Category Archives: World Opinion

Not just Hindi: When Mohammed Rafi sang in English, Creole, Dutch and Persian

Kotla Village, PUNJAB  / Mumbai, MAHARASHTRA :

The legendary singer extended his vocal range to foreign languages whenever he got the opportunity.

Mohammed Rafi | Sujata Dev
Mohammed Rafi | Sujata Dev

Mohammed Rafi’s first break as a singer came in 1942, when he sang the duet Goriye ni Heeriye ni with Zeenat Begum for composer Shyam Sunder in the Punjabi film Gul Baloch (1944). Since then, he sang an estimated 4,500-5,000 songs in 14 Indian languages and four foreign languages until his death on July 31, 1980.

Not a bad feat at all for a singer who struggled with even English. In the biography Mohammed Rafi: Golden Voice of the Silver Screen, Sujata Dev writes about how the unlettered singer would politely turn down requests for autographs as his fame grew. “He began practising his signature diligently and when Ammi (mother) enquired why he was wasting reams of paper, he told her that he did not want to deprive his fans and so was learning to sign his name in English,” Rafi’s son, Shahid, told Dev. “Soon he began signing autographs in English and enjoyed doing so. It came as a great compliment for all his efforts when a journalist mentioned that he had the best signature in the industry.”

Rafi was born on December 24, 1924, in Kotla, a village near Amritsar. Singing in English became one of his greatest triumphs, especially since the language was a stumbling block throughout his life. When music composers Shankar-Jaikishen approached him to sing English numbers for a non-film music album in 1968, the singer was hesitant. Maverick actor-writer Harindranath Chattopadhyay , an ardent fan of the singer, wrote the lyrics. He convinced Rafi to take up the assignment, helping the singer perfect his diction for the recording. The two songs were Although we hail from different lands, based on the same composition as Baharon phool barsao (Suraj, 1966), and The she I love, based on the composition Hum kaale hain toh kya hua (Gumnaam, 1965).

Rafi’s English songs pale in comparison to the command he had over Hindi songs but never one to back down, he made a valiant effort to overcome his fears and grasp his limitations as a singer. It also gave him the courage to test his vocals in other foreign languages such as Dutch, Creole and Persian.

In this clip, Rafi sings in Creole, the local language of Mauritius, when he toured the country in the 1960s. He sings Mo le coeur toujours soif zot l’amour camarade (My heart will always be thirsty for your love, my friends), based on the tune of Ehsaan mere dil pe tumhara hai doston(Gaban, 1966).

‘Mo le coeur toujours soif zot l’amour camarade’.

This video clip shows Rafi performing at a concert in Dutch. He sings Ik zal jou nooit vergeten al zal ik in India zijn (I will never forget you, although I will be in India). The music is by Shankar-Jaikishen from the composition Baharon phool barsao, which remains immensely popular among Rafi fans.

https://www.youtube.com/watch?v=vz2piQTmraY

‘Ik zal jou nooit vergeten al zal ik in India zijn’.

For the Persian track Aye Taaza Gul (O fresh flower), Rafi collaborated with Afghani singer Zheela.

‘Aye Taaza Gul’.

In Mohammed Rafi: Golden Voice of the Silver Screen, Sujata Dev writes, “Kersi Lord, the multi-faceted musician had a long association with Rafi. He also happened to be the singer’s next door neighbour. ‘I remember once an Iranian couple had come to India and they wanted Rafi Sahab to sing an Iranian song. He called me home to play the synthesizer as he sang the song, with a fluency that made it seem as if it was his own mother tongue. The couple was left spellbound.”

Boxer Muhammad Ali felicitates Rafi in Chicago during one of his tours. Courtesy Sujata Dev’s ‘Mohammed Rafi’.
Boxer Muhammad Ali felicitates Rafi in Chicago during one of his tours. Courtesy Sujata Dev’s ‘Mohammed Rafi’.

source: http://www.scroll.in / The Scroll / Home> The Reel> Tribute / by Manish Gaekwad / July 31st, 2016

1000 War Rockets of Tipu Sultan Discovered in Karnataka Highlight A Legacy That Needs to Be Invoked

KARNATAKA :

Tipu Sultan remembered by Presidents of India

TipuSultanMPOs31jul2018

 Over 1000 war rockets of Tipu era have just been found in a fort in Karanataka. Tipu Sultan was the first warrior in history to have used rockets in his warfare against the British.

Recall Tipu Jayanthi celebrated by the Karnataka Government under Siddaramaiah and the violent opposition it evoked from the BJP and Hindutva forces who overlooked Tipu Sultan’s fierce fight against British rule and only focused on his Islamic identity. An Union Minister publicly refused to participate in the Tipu Jayanti celebrations.

The fanatical opposition to Tipu Sultan by BJP and its top leadership has been so intense that it did not even accept the speech of President of India Ramnath Kovind who while addressing the Karnataka Assembly appreciated Tipu Sultan, among others, and flagged his pioneering role in employing the first ever rocket in the history of warfare against the British.

In their blind opposition to Tipu Sultan just because he was a Muslim, the BJP leaders of Karnataka did not hesitate even to diminish the dignity of the President of India by refusing to acknowledge his speech and dismissing it as as a draft prepared by the then Karnataka Government. Even Prime Minister Narendra Modi while campaigning for BJP candidates in the Karnataka elections sarcastically said that the Congress Government was celebrating the Jayanti of “Sultans”.

Let us be mindful of the fact that a sketch of Tipu Sultan finds a prominent and place in the calligraphed copy of the Constitution where the sketch of Lord Ram, Akbar and other outstanding figures of Indian mythology and history occupy a hallowed place.

It is not that President Kovind is the first President of our Republic who invoked Tipu Sultan’s glorious legacy. Earlier President K. R. Narayanan in his speech delivered at the banquet hosted by the President of the French Republic, Jacques Chirac, on April 17, 2000 in Paris referred to the correspondence exchanged between Tipu Sultan and Napoleon Bonaparte for the purpose of forming a grand alliance to defeat the British and throw them out of India.

In an appendix of the publication, The Sword of Tipu Sultan, authored by Bhagwan Gidwani, there is a text of letter written by Napoleon to Tipu Sultan bringing out the strategic affinity and understanding between India and France in the late 18th century.

Napoleon wrote in the letter to Tipu Sultan : “You have already been informed of my arrival on the borders of the Red Sea, with an innumerable and invincible Army, full of the desire of delivering you from the iron yoke of England.”

Before the letter could reach Tipu Sultan, the British intelligence succeeded in intercepting it. Then President Narayanan in his aforementioned banquet speech rsaid: “…Napoleon’s demarche perhaps underlined the strategic affinity that links India and France and the responsibility we hold in creating a more equal and democratic inter-national order in the multipolar world.”

It is all the more significant to note that the concept of ” creating a more equal and democratic inter-national order in the multipolar world ” was taken up by Narayanan by invoking Tipu Sultan along with Napoleon who is a national hero for the French. I recall that the leadership of France deeply appreciated this speech and thanked the then Indian President for contextualizing the strategic dialogue started between the two countries in the 21st Century by referring to the strategic understanding forged in the 17th Century.

Abdul Kalam in his writings published before he became President of India had outlined Tipu Sultans stellar contributions as the first warrior in history of warfare for having used rockets against the British who were completely on the defensive. The account given by President Kalam of the rockets used by Tipu Sultan in his war against Britishers makes a fascinating read and the younger generation should be educated about it. He also refers to the Royal Artillery Museum, London that has exhibited the rockets used by Tipu Sultan with the claim the he became the first warrior to do so.

It is rather fascinating to note that the French Revolution and its ideals deeply impacted Tipu Sultan and he celebrated the Revolution with great fervour. Possibly he was the first monarch in India who remained wedded to the enduring ideals of the Revolution- liberty, equality and fraternity- and planted a tree in Srirangapatnam to commemorate it. He enlisted himself as a member of the Jacobin Club which constituted one of the prominent political formations of the Revolution proclaiming egalitarianism and affirming a social order informed by liberty, equality and fraternity.

His strategic vision encompassed in its scope a modern navy which he founded in 1796 and set up two dockyards where ships could be used and equipped with necessary facilities for conducting warfare. It greatly supplemented his military capability based on his land based armoury and armed forces.

His critical understanding that a strong economy could sustain a strong military paved the way for him to take manifold measures to augment and expand trade and commerce and set up a chain of industries. His farsightedness in understanding the danger posed by the advancing British forces in the 18th century stood him out as an unparalleled leader with a firm grasp over military and strategic affairs. British historians have recorded his accomplishments with admiration. And recorded the fact that the conditions of the peasants of Mysore were far better than their status in the British provinces of that era.

Historians have recorded that Tipu Sultan liberally gave grants to numerous Hindu shrines and respected the faith of others. Such a legacy rooted in respecting all religions makes Tipu Sultan relevant for our contemporary period which is witnessing majoritarian tendencies.

He relentlessly fought against British occupation and aggression and eventually attained martyrdom. His heroism and bravery to fight against colonial subjugation constitutes an important portion of Indian history. It is important to celebrate that legacy and enrich it.

Jawaharlal Nehru in his Discovery Of India wrote “Haider Ali and Tipu Sultan .. inflicted a severe defeat on the British and came near to breaking the power of the East India Company.” Such a glorious phase of Tipu Sultan who almost broke the power of the East India Company and who remained wedded to ideals of French revolution inspires India of twenty first century. We need to immortalize it by affirming its enduring value which is far above party politics and ideological rivalry.

As the twenty first century India faces threat from Hindutva forces engaged in lynching people and polarizing them in the name of cow protection, love jihad and religion we need to reinvigorate the legacy based on liberty, equality and fraternity which remained at the heart of the French Revolution, guided Tipu Sultan and inspired our freedom fighters and the framers of our Constitution to shape the destiny of India based on progressive values.

(S.N.Sahu served as Officer on Special Duty to late President of India K.R.Narayanan and also as Director in Prime Minister’s Office under Manmohan Singh).

source: http://www.thecitizen.in / The Citizen / Home / by S.N. Sahu / July 30th, 2018

Indian Prodigy Sara shines in Dubai

Malegaon, MAHARASHTRA / Dubai,  U.A.E :

SaraAnsariMPOs31jul2018

Where there is will there is a way, Sara Ansari proved the cliché with her exceptional qualities and abilities. Indian born Sara, who is a resident of Dubai now, has not only makes her parents proud over her success, India and Dubai too delighted over her achievements.

Born in Malegaon a small town in Maharashtra and brought up in Dubai Sara has secured 98% marks in CBSE 10th Examination which was held in March 2018 and result of which was declared on May 29th. Interestingly she got 100% in Mathematics as well as in Science.

She aims to pursue her career in Astro Physics which deals with space research. She believes that by pursuing this career she can participate in promotion of science education and eliminate the poverty and hunger from the world.

Sara is not only excellent academically but also proved her talent in many extracurricular activities.

She has been awarded by the prestigious Diana Award in recognition of her outstanding contribution to society. The Diana Award is bestowed upon inspiring courageous, Compassionate young people, positively transforming the lives of others in Diana, “Princess of Wales” memory and legacy.

She is a confident speaker and an outstanding Debater too.This Year at the occasion of Independence Day, she has been awarded by “The Best Speaker “ Award by the Consulate General of India in Dubai in recognition of her performance in Inter School Debate Competition.

She is a prefect of Model United Nation Club in her school. She has visited United Nation New York, U.S.A. in July 2014 as a part of her Global Young leader conference. and attended several MUN Conferences in Dubai and Globally and achieved the Best Delegate Awards. Model United Nation also known as MUN is an extra-curricular activity in which students typically role-play delegates to the United Nations and simulate UN Committees. This activity takes place at MUN Conferences which is usually organized by High school or Collage MUN Club. Her paintings too won her many awards and accolades.

“We are so proud of her that there is no word to explain” says her father Iqbal Ansari, adding that her achievements have been a direct result of self-discipline and dedication to performing the required research and practice necessary for success in such endeavors.

The student of The Millennium School, Dubai has also won the prestigious Sharjah Award for Educational Excellence for the academic year 2015-2016. This award is instituted by Ruler of Sharjah H.H. Dr. Shaikh Sultan Bin Mohammad Al Qasimi for recognizing outstanding achievers in academics and co-curricular activities, with special emphasis on social responsibilities.

The award was presented to her by Crown Prince and Deputy Ruler of Sharjah, HH Sheikh Sultan bin Mohammed bin Sultan Al Qasimi in a glittering ceremony held at University City hall, Sharjah on Thursday, 21st April 2016.

“It is a glorious moment for our country, family & school that Sara Ansari was awarded the prestigious Sharjah Award for educational excellence for the ‘Most Distinguished Student’, for the academic year 2015-2016”, says her father.

Sara was also the winner of prestigious Sheikh Hamdan Award for Distinguished Performance 2015, the award recognises the students from Gulf Countries who excel not only in Academics but social, religious, cultural, sports activities. The award was presented to her during 2015 by Deputy Ruler of Dubai HH Shaikh Hamdan Bin Rashid Al Maktoum.

Sara and her partner design a Drone under theme “Drone to Rescue” which would help mountaineers for rescue, the project won first award for deigns during Makers Day 2016 which was organised by GMS. The project was chosen top 10 finalist out of 700 projects presented by different UAE schools at GEMS Wellington School Dubai. The project was selected by Arab Innovation Centre for Educational Excellence for AICE accelerator Programme, as a part of this programme they got funding and mentoring from industry experts to expand the project scope and evaluate the commercial and technical feasibility.

Social Activities: Sara’s passion is Art & craft, she knows several Art & Craft techniques like Decoupage, paper quelling, embroidery, par cord. She has taught the skills to less fortunate people in Sri Lanka, India, UAE. She was recognised for her efforts and appreciated by community members and international NGO’s. Kindly visit her website www.facebook.com/sarastalent to know more about her activities.

Sara’s talent is drawing & painting, she has won many certificates and award from different bodies and international organisations. She has a special skill of Pyrography, the art or technique of decorating wood or leather by burning a design on the surface with a heated metallic point.

She is also very good swimmer and also interest in ice skating, roller skating and participated in marathons.

source: http://www.theindianawaaz.com / The Indian Awaaz / by The Correspondent , The Indian Awaaz / June 04th, 2018

Indian 400M National Record |MUHAMMED ANAS |45.24S

Nilamel, KERALA :

Prague :

Indian Athletes:

Muhammad Anas created a new Indian 400M National record 45.24s in VELKÁ CENA NOVÉHO MĚSTA NAD METUJÍ at NOVÉ MĚSTO NAD METUJÍ .

Anas broke his own national record of 45.31s created in commonwealth games gold coast 2018.

source: http://www.youtube.com / Indian Athletes / Published : July 21st, 2018

Watch: Muhammad Anas breaks his own 400m mark to set a new national record

Nilamel, KERALA :

Prague:

His earlier national mark is 45.31 seconds which he clocked while finishing fourth at the Gold Coast CWG.

File image | AFP
File image | AFP

Muhammad Anas bettered his own 400m national record while winning gold with a time of 45.24 seconds in an event at Czech Republic on Saturday.

His earlier national mark is 45.31 seconds which he clocked while finishing fourth at the Gold Coast CWG.

Anas, who is training near Prague along with other quartermilers as part of preparation for the upcoming Asian Games, set the new mark at an event at Velka Cena Nove Mesto nad Metuji.

Anas now also holds the next 3 fastest times – 45.32 seconds, 45.35, and 45.40.

In the women’s event, MR Poovamma won gold with a timing of 53.01 seconds. There were only five women, who competed in the event.

Rahul PAWAR@rahuldpawar

Watch full race of record breaking run by Muhammad Anas of India who set new record with a timing of 45.24s in the VELKÁ CENA NOVÉHO MĚSTA NAD METUJÍ at Nové Město nad Metují (21. 7. 2018)@afiindia

source: http://www.scroll.in / Scroll.in / Home> The Field / by Scroll Staff / July 21st, 2018

Forgotten soccer sorcerer to be brought alive

Hyderabad, Hyderabad State (now TELANGANA)  :

An undated photo of Syed Abdul Rahim.
An undated photo of Syed Abdul Rahim.

A biopic is being made on Syed Abdul Rahim, the architect of modern Indian football

More than 62 years after an Indian football team came within a whisker of winning an Olympic medal, a Bollywood movie is being made on the Hyderabad coach who made it happen: Syed Abdul Rahim.

“About a year ago, Joy Sengupta, an ad filmmaker, approached me saying he wanted to make a movie about Rahim sahab. I shared all the information with him. They expected I would ask for money. I don’t want money, I want the younger generation to know about the glorious golden period of Indian football and my father’s contribution,” says Syed Shahid Hakim, son of S.A. Rahim and a Dhyan Chand awardee.

Reliving glory

The biopic is expected to bring alive S.A. Rahim’s life, who led a stunning rise of the Indian team in the 1950s. His biggest achievement? Getting a walkover in the 1956 Melbourne Olympics against defending champion Hungary even as its Magic Magyars withdrew due to Hungarian Revolution; beating Australia 4-2 before losing to Yugoslavia 1-4 in the semifinals. At the Asian Games inaugural, Rahim’s team won gold for India as the then Prime Minister, Jawaharlal Nehru, watched from the VIP stand. On Friday, Zee Studios tweeted about its project: “Elated and proud to announce a story never told as @ZeeStudios_ #BoneyKapoor & @freshlimefilms come together for a biopic on India’s legendary #Football coach, Syed Abdul Rahim, starring @ajaydevgn, directed by @CinemaPuraDesi.”

Mr. Shahid Hakim, who played under his father, later coached and was a referee as well before retiring from the National Institute of Sports, Patiala, has been bombarded with calls about his father since then.

The trigger was perhaps Novy Kapadia’s book Barefoot to Boots that’s partly instrumental in spotlighting the coach, who was almost forgotten except in the rarefied field of Hyderabad’s football circles. Rahim worked his magic on Indian football teams between 1948 and 1960 bagging Asian Games gold in 1951 and 1962. In the 1960 Rome Olympics, India was jinxed in the death group ‘D’ which had Hungary, France and Peru. India lost to Hungary 2-1 and drew 1-1 with France before losing 2-0 to Peru. It was here that Balaram and P.K. Banerjee scored a goal each. In that period, the Hyderabad police team brought home five Rovers Cup trophies.

Football prophet

Rahim was a school teacher who drifted into football coaching. Noticing that Indian footballers used to dribble needlessly, he came up with the concept of one-touch football. “The player had to get the ball and pass it. A dribble would be considered a foul and a free kick awarded,” says Hakim, as he reels out names of playgrounds in Hyderabad and tournaments that used to be played here.

“People bemoan our football skills. But where are the grounds for children to play? Football is the most democratic game. One ball and two goal posts can engage 22 players. But our government is interested in promoting individual sports. Money, land, academies are gifted to players. Team games get a short shrift,” rues Mr. Hakim, promising to share all the trials and tribulations of his father with the movie-makers. “He was a strict disciplinarian. I was treated as just one of the players. There were so many talented players that we used to hide injuries, lest someone else play and take our slot. He used the 4-2-4 combination before anyone used it,” says Mr. Hakim.

While football grounds have disappeared and the beautiful game is played only by a few expats in Hyderabad, the biopic is sure to make Indians remember a time when India was a name to reckon with in world soccer scene.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad / by Serish Nanisetti / Hyderabad – July 14th, 2018

Grandeur of Saif Gulshan lingers on 106 years later

Hyderabad, TELANGANA :

Maintained in pristine condition, it is used as Army mess.

Saif Gulshan was the residence of Sultan Saleh bin Ghalib al Quaiti, Nawab Saif Nawaz Jung, a prominent noble in the Nizam’s court.
Saif Gulshan was the residence of Sultan Saleh bin Ghalib al Quaiti, Nawab Saif Nawaz Jung, a prominent noble in the Nizam’s court.

Hyderabad:

The erstwhile Hyderabad state had the largest army in the country, and what is now the Sarojini Devi Eye Hospital was the first hospital for the Army here.

The First Lancers of the Hyderabad Army at Asafnagar is still being maintained in its original condition. All of this was originally part of the Golconda Fort and, not surprisingly, there are two Qutb Shahi-era tombs within this area. The Nizam had great respect for the army.

Saif Gulshan was the residence of Sultan Saleh bin Ghalib al Quaiti, Nawab Saif Nawaz Jung, a prominent noble in the Nizam’s court. Constructed in 1912 it has a mixture of European and Qutb Shahi styles. This residence is being maintained in pristine condition and is used as an Army mess.

SaifGulshan02MPOs21jul2018

The building has an elevated basement, which seemed to be in style those days. It has been built with great care, leaving a lot of open space, both in the front and at the sides. A well on one side of the house must have been the water source and it must have been an open and beautiful structure. There are many jharokas and the first floor has rooms. The terrace is covered by a low-tiled roof, which is supported on wooden posts.

The beautiful facade of the building has been well-maintained by the Army. A lot of wood, stained glass and stucco work has been used in the building, which has verandas on three sides, each one ending in a room. The windows look out to this narrow veranda, which has exquisite tiled flooring. The veranda has Gothic arches and since the entire building is on an elevation, it looks imposing. European influences and Indian elements blend wonderfully well in the building.

There is another impressive building about a 100 yards away. This too was connected to the army and officials must have lived here. Or it could have been a zanana. Smaller in size, that building is surrounded by wooden eaved projections with windows on all sides. There are four rooms with one in each corner and in those days the centre used to be a courtyard, open to the sky. It is now covered and is like a big hall. In 2012, the building bagged an Intach award. According to the citation, Awadh bin Abdullah, the founder of the al Quaiti clan, was the first to travel to India in the last quarter of the 18th century. During his brief stay in the country, Awadh is said to have served the Nizam during the Second Mysore War. His son Omar migrated to India in the early 19th century and after a brief stint with the Raja of Nagpur, ended up in Hyderabad as head of the Arab mercenaries who formed a bulk of the Nizam’s irregular troops.

The main structure of the building is flanked on either side by projecting blocks. “The structure is flanked on either side by projecting blocks crowned with tiled pyramids lending majesty to the structure. The central portion is surmounted by a highly decorated pediment which bears the monogram of Saif Nawab Jung in stucco,” says the Intach citation.

The interiors show that the building was well-planned, with huge arches and windows and doorways with stucco to highlight the structure.

A lot of wood has been used and there is a wooden staircase leading to the first floor. Elegance and form are the highlights of this building.

This building stands along with the other smaller building in the midst of a forest and a fountain, while a road nearby brings in the sound of traffic.

Well-kept and still maintained in its original form of limestone and brick, with a little bit of granite, the Army must be lauded for the care it has invested in maintaining this landmark building.

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Nation> Current Affairs / by Lalitha Iyer, Deccan Chronicle / July 15th, 2018

Nizam’s 1st notes printed in London

Hyderabad, TELANGANA: 

The coins till the police action were in the pattern of Moghal coinage before it was changed in 1858.

Nizam VII Mir Osman Ali Khan
Nizam VII Mir Osman Ali Khan

Hyderabad:

The first series of paper currency introduced during the rule of Nizam VII Mir Osman Ali Khan were printed in London.

The currency notes of one five, 10, 100 and 1,000 rupee denominations were widely appreciated for their design and quality of paper, said Mr Amarbir Singh, an eminent numismatic.  “The need for having paper currency was felt as there was a shortage of metal after World War I,” he said during a lecture here.

The notes had Islamic resemblance without any pictures of animals, plants or buildings and contained four languages — Urdu, English, Kannada and Telugu.

“The Nizam ensured that they were without any signature of the finance committee member. Only when they landed in the Hyderabad did they gain complete form,” Mr Singh said. The second series of notes, smaller in size, were introduced in the 1930s and printed at the Government Printing Press at Malakpet.

The regular coinage of Hyderabad in large circulation was the one rupee coin, the Osmania ‘Sicca’. The one rupee note was unpopular, and people were put off by its black colour.

The coins till the police action were in the pattern of Moghal coinage before it was changed in 1858.

Hyderabad had a mechanised mint at Saifabad where gold silver and copper coins were printed.

The highest coin for public circulation was silver one rupee.

source: http://www.deccanchronicle. com / Deccan Chronicle / Home> Nation> Current Affairs / by Asif Yar Khan, Deccan Chronicle / July 15th, 2018

Rifa-e-aam Club – History Shrouded in Negligence

UTTAR PRADESH :

HIGHLIGHTS

Rifa-e-aam was where literary events were held to provide Rifa (happiness) to people

During struggle for independence, this club became the centre of anti-British activity

Rifa-e-Aam, Lucknow
Rifa-e-Aam, Lucknow

Lucknow:

The city of adab (etiquette) and tehzeeb (manners) was also an indispensable part of India’s freedom struggle. The Nawabs of Awadh or the rulers who governed the state of Awadh  during 18th and 19th centuries conspicuously nurtured syncretism, which became an integral  part of the culture in the Ganga-Jamuna belt.

Nawabs were the great connoisseurs of art, music, and architecture. Numerous monuments were built  during their time. One among those was Rifa-e-Aam, where literary events were held to provide  Rifa (happiness) to people. When the signboards outside several clubs and gymkhanas signalled ‘dogs and Indians’ to stay out, Rifa-e-Aam welcomed dissenting voices, credit for which  goes to the liberal Raja of Mahmudabad. The historic Lucknow Pact of 1916, between the Congress and Muslim League was signed here.

RifaeAaam02MPOs19jul2018

During India’s struggle for independence, this club became the centre of anti-British intellectual  activity.  In 1936, Anjuman Tarraqi Pasand Mussanafin-e-Hind or Progressive Writers’ Movement was born in this building, under the leadership of Syed Sajjad Zahir and Ahmed Ali. Soon a number of  eminent progressive litterateurs like Saadat Hasan Manto, Ismat Chughtai, Faiz Ahmad Faiz, Mulk Raj Anand, to name a few, joined the movement. To cap it, presidential address was delivered by Munshi Premchand.

During my recent visit to Lucknow, I asked the person who ferried me around the city, to take me to this forgotten monument, tucked away in the crowded lanes of Qaiserbagh. When Google map  ditched us due to poor network and left us amidst the labyrinth of congested by lanes, the human version of Google maps – paanwala (tobacco seller) helped us locate it. There stood the dilapidated structure which once upon a time heard the speeches of Mahatma Gandhi, Pandit Nehru, and many other visionaries.

The ground in the front of the monument is now a bus station. Lakshmi Narayan parked the car and since it had rained that morning, he asked me to get off from the other side to avoid a stagnated pool of water and filth. At present, one part of the decrepit structure is inhabited by a family of nonagenarian – C P Pandey, who was appointed as the caretaker of the club. The other portion is managed by the association and the only thing common between them is the illegal construction and encroachment, around which stands the cracking monument of Rifa, donning a lugubrious look.

I spent some time envisioning the past associated with it and wondering who is responsible for such sorry state of affairs today. Is it the people, ignorant of the past or the authority which has turned a blind eye to misdemeanour? Perhaps lack of pride in our glorious heritage.

I finally left with a heavy heart remembering Faiz and hoping one day Rifa would be restored.

source: http://www.travel.manoramaonline.com / OnManorama / Home> Travel> Reader’s Discovery / by Pragya Srivastava / July 17th, 2018

Strokes of compassion

Lucknow, UTTAR PRADESH / Melbourne, AUSTRALIA :

Lucknow-born Bushra Hasan, who has made her mark in Australia through her Indian-influenced art, now wants to use it as a therapy.

Bushra Hasan
Bushra Hasan

If art enables us to find and lose ourselves at the same time, Lucknow-born graphic artist Bushra Hasan has used art to create an identity for herself Down Under, her new homeland. Hasan, who moved to Australia in 2013, has added beautiful hues to her varied creative portfolio.

In five years, her different strokes have left an indelible mark on the artistic landscape in Australia, and made Hasan a name to reckon with for her brushwork. Be it the painting of a life-size puppet elephant for Moomba Parade, or the Indian truck style art adorning the trams of Kolkata and Melbourne, or the recent community art workshop that she held for immigrants, the shades of her creative sensibilities have charmed one and all.

Armed with a mixed bag of experience in designing newspaper pages and magazine covers in India, Hasan moved to Australia’s cultural capital Melbourne after “falling in love with its vibrant, stylish and arty feel”. The City of Secrets embraced the artist and her India-influenced art with open arms, and she went on to join the Multicultural Arts Victoria (MAV) as Community Liaison Officer in 2018.

“I started looking for jobs after moving to Melbourne. In between, I also launched my art brand Indybindi and started putting its products in various makers’ market. People noticed my art and MAV expressed its keenness to hire me to conduct workshops. In January 2015, Moomba Parade organisers approached me to paint a life-size puppet elephant in Indian art style, and they have used it for all parades since then,” she says.

MAV introduced her to Roberto D’Andrea, a former tram conductor, and an activist who had been working on the unusual friendship between Melbourne Tramways and Kolkata Tramways for 21 years. “Kolkata Tramways had sent an SOS to all the tram-running cities requesting them to put pressure on the West Bengal government to rethink its decision to abolish trams in Kolkata. Only Roberto responded and went there with his team, collaborated with Indian activists and organised shows, etc., that worked and the state government postponed its decision,” she says, fondly recalling her artistic collaboration with Roberto. She used kitschy Indian truck art style to tell the story of 21 years that found its way to the trams of Kolkata to celebrate the iconic tram friendship between the two cities.

“Indian tribal art hugely inspires me, and I am proud to flaunt my Indian roots in my artwork,” she says. Hasan redesigned her artwork and turned it more colourful, and reflective of India’s diverse artistic culture and submitted her entry for the 5th edition of the annual Melbourne Art Trams project. She was one among the eight artists whose design made the cut, and Tramjatra, her artistic tribute, chugged along, happily for seven months from October 2017 to April 2018 on the trams in Melbourne.

She recently led a nine-day long art exhibition for people to share their ‘immigrant journey’ through art at the Emerge In The North festival. “The workshop was an effective step towards building relationships within the community,” she says.

Having used art to create an identity, she wants to use it to heal others. Talking about her next project, she says, “I want to do a lot more to keep myself creatively engaged. I am working on a module that will focus on helping children who are victims of sexual abuse to overcome their trauma through art therapy, heal themselves, and emerge stronger.”