Tag Archives: Authors of Kerala

‘The Last of the Just’: Remembering Vakkom Majeed Through ‘Les Misérables’

KERALA :

Let us not forget him in a hurry. Let us not reduce him to a paragraph in history books. Instead, let us pass on his memory like a worn volume of Pavangal, read and reread, loved and lived, whispered from one generation to the next.

Vakkom Majeed (1909-2000). Photo: From KM Seethi’s archive.

Vakkom Majeed passed away on July 10, 2000.

“He never went out without a book under his arm, and he often came back with two.” 

— Victor Hugo, Les Misérables

In the long and rolling corridors of memory, some lives stay like verses, opening out slowly, sentence by sentence, chapter by chapter, never quite closing. Vakkom Majeed’s was one such life. A life commemorated not only by its fearless engagement with history, but by its quiet, intense companionship with books. On the 25th anniversary of his passing, as we also mark the 100th year of Pavangal, the Malayalam translation of Victor Hugo’s Les Miserables , it feels almost providential to recall him through the pages he so often inhabited.

Majeed Sahib, as many called him with reverence, moved with a book always kept under his arm, a bulwark against ignorance, a lamp in times of doubt. And among the many volumes he read and reread, Pavangal held a sacred space. Nalapat Narayana Menon’s 1925 translation of Hugo’s masterpiece was more than literature to him. It was revelation. He had devoured the original edition in his youth, and its characters never left him – Valjean’s anguish, Javert’s moral rigidity, the revolt in the streets of Paris, the quiet dignity of suffering souls. When he spoke of Pavangal, it was with a fervour one reserves for scripture. He did not read the novel, rather he lived it.

A.P. Udayabhanu, a veteran freedom fighter of Kerala, once described Majeed as a “moving encyclopaedia with at least one book in his hands.” But Majeed Sahib was more than a repository of knowledge. He was a seeker, a provocateur of conscience, a gentle fire that never flickered out. I have the sweetest of memories of my time spent with him, from childhood itself, I remember the rhythm of his voice as he discussed Bertrand Russell’s three-volume autobiography, Churchill’s sprawling accounts of World War II, or the 10-volume correspondence of Sardar Patel. There was never a trace of vanity in his learning. He read not to impress but to illuminate. And when he shared his readings – Azad’s Tarjuman al-Qur’an Muhammad Asad’s Road to Mecca, M. N. Roy’s The Historical Role of Islam, Arthur Koestler’s The Yogi and the Commissar, or Hugo’s Pavangal, like many – he spoke with the urgency of a man who felt truth must never be hoarded.

Born on December 20, 1909, in the storied Poonthran Vilakom family of Vakkom near Chirayinkil (Travancore), S. Abdul Majeed inherited a legacy of reform and resistance. His uncle, Vakkom Abdul Khader Moulavi, had already lit the flame of renaissance among Kerala Muslims. From his schooldays at St. Joseph’s High School, Anjengo, young Majeed was pulled into the vortex of reform movements and the call of the Indian freedom struggle. By the time the Quit India movement broke out, he was already a marked figure in Travancore, arrested, jailed, and later jailed again for resisting the plan of “Independent Travancore.”

But what set him apart – what made him more than just another freedom fighter – was the deep moral imagination that animated his politics. His understanding of rebellion was not ideological. It was profoundly ethical. Like Victor Hugo, he believed that human dignity must stand unshackled before the majesty of any state or creed. He condemned the ‘two-nation theory’ not because it was politically inconvenient but because it was morally vacuous. To him, the soul of India was plural, secular, and indivisible.

In 1948, he was elected unopposed to the Travancore-Cochin State Assembly from Attingal. But when his term ended in 1952, he walked away from practical politics, choosing instead the solitary path of reading, reflection, and moral clarity. While others sought power, Majeed Sahib sought wisdom. And in doing so, he became more relevant with age. Over the next decades, he would immerse himself in the philosophical and historical writings of Bertrand Russell, the radical humanism of M. N. Roy, and the emancipatory visions of Narayana Guru. He called for a “return of Ijtihad”, a freedom of thought within Islamic traditions, and dreamed of a society beyond caste and creed.

He never became rigid in doctrine. His politics was never a fixed ideology, but a conversation between ideas and reality. In our many conversations, I recall his thoughtful analysis of the Malabar Rebellion. He agreed with the thesis that it was fundamentally a revolt born of agrarian injustice but he was deeply saddened by its later communal turn. For him, the tragedy of history was when righteous anger was manipulated into sectarian hatred.

And always, there was a book in his hand. Always, a passage to quote. Always, a memory to share.

The last three decades of his life were his most contemplative. He reread the classics, interrogated nationalist histories, and engaged with young minds who came to him for guidance. To them, he gave not slogans but questions. When he spoke of Jean Valjean’s redemption, it was a commentary on our prison system. When he discussed Javert’s suicide, it became a parable about the dangers of legalism without compassion. When he recalled Fantine’s fall, it was a scathing critique of social hypocrisy.

He never forgot the moment when he visited the Indian National Army hero Vakkom Khader in the Madras Central Jail. It was Majeed Sahib who brought back Khader’s last letter to his father before his hanging, a task that broke his heart and steeled his resolve.

In 1972, when the nation celebrated the silver jubilee of independence, Majeed was awarded the Tamrapatra by Prime Minister Indira Gandhi. Later he was deeply perturbed by the excesses of Emergency. 

There was no trace of ceremony in his life. No pursuit of fame or favours. He lived in quiet dignity, read in solitude, and died in obscurity, on July 10, 2000. He left behind not an estate, not a political dynasty, but an idea of what it means to live ethically, read deeply, and act justly.

Today, as we remember him, the centenary of Pavangal seems to carry the tenor of prophecy. One hundred years since Jean Valjean entered Malayalam letters, and twenty-five since Vakkom Majeed left this world, the two seem braided, one fictional, one real, both intensely human. Majeed Sahib was Kerala’s own Valjean: hunted by regimes, misunderstood by many, but ultimately redeemed by the fire of truth and the grace of humility. 

Let us not forget him in a hurry. Let us not reduce him to a paragraph in history books. Instead, let us pass on his memory like a worn volume of Pavangal, read and reread, loved and lived, whispered from one generation to the next.

For in remembering Vakkom Majeed, we remember the best of what we once hoped to be.

K.M. Seethi is director, Inter University Centre for Social Science Research and Extension (IUCSSRE), Mahatma Gandhi University (MGU), Kerala, India. Seethi also served as Senior Professor of International Relations, Dean of Social Sciences at MGU and ICSSR Senior Fellow. 

source: http://www.thewire.in / The Wire / Home> History / by K.M. Seethi / July 11th, 2025

Book Excerpt: Barsa By Kadeeja Mumtas

Kattoor (Thrissur District),KERALA:

Khadija Mumtaz - Wikipedia

Barsa, written by Kadeeja Mumtas, is the first Malayalam novel to be set in Saudi Arabia and as its introduction states, is a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”.

Barsa, as its introduction states, is the first Malayalam novel to be set in Saudi Arabia. Written by Kadeeja Mumtas and translated into English by K M Sherrif, the book acts as a record of “a woman’s scrutiny of Islamic scriptures and Muslim life”. 

Sabitha, the protagonist of the novel, after moving to Saudi Arabia, starts questioning every aspect of her every day life – including religion.


The novel traces her personal journey as she is caught amidst culture, religion, and personal agency, and struggles to assert her own identity.

One hot afternoon, Rasheed and Sabitha first stepped out like refugees on the large expanse of land surrounding the grand mosque which housed the holy Ka’aba. Other travellers who knew their way hurriedly moved on while the two of them stood hesitantly at the crossroads, unsure of their next step. The coppery glare of the sun sat on their heads like the legs of a giant spider.

Rasheed glanced at Sabitha. He could sense her discomfort in the headscarf and the abaya, looking like a lawyer’s coat, which the Malayali workers at the airport had helped her buy. But he thought that even in those uncomfortable clothes, Doctor Prabhakaran’s niece, with her wheatish complexion, had a particular charm. He wanted to tell her this with a little smile, but with his tongue stuck to the roof of his dry mouth. He just couldn’t do it, which was a pity. If he had, maybe the wrinkles on her forehead would have lost at least one crease.

A yellow taxi backed up and stopped near them. Th e face of a man with a shabby headdress clamped down by a black ring came into view, and an arm jerked out of the window at the driver’s seat. “Fain aabga ruh?” Rasheed guessed he was asking where they wanted to go and replied, “Mudeeriya Musthashfa”—the Health Directorate. He had gleaned the Arabic expression from the conversation he had had in halting English with the Palestinian doctor they had met at the airport emergency service. He had seen Sabitha too write it down in her diary.

“Ta’al ”—come. Th e driver opened the car doors and invited them in. As he could not understand the driver’s sarcastic remark, directed obviously at his fairly large suitcase, Rasheed, with some embarrassment, chose to put it on his lap as he sat down and leaned back comfortably.

As the car sped at breakneck speed, Sabitha felt a tremor run through her, but she suppressed it immediately. She felt helpless at having to depend on a complete stranger, an Arab driver whose language she did not know. But she was also reassured by Rasheed’s presence. They had reached this far, trusting strangers, many of whose languages they did not know.

As they boarded the Saudi Airlines flight to Riyadh from Mumbai, Thambi, the man from their ticketing agents Ajanta Travels, had said reassuringly, “The flight will take about four and a half hours. Someone from the Ministry will be waiting to receive you. There is nothing to worry about, Riyadh is a nice city. Okay then, happy journey!”

From the moment Thambi, with that characteristic city dweller’s way of waving goodbye had raised his hands and walked away, Rasheed and Sabitha had taken comfort in each other’s presence. They could make this journey together only because of their decision to stick to each other, come what may. At the interview in Mumbai, it was Sabitha who was selected first, as a lady gynaecologist. The interview for ophthalmologists had not yet been conducted and, as there were a large number of applicants, Rasheed was not too hopeful of getting in. When she was asked to sign the contract, Sabitha hesitated, “I will sign only if my husband too is selected.” She had by then realised that lady gynaecologists were much in demand. “You sign; even if he is not selected, he can come with you on a family visa and then try for a job there.”

The man at Ajanta Travels, a go-getter, tried to hustle her. “No, I am not that keen to go to the Gulf to work. I will go only if he also gets a job there.” Her stubbornness paid off . An interview was fixed for Rasheed as a special case.


Excerpted with permission from Barsa, by Kadeeja Mumtas, Yoda Press. You can buy this book at 20% off at the FII-Yoda Press Winter Book Sale on 21st and 22nd December 2018 in New Delhi. For more details, check out the sale page.

source: http://www.feminisminindia.com / Feminism In India – FII / Home> Culture> Books / by FII Team / December 21st, 2018