Category Archives: World Opinion

Mumbai top cop Ahmed Javed is new Indian ambassador to Saudi Arabia

New Delhi:

Mumbai Police Commissioner Ahmed Javed has been appointed Ambassador to Saudi Arabia, which has a 2.8 million-strong Indian community.

The Ministry of External Affairs said Javed is expected to take up his assignment shortly.

Ahmed Javed. PTI
Ahmed Javed. PTI

The post of Ambassador in Indian Embassy in Riyadh has been lying vacant since April.

Relations between India and Saudi Arabia witnessed some strain after a Saudi diplomat was charged with confinement and rape of two Nepalese women in September. The diplomat later left India.

From trading point of view, Saudi Arabia is a crucial country for India.

The import of crude oil by India forms a major component of bilateral trade with the Gulf nation which is India’s largest supplier of crude oil.

The Indian community in Saudi Arabia is the largest expatriate community in the Kingdom.

IPS officer Julio Ribeiro, who was Mumbai’s police commissioner from 1982 to 1985, also served as Indian Ambassador to Romania.

PTI

source: http://www.firstpost.com / FirstPost.com / Home> F.India> Latest News> India News / December 11th, 2015

Amir Khan — making the right moves

Coming into national reckoning just a week before a major international competition as a replacement for one of your best friends is never easy. But Mohd. Amir Khan knows an opportunity when he sees one.

At the ongoing Hockey World League Finals here, the youngster from Allahabad has grabbed it with both hands. Named as replacement for statemate and friend Lalit Upadhyay after the latter got injured, Amir has impressed everyone with his runs, dodges and feints to wrong-foot the opposition defenders. He may not have scored yet but the lanky forward knows there are more ways to contribute to a team’s performances.

On Friday, while several of the India players preferred to either sleep off the strain of the tournament so far or relax with the occasional cheat-eat and their favourite cups of coffee, Amir and Mujtaba were busy with their afternoon prayers. Walking in to find coach Roelant Oltmans waiting for lunch, he tried to explain his absence. “That’s absolutely fine, as long as you are in time for whatever is the team’s schedule,” the Dutchman waved him off.

Starting at the age of 10 at the Majidia Islamia College grounds in Allahabad, hockey has always been a way of life for Amir. “In my area, a lot of people pay hockey. In fact, the grounds have more kids with sticks than those with bats. A lot of my relatives also played, though not at big levels. My cousin Ayaz Ahmed used to play for Customs and it was normal for me to play the game,” he explains. A product of the Lucknow SAI hostel, two of his younger brothers are now following in his footsteps.

The frail-looking youngster is the latest in a long line of illustrious predecessors from Uttar Pradesh that began from Dhyan Chand and continued through Ashok Kumar, Mohd. Shahid and RP Singh, players who mixed attitude, skill and style to produce what was considered the traditional Indian hockey. His looks, though are deceptive.

Nimble on his feet and quick to stop and turn against defenders, Amir Khan’s dodges upfront have been impressive so far in the tournament. Regardless of the opposition, the youngster held on to his style of aggression. Most experts of the game consider him among the most talented strikers in the next generation.

“Style aur dash hona hi chahiye, dikhna bhi chahiye jab zarurat ho (style and dash must be there and must also be visible when the situation demands). Planning is important but so is individuality. Even the coach accepts that there are times when plans do not work, an individual has to use his mind and skill and decide on his own.

“Yes, there are times when it doesn’t work, like it happened a couple of times against Britain also, but that will get better with experience,” he says with conviction.

New stage, old mates

Even though this is his first major senior tournament, Amir isn’t exactly unfamiliar with his team mates. Having played with the likes of VR Raghunath, Danish Mujtaba, Talwinder Singh, Ramandeep Singh and Birendra Lakra for India at the junior level, the 21-year old – he will turn 22 later this month – is among known faces here. Mujtaba, in fact, belongs to the same area and the two grew up playing together from childhood even though the senior pro is five year older. Unsurprisingly, there is a higher comfort level.

For someone only starting out, Amir is grounded with a lot of quiet self-belief. “Pressure is always there but if you remember your good times and performances, it helps a lot. Pressure doesn’t mean you succumb to it – you have to face and beat it, you need to look inside you. Everyone knows what he is capable of, what he can do and what his talent is.

“Pressure is always there. Specially, when you haven’t played any big tournament and suddenly you are in such a big event but the good thing is I believe I haven’t let it overpower me. I think I have been able to handle it a little better and so maybe I am going in the right direction. Now I need to work on my consistency,” he says.

“Before a match, I only focus on the match and try to avoid the negativity. I pray a lot but if something does happen that affects me —  which doesn’t happen too often, to be honest – I just speak to my parents and solve it with their advice. I do not like to talk much to everyone,” he adds.

Is he now targetting a Rio spot? “Preferences don’t matter, performances do. I am not thinking of it now, I am thinking of the next two games. Everything depends on my performance. I would love to be at Rio and have both Danish and Lalit with me but coaches only see what you do on field,”he signs off, heading for lunch.

source: http://www.thehindu.com / The Hindu / Home> Sport> Hockey / by Uthra Ganesan / Raipur – December 05th, 2015

Lucknow boy makes mark in Hollywood, NY stage

LucknowboyMPOs07dec2015

Lucknow :

He wanted to join the media industry but landed up in Hollywood. Meet 29-year old Saim Hyder who is doing theatre and also acting in short films in the United States of America. He has recently completed playing the leading role in the classic Anton Chekov play `The Cherry Orchard’ for Falcon Productions, a wellknown theater group in New York City .

Hyder’s talent landed him meaty roles in the plays ‘Bonafide Women’ directed by Stephanie Ogeleza. He played the lead in short film `Larry Bought Lemon’, screened at the prestigious Indian Film Festival of Tampa, Florida in 2013) and another film, `Patrons’, directed by Polish director Rita Haider was screened at the International Palm Springs Film Festival last year.

Hyder’s performance received favorable criticism in US media. Broadway World, authority on all Broadway shows called his performance in the part-comedy-part-drama `The Rajah’s son & Princess Labam’ “dramatic and riveting”, while NRI Tribune, one of the largest Indian-American newspaper described his role in the same play as “one of the most loved performances”.

In Lucknow, Hyder went to La Martiniere College where his acting talent was nurtured under his teachers. In school, I acted in school plays and inter school competitions where I stood out and was praised,” said Saim. It was only when he moved to US in 2008 to pursue Mass Communication from the University of Arkansas, he realised performing on stage could mean more than journalism. ” was so passionate about the film industry that at UOA, took up research on the influence of Indian cinema he roes on the youth,” said Hyder, who later trained at the renowned New York Film Academy and Maggie Flanigan Acting Studio in New York City.

While at NY Film Academy, he was trained in the basics of film genre. It was a MF studio where he received intensive training under the best in the industry in the exclusive `Meisner Technique of acting which legendary actors such as Marlon Bran do, Robert Duvall and Tom Cruise learnt as students Meisner technique is an approach to acting which develops from an interna source such as emotional re call, memory, etc. Back home, Hyder is famous for entertaining family and friends, acting out famous dialogues of Indian and Hollywood actors. “In all our family get-togethers, he is made to enact scenes from his plays or films, his favourite, which he repeats most of the time, being from The Cherry Orchard, saying the lines, `I have done it, I have done it all. The Cherry Orchard is mine…’, to an applause from all of us,” said Aaqil, Hyder’s cousin, who is more a friend.

Hyder hasn’t restricted himself to theatre, he has also dabbled with radio. “I have anchored more than 100 minutes of live shows, called Bindaas Bol on Jus Radio, an online channel popular with the Indian American diaspora,” he said.

His upcoming work includes a Hindi sitcom for a South Asian TV channel which is even being produced by him. “With his focus and talent, we are hopeful that Saim will make a mark in the highly competitive entertainment industry in Hollywood. The talent of this Lucknow boy will shine around the world,” said his father Nafees Haider Naqvi.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Lucknow / by Isha Jain, TNN / December 07th, 2015

NATION – On the Sultan’s Trail

 

TipuKodaguMPOs30nov2015

In the green, hilly tracts of Kodagu, a small district in Karnataka bordering Kerala, the past is urgent, pressing. A king’s ghost has been summoned again, so his story can be rewritten to suit the age. Tipu Sultan. Perhaps no other Indian king has been mummified by as much subjective judgement. Invariably, he is either a justified villain or an unjustified hero, a tele-serial star or a wanton killer of Hindus. In Kodagu, where Tipu is believed to have put thousands to the sword, a destabilising interrogation of his legacy recently claimed two more lives, over 200 years after the king perished in the British siege of Srirangapatna in 1799. Even as the Karnataka government’s plans to celebrate Tipu Jayanti on Deepavali day—10 days ahead of his date of birth, 20 November—predictably met with opposition from Hindu organisations, the Muslims of Kodagu, many of them descendants of migrants from Kerala, appropriated him as their hero overnight. On the appointed day, the communities clashed violently in the tourist town of Madikeri, the headquarters of the district, resulting in two unfortunate deaths: 65-year-old DS Kuttappa, the district organising secretary of the Vishva Hindu Parishad, was killed when he fell or was pushed from, depending on who you believe, a height during the riot; and 22-year-old Shahul Hamid from Siddapur was shot while returning in a truck from Madikeri. Observers blame the deaths on police and administrative negligence, but the reality of the unrest in Kodagu runs deeper.

From his perch in Srirangapatna near Mysore, Tipu Sultan—and before him, his father Haider Ali—had repeatedly attacked Kodagu in the 1780s in order to secure free passage to Malabar. His incursions into Coorg, replete with the plunder and destruction of temples—a common practice in medieval times even among Hindu rulers—were time and again thwarted by native Kodava warriors, but the region eventually succumbed to the assaults. According to historical accounts, Tipu then ordered ‘both the slain and the prisoners, with the women and children, to be made Musalmans.’ “Kodavas were deeply scarred by Tipu’s excesses but they did not give up. They had their tiri-toks—country guns—and they were skilled at guerrilla warfare. For Tipu’s army, the leeches alone proved a deterrent,” says Addanda C Cariappa, a writer, actor, theatre person and former president of the Karnataka Kodava Sahitya Academy, who is working on a book in Kannada on Tipu Sultan. His pride in the community’s martial heritage and its achievements in the military soon dissolve into alarmism as he talks about the shrinking Kodava population. “We are a dwindling race with a population of just 1.25 lakh. Soon, we will be the Kashmiri Pandits of south India. The religious turbulence of Tipu’s reign is partly to blame,” Cariappa says.

There is no love lost between Kodavas and the erstwhile ruler of Mysore: they will tell you that Tipu was no son of the soil; that he preferred Persian to Kannada and wanted to propagate Islam across south India; and that his epitaph in Srirangapatna and the inscription on his sword commemorate him as a sultan who lived and died for the faith. This, then, was the majoritarian cultural sentiment that formed the backdrop of the Tipu Jayanti celebrations in Kodagu. The Siddaramaiah government has been accused of inciting riots for political gain in a district where all the legislators—two MLAs, KG Bopaiah and Appachu Ranjan, and Prathap Simha, the lone MP from Kodagu—belong to the BJP. Conspiracy theorists go to the extent of alleging that a law-and-order crisis was precipitated by the Siddaramaiah camp to show the new home minister of the state, G Parameshwara, in poor light. Whatever the provocation, the celebrations marked a dark day for communal harmony in the state.

It is dark when we halt at Kuttappa’s house near Madhapur, about 20 km north-east of Madikeri, at the end of a long, snaking drive through banana and paddy fields. The sitting room is bustling with local reporters, Sangh Parivar activists and Kuttappa’s scampering grandchildren. His son Dani wears a dhoti and an unreadable expression. His mother sits unmoving in a corner, her long hair undone,face buried between her knees. “Father knew his life was in danger. But anything could have happened in Madikeri that day and he could not stay away,” says Dani, who works at a factory in Madikeri and is an RSS activist. “They beat him and stoned him, then pushed him to his death. There are eyewitnesses who saw what happened near General Thimmaiah Circle.” The police are awaiting the autopsy report that may throw light on the cause of his death.

On that Tuesday morning, a few thousand people carrying Tipu flags marched towards Town Hall, where his birthday was to be celebrated. The 2,000 policemen who were later deployed to keep vigil over the small district—4,100 sq km of it—had not yet been called in; the district administration was wholly unprepared for trouble. As supporters of the Social Democratic Party of India (SDPI) and Sangh Parivar activists hurled stones at one another, the situation quickly spiralled out of control and the police resorted to a lathi charge. “The Muslims came armed with stones and swords,” alleges Dani. Soon, he is no longer talking about the death of his father, but building a case against “radical Muslims” who, he alleges, have destroyed the peace of the region.

Kodagu is a peaceable place where enmities that lay buried in the dim mists of the past are not easily kindled. Before the flare-up around Tipu Jayanti, the Sultan’s exploits here were largely forgotten—although, if you visit enough Kodava homes, you will have occasion to pet dogs named Tipu. The last time there was a Hindu- Muslim clash in Kogadu was in December 2001, when miscreants vandalised the Harishchandra temple at Palur, about 20 km from Madikeri. Angry Hindu mobs gathered in town, blocking roads and attacking Muslim worshippers; Section 144 was eventually imposed. Like most riots, the 2001 incident reeked of political opportunism and widened the space between Kodagu’s communities. This is happening again now, thanks to a king who has captured the fancy of a nation in search of heroes. Tipu introduced land reforms and modern banking. He abolished alcohol and donated to temples. He was the last Indian ruler to consistently rebel against the British. Yet, large sections of Kodavas do not hesitate to judge an 18th-century ruler by 21st-century morals. “He killed Hindus and converted them. These people who want to celebrate him—what are they celebrating exactly?” Dani asks.

“The problem is that people think in terms of religion in this country,” says actor and playwright Girish Karnad, who received a death threat on social media after remarking that Bengaluru International Airport would have been named after Tipu Sultan, and not after city founder Kempegowda, had the king been Hindu. “It is not as though our politics has changed in 200 years. We still see leaders using atrocities to build their careers. At least Tipu Sultan did not commit these atrocities against his people. I can’t see how what he did was more condemnable. The people of Mysore were happy with him,” he says.

 

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On the banks of the Cauvery at Ayyankeri, a village 6 km from the temple town of Bhagamandala on the road to Madikeri, is a patch of flat forest land planted with kodampuli (Malabar tamarind) trees. A barbed wire fence separates it from private land where rising water levels have made cultivation difficult; consequently, a lush pastoral meadow stretches all the way down to the river, its waters screened from sight by a thin line of trees. Inside the fence stands a small, rounded black stone with the date ‘13.12.1785’ painted on it, next to the words ‘Holocaust of the Humans’. Visiting what is described to me as the Auschwitz and Jallianwala Bagh of Kodagu, I am struck by the absence of history around it. No one in the neighbourhood has heard of Devattiparambu, the grounds where Tipu Sultan is said to have massacred over 30,000 Kodavas on a single day after inviting them to a feast. Yet, Kodavas like Addanda Cariappa are convinced that this is where the king all but wiped out a thriving, fearless people. Cariappa’s book is to be released on 13 December to commemorate the incident. “We used to call this area periya parambu (big ground). The NCC camped here in the 1950s to build a bridge,” says Abdul Rahman, a villager who owns some land next to the river, speaking in Malayalam. “A couple of months ago, some people from the Codava National Council [which has been campaigning for ethno-linguistic tribal minority status for Kodavas] came and looked around for a place to install the memorial. Since this is forest land, they thought it would be safe here,” he says. Rahman and his neighbours attended the Tipu Jayanti celebrations in Madikeri because they were puzzled at the calumny suddenly hurled at their village. Tipu allegedly converted thousands of Kodavas, whose descendants are now known as Kodava Mappilas. Muslims living in Ayyankeri, however, say their ancestors migrated from Kerala. “We have a mosque here that is said to date back 300 years and there are no records of conversion by Tipu Sultan in these parts,” says Rahman. “Nor is there any proof that this was Tipu’s killing field.”

Was Tipu really a monster of ego and a jihadist? Or could he have liberated India from the imperialists? “How does it matter? Lives have been lost,” says Abdul Naseer, the father of Shahul Hamid. “We have lost our only son.” In a small house with green walls, Naseer and his wife Kulusu contemplate their misfortune. “Shahul worked at a Toyota showroom in Bengaluru. He had come to Siddapur to apply for a BPL card so that we could get a discount on his sister’s kidney stone surgery in Mangalore,” says Kulusu. “He did not know a thing about Tipu. He just hitched a ride back home from Madikeri.” About 300 Muslim youth from Siddapur, Kodagu, attended the event, and most of them have since fled the area fearing arrest. “There are no youth in town today. There is fear. The police keep coming back with inquiries,” says Naseer. Police have made over 60 arrests so far and filed 35 cases. A magisterial probe has been ordered. “The people who killed my son go scot free even now,” Naseer says. He flew in from Dubai, where he works as a driver, when he heard his son had been shot. “I remember thinking, ‘It is a bullet to the head, he won’t make it’,” says Naseer, who has no plans to return to the Middle East. “There is no one to earn for,” he says.

While the Madikeri incident may have been precipitated by an unmindful government decision, there is a discernible trend of Muslim radicalisation in Kodagu, says KB Ganapathy, editor-in-chief of Star of Mysore, a widely- read evening newspaper. “I grew up in Kodagu. Muslim women never wore burkhas until a few years ago. Just two years ago, a women’s college in Virajpet took issue with students suddenly appearing in burkhas. The women in turn asserted their fundamental right to wear them, and eventually the parties came to the compromise that they could wear the burkha till the college gate but no further,” he says. “In this situation, the Congress may well be trying to capture the Muslim vote.”

In Srirangapatna, the anniversary of Tipu Sultan’s death is celebrated with much gusto. Followers waving banners with his emblem—a blazing sun amidst tiger stripes— participate in a procession from his mosque to his grave, where they smear sandal paste on the tomb. “I have attended many of these processions—called urs—and they have been peaceful. It is when you politicise the celebration that problems occur,” Ganapathy says. He has argued against idolising Tipu over other kings who fought the British. “Why doesn’t Mamata Banerjee celebrate the birthday of Siraj-ud-Daulah, the last independent Nawab of Bengal? He lived before Tipu’s time,” the editor says.

Tipu was a multicultural icon, a proto-nationalist who understood the future and respected other religions, says leftist historian KN Panikkar, who wants the country to remember him “not as a Muslim ruler but as a ruler of Mysore who gave us an anti-imperialist legacy”. Must we celebrate kings in democratic India? A king is not a perfection of noble qualities. He may fight an intercontinental cast of foes, but he is first and foremost fighting for his territory. “Freedom as we know it today was not part of Tipu Sultan’s imagination,” says Addanda Cariappa. “Just as it was not part of the imagination of the Peshwas or the Rani of Jhansi. They all fought for themselves.”

‘Happy is the country that needs no heroes,’ wrote Bertolt Brecht. Let us live up to the perils of the era and not drag a long-dead ruler to court with us.

source: http://www.m.openthemagazine.com /  Open / Home> Nation  / by V. Shoba  / November 26th, 2015

VOICES – Tipu Sultan: Noble or Savage?

TipuSultanMPOs30nov2015

In 1791, the Swami of Sringeri Math wrote to his ruler, and most generous patron, to relate a tragic tale of murder, temple destruction and violent iconoclasm.

The great temple, he related, had been attacked by a large armed party of cavalry. The invaders had mercilessly sacked the complex, stealing over Rs 60 lakh of offerings, including the temple vessels and other valuables. But it was not just a matter of looting and plunder— the raiders had deliberately violated the sanctum sanctorum. The idol of the presiding deity, Sarada, had been desecrated and pulled out of its socket.

The Swami knew that his patron was likely to be sympathetic. He was, after all, locally well-known for taking most seriously his role as protector of his Hindu subjects and their places of worship—as had been his father before him. It was the father who had begun the special relationship between the family and Sringeri, writing earlier to the Swami that ‘you are a great and holy personage. It is nothing but natural for everyone to cherish a desire to pay respects to you.’

The son had continued where his father had left off. From the beginning of his reign, he had loaded the temples of his realm with presents, honours and land. Few of his chancery records survive, but from the temple archives of the region we know, for example, that in 1784 he gave a land grant to one Venkatachala Sastri and a group of Brahmins, begging them ‘to pray for the length of his life and prosperity.’ A year later, he sent the temple complex of Melkote 12 elephants and a kettledrum, while also sending a Sanskrit verse recording his grant of lands ‘to the temples and Brahmins on the banks of the Tungabhadra.’ So it continued at the rate of at least three or four major endowments or gifts of money, bells, pensions, villages, jewels or ‘padshahlingams’ per year, for the rest of his reign, mostly in return for requests for prayers, pujas ‘for the success of the King’s armies’ or temple processions.

But it was Sringeri that had always received both the most generous presents, and as a stash of correspondence discovered within the temple in the 1950s bears witness, Tipu Sultan rose to the occasion and wrote a most heartfelt letter in response to the Swami. He put on record his horror at what the Maratha raiding party, led by their general Parasurambhau, had done to his favourite temple during their 1791 invasion of Mysore: ‘People who have sinned against such a holy place are sure to suffer the consequences of their misdeeds,’ wrote Tipu, ‘In accordance with the verse, Hasadbhih kriyate karma rudabhih anubhuyate, those who commit evil deeds smiling, will reap the consequences weeping. Treachery to gurus will undoubtedly result in the destruction of the line of descent.’

Sending a large sum of cash and a consignment of grain ‘for the consecration of Goddess Sarada’ and to ‘feed one thousand Brahmins’, Tipu asked the Swami ‘to pray for the increase of our prosperity and the destruction of our enemies.’ Shortly after this, he sent another note, along with a present of an elephant, writing that ‘wrongdoers to gurus and our country will soon perish by the grace of God! Those who took away elephants, horses, palanquins and other things from your Matha will surely be punished by God. Cloth for the Goddess has been sent through Narasimha Sastri. Please consecrate the Goddess, and pray for our welfare and the destruction of our foes.’

That the Marathas could desecrate a Hindu temple, and that Tipu Sultan could restore it, goes so firmly against all our modern expectations that it is worth examining what was going on here. How exactly could this happen?

The reality is that the pre-modern rulers of India tend to be more layered and complex figures than the one dimensional gallery of angels or devils we sometimes reduce them to. Moreover, they usually tend to behave in a far less straightforwardly sectarian manner than we might imagine. It was quite normal, for example, for Hindu rulers to endow mosques and Sufi shrines within their Kingdoms—as for example the Marathas did in the 1760s when they took over Burhanpur and Khandesh— just as it was not unknown for them to destroy the temples and state deities of their enemies when they invaded neighbouring lands. This was an old tradition, a normal way to humble an enemy and remove the sources of his power.

The Cholas, for example, were especially ruthless in this respect: when they invaded Sri Lanka and attacked Anaradhapura in 993, they sacked the town, plundered the stupas and destroyed all the temples. According the Culavamsa, the Anuradhapura chronicle:

‘They violently destroyed here and there all the monasteries,

Like blood-sucking yakkhas, they took all the treasures of Lanka.

They took away all valuables in the treasure house of the King,

They plundered what there was to plunder in vihara and the town.

The golden image of the Master [Buddha],

The two jewels which had been set as eyes in the Prince of Sages,

All these they took.

They deprived the Island of Lanka of her valuables,

Leaving the splendid town in a state as if it had been plundered by yakkhas.’

They also laid waste the temples of Manyakheta, the Rashtrakutan capital, and according to western Chalukyan inscriptions, did the same in Kalyana, ‘slaughtering women, children and Brahmins’, even raping Brahmin girls, and taking a large black stone guardian image back to Thanjavur, where it was displayed to Rajaraja Chola’s subjects as a trophy of war. Captured Chalukyan women were enslaved and also taken back to Thanjavur where they formed what one scholar has described as ‘reproductive pools’ for breeding a cadre of military men, the kaikkolas, loyal only to the Chola king.

Indeed, places of worship in state capitals often bore the brunt of successive conquests and reconquests: when Warangal fell to the Delhi Sultanate in 1323, the Tughlaqs destroyed the state temple of Svayabhu Shiva and built a congregational mosque in its place as the centre piece of the city they renamed Sultanpur. But then, at the breakup of the Sultanate, at the Hindu reconquest of the city by Kapaya Nayaka in the 1330s, the mosque seems to have been demolished and the temple restored and rebuilt over its ruins.

This was the world—often surprising to our eyes—that Tipu Sultan inhabited, and we have to make an effort to try and understand the mores of the times if we are to make sense of all this.

There is no question that Tipu was ruthless in war. He routinely and brutally converted to Islam captive enemy combatants and internal rebels, both Hindu and Christian, Indian and British, frequently destroying the temples and churches of those he conquered. He did this on a particularly horrific scale in Malabar, Mangalore and Coorg. Portuguese missionaries wrote that ‘he tied naked Christians and Hindus to the legs of elephants and made the elephants move around till the bodies of the helpless victims were torn to pieces.’

When he defeated the British in 1780, of the 7,000 prisoners he captured—one of whom was my ancestor James Dalrymple—around 300 were forcibly circumcised and given Muslim names and clothes. It is also true that he liked, especially towards the end of his reign, to describe himself as a ghazi, a Muslim Holy Warrior. Yet he clearly did not see this as being in contradiction with his duty to protect the lands and temples of his own Hindu subjects. We may see this as a massive paradox. He and his contemporaries did not.

Tipu’s patronage of the Hindu institutions of Mysore was no doubt as much a recognition of political realities, as any inherent liberalism or ‘secularism’. Tipu recruited a large number of Hindu warriors into his army—especially from the Telugu huntsman caste of Bedas or Beydaru—and he employed Brahmins to run much of his administration, particularly the revenue department, under a Hindu prime minister, Purnaiya. The palace coup which brought his father to power had been financed by Hindu bankers.

The Ranganatha Temple in his capital was not just protected but loaded with gifts which are still on display today, as are all the beautiful Vijayanagara-era images, not one of which has suffered from iconoclasm, despite standing in the middle of the capital of a ruler denounced by his British enemies as an ‘intolerant bigot’, a ‘furious fanatic’ who had ‘perpetually on his tongue the projects of Jihad’. In return for this royal patronage and protection, the Brahmin priests of his capital were expected to pray for Tipu’s success, and by studying his horoscope and the stars, to help augur his fortunes. On one occasion after a group of Malabar Christians had sided with the British, he destroyed churches in Mangalore and northern Malabar and gave the magnificent Dutch-cast bells to one of his state temples, the Venkaramana Temple in Nagar.

Yet it was not all realpolitik. Tipu, despite being a devout Muslim, believed strongly in the power of Hindu deities: in his dreams, which he diligently recorded every morning in a dream book which survived the British sack of Srirangapatna, Tipu encounters not only long-dead Sufi saints, but also Hindu gods and goddesses; in one dream sequence, which he saw on 16 November 1798, there are references to him encountering in a ruined temple idols whose eyes moved: one talked to him, and as a result, Tipu ordered the temple rebuilt. Tipu also strongly believed in the supernatural powers of holy men, both Hindu and Muslim. As he wrote in 1793 to the Swami of Sringeri: ‘You are the Jagatguru,the preceptor of the world… in whatever country holy personages like you may reside, that country will prosper with good showers and crops.’

Moreover, it is clear that for all his self-portrayal in his letters to other Muslim rulers such as Zaman Shah of Kabul, or the Ottoman Sultan in Constantinople, as a Muslim ghazi, intent on kafir conversion, his personal beliefs and cosmologies were imbricated with Hindu ideas of holiness and the supernatural: it is recorded , for example, that he made all his troops, Hindu and Muslim, take ritual baths in holy rivers ‘by the advice of his augers’ in order to wash away cowardice and make them superior in battle to the Marathas.

In this deeply syncretic world view, Tipu was a man of his time, and this vision which saw two cosmologies, Hindu and Islamic, profoundly intertwined, was one that he shared with many of his contemporaries: the Maratha leader Mahadji Scindia, for example, was well known at the time for his deep devotion to various Sufi saints.

Where Tipu does stand apart from almost all his contemporaries, however, was in his prescience about the intentions of the British, his profound alarm at the power of their East India Company, and his determination to attempt to root it out of India. He tried to warn other Indian rulers of the dangers of the increasingly arrogant and aggressive Company: ‘Know you not the custom of the English?’ he wrote in vain to the Nizam of Hyderabad in 1796. ‘Wherever they fix their talons they contrive little by little to work themselves into the whole management of affairs.’

It was these British enemies of Tipu who did most to create the image of Tipu so widely held today. In 1799, before sending into the field the largest army the East India Company ever gathered together, the Governor General, Lord Wellesley, began a campaign of vilification against Tipu, portraying him as an aggressive Muslim Monster who divided his time between oppressing his subjects and planning to drive the British into the sea. This essay in imperial villain-making opened the way for a lucrative conquest and the installation of a more pliable regime which would, in the words of Wellesley, allow the British to give the impression they were handing the country back to its rightful owners while in reality maintaining firm control.

It is, however, a truth universally acknowledged that a politician in search of a war is not necessarily over-scrupulous with matters of fact. Until recently, the British propaganda offensive against Tipu has determined the way that most people in India remember him. But as with more recent dossiers produced to justify pre-emptive military action against mineral-rich Muslim states, the evidence presented reveals far more about the desires of the attacker than it does about the reality of the attacked. For recent work by a succession of modern scholars has succeeded in reconstructing a very different Tipu to the one-dimensional fanatic invented by Wellesley. Tipu, it is now clear, was in fact one of the most innovative and far-sighted rulers of the pre-Colonial period.

What really worried the British was less that Tipu was a Muslim fanatic, something strange and alien, but that he was in fact frighteningly familiar: a modernising technocrat who used the weapons of the West against their own inventors. Indeed in many ways he beat them at their own game.

Tactically the Mysore forces were fully the match of those of the East India Company, and Tipu’s sepoys were every bit as well trained by their French mercenary officers as those of the Company were by theirs; indeed the steely discipline of the Mysore infantry amazed and worried many British observers. The Mysore army was strong in those areas where the Company was weakest and the Mysore light cavalry was ‘the best in the world’, according to Arthur Wellesley, the future Duke of Wellington.

Moreover the sepoy’s rifles and canon were based on the latest French designs, and their artillery had a heavier bore and longer range than anything possessed by the Company’s armies. Indeed, in many respects the Mysore troops were more innovative and tactically well ahead of the Company armies: firing rockets from their camel cavalry to disperse hostile cavalry, for example, long before William Congreve’s rocket system was adopted by the British army. Tipu also developed a large bullock ‘park’ of white Deccani cattle to allow him rapidly to deploy infantry and their supplies through his kingdom, a logistical innovation later borrowed by the British for their wars against the Marathas.

More worrying still for Wellesley, the defences of the island fortress of Srirangapatna were state-of-the-art and designed by French engineers on the latest scientific principles, following Sébastian de Vauban’s research into artillery-resistant fortification designs, as adapted by the Marquis de Montalembert in his book, La Fortification Perpendiculaire. These provided the most up to date defences that the 18th century could offer and also took into account the newly increased fire-power of cannon, bombs and mines, as well as the latest developments in tactics for storming and laying siege to forts. Haider and Tipu even tried to create a navy which by 1766 comprised two ships, seven smaller vessels and 40 gallivats, all commanded by a European sailor named Stannett.

All this made Tipu by far the Company’s most formidable enemy. He was responsible for a unique and catastrophic defeat of the armies of the East India Company at Pollilur in 1780 which led to the slaughter of an entire army and the capture of one in five of all the British soldiers in India: no less than 7,000 British men, along with an unknown number of women, were held captive by Tipu in his sophisticated fortress of Srirangapatna. Many were circumcised and forcibly converted to Islam. Even more humiliatingly, several British regimental drummer boys were made to wear ghagra cholis and entertain the court as nautch girls.

At the end of ten years’ captivity, one of these prisoners, James Scurry, found that he had forgotten how to sit in a chair or use a knife and fork; his English was ‘broken and confused, having lost all its vernacular idiom’, his skin had darkened to the ‘swarthy complexion of Negroes’ and he found he actively disliked wearing European clothes. This was the ultimate colonial nightmare, and in its most unpalatable form: the captive preferring the ways of his captors, the coloniser colonised.

Tipu was just as innovative in peace as he was in war. He tried to import industrial technology through French engineers and experimented with harnessing water-power to drive his machinery. He sent envoys to southern China to bring back silkworm eggs and established serriculture in Mysore—something that still enriches the region today. He introduced irrigation and built dams so that even his British enemies had to admit that his kingdom was ‘well cultivated, populous with industrious inhabitants, cities [including Bangalore] newly founded and commerce extended.’ More remarkably still, he created what amounted to a state trading company with its own ships and factories dotted across the Persian Gulf. He even asked his ambassadors to Istanbul to secure for him the ijara—farm— of Basra so that, like Europeans, he could establish an overseas settlement which would be both a base and a safe haven for his vessels. No wonder the British were terrified when they discovered that ‘Citizen Tippoo’ was in communication with Napoleon Bonaparte, whom he formally invited to visit India to liberate the country and expel the British. He had even sent Ambassadors to Paris along with a draft treaty in which he proposed an alliance to drive the British out of India.

As Christopher Bayly nicely put it, Tipu attempted to fight ‘European mercantilist power with its own weapons: state monopoly and an aggressive ideology of expansion.’ He failed only because the resources of the Company were expanding faster than those of Mysore. British propaganda might like to portray Tipu as a savage barbarian, but he was in fact something of a connoisseur and an intellectual, with a library containing some 2,000 volumes in several languages, and a large collection of modern scientific instruments including thermometers and barometers. The culture of innovation Tipu fostered in Mysore stands record to a man very different from that imagined by the Islamophobic propaganda of the British and the startling inaccuracy of Lord Wellesley’s ‘dodgy dossier’ of 1799. The fanatical bigot and savage was also something of an economic and political visionary.

Tipu knew what he was risking when he took on the British, but as he said himself, “I would rather live a day as a tiger than a lifetime as a sheep.” He duly went down fighting: when Wellesley’s army finally closed in for the kill and surrounded Srirangapatna in mid-April 1799, Tipu resisted with characteristic ingenuity and tenacity. As one British observer wrote, he ‘gave us gun for gun… night time skirmishes were made with desperate exertion… Soon the scenes became tremendously grand; shells and rockets of uncommon weight were incessantly poured upon us from the SW side, and fourteen pounders and grape from the North face of the Fort continued their havoc in the trenches; while the blaze of our batteries which frequently caught fire… was the signal for the Tiger sepoys [Tipu’s élite forces dressed in tiger-striped uniforms] to advance, and pour in galling vollies of musketry.’ It was a brave and skilful defence that ended with Tipu falling, sword in hand, at the breach in his defences near the water gate.

How should we remember Tipu today? He is certainly a complex figure, and it is anachronistic to call him ‘secular’: his was an Islamic state, albeit one run with a Hindu administration and a partially Hindu army, and led by a man who firmly believed in the power of Hindu deities. It is perfectly reasonable for the descendants of his victims—and I can count myself among them—to remember his horrible savagery in victory: in Coorg, Malabar and Mangalore he was responsible for what we today would call war crimes.

 But he was beloved by his own people, as the British discovered to their surprise when they seized his state: ‘numbers of his confidential Hindoo servants who during the war fell into our hands, acknowledged him to be a lenient and indulgent master.’ At his funeral, people lined the streets ‘many of whom prostrated themselves before the body, and expressed their grief by loud lamentations.’ So it is not far-fetched to see him as a brave proto-nationalist. For while it is true that modern ideas of nationalism and patriotism were only in their infancy, he nonetheless firmly identified the British as dangerous outsiders and there is no question he did more than any other ruler of the time to stop them taking over the country.

source: http://www.m.openthemagazine.com /  Open / Home> Quiz> Voice / by William Dalrymple / November 26th, 2015

Israeli academic hails Kerala’s multiculturalism

Says the system preserves the identity of every community

Kerala’s traditional multiculturalism has much to offer to the policy and decision makers in modern times, says Ophira Gamliel from the University of Ruhr, the Israeli academic who has been closely associated with Kerala studies.

Ophira Gamliel says the traditional festivals and performing arts in Kerala are highly structured so as to ensure the collaboration of the various communities at different levels
Ophira Gamliel says the traditional festivals and performing arts in Kerala are highly structured so as to ensure the collaboration of the various communities at different levels

Speaking to The Hindu on the sidelines of the third International Kerala History Conference here on Friday, Prof. Gamliel says a closer look at the multiculturalism inherited by the State would point to a dynamic system which preserves the identity of every community, even as it provides space for each of them to integrate into one system.

“You don’t lose your identity. Even small communities do not get swallowed. Your literature, culture, everything are well preserved. Instead of getting integrated at the personal level, you are integrated at the community level,” she says.

Prof. Gamliel says the roots of this unique system, still preserved, could be traced to the ancient long-distance trade exchanges which were exceptionally different in character from the modern global trade. “Unlike the modern global trade, which is marked by brutal expropriation of resources and labour, the ancient trade between the western coast of India and west Asia was marked by a great amount of cultural and knowledge exchanges at the community level,” she adds.

Documents

The more-than-1,000-year-old Cairo Documents (referring to deals between west Asian traders and those from Kerala) and the 9th century Tharisapalli plates (referring to a grant issued to Syriac Christians of Kerala) are rich evidences to this multiculturalism. “In fact, the Tharisapalli plates are signed in three languages: Persian (in Hebrew script), Pahlavi, and Cufic Arabic,” she says pointing to the efforts taken to preserve the identity of the different trading organisations.

Even the traditional festivals and performing arts here are highly structured so as to ensure the collaboration of the various communities at different levels. Beyond the complexity of what happens on the stage, this underlying structure assured collaboration at the communal level even in performing art forms, she says.

This unique system of multiculturalism should be subject of in-depth research, especially at a time when traditional communities are under threat of being swallowed up in the wave of globalisation, leading to tensions and conflicts at the community and societal level, she adds.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by George Jacob / Kottayam – November 29th, 2015

Shabana Azmi recalls her ancestral village Mijwan

Lucknow :

Mijwan, a small village in Azamgarh that did not even have a pin code to its name, has empowered the village women such that Hollywood actress Naomi Campbell and several Bollywood actors are clients of their embroidery. Similar stories from the village were shared by Shabana Azmi at the Lucknow Literature Carnival organised by Lucknow Expressions in association with TOI here on Saturday. Mijwan is the village where her father Kaifi Azmi was born and where he founded the Mijwan Welfare Society in 1993, now run by Shabana.

“Students there are now getting English tuitions through Skype by volunteers in America and London,” she said. She also shared how the women are running beauty parlours and organizing fashion shows all by themselves.

Sharing success stories of the villagers, Azmi said people generally undermine the impact of music and theater in personality development. “My mother Shaukat Azmi used to give the girls lessons in theater and there was, and still is, an evident change in their personalities,” she said.

She also claimed that the village now has no girl married before the age of 18 which was possible only after a long struggle to bring about such positive change in the lives of women.

Parallel cinema alive in new avatar’

Maintaining that parallel cinema still survives in India, Shabana Azmi said that it has only assumed a new avatar. Quoting the example of Meghna Gulzar’s Talvar and others like Masaan and Kissa, Azmi said that filmmakers today work on current issues that interest and provoke them. “Parallel cinema does not only mean making films on villages or on feudalism only. The latter has long been left behind. To go out of the formula and have a discourse around it can be called parallel cinema too,” said Azmi.

Kaifi Azmi Academy likely to come up by 2016

The much-awaited All-India Kaifi Azmi Academy in UP might see the light of the day by March 2016, said Shabana Azmi on Saturday. She was responding to a question from the audience at the Lucknow Literature Carnival. She said she was hopeful of the assurance made to her by the UP chief minister. “Last time when I met the CM, he assured me that I shall have the key to the academy by March,” said Azmi. She also added that the CM felt bad Azmi had to make consistent efforts in the matter. She said she wishes to make the academy “a sort of an adda for intellectual arguments, debates and discussions.” Praising the people of the state, she said that UP has a lot of talent which she pines to make a part of her academy. “The advantage of good language, pronunciation and finesse comes as a natural talent to people here,” she said. The UP cabinet had cleared a proposal to provide financial assistance for setting up the All-India Kaifi Azmi Academy in July 2014. UP Rajkiya Nirman Nigam had been appointed nodal construction agency for it.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Lucknow / TNN / November 29th, 2015

Tipu Debate: Scholarship in history is about coming to terms with contradictions

There is hardly any ‘historical fact’ which has remained unchallenged and the remoter the event the greater the chances of an absence of consensus.

The brouhaha over Tipu Saheb simply refuses to die down. Every day we are treated to statements from differing quarters one portraying him as a hero and the other presenting him as a villain with comparable passion.

The debate has taken deep political overtones and there is hardly any newspaper whose editorial and op-ed columns have not been saturated with the ‘Tipu debate’ Additionally we have the television channels where Tipu detractors and Tipu protagonists have exercised their vocal chords to exhaustion.

My frustration over the issue is somewhat different – we seem to have simply forgotten what the squabbling is all about. We are debating over the merits and demerits of the character of someone who has been dead for over two centuries and extrapolating that as being relevant to the present day scenario.

Let us set aside our own perceptions about Tipu. That at least to me is simply irrelavant. Some may well see him as a hero while the others may see him as a villain. But is it a hallmark of wisdom to let a historical debate cloud the contemporary context which is any case is bound to be minimal? The answer is self-evident. But the surprising feature is that none of the newspapers have picked this up -neither have the television channels.

When I was working towards my doctorate in the history of medicine at Cambridge, Ludmilla Jordanova ,one of the leading historians of science spoke at a seminar and pointed out that scholarship in history is all about coming to terms with contradictions – both in terms of extrapolating the facts as well as analysing them. There is hardly any ‘historical fact’ which has remained unchallenged and the remoter the event the greater the chances of an absence of consensus.

And she was absolutely bang on. A few instances from modern history serve to illustrate her point.

About the same time as Tipu, France was going through the ravages of the French revolution. One of the prime figures in this revolution was Maximillian Isadore Robespierre who is credited with the dreadful Reign of Terror that had gripped Paris in which thousands lost their lives. Robespierre is generally regarded as one of the most despicable figures in European history. Yet there is a very strong Robespierre Society in Paris which views him as a hero of the first order. The two sides indulge in robust debates but the issue is perceived as a historical one and there has never been any violence.

Sticking to France, Napoleon Bonaparte (who incidentally had sent a handwritten letter to Tipu seeking his cooperation to drive out the British) evokes very strong passions but his supporters and detractors have never been known to indulge in violence in recent times.

Moving on to a figure more recent, consider Winston Churchill. He is widely regarded as a saviour of the United Kingdom but there is a very strong section in the country that has not yet forgiven him for his role in breaking up the worker’s strike. Fierce debate rages between the two but I have not known any instance of violence. This very columnist has presented evidence of his racial instincts which lead to more than a million deaths in the Bengal famine-my British friends passionately disagree with me on that count.

Neville Chamberlain is a tragic figure who generally evokes derision for entering into a pact with Adolf Hitler. Some very eminent historians now believe that Chamberlain actually saved the country by buying time as Britain following the First World War was in no position to wage a battle with a better armed Third Reich.

And even more recent, disruptive ‘historian’ David Irving has spent his entire professional career attempting to deny that the holocaust ever existed which I am sure rankles the Jews, the Slovaks, the Russians and the other millions who lost their loved ones.

The price of democracy is learning to dismiss not just the likes of Irving but even those who hold a view of history that contrasts with ours while extending them their constitutional rights of expressing them without resorting to violence. It is deeply unfortunate that we seem to be forgetting this principle which is surely a sine qua non in any functioning democracy.

Let us recall the words of Justice Anthony Kennedy, perhaps the best exponent of pristine judicial wisdom we have today in the landmark Texas vs. Johnson flag burning case:

For we are presented with a clear and simple statute to be judged against a pure command of the Constitution. The outcome can be laid at no door but ours. The hard fact is that sometimes we must make decisions we do not like. We make them because they are right, right in the sense that the law and the Constitution, as we see them, compel the result. And so great is our commitment to the process that, except in the rare case, we do not pause to express distaste for the result, perhaps for fear of undermining a valued principle that dictates the decision. This is one of those rare cases.Though symbols often are what we ourselves make of them, the flag is constant in expressing beliefs Americans share, beliefs in law and peace and that freedom which sustains the human spirit. The case here today forces recognition of the costs to which those beliefs commit us. It is poignant but fundamental that the flag protects those who hold it in contempt.

The ultimate tragedy of this unseemly saga is that two people lost their lives. I am sure their families did not partake in the Diwali festivities. All of us must shoulder some  blame for this monstrosity for not upholding the fundamental principles of democracy.

source: http://www.thenewsminute.com / The News Minute / Home> Tipu Jayanti / by Ashoka Jahanavi Prasad / Thursday – November 19th, 2015

Actor Saeed Jaffrey was first Indian named to Order of British Empire

Saeed Jaffrey, left, in Masala. (Cinephile)
Saeed Jaffrey, left, in Masala.
(Cinephile)

Saeed Jaffrey, one of the best-known faces of British-Indian cinema and television, has died at the age of 86.

The Indian-born British actor appeared in the Oscar-winning Gandhi and films such as My Beautiful Laundrette, as well as many Bollywood films and British television productions, including Coronation Street.

Among his screen credits in a career spanning more than 50 years were roles in director John Huston’s The Man Who Would Be King and Indian director Satyajit Ray’s The Chess Players, as well as the BBC television series and film versions of A Passage to India.

A statement issued by his family on Monday said he passed away peacefully on Nov. 14 at a London hospital; he collapsed at his home in London from a brain hemorrhage and did not regain consciousness, they said.

In a career that spanned more than 50 years, Mr. Jaffrey worked with actors and directors including Sean Connery, Michael Caine, Roshan Seth, Daniel Day-Lewis, James Ivory and Richard Attenborough.

Mr. Jaffrey’s other international works included the popular 1980s television series The Jewel in the Crown (in which he played the Nawab of Mirat) and films such as Chicken Tikka Masala.

In a tweet on Monday, Indian Prime Minister Narendra Modi described Mr. Jaffrey as “a multifaceted actor whose flair and versatility will always be remembered.”

Saeed Jaffrey was born on Jan. 8, 1929, into a Muslim family in Malerkotla, Punjab, and started his acting career by setting up his own theatre company in New Delhi. He worked at the state-run All India Radio before moving to the United States as a Fulbright scholar and studying drama at the Catholic University of America, according to the Press Trust of India news agency.

He was the first Indian to take Shakespearean plays on a tour to the United States. He later quit the tour to marry his first wife, Madhur Jaffrey, an Indian-born actor, food and travel writer and television personality. The couple, whose marriage ended in divorce in 1965, had three daughters, Sakina, Zia and Meera.

Sakina Jaffrey is also a film and television actor (Raising Helen, House of Cards, Sleepy Hollow), and appeared with her father in the 1992 Canadian-made film Masala, which was set in Toronto’s Indian community. Globe and Mail reviewer Rick Groen praised it for being a “movie that refuses to compromise … and that perfectly embodies the meaning of its exotic title: ‘a spicy combination of elements.’”

In addition to his children, Mr. Jaffrey leaves his second wife, Jennifer, whom he married in 1980.

In the 1975 film The Man Who Would Be King, he played opposite Mr. Cain and Mr. Connery. In 1982, he portrayed Patel in Gandhi, which starred Ben Kingsley. In 1985’s My Beautiful Laundrette, which starred Mr. Day-Lewis, he play the laundrette owner, Nasi.

Mr. Jaffrey developed his Bollywood career in the 1970s and 80s with roles in popular movies such as Masoom (Innocent), Mr. Ray’s Chess Players and later Henna. He worked with several top Bollywood actors, including Amitabh Bachchan, Aamir Khan and Madhuri ixit.

In 1995, Mr. Jaffrey became the first Indian to named to the Order of the British Empire, for his contributions to drama.

With files from AP and staff

source: http://www.theglobeandmail.com / The Globe and Mail / Home> Arts> Film / by Michael Roddy / Reuters / Monday – November 16th, 2015

Lucknow University to confer Lifetime Achievement to Lord Hameed

Lucknow  :

This foundation day, on November 25, Lucknow University alumnae society will confer `Lifetime Achievement Award’ to Lord (Dr) Khalid Hameed. Hameed is the chairman and CEO of London International Hospital and chairman of Alpha Hospital Group. Lord Hameed completed his MBBS from Lucknow University in 1967.

LU alumni society will felicitate eight other illustrious former students who have brought laurels to their alma mater by doing exceptionally well in their respective professions.

Among those who will be felicitated this year are Justice SS Chauhan of the Allahabad high court; IAS officer Lov Verma; director general, Archaeological Survey of India Rakesh Tewari; CEO Biotechnology Park Prof Pramod Tandon; senior journalist Rahul Dev; eminent theatre personality SM Kulshreshtha; chairman-cum-managing director, Mineral Exploration Corporation Ltd Gopal Dhawan and noted Awadh historian Yogesh Praveen.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Lucknow / by Isha Jain, TNN / November 16th, 2015