Tag Archives: Ashraf Khan

Madrasa Imdadiya in Tamil Nadu Offers Light to Poor and Blind Muslim Students

Chennai/Ranipet, TAMIL NADU :

Visually-impaired children from deprived Muslim families gain education and dignity at the institution founded by Mohammad Usman in Chennai and Ranipet

Chennai :

In the busy streets of Chennai and surrounding districts, where poverty often limits opportunity, one institution is rewriting the story for visually impaired Muslim children. Madrasa Imdadiya, a semi-residential trust founded by Mohammad Usman, offers education, skills, and dignity to children who might otherwise have spent their lives begging.

Ashraf Khan, a Tamil teacher in a private college in Chennai, was born blind into a poor family. He recalls his early years at a small madrasa for blind students in Melvisharam, near Ranipet, as life-changing. Today, he earns about ₹50,000 per month. “Education saved my life,” he says.

Usman draws a stark contrast. He has often seen blind children on streets with equally deprived parents. “This is what happens with the poorest Muslims. When parents are blind and poor, the children end up on the streets,” he explains. This inspired him to act.

Founded in 2010, the madrasa now runs centres in Chennai and Ranipet, inspiring similar institutions in Pune, Ahmedabad, Aurangabad, and Kashmir. The Tamil Nadu centre, the largest, covers 5,000 square feet and hosts 50 blind students, including ten girls, with hostel staff managing daily needs.

The madrasa blends religious and formal education, filling gaps left by government institutions. Students study the Qur’an, Hadith, and other religious texts in Braille, alongside school and college instruction via audio tools. Children with other disabilities are also accepted, though Braille education is separate.

Usman stresses self-reliance. “Some parents still take financial help from the trust, but many become self-reliant through their educated children. This is the real success,” he says. Students often pursue higher education, vocational training, or government jobs, with some returning as teachers.

The madrasa also produces copies of Qur’an in Braille, distributed free across India and abroad. Each copy costs about ₹3,500 to print. “All our students become Huffaz and complete Class 12 and degree education,” Usman adds.

Mobina (name changed), a blind and disabled girl who lost her father early, is a shining example. With the madrasa’s support, she now teaches in a government school and earns ₹75,000 per month. “Without this madrasa, I would have remained invisible,” she says.

Challenges remain, especially for girls. Deep social barriers, safety concerns, and marriage prospects keep many girls out of school. Usman says patience is key. “Families do not outright reject education but hesitate. Inclusion is about changing attitudes regarding gender, disability, and value,” he explains.

Disability activists note that blind children in poorer districts often lack access to formal education. Government schools exist only on paper, and families may be unaware of disability certificates, scholarships, or assistive technology. Without early intervention, entire families risk cycles of begging or informal labour.

Madrasa Imdadiya shows how targeted community efforts can break generational poverty and empower blind Muslim children. By providing education, accommodation, and skills, the madrasa transforms lives and reinforces that education is a right, not charity.

“Other communities invest in education, but we do not,” Usman remarks, highlighting a broader challenge within the Muslim community. Yet he takes pride in his students’ successes. With over 500 students across India benefiting from similar madrasas, he dreams of a school for blind children in every district and tuition centre in every village.

“Every story here is regrettable. Happy stories go to cities and private schools; they do not come to my trust’s madrasa,” he admits, underscoring the ongoing need for support for India’s most vulnerable children.

source: http://www.clarionindia.net / Clarion India / Home> Editor’s Pick> India / by Team Clarion / January 10th, 2026

Movies : Making a mark

NEW DELHI / Mumbai, MAHARASHTRA :

AshrafKhanMPOs02jan2019

Mumbai-based theatre actor and model makes his debut in Kannada films

Ashraf Khan always dreamt of being an actor. With no connection to the film industry, the task seemed an uphill journey for him. “We were exposed to a lot of classical music as my father worked as a tabla artiste with the AIR, Delhi,” explains Ashraf, who soon started accompanying his father to his concerts and was noticed by a modelling agency and bagged his first assignment. “That boosted my confidence and I took to theatre,” shares the actor, who then shifted his base to Mumbai.

But, filmdom seemed distant for Ashraf, who then started getting involved in theatre and soon established himself as an actor. That opened more doors for modelling and now he has signed a Hindi film, Mumbai Pipeline, which he says will go on floors later this month.

Ashraf is also thrilled he has bagged his first Kannada film — Laila Majnu Love Story. “The film is a modern take on the original love story. I play a villain in the film. But the character will not be seen weilding guns, chasing the heroine or driving rich cars. It is a subtle shade of grey which is manipulative and cunning in a sleek manner.”

The film is produced under the banner of Krupa Entertainment and is directed by MGR.

Will he be delivering his own dialogues or will someone dub for him? “During the shoot, I said my own dialogues. I did learn a bit of Kannada so I could understand the lines and emote better. But as I am still new to the language, I think it is better that someone dubs for me as my diction is not perfect,” says Ashraf, who adds he is open to any kind of roles. He now looks forward to working in more Kannada films as he “fell in love” with this industry.

He dreams of making his mark “in films and people’s heart. I want to be remembered for the characters I portray on screen and not just as Ashraf. Every character I depict on screen should have an impact on my audience,” he adds.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Shilpa Sebastian R / January 02nd, 2019