Sheikh Ashiq, Director M/s Ferozson Exports Pvt Ltd, (a unit of Alkhuddam Group) Srinagar has bagged award for “meritorious performance in the export of Natural Silk Carpets.” It is the prestigious award in the silk industry.
Ashiq received the award on Monday at a function at Vigyan Bhawan, New Delhi. The function was organized by Indian Silk Export Promotion Council set up by Ministry of Textiles, government of India.
Acknowledging the award, Ashiq said the credit goes to the founder and chairman of the Alkhuddam Group Sheikh Feroz “who made the foundation of the company very strong.”
“Credit also goes to the suppliers of the company who have always shown trust in it,” he said.
Ashiq also thanked the organizers of the event.
source: http://www.greaterkashmir.com / Greater Kashmir / Home> Business / GK News Network / December 10th, 2014
“For a girl to pick up a tennis racquet and to want to be a professional—it was unheard of,” Sania Mirza says. “People thought it was a joke.” PHOTOGRAPH BY GREG WOOD / AFP / Getty
On the last day of August, Sania Mirza, currently the No. 1 women’s doubles player in the world, was on one of the smaller side courts at the U.S. Open grounds, in Flushing Meadows, about to play her first match in this year’s tournament. She and her partner, Barbora Strýcová, of the Czech Republic, were squaring off against the Americans Jada Myii Hart and Ena Shibahara. The sun had begun to sneak behind the bleachers, where a few dozen fans had settled in. Occasionally, a roar from Arthur Ashe Stadium or the grandstands could be heard over their polite clapping. Mirza’s black hair was tied back in its usual businesslike bun, her dark eyes focussed beneath a neon-pink headband. Mirza’s gruelling summer had included her third Olympics, which had ended just a couple of weeks before, with a fourth-place finish in mixed doubles. Her longtime partnership with the tennis icon Martina Hingis was also coming to an end. Now she was gearing up again, knowing that millions were paying attention in her native India, even if only a handful were watching in New York.
Mirza, who will be thirty in November, is wildly famous in one hemisphere and virtually unknown in the other. She has nearly twelve million Facebook fans – more than double the number that Serena Williams has—plus four million followers on Twitter, and two million more on Instagram. She is, without hyperbole, one of the most popular athletes on Earth. She has, to date, earned $ 6.3 million in career prize money, a fraction of what Williams has made, but more than a thousand times the annual per-capita income in her home country.
She is also Muslim, and has sparked the ire of clerics for competing in tennis clothes that leave her arms and legs exposed. Though roughly one in twelve people on the planet is a woman from India, few Indian women have succeeded in professional sports, for reasons that are not hard to pinpoint. Last year, in the World Economic Forum’s Global Gender Gap Report, India ranked No.108, out of a hundred and forty-five countries listed. For years, women in India were largely discouraged from participating in high-level sports—and, unless the women were wealthy, good facilities were hard to come by, anyway.
Mirza is helping to change this. She’s an advocate for women’s rights, and has spoken up about ending the practice of female feticide in India. She has criticized government policies on domestic violence and sexual assault, as well as lopsided pay schemes, including in sports. She was the first South Asian woman to be appointed as a Goodwill Ambassador for the United Nations, and she often calls out reporters for asking her, and not her male counterparts, about her “family plans.” She told me that, after she and Hingis won Wimbledon last year, she was asked by a reporter when she’d be having a child. “I was, like, ‘I won Wimbledon two days ago!’ ”
Though Mirza makes light of her reputation, in India, for what some there see as arrogance, the truth is that her outspokenness has only made her more popular back home. Her stardom is an unlikely outcome, considering where she started. “For a girl to pick up a tennis racquet and to want to be a professional—it was unheard of,” she told me. “People thought it was a joke.”
Mirza grew up in Hyderabad, a city of nearly seven million. It was only half that size when she was a child, and, back then, sanitation, let alone access to a tennis court, was not a given—only a handful of courts existed, and many that did were riddled with potholes or made with cow dung (a surface that was thought to offer a middle ground between clay and hard courts). Today, as Mirza is well aware, the city center of Old Hyderabad is a hub for human trafficking, and domestic violence is an urgent problem. Though technically illegal, child marriage persists. Local police blotters in and around Hyderabad regularly carry gruesome stories: a woman who hanged herself by her sari when a dowry went sour, a husband setting his wife on fire. Just a few weeks after last year’s U.S. Open came news, from south of Hyderabad, in Bengaluru, that a woman had been raped by two security guards outside of tennis courts in Cubbon Parks. It was the third such attack in the city in a month. According to local reports, the victim later told police, “I want to be like Sania Mirza.”
The Mirzas moved to Hyderabad, from Mumbai, when Sania was an infant, one of many families drawn to the burgeoning technology mecca. Mirza’s father, Imran, held a number of jobs, working mostly as a printer and, later, in construction. Mirza’s mother, Naseema, also had a mind for business, and she and her husband often worked together. They were ambitious, and forward-thinking in their attitude toward girls; still, they tried to avoid placing too much stress on their daughters. (Sania’s sister Anam is seven years younger.) It was on a whim that Imran signed up Sania, then six years old, for tennis lessons, at Hyderabad’s Nizam Club. There were cricketers in the Mirza family, but women’s cricket had not yet taken off in India. Tennis seemed like something she might enjoy.
A couple of months later, Sania’s coach suggested that Imran come to watch his daughter play. He put it off. When he finally saw her on the court, he immediately realized that she was a standout talent. Soon, the sport became as much a part of her childhood routine as brushing her teeth or doing her homework. Sania attended the Nasr School, a progressive all-girls private school, which adapted her academic schedule to accommodate her tennis travels. “Always in tracksuits, coming directly from practice straight to school!” Nirmal Gandhi, a teacher at Nasr who had Mirza as a student, said. “I don’t think I ever saw her serious. She was always laughing with her friends.” At the time, the Indian system for youth tennis was, Imran said, “nonexistent.” It’s not unheard of for the parents of tennis players to spend fifty thousand to a hundred thousand dollars, or more, annually on coaching, travel, and equipment, an expense that was far beyond the Mirza household budget at the time. So Imran began to coach his daughter, and set about researching local tournaments, learning what he could through word of mouth and follow-up phone calls. Sania’s mother stayed at home “to hold down the ranch,” tending to Mirza’s little sister and various pieces of family business, a pattern that would continue for twenty years—Sania’s tennis career becoming another joint family venture.
Mirza eventually won a berth in the 2003 Wimbledon junior girls’ competition, as a doubles player with Russia’s Alisa Kleybanova. They won the tournament. When Mirza stepped off the plane back in India, a mob of people greeted her and her family at the airport, fanfare that surprised them. Government dignitaries took photos with her and bestowed her with awards. The Indian press began to cover her every move, and it hasn’t stopped since. “At fifteen or sixteen, you’re still trying to get in touch with yourself as a person, as a teenager,” Sania Mirza said. “You have pimples. You have baby fat, in front of millions of people. You have to kind of grow up in front of the media, and you’re growing older and the following is getting larger and larger. You’re still getting in touch with who you are.”
“The Indian media, too, was just growing up,” Imran said. “They grew up along with Sania. They were really not geared or didn’t know how to handle a female sporting icon. They might have handled a film star, but here was the first sporting woman from India. It wasn’t easy for her, but it probably wasn’t easy for the media to deal with, either.” In 2005, as she was competing on the international circuit, a group of clerics issued a fatwa against Mirza, calling her skirts and T-shirts “un-Islamic” and “corrupting.” The cleric Haseeb-ul-hasan Siddiqui told the Guardian that the clothing she wore on court “ leaves nothing to the imagination .”
“You get hate mail,” Mirza told me. “You get love mail, but hate is a lot harder to digest than love. That’s the way it is.” She continued to wear Western-style pants and heels, and slogan-bearing T-shirts, including a popular one that declared, “Well-behaved women rarely make history.” The increased attention, and Mirza’s handling of it, gained her even more Muslim fans, a broad demographic that had largely been overlooked by the tennis-marketing establishment. And she excelled on the court. As a professional singles player, she reached a ranking of twenty-seven, the highest spot achieved by an Indian woman.
Privately, though, Mirza was battling a series of injuries. The hypermobile joints that helped give her flexibility on the court also led to extreme pain, which she often hid. She underwent operations on both knees and a wrist. Upon examining her body and her demanding competition schedule in 2010, doctors gave her the devastating news: she was done playing singles.
Mirza had been engaged to a longtime family friend, but in January of that year it was reported that she had called off the engagement. Then, in April, she became engaged to the Pakistani cricketer Shoaib Malik, whom she had met through mutual friends and had seen occasionally thereafter on various sports-related travels. The new wedding plans were a major story in India: Malik had served for two years as a captain of the Pakistani national cricket team, and cricket is something of a religion in that part of the world. Ordinarily, this would have made Mirza and Malik the Beyoncé and Jay Z of South Asian sports—but marriage to a Pakistani, even one who is an élite athlete in a treasured national pastime, is still “a huge taboo” in India, according to Bappa Majumdar, the Hyderabad bureau chief for the Times of India, who has covered Mirza. “It showed huge guts on her part,” Majumdar said.
The couple had planned an Islamic wedding ceremony in Hyderabad, with another ceremony to follow in Pakistan, adhering to that country’s customs. Within hours of the announcement, dozens of journalists had camped out in front of the Mirza home, to cover the tale of the star-crossed lover-athletes. The story then took an additional soap-opera turn: a woman from Mirza’s home town went to the press, saying that she was already married to Malik, and had been since 2002. He initially disputed this; they had merely met online and exchanged photographs—though, he said, the pictures she sent him were of someone else. But he ultimately admitted to the marriage and got a quick divorce, according to local news reports, days before his wedding to Mirza.
Mirza at her second wedding to the Pakistani cricket star Shoaib Malik, in his home country. His nationality drew criticisim of Mirza in India./ PHOTOGRAPH BY FAISAL MAHMOOD / REUTERS
On account of her marriage, some of Mirza’s critics in India have called her the “daughter-in-law of Pakistan.” In an interview with a New Delhi television station, in 2014, she burst into tears, saying she was exhausted by the need to “keep asserting my Indianness.” “I have no problem if they attack me about my tennis or they attack me about what I’m doing,” Mirza told me, adding, “I come from a country of 1.2 billion people, and I’ve accepted the fact that I’m not going to be liked by all of them.” Her family, in any case, approved of the union, Imran said. “She wasn’t getting married to a country but a person.”
Mirza and her father spend much of the year on the road, but when they’re not travelling they can often be found at the Sania Mirza Tennis Academy, a set of nine hard courts nestled among farmland and jungle, with a sweeping view of Hyderabad. The family bought the plot of land four years ago, with the goal of making it a hub for tennis in India. Some hundred children are now enrolled in the academy, almost all of them having heard about it by word of mouth. Some are the children of Hyderabad’s rising middle and upper-middle classes, but others have never seen a tennis court prior to joining, and rely on scholarships, which are offered according to financial need. Backing from sponsors was not forthcoming when the academy opened, in March of 2013, so the program was jump-started with funding from the Mirza Family Trust.
Here Mirza can practice in relative seclusion. She and her father also talk to parents about the nuances of a good backhand, what competition is like internationally, and the grit required to make it as a professional. Some aspiring players have shown up at the academy’s gates on rickshaw, their parents willing to relocate some or all of the family to Hyderabad or nearby villages solely in pursuit of tennis. “They thought Sania was an overnight success, and they want results in six months,” Imran told me when I visited the academy last year. “And I keep telling them it takes ten years to find out whether they even have a chance. It cannot be done for the money or the fame. It has to be done for the passion.”
When I spoke with Mirza in Flushing, a year later, she said it had been two months since she’d been home to India. She and Strýcová won their first match at the U.S. Open, convincingly, 6–3, 6–2, and she noted afterward that the dynamic she shares with Strýcová on the court is not dissimilar from her partnership with Hingis: Mirza is strong and powerful, sweeping the back of the court, while Strýcová is nimble and poppy at the net. The two have known each other since they were teen-agers on the junior circuit, which has helped with the transition. But earlier this week they were knocked out of the Open by Caroline Garcia and Kristina Mladenovic, the tournament’s top seeds. (Garcia is ranked No. 3 in the world in women’s doubles, and Mladenovic is No. 4. Hingis is No. 2.)
Mirza published an autobiography in India this summer. She said she doesn’t know how long she’ll play, or what the future holds for Indian women, but she pointed to India’s victories at the Rio Games as a sign of progress. The Indian Olympic Committee, which had been banned, was reinstated in 2014, and the country sent its largest-ever delegation, a hundred and seventeen athletes. They won two medals: a silver in badminton, for Pusarla Venkata Sindhu, and a bronze in wrestling, for Sakshi Malik. “It was amazing,” Mirza said. “And it was the women who won!”
Mary Pilon is the author of “ The Monopolists,” a book about the board game Monopoly. She previously worked as a staff reporter at the Times and the Wall Street Journal, where she wrote about sports and business.
source: http://www.newyorker.com / The New Yorker / Home> Sections> The Sporting Scene / by Mary Pilon / September 10th, 2016
Sangam city is famous not only for its brilliant academicians and towering political personalities, but also because of its sportspersons who have made it big on the national and international stage in various disciplines. Cricketers, gymnasts, hockey players or shuttlers, Allahabad lads have always made their presence felt whenever they have got an opportunity.
Heading the list is Mohammad Kaif who made it to the national squad and soon found a place in the record books with his match-winning knock at NatWest trophy in 2002 where he scored an unbeaten 87 in partnership with another cricket hero, Yuvraj Singh, to clinch the trophy for India at Lord’s cricket ground.
Kaif was the most successful captain of UP in the Ranji Trophy, as under his leadership the home team won their maiden Ranji Trophy title, beating Bengal in a thriller played at Lucknow in 2006. Kaif has played 13 Tests, 125 one-day internationals and 177 first class matches. However, donning a new role Kaif will now lead his new state, Chattisgarh, which will make its debut in Ranji Trophy in the 2016-17 domestic season.
Another cherished moment for Allahabad was when five of its cricketers including Ashish Winston Zaidi, Obaid Kamal, Jyoti Yadav, Mohd Saif and Mohd Kaif represented UP in the 1998 Ranji Trophy final against Karnataka.
The history of gymnastics in Allahabad dates back to 1989 when the National Sports Academy (NSA), headed by its chief patron Dr UK Mishra, made a beginning in the sport with a handful of boys. His efforts bore fruits when the 2010 Commonwealth Games made gymnast Ashish Kumar an instant star, as he created history and became the first Indian to win medals in gymnastics for the country.
In badminton, the city has produced number of outstanding players like Suresh Goel, Damayanti Tambe, TN Seth, Abhinn Shyam Gupta, Sushant Saxena and few others. Goel was the men’s national singles champion on five occasions from 1962 to 1970 and he also won national titles in men’s doubles and mixed doubles.
The story of local sporting heroes’ march to glory would be incomplete without the mention of Danish Mujtaba who became the captain of Indian team at the young age of 23 and produced some memorable performances at international level. He was the only player from the city who participated in the Rio Olympics, 2016.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Allahabad / TNN / August 29th, 2016
It is official. India’s six-time Grand Slam winner Sania Mirza has decided to part ways with Swiss great Martina Hingis. The World No. 1 duo has won 3 Grand Slams and 14 WTA titles together since they paired up in 2015.
The Union government is leaving no stone unturned to ensure the safe return of Indian expatriates in Saudi Arabia, said Mohammed Irfan Ahmed, member of Central Haj Committee of India..
Irfan said as many 8,000 labourers are stranded in Saudi Arabia. Majority of them are from Kerala and Karnataka. “We are working on their return as well demanding that they are paid their dues,” he said.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Mangalore / TNN / August 09th, 2016
Mufti Mohammad Akhtar Raza Khan Qadiri aka Azhari Miyan, chief cleric of the influential Dargah Aala Hazart here, has occupied 25th place in the annual list of 500 ‘most powerful and influential Muslims’ across the world.
The list was prepared by the Jordanian thinktank Royal Islamic Strategic Study Centre (RISSC), affiliated with the Royal Aal al-Bayt Institute for Islamic Thought in Amman.
Azhari, 72, who has around five crore disciples in 55 countries all over the globe, has regularly featured in this list. He was ranked 22nd in 2013, 2014 and 2015. Considered as the ‘grand’ mufti in India, Azhari has written more than 5,000 fatwas, the most famous being one that was passed in 1975 against sterilisation.
“The then Prime Minister Indira Gandhi had made sterilization compulsory in the country. Even Darool Uloom Deoband had passed a fatwa, claiming the process is valid in Islam. But Azhari Miyan stood by his decision, saying the medical process was against sharia,” said Maulana Shahbudeen Razvi, Azhari’s secretary.
Azhari is the great grandson and successor of one of the most distinguished sub-continental Islamic scholars in history, Ahmad Raza Khan. Khan had founded the Barelvi movement in South Asia.
“Azhari Miyan shot into prominence after he refused to offer namaz at the Imam-e-Haram at Mecca in 1986 since a Wahabbi cleric was leading the prayers. Following this, he was arrested by the Saudi Arabian government. But largescale protests throughout the world forced the Saudi Arabian government to release him,” added Razvi.
Azhari has also authored more than 50 books on Islamic theology and thought in Urdu and Arabic. After receiving his basic education at the Manzar-e-Islam madrassa of the Dargah Aala Hazrat and Islamia Inter College, Bareilly, he pursued higher studies at the Al-Azhar University, Egypt. He was honoured with the prestigious ‘Fakhre Azhar’ (pride of Azhar) award by the Al-Azhar University. “It is considered as one the biggest awards in the Islamic world,” said Razvi.
Azhari’s son Maulana Asjad Raza Khan, who is also the Bareilly city Qazi, said, “My father has always given messages of love, peace and prosperity. He says that terrorism has no link with Islam and people should not keep any connection with it.”
Apart from Azhari, another Indian to feature among the top 50 in the list is Maulana Mahmood Madani, leader and executive member of Jamiat Ulema-e-Hind. Madani was ranked 43rd in the list. The RISSC publication highlights people who have influenced and benefitted others within the Muslim community through their practice of Islam.
The top ten personalities in the list this year included names of King Abdullah II ibn Al-Hussein, king of Jordan, professor Sheikh Ahmad Muhammad Al-Tayyeb, the grand sheikh of Al-Azhar University, King Salman bin Abdul-Aziz Al-Saud, king of Saudi Arabia, Grand Ayatollah Sayyid Ali Khamenei, supreme leader of Iran, Amir al-Mu’minin King Mohammed VI, king of Morocco, Sultan Qaboos bin Sa’id Al-Sa’id, sultan of Oman, General Sheikh Mohammed bin Zayed Al-Nahyan, crown prince of Abu Dhabi, President Recep Tayyip Erdogan, president of Turkey, Grand Ayatollah Sayyid Ali Hussein Sistani, marja of the hawza, Iraq and Hajji Muhammad Abdul-Wahhab, Amir of Tablighi Jamaat, Pakistan.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Bareilly / by Priyangi Agarwal / TNN / August 08th, 2016
No more the hassles of carrying multiple ATM cards, an innovator in Kerala has developed a ‘Prime Card’ that helps customers merge savings accounts of different banks in a single card. He affirms that it can replace the US-based VISA and Master card available in India and emerge an alternative to existing Indian domestic card ‘RuPay’ with high-end security features. He has applied for an Indian patent for his innovation.
The 43-year-old innovator K Ummer Thalhath, a native of Malappuram opted out of his final year graduation in science at Farook College in Kozhikode. He went on to pursue an electronics course for three years and left that on an innovation spree.
Thalhath claims that the card has high-end security features and hence none would be able to duplicate or hack it. It will help the bank account holder draw money from any ATM. If the Prime Card is lost or stolen, the one who gets hold of it may not know which bank accounts are merged in the card and it has two pin numbers which cannot be easily cracked.
He is keen to develop it further with the support of industries here, who are willing to develop a domestic high-end electronic payment facility.
VISA and Mastercard are US-based global payments technology companies, while RuPay is an Indian domestic card scheme. He believes that his idea of ‘Prime Card’ payment technology if realized in association with Indian banks or domestic card company, will help India take a lead in floating a high-end secure card. He has held initial discussion with major banks including State Bank of India (SBI), Industrial Development Bank of India (IDBI) and Federal Bank.
The account holder can merge existing accounts or new account to the Prime Card with different personal identification numbers (pin) for different bank accounts. On high-end security feature of the card, he said Prime Card has two pin numbers, the customer should provide one pin when the card is inserted in ATM machine and another when selecting the bank for transaction. Other security modes are Matching Number System and Number looping system. Hence the security is much higher than ordinary cards, he said.
Responding to that, Federal Bank – Digital Banking assistant general manager Sunny KP told TOI that “the idea is good as it is handled by a single payment application software, yet there are practical difficulties in its implementation. It requires infrastructure, intermediary standing between banks to merge accounts and permit from Reserve Bank of India (RBI).”
National Payments Corporation of India (NPCI) chief manager Dheeraj Bharadwaj said over 50 crore cards are already in the market and to replace that with one card for various bank accounts would be tedious as it requires the consent of many banks. It was NCPI that launched RuPay to fulfil RBI’s desire to have a domestic and multilateral payment system in the country.
Centre for Science and Technology Entrepreneurship Development (C-STED) director Ajith Prabhu assured all possible support to take it forward in terms of exploring the commercial possibilities.
While, the innovator swears by his innovation that it can end the headache of banks over issues involving current ATM transactions. However, an electronic payment company or a financial institution with RBI permit should come forward to take it up, he said.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Thirvananthapuram / by Laxmi Ajai Prasanna / TNN / August 08th, 2016
Tanveer Sait to inaugurate Haj Camp-2016 on Aug. 1
Mysuru :
The District Haj Committee held its preliminary meeting under the Chairmanship of Abdul Azeez Chand at Muslim Girls Orphanage in city recently. The meeting elected Abdul Azeez Chand as Convener and Arif Ahmed Mekhri as Joint Convener for the orientation and inoculation for pilgrims of Haj-2016 from Mysuru, Mandya and Chamarajanagar.
The Haj Camp-2016 will be held on Aug. 1 at RK Palace in Udayagiri. Minister for Primary and Secondary Education, Minority Welfare and Wakf Tanveer Sait will be the chief guest.
Co-ordinator Mohammed Mumtaz Ahmed, Anwar Pasha, Syed Younus, Rafeeq Ahmed Khan, Rehman Khan, Irfan Silverline, Sohail Baig, Yusuf Jidda, Shabnam Sayeed, Akbar Aleem of Nanjangud, Mohiuddin of Mandya, Qurath Bhai and Khaleel, District Wakf Advisory Board Officers, were present.
For details, contact the Cordinator on Mob:97417-89000.
source: http://www.starofmysore.com / Star of Mysore / Home> General News / July 23rd, 2016
Armaan Ebrahim was off a fine start and went into the lead exiting Turn-1 and maintained the one-second advantage till he pitted for Dilantha to take over. (Source: IndiainF1)
Thailand :
In the double header, Armaan Ebrahim and Dilantha Malagamuwa, driving team Dilantha Racing, finished third in the first race on Saturday.
Indian racer Armaan Ebrahim, along with Sri Lankan Dilantha Malagamuwa, notched a fine double in the Lamborghini Blancpain Super Trofeo Asia series here this weekend.
In the double header, Armaan and Malagamuwa, driving team Dilantha Racing, finished third in the first race on Saturday and went one better today with a second place finish.
Armaan had qualified second for the first race, just a 10th off the pole position while Dilantha, suffering from an indisposition, was placed sixth for the second outing.
Armaan was off a fine start and went into the lead exiting Turn-1 and maintained the one-second advantage till he pitted for Dilantha to take over.
Dilantha, however, lost one spot and eventually finished third which was creditable considering that the Sri Lankan was on drips going into the weekend due to food poisoning.
In the second race, Dilantha, feeling much better, jumped two spots to move into fourth and gained another place when the car in front ran wide. After the mandatory pit-stop, Armaan took over and put in some blistering laps to move into second spot, but could not make any progress as he had too much a gap to make up.
Reflecting on his weekend, Armaan said: “We were a bit unfortunate in the first race after I came in when in the lead as Dilantha had not fully recovered from food poisoning that had him on the drips. Considering this, we were happy to finish second.
“In race two, Dilantha had to start since he qualified and luckily was feeling better. He got a good start and moved into fourth and after a couple of laps of applying pressure. The car in front of him ran wide allowing him to get through.
“Dilantha held third for the rest of his stint, but the gap to the leaders was considerably huge. Once I got in, I had to drive like a quali and managed to catch the car in P2 and pass him. I started making time on the leader, but the gap was too big and we ran out of time which meant we finished a strong second.”
source: http://www.indianexpress.com / Indian Express / Home> Express Sports> Sports> Motor Sports / by PTI , Buriram / July 24th, 2016
In this September 12, 2013 photo, S.H. Raza works on a “bindu” as his disciple Manish Pushkale looks on at the former’s studio in New Delhi. / The Hindu
“Bindu is a source of energy, source of life. Life begins here, attains infinity here”.
A few years ago, aged 89, S.H. Raza was game to talk to children almost like one, maybe just a couple of years older. Then, at the Jaipur Literature Festival he allowed the youngsters, who had surrounded him, a little peek into his life. Back in India after spending 60 years in France, his life seemed to have come a full circle. Not ready to confer retrospective dignity to his early years, Raza candidly admitted: “I was not fond of school. I was a bad student scoring low marks. Arithmetic did not interest me. My interest lay in drawing and painting. Fortunately, I found the right gurus. It is imperative parents as well as teachers understand a child’s qualities.” Raza himself was lucky. A restless soul that he was, his primary schoolteacher once asked him to continuously look at a dot on the wall inside the classroom to calm his mind. It was a little exercise that was to change the meaning of life for Raza, who turned the simplebindu into a work of art before raising it to the status of life itself.
Incidentally, Raza often judged as a France-based artist, grew up in a Madhya Pradesh village and went on to study at the Sir JJ School of Art. Around the time that the nation was hoisting the tricolour for the first time as an independent country in 1947, he founded the Bombay Progressive Artists’ Group. The group challenged the existing art establishment and Raza’s image as a rebel was probably etched with it.
His long journey in the world of arts started thus. Raza started as a landscape painter, a colourist. Soon the bindu occupied his mind and he turned to metaphysical ideas. This relentless search for the infinite got him plenty of laurels and lots of money. Though he refused to quantify art in terms of money, none could deny the steep price tags that accompanied many of his works. For instance, Saurashtra went for Rs. 15.9 crore. His La Terre attracted a whopping Rs. 18.8 crores.
(A combination of S.H. Raza’s works. “Bindu is a source of energy, source of life. Life begins here, attains infinity here,” he had said)
After linking all the dots in the universe of art, Raza, aged 94, passed away quietly in an intensive care unit of a hospital in New Delhi.
There was not a note that was not dignified, not a colour in the palette that was left unexplored. Often short of breath, hard of hearing with fading vision, Raza with his frail frame looked very much his age to a layman. To a lover of art, he remained a genius, transcending the inevitable frailties of age with determination. Where his eyes failed him, his fingers did not. He continued to whip up magic till the end. Even when the man who was a master at giving a new meaning to colours needed the help of an assistant to mix his colours, his magic did not elude him. Fittingly, one of his last exhibitions was titledNirantar (Relentless). With that single term he lived up to the words of noted Hindi author Ashok Vajpeyi who often said that Raza did not paint to live, he lived to paint. The exhibition itself contained some of the works he had done after coming back to India, between 2011 and 2016.
If in that interaction with youngsters in Jaipur, Raza stated that “Bindu is a source of energy, source of life. Life begins here, attains infinity here”, a few years later in New Delhi he showed other shades to his personality as he talked gently, if, one may say so, almost relentlessly, of Modernism. Yet he did not fail to talk of specifics, happy once again to talk of the bindu, how it provides focus in life, indeed, life itself. Happy he was to talk of early red, the later blues and yellows. And equally at ease talking of the marriage of art and artist, how initially man creates art, how then art forms him. Little wonder, the distinction between Raza and his art gradually disappeared over the years. His art could never conceal the artist, in the final years, it spoke on behalf of the artist. Little wonder, fellow artist Krishen Khanna once said that his friend lived his art! And Raza found profound meaning into something as innocuous as juxtaposing two colours. According to him, the two colours could be in conciliation and harmony or conflict and unending struggle, almost like a man-woman relationship. Raza brought to his canvas the quintessential Indian spirituality and tradition by concentrating his energies on colours, purush-prakriti and nari in his trademark geometric abstract works. And to think, he introduced the French to our artworld and set up studios there!
A contemporary of M.F. Husain, F.N. Souza, Khanna and Tyeb Mehta, Raza carved out his own niche on his own terms. He played with colours like none else and was wise enough to understand that art lovers abroad loved Indian art not jut for its spirituality but its constant soaking in of colours. Of course, like the longest of journeys begins with a single step, for Raza any art too began with a dot. An art work was never the sum of its parts, rather each part, each stage was art itself. Slowly, this centreing of the universe around the dot consumed the mind, and life, itself of Raza. What it gave him in return was priceless art that seeks to confer immortality on the artist.
As he celebrated the bindu in conversations, he occasionally recalled the primary school teacher too. As the Padma Vibhushan awardee fought one last battle one cannot help recall Ashok Vajpeyi’s words that Raza lived to paint. And when he could no longer paint, life lost its meaning… Life indeed had come a full circle. Yes, the bindu is the most important thing of all.
source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> Art / by Ziya Us Salam / July 23rd, 2016