Category Archives: Books (incl.Biographies – w.e.f.01 jan 2018 )

The great women behind the Mughal empire

INDIA :

Most people know of this hierarchy but how much do we know of the women behind this great dynasty?

Mughal empire
Mughal empire

The Mughal Empire (1526-1707) was established by Babur defeating Ibrahim Lodi in the First Battle of Panipat. His reign went on for four years (1526-1530). His successor was his son, Humayun. Then arrived Akbar, followed by his son Jahangir, followed by Shah Jahan, and the, the last great Mughal ruler– Aurangzeb.

Most people know of this hierarchy but how much do we know of the women behind this great dynasty?

Here’s a list to educate you about the same!

 

 

 

 

source: http://www.indiatoday.in / India Today / Home> News> Education Today> GK & Current Affairs> History / by India Today Web / New Delhi – May 06th, 2016

Foziya Rabab’s first collection of poems launched

Ahmedabad, GUJARAT :

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New Delhi:

Mazameen.com, one of the largest websites of Urdu after Rekhta.org, in collaboration with Department of Urdu, Jamia Millia Islamia (JMI) organized a programme to launch Foziya Rabab’s first collection of poems “Aankhon Ke Us Paar” at the auditorium of the University’s Engineering Department here on Friday, 3 November, 2017.

Speaking on this occasion former Chairman of National Commission for Minority Educational Institutions Justice Suhail Ejaz Siddiqui likened the young poet from Ahmedabad with the famous poet Parveen Shakir (1952-1994) and extended his good wishes for her poetry to flourish in years to come. Renowned Urdu litterateur Gulzar Dehlvi maintained that Rabab was aware of the style of expression. “There is possibility of great creativity in her poetry,” said the nonagenarian poet.

Former Head of the Department of Urdu, JMI, Professor Khalid Mahmood appreciated the title Aankhon Ke Us Paar (Beyond the Horizons) in a philosophical note stating that the metaphor stood for wisdom and farsightedness.

He described the poem Mujhko to kuchh aur dikha hai aankhon ke us paar/Ek tilsam-e-hoshruba hai aankhon ke us paar as one of the finest poems of the collection.

Mahmood, who has also served as Vice Chairman of Delhi Urdu Academy, commended the feminine expression of emotions in her poetry stating that at times the changing mood in her narration took one by great surprise.

Urdu essayist and critic Kausar Mazhari said, “Foziya has tried to unfold women’s poetry which usually remains closed, but in so doing she has opened it a little more than required”. He called her a beautiful poet of romanticism with an amazing blend of simplicity and sincerity.

Head of the Department of Urdu, JMI, Prof Shehpar Rasool said, “The poet [Foziya] in Aankhon Ke Us Paar knows well what to say, when to say and how much to say”.

There is no feminism in Foziya’s poetry, rather it has an oriental household woman’s love for her man in which romanticism prevails because of the power of expression, remarked Dr Baran Farooqi.

About her own poetic journey Rabab said that her achievement was the result of the blessing of Allah and love of friends and well-wishers. “Playing around words is my profession; words which keep changing and which then take the shape of poetry.”

Words are the signs and symbols of life and carriers of truth and honesty, she added. She also read out some of her poems. Dr Adil Hayat presented a paper in which he termed Rabab’s poetry as the “poetry of love and separation”.

The book launch and discussion was followed by a mushaira in which over a dozen poets participated. These among others included Shehpar Rasool, Shakil Jamali, Tarannum Riyaz, Alok Shrivastav, Salim Saleem, Alina Itrat, Abdul Wahab Sukhan, Khalid Mubashshir, Kunwar Ranjit Singh, Poonam Yadav, Rehman Musawwir, Saurabh Shekhar, Tabish Mehdi, Urmila Madhav. Irfan Waheed and Khalid Saifullah Asari of mazameen.com also shared their views.

Moin Shadab beautifully compèred the mushaira whereas Dr Khalid Mubashshir moderated the book launch session.

A good number of literary persons including teachers and students from JMI and other institutions attended both the book release programme and the mushaira.

(A Delhi-based freelance journalist Manzar Imam can be contacted at manzarkhalil@gmail.com)

source: http://www.ummid.com / Ummid.com / Home> Life & Style / by Manzar Imam , ummid.com / November 13th, 2017

The matriarch who grew a moustache

Rampur (British India) , UTTAR PRADESH :

An exhibition reveals the life stories of three generations of women of a powerful Rampur family

Qamar Zamani’s granddaughter Mumtaz / Source: From the family collection
Qamar Zamani’s granddaughter Mumtaz /
Source: From the family collection

Before India’s Independence, Rampur used to be a princely state in Rohilkhand in western Uttar Pradesh. And the Rohila Pathan sardars were the rulers of Rampur. Qamar Zamani was the wife of Akbar Ali Khan, home minister of the Nawab of Rampur.

Though 19th century Rampur was a feudal and patriarchal setup, Akbar Ali’s household was different. Women not only had a say in most matters, they also had their way. In time, when Akbar Ali was executed by the Nawab, the reins of the family were taken over by his widow.

The exhibition, Gold Dust of Begum Sultans, narrates the life-stories of Qamar and the other matriarchs of Rampur. Curator Ranesh Ray is loath to call it a travelling exhibition, but fact is the exhibits did travel all the way from Delhi to Calcutta, where they were displayed at the Kolkata Centre for Creativity.

Apart from photographs, clothes and family jewellery, the exhibition hall is fitted with large screens showing films and speakers playing audio clips on a loop. “I have tried to give viewers a haptic experience, wherein you can feel as well as see things,” says Ray.

The exhibition is based on the book, Sunehri Rait, which is Urdu for gold dust, and is the story of Akbar Ali’s family as chronicled by his descendant, Zubaida Sultan, in 1989 and translated into English in 2016 by two other descendants, Zakia Zaheer and Syeda Saiyidain Hameed. Says Syeda, “The manuscript of the book was lying in our family for a long time. It was in fragments; we have fleshed it out. We have also altered the names of the characters.”

At the core of the narrative of Sunehri Rait is the relationship between Asad Ali, the Nawab of Rampur, and his uncle and chief confidante, Akbar Ali Khan. Ray says, “It is a complex story — a story of three generations, touching on the fourth. It is about the relationship with each other, the relationship with the Nawab and it also takes into account the traditions and customs.”

Asad Ali was known for his sexual profligacy; he would often marry a woman for one night only. And not just that, writes Zubaida, “Once the bridal night was over, they were buried alive within the four walls of the palace.” But one such wife got away and even gave birth to a son. The Nawab acknowledged his son, but at some point when the boy went against him, he ordered his men to execute him and it was Akbar Ali who was supposed to ensure it.

But Akbar Ali could not get himself to obey the Nawab in this case. He fled the state to escape Asad Ali’s wrath, but was eventually found and summoned, and thereafter he died in Rampur under mysterious circumstances. Says Syeda, “It is said that Akbar Ali Khan was poisoned to death.” The exhibition too is structured around this story.

Qamar as a bride at nine / Source: From the family collection
Qamar as a bride at nine /
Source: From the family collection

One of the exhibits that arrests attention is a photograph of Qamar Zamani as a little girl. It shows a little girl in a chair, swaddled in several yards of cloth, a weighty looking necklace around her neck, bangles on either hand and loopy earrings. Her head is tilted back, her little hands are stiff and downturned on her lap and her feet barely touch the ground. According to the legend below the photograph, she was married when she was nine and by the time she was 12 , she had given birth to a daughter.

It is difficult to imagine this little girl growing up to become the man in charge of Akbar Ali’s household. Says Syeda, “It is said that she wanted to be called ‘dada’ instead of ‘dadi’. She started speaking in a guttural voice and grew a beard even.” There is a sketch of a telescope on display and Ray tells us that Qamar Zamani was known to spend hours looking through it at the world beyond.

Says Zakia, “Qamar was a tyrant. She made the rules of her own household and dominated to the extent that she did not allow her husband to come into her room during the day, something unheard of in those days.” The other rule she introduced was that the women in the family could not bring up their own children.

Zakia does not have an explanation for this other than it was atypical of Qamar’s highhandedness. But could it have been crafty domestic politics, a way of blunting any imminent battle for succession? Who knows? And when it was her turn to marry off daughter Jahanara, she ensured that her son-in-law stayed with them.

Qamar's granddaughter-in-law (left) / Source: From the family collection
Qamar’s granddaughter-in-law (left) /
Source: From the family collection

There are not too many exhibits from Jahanara’s personal collection — it is said she set fire to all her finery after her husband left her as he felt suffocated in his in-laws’ home. But the belongings of her granddaughter, Mumtaz, and granddaughter-in-law Shehzadi have been put on display. There are cloth dolls in all their miniature glory, including a wealth of dolls’ trousseau.

As visitors pause before an exhibit or a scroll, Begum Akhtar’s ancient voice fills the air; curator Ray says she belonged to the Rampur gharana. In one of the adjoining rooms, Satyajit Ray’s Jalsaghar plays on the giant flatscreen. Iffat Fatima, in charge of the audio-visual part of the exhibitions, says, “The clip from Jalsaghar I have chosen is one where a majlis is on. After all, a majlis used to be integral to Shia Muslim households of a certain time.”

Qamar’s true successor, as far as the spirit of matriarchy goes, was Shehzadi. Zakia tells The Telegraph how Qamar first spotted her while peering into her telescope and fell in love with her good looks. But as Shehzadi grew older, she came into her own. She went against Qamar and brought up her youngest child herself. She stopped wearing the burqa.

“It is said her friend, Rehana Sharif, who was one of the first women graduates from Aligarh Muslim University, helped her,” says Ray. Shehzadi also started socialising.

The book ends with Qamar and Shehzadi reconciling against the ruins of a golden legacy. The exhibition, however, is missing a crescendo or even a wrap. But curator Ray would have one believe that the abruptness is symptomatic of the final swift drizzle of the sand through a clenched fist and the consequent all-enveloping emptiness. Indeed, it is an empty feeling.

source: http://www.telegraphindia.com / The Telegraph, online edition / by Moumita Chaudhari in Calcutta / March 03rd, 2019

The book ‘Aankh Aur Urdu Shayeri’: A poetic eye on ‘aankh’

Aligarh, UTTAR PRADESH :

UrduBookMPOs11mar2019

An anthology of Urdu verses and proverbs, all on eyes, was launched recently

Eyes are a mirror of the soul, it is said. Some eyes are sly and roguish, some serene and shining, a few, seductive and mysterious. Prod Dr Abdul Moiz Shams and he reels out details about a variety of eyes and their intrinsic worth. He should know considering he is an ophthalmologist by profession, but then Dr Shams also has a keen eye for Urdu  poetry.

DrAbdulMoizMPOs11mar2019

During his long service as an ophthalmologist, he has looked into innumerable defective eyes holding a little flashlight. While restoring vision, he has also looked beyond, into the soul. And what he has come up with is a book titled Aankh Aur Urdu Shayeri.

Inki aankhen ye keh rahi hain Faraz

Ham pe tasneef ek kitab karo

(Her eyes tell Faraz

Write a book on us)

Dr Shams has compiled a 389-page book containing couplets of different shades and emotions on eyes. It’s a treasure trove for connoisseurs of poetry. From Mirza Ghalib, Allama Iqbal to Meer, Sauda, Shaad, Faiz, Majaz, Jigar Muradabadi, Ali Sardar Jafery, Parveen Shakir — a whole lot of Urdu poets and their verses on aankh have been listed.

The book is divided into three parts — the first one contains couplets beginning with aankh, the second one has verses which are allegorical in nature and the third part has proverbs containing the word aankh, listed topic-wise. The book is a ready reckoner of sorts, on eyes. This is perhaps the only book of its kind where all the pages are full of verses on one body part.

Right from his student days Dr Shams had a love for poetry and when he became an eye specialist, his passion took a different turn. He started focussing on poetry of eyes. It’s no wonder that he has four other books to his credit: Hamari Aankhen, Jism-o-Jan, Jism-Be-Jan and Aab-e-Hayat.

“The eye is the jewel of the body. Its function is not just to see but to look beyond and sense colour, form, light and movement. That’s why I started collecting couplets on eyes,” says Aligarh-based Dr Shams who released his book in Hyderabad.

The insightful couplets are real eye-openers. Sample this couplet of Parveen Shakir.

Aankh ko yaad hai wo pal ab bhi

Neend jab pehle pehal tuti thi

Full-length ghazals of Ali Sardar Jafery, Khaisar Siddiqi, Hasrat Mohani and Basheer Badr, all on eyes, make for delightful reading.

Gulab aankhen, sharaab aankhen

Yehi to hain lajawab aankhen

Aankhen uthen to dard ke chashme ubal pade

Palken juhken to payar ka badal baras gaya

One can get an eyeful of couplets in this book which was released at the recent two-day National Urdu Science Congress at the Maulana Azad National Urdu University. “There is no dichotomy between science and literature. In fact they complement each other,” says Dr Abid Moiz, who is also a good humour writer.

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Book / by J S Ifthekhar / March 06th, 2019

In Memoriam : Major General Afsir Karim, AVSM

Lucknow – Aligarh,(UTTAR PRADESH)  / NEW DELHI  :

MAJOR GENERAL AFSIR KARIM, AVSM
(MAY 1933 – FEB 2019)

India Foundation is deeply saddened to announce the sad passing away of Major General Afsir Karim on 12 February 2019, after a long and heroic fight against cancer.

General Karim was commissioned in the Indian Army in June 1954 and had the unique distinction to fight for his country in the 1962 India-China war and in the 1965 and 1971 India-Pakistan wars. In the 1971 Liberation War, he commanded a Parachute battalion in the Eastern theatre. For distinguished service of an exceptional order, he was awarded the AtiVishishtSeva Medal while serving in the Army.

Post retirement in May 1989, the General took to academic life and became a renowned scholar and thinker on strategic issues. As a soldier turned scholar, General Afsir Karim contribute greatly to the study of counter-terrorism and was one of the pre-eminent experts on the complexities that plagued the state of Jammu and Kashmir, having served a good part of his career in that part of India. He also served as a member of India’s National Security Advisory Board (1999–2001).

Amongst the books authored by him, are Sri Lanka Crisis (co-author 1990); Counter-Terrorism: The Pakistan Factor (1991); Transnational Terrorism: Danger in the South (1995); Kashmir: The Troubled Frontiers (1994) and Story of the Airborne Forces (1995). Amongst his writings on Kashmir was Op Topac, a semi-fictional account of Pakistan’s game plan for Kashmir. He was a former editor of the Indian Defense Review and a life trustee on the Forum for Strategic & Security Studies. He was also founder-editor of AAKROSH, India’s first journal on trans-national terrorism and an India Foundation publication.

An officer known for his uprightness and integrity, his passing away is a sad loss for the Armed Forces and the strategic community. We in India Foundation shall miss him as will countless others across the country. Om Shanti.

source: http://www.indiafoundation.in  / India Foundation /  Home> In Memoriam / February 2019

She chose the less-travelled path

Adoor, KERALA :

HaleemaBiwiMPOs28feb2019

Haleema Beevi, first Muslim woman journalist of Kerala, to be remembered

Her life was a crusade against oppression of women in the Muslim community. Amidst strong protests and threats, she dedicated her life for the empowerment of women in her community.

The Kerala  Sahitya Akademi is remembering Haleema Beevi, the first Muslim woman journalist of the State, on her 100th birth anniversary.

Unsung heroine

The celebration, to be held in connection with the inauguration of the national book exhibition on Saturday, will also pave the way for more explorations on the unsung heroine of Kerala Journalism and her writings, noted Kerala Sahitya Akademi president Vaishakhan.

A recent Facebook post by writer Shihabuddin Poythumkadavu on Haleema Beevi had many responses.

Available records indicate that Haleema Beevi started her career as a journalist at the age of 18. Born in an orthodox Muslim family at Adoor in 1918, as the daughter of Peer Mohammed and Maideen Beevi, she was an ardent reader from childhood. Though she was good at studies, she could not go to school after Class 7. But she continued to read.

Muslim Vanitha

At a time when Muslim women did not even dare to come to the mainstream, Haleema Beevi started a women’s magazine, Muslim Vanitha, at Thiruvalla. Later, its functioning was shifted to Kodungalloor. She later started a daily in 1946 called Bharatha Chandrika. Later, she even started a weekly in the same name. Haleema Beevi functioned as its editor, printer, and publisher.

Prominent writers

Eminent writers Vaikom Mohammed Basheer, Sukumar Azhikode, K. Gomathi, and P. Valsala had written in her publications. Haleema Beevi used to write articles related to education.

Haleema Beevi was a municipal councillor at Thiruvalla for five years. Her husband K.M. Mohammed Moulavi, a prominent presence in the struggles against Sir C.P. Ramaswamy Iyer, was imprisoned for taking part in agitations against the Divan. Haleema Beevi too had gone to jail during the Independence struggles.

She relentlessly worked for the empowerment of women. Her goal was to bring Muslim women, who were socially and educationally backward, to the mainstream.

Women’s education

At that time, the community was even against its members learning Malayalam. But Haleema Beevi argued that education was the basic right of every man and woman. She recalled that even the Prophet had called for women’s education.

She died at the age of 82 in 2000. Though her birth centenary was in 2018, nobody noticed it that time. The akademi and Mr. Poythumkadavu are on efforts to find her writings.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Mini Muringatheri / Thrissur – February 01st, 2019

Fatima and Fatima

Kolkata, WEST BENGAL :

Two remarkable women from the family of Wajid Ali Shah, the last king of Awadh, are reviving his culinary tradition in Calcutta, the city where he famously introduced potatoes into the biryani!

Last king of Awadh,Wajed Ali Shah,Manzilat Fatima

Manzilat Fatima is a descendent of Wajid Ali Shah, the last Nawab of Awadh who spent 29 years in exile in Metiayaburj, a Calcutta suburb. She launched a pop-up restaurant of Awadhi cuisine in 2014 and a home dining service, Manzilat’s, in 2018 in Calcutta. (Arijit Sen/HT Photo)

What do you do you do if a goose is plump beyond reason, won’t lay eggs and needs too much feed? Cook it, I guess. And that’s what the British Crown did to Wajid Ali Shah, the last king of Awadh, who ascended the throne as a 25-year-old in 1847 and was dethroned nine years later in 1856, a year before the first war of Indian Independence broke out.

The British said this was done because he lived and ate like a king and did little else, thus overlooking his military reforms, his attempts at administration which the East India Company did its best to thwart, and his immense popularity with his subjects.

Packed off to Metiyaburj, about four miles south of Calcutta, the ousted king was joined by his prime minister, some of his wives, musicians and officials. His chefs attended to this displaced court as best as they could. They prepared their master’s banquets with the lavishness of his days as monarch, so that when he sat for his meals, he would remember Lucknow as his great romance and not the painful reality of its passing.

If five kilogrammes of lamb mince was used to make a single kofta when he had been the king, they were not going to scale down, when he was no longer one.

Wajid Ali shah during his days in exile in Metiyaburj, a Calcutta suburb, wearing his trademark kurta with part of his chest exposed. His descendants say it was an expression of his heart being open to his subjects. ( Arijit Sen/HT Photo )

But how do you claim, centuries later, that one of India’s most famous ex-royal is your old man and that you are the sole inheritor of the royal cuisine he helped found? Wajid Ali Shah’s descendants Manzilat Fatima, 51, and Fatima Mirza, 45, of Calcutta are doing that, courtesy the documents of political pensions of their families on the one hand, and by cooking his food, on the other. Team Manzilat and Team Fatima, both say they are the real thing.

***

Family recipes are a cook’s real estate. Wajid Ali Shah’s descendants face the problem of plenty. At the time of his death, the king had 250 wives and 42 children so no ‘family recipe’ matches the other. The British also made sure that after the king’s death in 1887, his days in exile would go undocumented.

On Fatima Mirza’s table: Kachhe Tikia ke Kebab, Mutton biryani, Nargisi Kofta. Mirza is a great-great grandchild of the last king of Awadh. ( Arijit Sen/HT Photo )

“His successors and his subjects were left with nothing,” says Wasif Hussain, the manager of the king’s mausoleum in Metiyaburj. “I’ve heard that in Chartwell House [the country home of a former British premier, Winston Churchill], his kitchen with its tea-kettle, his flour bin, the utensil rack and the weighing machine have been left intact…. It’s a museum….”

A law graduate, Manzilat Fatima, is from the ‘ruling line’. Her father, Kaukub Meerza, a former Reader of the Aligarh Muslim University, is the grandson of Birjis Qadr, the son of Begum Hazrat Mahal and Wajid Ali Shah. Birjis was crowned king by Mughal emperor Bahadur Shah Zafar during 1857 as Wajid Ali Shah was by then in Calcutta. Birjis met his death in 1893 after dinner at a relative’s home in Metiyaburj.

This was not the first time that poisoning had killed an Awadhi royal, Sudipta Mitra, author of Pearl by the River, a book on Wajid Ali Shah’s exile, points out. Royal biographies mention a consort sending the king paan as a token of her love during their better days and the king not putting it past her to lace its leaves with poison when those days were over.

The murder of Birjis and its memory have stayed with the family for over 120 years. It has seeped into Manzilat’s remembrances of her childhood home (“My paternal grandmother would always check the food before it was served to family members”), and explains her impatience with ‘proof’-seekers. Ever since she launched a pop-up restaurant of Awadhi cuisine in 2014 and a home dining service, Manzilat’s, in 2018 in Calcutta, there are some set questions she has had to answer.

“ ‘Do I have monogrammed table-mats from Wajid Ali’s time?’ ‘Did I inherit a recipe book?’ No, I didn’t! Birjis’ murder snapped our links with the other branches of the family. His wife escaped from Metiyaburj to Calcutta…. And besides, my great-great-grandmother, Hazrat Mahal, was a queen who was fighting the British, not writing cookbooks. For a while, I made this my FB status,” says Manzilat cheekily while adding finishing touches to an order of Ghutwaan Kebab (made of mashed meat marinated with papaya) that a delivery man from Swiggy is waiting for her to complete, besides the mandatory biryani.

Manzilat makes a good mutton biryani, but with mustard oil to keep it non-greasy and light; Fatima Mirza, a school principal (she is of the line of Wajid Ali Shah’s principal consort, Khas Mahal) and her husband Shahanshah Mirza (his father Wasif Mirza is another great grandson of Wajid Ali Shah) consider the leaving out of ghee an overturning of the “basic biryani rule-book”. Both families, however, have more in common than they think.

While Manzilat’s cooking displays her control in colour, sense of proportion and spicing so integral to Awadhi cooking, Fatima, too, has considerable domain knowledge. Since 2018, she has been working on a cookbook penning family recipes such as the Kachhe Tikia ke Kebab.

“This is the only Awadhi kebab in which sattu is added and it was a Wajid Ali Shah favourite,” she says. “To neutralise the heat of meat and to make it easily digestible, hakeems advised chefs to add sattu (ground Bengal gram) as the king aged. The trend seems to have been to keep things light and fragrant.”

 

Shahanshah Mirza, another descendant of Wajid Ali Shah, with a family heirloom – a ceramic bowl. Such bowls were common in royal households. Their contents were checked by food inspectors before they were placed before the nawab. They had a special coating which would ‘crack’ if the food had poison, says Mirza. ( Arijit Sen/HT Photo )

Shahanshah Mirza, a government official and heritage enthusiast, elaborates on the difference between Awadhi and Mughlai cuisine. “Unlike Mughlai, ours has no overdose of mace or cardamom or dry fruits. We say about Urdu, Urdu aap ke zubaan pe hamla nahin karta hai, speaking it, does no assault to your tongue… Likewise, Awadhi food plays on understatement. It is big on presentation though.” Any aspiration to cheffy-ness of the standard of the former royal house of Awadh has to get the food styling right.

Wajid Ali’s descendants also make great allowances for a master chef’s ego. It was not uncommon in the heyday of the king to have his chefs refuse to cook for any other branch of the family. Some of the chefs even announced during the time of seeking employment that they were not going to expand their expertise! That is, the maker of dal would remain a dal specialist throughout his life. A biryani cook would touch nothing else.

***

The Sibtainabad Imambara, the mausoleum of Wajid Ali Shah and his son Birjis Qadr at Metiayaburj. Birjid was declared king in the absence of his father by the sepoys during 1857 and his kingship was acknowledged by the Mughal emperor, Bahadur Shah Zafar. ( Arijit Sen/HT Photo )

In Metiyaburj, Guddu, a grandson of Puttan, a descendant of one of Wajid Ali Shah’s great chefs, drops by at the Shahi Imambara, for a chat. He talks of a dish that has the sound of one made in Awadh’s hoary past. There are few “with the stomach and liver of Wajid Ali Shah” to digest dishes like a meat mutanjan (a rice dish) now, Guddu says. But Nawabi biryani, and yes, with the potato, is everywhere.

Do kings thus prepare the future food of the people? The rich trying out the pleasures that the masses will eventually grasp is something historian Fernand Braudel has elaborated upon in his works. Rows of biryani shops of various prices line the road on either side of the king’s mausoleum. “Jameson Inn, a branch of Shiraz [an old Calcutta eatery], began to make a Murgh Hazrat Mahal in 2011,” informs Hussain, the Imambara manager. But there is a piece of information doing the rounds he would like to correct.

“The potato was added to the biryani because of its exotic value. It was a new vegetable in the market introduced by the Portuguese,” says Hussain. Both Fatimas back this view. According to Abdul Halim Sharar’s Guzishta Lucknow, considered to be the go-to book for any information on Wajid Ali Shah’s exile, the king spent Rs 24,000 on a pair of silk-winged pigeons, Rs 11,000 on a pair of white peacocks and approximately Rs 9,000 a month on food for some animals in his zoo in Metiyaburj.

“If a man could afford so much, he could certainly add more meat to his biryani and not bulk it up with potatoes,” suggests Fatima Mirza. The king would presumably also not risk his social prestige. At the evening concerts in the then resplendent Sultan Khana that had all the splendour of his palaces in Lucknow, when the Calcutta elite would visit, with thumri, there was biryani and it had potatoes. Surely Wajid Ali Shah would not have a dish served that had hard times written all over it.

(L-R) Mohammad Sulaiman Qadr Meerza with his grandfather, Kaukab Meerza, the great grandson of Wajid Ali Shah and Begum Hazrat Mahal, and his father, Kamran Meerza. ( Arijit Sen/HT Photo )

******

Mohammad Sulaiman Qadr Meerza, 9, in a yellow tee and jeans is following the discussion on food and music, and the Awadh royal family closely. When he was six, his father Kamran (Manzilat’s brother), a businessman, disclosed his antecedents. He told his friends in between classes at school that he belonged to a royal family.

His friends asked: “Which one?” Sulaiman said he was the fifth generation of Wajid Ali Shah and Begum Hazrat Mahal. They did not believe him.

Next year, when he is 10, Sulaiman has plans to grow bigger. And then he will try to convince them. He says he must give it one last try.

Kitchen confidential- Nawabi recipes passed down the family
MANZILAT FATIMA’S PINEAPPLE MUTANJAN
INGREDIENTS
  • 1 cup Gobindo Bhog rice soaked for an hour
  • 1 cup sugar
  • 2 cups chopped pineapples
  • 2 1/4 cups boiling hot water (boiled with saffron strands and a pinch of kesariya colour)
  • 1 tbspoon pure ghee
  • 1 cup grated mawa
  • 1 clove; 1 cardamom; almond slivers
METHOD:

Take a heavy-bottom handi, add ghee. When hot, add cloves and the cardamom, then add the whole of the drained rice and saute quickly on medium flame.

Pour the hot water in the handi. Keep the flame high for 2-3 minutes, lower the flame and keep on sim till the rice is 3/4 cooked.

In another handi, scoop out the cooked rice and make a layer; sprinkle 1/2 of the sugar and 1/2 of the chopped pineapples and 1/2 the grated mawa.

Similarly, repeat a second layer, cover the lid and keep the handi on a tawa on sim. Leave for 5-10 minutes till the sugar melts and all ingredients blend well. Switch off the gas.

Before serving lightly mix the layers, serve hot after garnishing with silver leaf and almond slivers.

FATIMA MIRZA’S KACHHE TIKIA KE KEBAB
INGREDIENTS
  • Mince meat 500 gms; salt to taste
  • Bengal gram flour (roasted, powdered) 2 tsp
  • Garam Masala powder -1 teaspoon
  • Paste of nutmeg and mace -1 tsp
  • Onions -2 big ones; ginger-garlic paste -3 tsp; raw papaya paste -2 tsp
  • Green chillies -2; coriander leaves
  • Ghee for frying
METHOD:

Wash the minced meat. Fry the onions till they are golden brown. Mix garam masala, a paste of nutmeg, mace, fried onion and ginger-garlic paste. Sprinkle salt as desired. Add the raw papaya paste. Keep it aside for 10 minutes.

When the mutton turns tender, then mix the chopped coriander leaves and green chillies.

Using the mince mixture make flat round patties (tikia) of even size. Pour ghee into a pan. Heat it on a low flame. When the ghee crackles, start frying the patties till golden brown.

Drain out the excess ghee and serve it hot.

source: http://www.hindustantimes.com / Hindustan Times / Home> India / by Paramita Ghosh / Hindustan Times / February 24th, 2019

 

Ammi’s sass in a bottle

Hyderabad, TELANGANA :

SassyBegumMPOs24feb2019

The heat of the masala, the tart of the mango, and the bite of garlic — a surprise delivery worth writing home about

It all started with a post on Facebook. My friend Amita wrote about a harrowing experience she’d had with an online order of pickles. She was lured by some “mouth-watering pictures of plump veggies glistening with oil, sitting on golden paranthas,” but ended up feeling “foolish and short-changed”. The pickles cost a bomb, but leaked oil when they arrived. The vegetables were still raw, and she was informed that she had to keep the jar out in the sun for several days. No, that was not nice.

Pleasant pickles

I, on the other hand, had a smooth experience with a recent pickle delivery. For one, I had not asked for them, so they came as a pleasant surprise. Two, they were well-packed and leaked no oil. Three, though I could only try out a tiny bit from the two kinds of pickles that had arrived, they were rather good.

The pickles are from Ammi ke Achar, and are being marketed by a young man called Sahil Hassan, who runs a food-delivery system known as Sassy Begum. The Hassan family prepares and sells hot and delicious Hyderabadi pickles prepared with garlic, mango, gongura, tamarind, and lime.

The spicy mango achar in avvakai masala, and the garlic pickle are for ₹375 (for 300g). The raw tamarind thokku chutney (with tamarind, green chillies, fenugreek seeds), nimmakaya (lime), and gongura pickles are for ₹300 (for 300g).

I liked the masala and the tartness of their mango pickle, and the raw, edgy bite of the garlic pickle. The pickle recipes, Sahil tells me, have been in the family for generations. Some of them can be found in Saffron and Pearls, a book written by his mother, Doreen Hassan.

In my house, people have diverse views about pickles. My favourite is gobhi-gajar-shalgam – a sweet and sour pickle of cauliflower, carrots, and turnips. My friend Raj got me some of this recently, and I have been quietly licking my fingers. My wife likes the Bengali sweet pickle prepared with a berry called kul. Our home-manager loves anything that is hot and spicy, so she embraced a prawn pickle that another friend had brought for us last week. And she has been lapping up Ammi ke Achar.

Banarasi chillies

In the last few months, I have ordered pickles online from Delight Foods, and another site called Place of Origin. You get everything here — from the stuffed red chillies of Banaras to sweet lemon pickle, topa kuler achar, and jackfruit pickle.

Products from the best pickle place in Delhi — Harnarain Gokulchand in Khari Baoli — can also be bought online. From an Assamese food site, I ordered some pork pickle which was, however, not very exciting.

But if you want to make your own pickle, you could try this baingan ka achar (eggplant pickle) from Doreen Hassan’s book: Wash, dry, and cube 750g of eggplants. Soak them in salted water for 3-4 hours. Take 1 litre of vinegar. Take 30g red chillies and grind them in some of the vinegar. Grind this to a fine paste, along with 30g green chillies, 2tsp turmeric powder, 1 tsp black pepper, 1/2tsp fenugreek, 1tsp mustard seeds and ½ tbsp cumin seed, using more of the vinegar as needed.

Heat ½ litre of refined groundnut oil; bring to a boil. Add the masala and fry until fragrant. Add 2 sprigs of curry leaves, 3tsp chopped ginger, and 2tsp of chopped garlic. Fry well. Add salt. Add the eggplants and 150g of sugar. Add the remaining vinegar. Cook on slow heat till the eggplants are done and the gravy has thickened. Cool and bottle.

Try it out. You will — pardon the pun — relish it.

For more information, call 9999122999 or log on to sassybegum.com.

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Food / by Rahul Verma / February 23rd, 2019

From a child labourer to an award-winning translator

Colachel (Kanyakumari ), TAMIL NADU :

KulachalYousufMPOs06feb2019

Kulachal Mu. Yoosuf bagged the Sahitya Akademi Translation Prize for 2018

It has been an arduous journey from a child labourer to the winner of the Sahitya Akademi Translation Prize 2018 for Kulachal Mu. Yoosuf, 60. His translation of Malayalam writer G.R. Indugopan’s Maniyan Pillaiyuda Athma Katha into Tirudan Manian Pillai in the Tamil has won him the distinction. The story has already been made into the successful Malayalam film Kallante Katha.

The laurels have arrived not a moment too soon. Mr. Yoosuf was forced to discontinue his studies after Class V when his family fell on hard times. bad days. A passion for reading, picked up in school, stayed with him. “There was a library run by the Hindu Ilaignar Iyakkam in my native town of Colachel. I sat in the library and read while other students played,” says Mr. Yoosuf, who became a child labourer when his family moved to Kanniyakumari.

Malayalam language and literature arrived serendipitously while he worked in a provisions shop in Nagercoil.

Tamil and Malayalam

“Customers would sell old books for raddi and among them were Malayalam books. I would read them. I was fascinated by Vaikom Muhammad Basheer’s short stories. One customer suggested that I should read them in Malayalam and I followed his advice,” recalls Mr. Yoosuf. Gradually, he gained mastery over the Malayalam language. “The sentence patterns are similar in Malayalam and Tamil. If there were a cinema poster, I would stop for a second to read it,” laughs Mr. Yoosuf.

He recalls that books on revolutionary movements like the Punnapura-Vayalar upsurge in Kerala, the life of naxal leader Ajitha, and Basheer’s works, motivated him to learn Malayalam with greater determination. His first article supported the Supreme Court verdict in the Shah Bano case.

As he gained confidence, Mr. Yoosuf tried his hand at translation. His first work was a translation of Sahitya Akademi-winner Punathil Kunjabdulla’s Smarakashilakal into Tamil as Meesan Karkal in 2004.

Over time, he translated more than 30 works, particularly by Vaikom Muhammad Basheer, from Malayalam into Tamil.

“Even though there were [other] translations, friends, particularly [publisher] ‘Kalachuvadu’ Kannan, were particular that I translate Basheer’s works. I have translated his [Basheer’s] short stories, novels and letters,” says Mr. Yoosuf.

His translations restored the legendary writer’s fame among Tamil readers.

Other important works

His translation of M.T. Vasudevan Nair’s Naalukettu as Naalukettu and Nalini Jameela’s autobiography as Oru Paaliyal Thozhilaliyin Kathai, and the rendering in Tamil of the autobiography of social activist K. Ajitha were other important turning points. Mr. Yoosuf has written a detailed book on the Great Poets of Persia, Paarasika Mahakavikal, and taken Tamil Sangam works to readers in Malayalam.

“My translation of Naladiyar [post-Sangam Tamil poetic work] was appropriated by a writer from Kerala. I sent it to a writer to read the proof, but another writer published it in his name. I have filed a case,” he says.

When asked what it means to be a full-time writer, Mr. Yoosuf says, “Literature cannot be considered a revenue-generating venture.”

He adds, “I have a good publisher and they are paying me well. Literature never leaves me poor.”

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by B. Kolappan / Chennai – February 05th, 2019