz Shah Kotla, on a road divider lies the notorious gateway of Khooni Darwaza.
Hyderabadi Takbir Fatima is an architect, engineer and educator who is always on the lookout for projects that challenge her.
As part of Hyderabad Design Week, Takbir Fatima from Designaware is doing a series of workshops and installations leading up to the event. She is in the city to conduct workshops on design. “We’re experimenting with crowdsourcing the design process to bring together many minds to create something collectively.
Under the theme of Humanizing Design for Hyderabad Design Week, we are crowdsourcing through multiple activations leading up to the event, involving students, young designers, architects and children in designing installations and public art for Hyderabad,” says Takbir, who has completed her BArch from CSIIT School of Architecture & Planning (JNAFAU), Hyderabad, and an MArch (Architecture + Urbanism) from the Design Research Lab at the Architectural Association (AA) School of Architecture in London.
Born in Hyderabad, Takbir was shuttling on and off between Saudi Arabia and Hyderabad. She was inspired by one of the greatest architect in Hyderabad sparking her interest in the profession.
Highly creative, she has handled some challenging projects at a very low cost. One such project was a hilltop school located in Golconda. She explains, “Bright Horizon Academy is a charity school. The challenge was the Golconda fort, which has an outer wall and inner wall, which is a part accessible to the public.
The outer wall has a very old settlement as old as the fort. All these houses share a common wall. Everything is on a hill, so for this particular site we had to completely sheer rock and boulders. Half of the site was on the upper part of the cliff and half made up the lower part. It was quite challenging to navigate the terrain.
And budget was an issue as it was a charity school. We designed a building which uses low energy as much as possible, and with lot of windows and natural light in the centre. There is sunlight and natural ventilation in every part of the building. It has been awarded the silver rating by the Indian Green Building Council in 2018.”
For most of her projects here, Takbir follows Vastu in residential and commercial properties. “If the client is not particular, we do recommend the vastu, as the property will have a resale value,” says Takbir who was given the Telangana Young Architect award by the Indian Institute of Architects in 2016 and was also recognised as Emerging Architect of the Year by NDTV Design & Architecture Awards 2016.
Takbir feels that now there is lot of opportunities for design aspirants and she aims to bring design to as many people as possible. She wants to do away with the misconception that design is not affordable and not for common people. Currently, her company is handling a few residential projects, restaurants, series of workshops, etc.
source: http://www.telanganatoday.com / Telangana Today / Home> Personalities / by Madhuri Dasagrandhi / September 11th, 2019
Surat , GUJARAT / Bombay (now Mumbai) MAHARASHTRA / London, ENGLAND :
Abdullah Yusuf Ali wrote perhaps the most famous translation of the Quran but he also supported the British against the Ottomans and died a lonely man.
On a frigid December morning in 1953, a policeman found a half-conscious old man slumped on a street bench in the Westminster area of London. He was in a delirious state and died a day later on December 10. Ali
That man was Abdullah Yusuf Ali, the famous 20th-century translator of the Quran. He died alone, homeless, and with no one by his side. When the news reached Pakistan’s embassy in London, it dispatched someone to pay for his last rites.
“It pains me to think that so able and eminent a gentleman should have met with so pathetic an end,” Mirza Abul Hassan Ispahani, Pakistan’s High Commissioner in London, wrote in a letter to his prime minister two days later.
Generations of Muslims in English-speaking countries have grown up reading Yusuf Ali’s interpretation of the Quran. More than 200 editions of it have been published so far, making it perhaps the most read commentary in any non-Arabic language.
“Ask any English-speaking Muslim what translation and commentary of the Quran they originally studied, and the chances are that it was the one by Abdullah Yusuf Ali,” writes a commentator.
Yusuf Ali’s work and affiliations solidify his place as a giant of his time. He was one of the most senior Muslim civil servants during the British Raj, rubbed shoulders with the likes of Mohammad Ali Jinnah and the Aga Khan, inaugurated the first mosque in Canada, represented India at the Paris Peace Talks in 1919, was a trustee of London’s oldest mosque, and a known educationist. He was also a prolific writer on Islam.
But how did a prominent Muslim like him meet such a terrible end? Why was he forgotten so quickly?
A child of his time
In 1915, during World War I, the British faced a dilemma. Nearly half a million soldiers were Muslims from the Indian Subcontinent — modern-day India, Pakistan and Bangladesh — which was then under colonial rule. Some refused to fight the Turkish Ottoman soldiers who had joined the war against the allied army.
A mutiny broke out in November of that year in Singapore where Indian Muslim soldiers turned their guns on officers and took control of the island. The uprising was quickly crushed and 70 Muslim men were lined up against a wall and executed.
The events shook British officials. Many Muslims considered the Ottoman Sultan Mehmed Reshad as their Caliph. Their personal affinity and strong connection led to the Khilafat Movement in India that called for boycotting the British.
Abdullah Yusuf Ali thought otherwise.
“Fight ye glorious soldiers, Gurkha, Sikh or Muslim, Rajput or Brahman!” he said in a November 1914 speech at a London event in front of top British military officials. “You have comrades in the British army whose fellowship and lead are a priceless possession to you.”
In his talks and articles throughout the war, he urged fellow Muslims to side with the British, at times doing it so effusively that his rhetoric appeared jingoistic.
“The Ottoman Caliph announces Jihad against the British and what does Yusuf Ali do? He goes around European countries asking Muslims to fight for the British,” Humayun Ansari, a professor of Islam at the University of London, told TRT World.
“He was consistently loyal to the British and considered the British Empire to be a blessing. In his understanding of Islam he was very liberal. He wanted a reconciliation between the Muslim and Western philosophy.”
Abdullah Yusuf Ali attended the all-important Paris Peace Conference in 1919. (Getty Images)
Yusuf Ali was born in 1871 in Surat, western India, during a period of great introspection for the Muslims of India as their rule over the region for centuries came to an end and they were at the mercy of the English and a more politically organised Hindu majority.
Among the Muslims there was a realisation that they would have to study English, attain a modern education and learn British ways to get government jobs and regain their lost social status.
Yusuf Ali, who came from a middle-class family, proved to be an exceptional student throughout his school years and after matriculating from a missionary school, he won a scholarship to study at Cambridge University in London. The scholarship was given to only nine Indian students each year.
“We have to look at him in the context of his times. That was a generation when the British claimed superiority over the natives. And then you have somebody who can emerge and beat them at their own game,” says Jamil Sherif, who wrote Yusuf Ali’s biography titled Searching for Solace.
“Yusuf Ali’s approach was to show through his writing that Islam had made major contributions through the ages. But I think his compromise was that he saw religion mainly in spiritual terms and he saw socio-political dimensions of Islam as not really relevant in the days of empire,” he told TRT World.
At Cambridge, Yusuf Ali excelled in English composition, Arabic and other subjects. He also cleared the intensely competitive exam for the elite Indian Civil Service (ICS). In subsequent years, he rose to become perhaps the highest-ranking Muslim civil servant in India when he worked under Cabinet’s member of finance.
He was a devout Muslim, making sure he offered daily prayers, attended religious congregations and led prayers at the Shah Jahan Mosque in Woking, a town near London.
At the same time, he was against political Islam and insisted that Muslims could do better under British rule and that they should focus on educating themselves as opposed to agitating for independence.
Over the years, he remained affiliated with different institutions and also served as the principal of Lahore’s Islamia College – he was invited to take the position by the venerated poet Allama Muhammad Iqbal.
But behind the veneer of his intellect, busy schedule and scholarly importance, he was a man suffering from internal conflicts.
When the east meets west
Yusuf Ali was a troubled man. He married twice and both relationships ended bitterly.
In 1900, just a few years into his role as a civil servant, he married Teresa Mary Shalders, in a ceremony at the St. Peter’s Church in England.
“It was a bold and uninhibited act by the young couple, who may have looked at the dawn of the new century and thought everything possible – including the harmony of races, religions, and continents,” Sherif, who uses M.A. Sherif as his pen name, writes in his book.
But any hope of making a statement with this marriage of two different cultures faded in a few short years. They had four kids over the years but Yusuf Ali spent most of this time in India as a government officer while Shalders, who was in England, fell in love with another man.
Their divorce in 1911 was particularly painful for Yusuf Ali and he might have hinted at that period in the preface of his Quranic commentary when he wrote: “A man’s life is subject to inner storms…which nearly unseated my reason and made life meaningless.”
He won custody of their children but became estranged from them over time.
“These children by their continued ill-will towards me have alienated my affection for them, so much that I confer no benefit on them by this will,” Yusuf Ali later wrote in his will.
As an ICS officer, he rose swiftly from an assistant magistrate to more important positions, and the British government increasingly relied on him as its key propagandist.
Yusuf Ali was not entirely oblivious to the systematic discrimination that Muslims faced under British rule.
“He wrote about how Britain was using Indian revenue in the Great War. That’s a very subtle way of criticism. He also made references to discrimination suffered [by locals] on the basis of colour,” says Sherif.
In the early 1920s, Yusuf Ali married Gertrude Anne Mawbey, who he liked to call Masuma (innocent). That marriage didn’t work out either.
(TRTWorld)
It was during this personal crisis that Ali began the monumental work of writing an English translation of the Quran, often working on solitary ocean liner journeys which he took at the behest of the British government.
“Yusuf Ali’s bond with the Quran was forged in these times of anguish when searching for solace,” writes Sherif.
Prominent scholars such as Marmaduke Picktall and others had already done a lot to introduce the West to Islam’s holiest book but Yusuf Ali did it with humility and open-mindedness which set his work apart.
“His interpretation is very balanced. It doesn’t force you to any particular corner, it can be read by all the schools of thought. It’s a very broadminded, compassionate approach to studying religion,” Sherif tells TRT World.
Yusuf Ali was a Dawoodi Bohra, a strain of Shia Islam, but he garnered enough respect across the spectrum to lead congregations at Sunni mosques.
“In his translation of the Quran, published between 1934 and 1937, Yusuf Ali expounded the spiritual side of Islam more than its worldly view,” writes A R Kidwai, a prominent researcher.
His excellent command over the English language lends a poetic touch to the thousands of footnotes and he didn’t shy away from using English poets such as Longfellow and Milton to explain the word of God.
Besides dealing with his matrimonial failures, he had a hard time coming to terms with what happened to Arab Muslims after World War I.
“Unlike many of his contemporaries, he did not criticise the League of Nations when it dismembered the Ottoman empire,” says Sherif. “But what really shook him was the proposal to partition Palestine.”
Hundreds of thousands of Palestinians were forced to live in camps in neighboring countries after Israel pushed them out of their homes. (TRTWorld)
For someone groomed to believe that the English people were true to their word, the haphazard division of the Ottoman Empire and the creation of Israel was unsettling for Yusuf Ali.
In 1937 he attended many meetings and conferences fighting the case of Palestinians and warned Western powers about creation of a Jewish state on Muslim land.
“One way alone can bring thee peace:
That ancient rights be not suppressed,
That aliens from encroachments cease,
And Quds be given its rightful rest,” he wrote in the poem Palestine published in January 1938.
However, Palestine’s tragedy wasn’t enough to deter his loyalty to the British as he travelled to India at the urging of England’s Ministry of Information to rally Muslim support after it declared war on Germany in 1939.
In Delhi, he met Sir Sikandar Hayat Khan and spoke to students about the need for India’s support for the British. That was a time of turmoil in India as both Muslims and Hindus had begun rallying for independence.
Upon his return, he wrote articles and gave speeches, asking Indians to unite in defence of the empire and drop their demand for political reforms. But his appearance as an important player in international events quickly faded after the war ended in 1944.
We might never know what broke him in the end. But as the British pulled out of the subcontinent in the days of its waning global status, so did Yusuf Ali slowly recede from the newspapers, his powerful friends no longer found a use for him.
Yusuf Ali spent his last years living in the National Liberal Club on a monthly pension that he received against his government job.
“How did the British treat him? There’s certainly a question mark there. They didn’t recognise his contribution as much as he probably expected,” says Humayun Ansari.
His powerful friends in the Muslim community including Pakistan’s then ambassador Ispahani had also lost track of Ali’s whereabouts, not bothering to check on him.
“That is an indictment of the Muslim society that we were not able to honour and care for someone of his stature,” says Jamil Sherif.
Source: TRT World
source: http://www.trtworld.com / TRT World / Home> News> Magazine / by Saad Hasan / September 04th, 2019